Trivia: Wrote plays as a child that he performed with friends. Archbishop Rowan Williams was one of his teachers when he attended the University of Cambridge. Worked with the National Theatre and Royal Shakespeare Company after college. First met his wife, Lulu, when they were in their teens. They drifted apart, but became reacquainted during their 30s. Made his professional acting debut in 1986 as an understudy to Ralph Fiennes in a production of A Midsummer Night's Dream. Supports Merlin, a medical charity, and Scene & Heard, a mentoring program that pairs inner-city children from Somers Town, London, with theatre professionals.

Trivia: British actress Sally Hawkins parlayed her English refinement into an extremely varied series of roles beginning in the early 2000s -- including occasional crime-themed action pictures, social-consciousness dramas, and contemporary suspensers. She took one of her first international bows as a 19th century lesbian in the U.K. miniseries Tipping the Velvet (2002), appeared as Slasher in Matthew Vaughn's Guy Ritchie-influenced gangster film Layer Cake (2004), and played Susan, a pregnant rich girl desperate for an abortion, in Mike Leigh's searing, heart-wrenching character study Vera Drake (2004). The actress then signed for one of the key roles in Woody Allen's European thriller Cassandra's Dream. She scored her greatest success so far reteaming with Mike Leigh for 2008's Happy-Go-Lucky. Her work earned her a number of year end critics awards including the New York Film Critics award for Best Actress. She followed that up with a small part in the Best Picture nominee An Education, playing a teacher in the sci-fi drama Never Let Me Go, and playing the unlikely leader of a worker's revolt in the British period piece Made in Dagenham. She appeared in the quirky romantic comedy Submarine, and played Mrs. Reed in the well-reviewed 2011 adaptation of Jane Eyre.

Trivia: British character actress Julie Walters has made a career out of playing working-class women with good hearts and sharp tongues -- which should come as no surprise, given her background. Born in Birmingham, England, on February 22, 1950, Walters was raised in a strong, practical family where she was encouraged to study nursing. Walters did in fact enroll in the nursing program at Manchester Polytechnic, but in her second year of studies she developed an interest in acting, and eventually changed her major to theater. Walters soon made friends with fellow theater student Pete Postlethwaite, and they joined a small theater troupe with Matthew Kelly; Walters made her legitimate stage debut not long after in a Liverpool production of The Taming of the Shrew. Walters also began moonlighting as a comedian, performing as a standup act and with an improvisational troupe called Van Load. In 1976, Walters made her London stage debut in Funny Peculiar, and in 1980, she was cast in the title role of the Royal Shakespeare Company's production of Willy Russell's play Educating Rita. Walters won rave reviews for her performance, and the comedy-drama became a major success; following her appearances in several well-received television productions, Walters was cast in the film version of Educating Rita opposite Michael Caine, and the movie was a solid critical and financial success in both Europe and the United States. Walters' budding film career seemed to have gotten off to a solid start when she was nominated for an Academy Award for her work in Educating Rita; while she didn't win, she did receive Golden Globe and British Film Academy awards for her performance. However, Walters opted to continue living and working in Britain, and while she maintained a busy schedule of television and stage work, it would be a few years before Walters became a regular presence in films. In 1987, she won the leading role in the fact-based comedy Personal Services, as well as a major supporting role in the Joe Orton biopic Prick up Your Ears, and the following year she starred opposite pop star Phil Collins in another comedy-drama drawn from real life, Buster. Over the next ten years, Walters continued to work steadily in British television (both in dramatic roles and in comedic appearances, frequently with English comedy star Victoria Wood), but her next major screen success wouldn't arrive until 2000, when she played dance instructor Mrs. Wilkinson in the international hit Billy Elliot; the role earned her another Academy Award nomination, as well as a British Film Academy nomination. The following year, Walters appeared in a small role in one of the year's biggest box-office blockbusters, Harry Potter and the Sorcerer's Stone, as well as a number of TV projects. Offscreen, Walters is married to Grant Roffey, who operates a successful organic farm; they're the parents of a daughter, Maisie. In 1999, Walters received special recognition for her work in the arts when she was presented an Order of the British Empire by Queen Elizabeth for her services to British drama. In the years to come, Walters would remain active on screen, appearing in moviesl ike Mama Mia!.

Trivia: One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris.He remained one of the most respected actors of his generation and continued to work steadily for directors all over the world. In 2002 he was cast in Martin Scorsese's epic historical drama Gangs of New York. In 2003 he took a cameo part in Bright Young Things. In 2004 he returned for the Bridget Jones sequel, and took a bit part in Mike Leigh's Vera Drake. He worked in a number o animated films including Doogal, Valiant, and Robots. In 2007 he had the title role in Longford, a historical drama about the infamous Moor Murders, and the next year he was part of Indiana Jones and the Kingdom of the Crystal Skulls.As the 2010's continued, Broadbent would remain a vital, respected, and beloved force on screen, appearing most memorably in projects like The Young Victoria and The Iron Lady.

Trivia: Father's family comes from Picinisco, Italy; mother's family was Irish. Wrote to the BBC in 1974, regarding Doctor Who (played by Jon Pertwee at the time) and received back several Doctor Who scripts. Was in a punk rock band, called Dreamboys, with Craig Ferguson in college. Was cast in Local Hero (1983) when his landlady, who worked as a costume designer, introduced him to director Bill Forsyth. Shortly before he was announced as the Twelfth Doctor Who, he played a W.H.O. Doctor in World War Z (2013). Patron of Aberlour, a children's charity.

Trivia: Once relegated to decorative parts for years and long acknowledged as the wife of Tom Cruise, Nicole Kidman spent the latter half of the 1990s and the first decade of the new millennium earning much-deserved critical respect. Standing a willowy 5'11" and sporting one of Hollywood's most distinctive heads of frizzy red hair, the Australian actress first entered the American mindset with her role opposite Cruise in Days of Thunder (1990), but it wasn't until she starred as a homicidal weather girl in Gus Van Sant's 1995 To Die For that she achieved recognition as a thespian of considerable range and talent. Though many assume that the heavily-accented Kidman hails from down under, she was actually born in Honolulu, Hawaii, on June 20, 1967, to Australian parents. Her family, who lived on the island because of a research project that employed Kidman's biochemist father, then moved to Washington, D.C. for the next three years. After her father's project reached completion, Nicole and her family returned to Australia.Raised in the upper-middle-class Sydney suburb of Longueville for the remainder of the 1970s and well into the eighties, Kidman grew up infused with a love of the arts, particularly dance and theatre. Kidman took refuge in the theater, and landed her first professional role at the age of 14, when she starred in Bush Christmas (1983), a TV movie about a group of kids who band together with an Aborigine to find their stolen horse. Brian Trenchard-Smith's BMX Bandits (1983) -- an adventure film/teen movie -- followed , with Kidman as the lead character, Judy; it opened to solid reviews. Kidman then worked for the gifted John Duigan (The Winter of Our Dreams, Romero) twice, first as one of the two adolescent leads of the Duigan-directed "Room to Move" episode of the Australian TV series Winners (1985) and, more prestigiously, as the star of Duigan's acclaimed miniseries Vietnam (1987).In 1988, Kidman got another major break when she was tapped to star in Phillip Noyce's Dead Calm (1989). A psychological thriller about a couple (Kidman and Sam Neill) who are terrorized by a young man they rescue from a sinking ship (Billy Zane), the film helped to establish the then-21-year-old Kidman as an actress of considerable mettle. That same year, her starring performance in the made-for-TV Bangkok Hilton further bolstered her reputation. By now a rising star in Australia, Kidman began to earn recognition across the Pacific. In 1989, Tom Cruise picked her for a starring role in her first American feature, Tony Scott's Days of Thunder (1990). The film, a testosterone-saturated drama about a racecar driver (Cruise), cast Kidman as the neurologist who falls in love with him. A sizable hit, it had the added advantage of introducing Kidman to Cruise, whom she married in December of 1990.Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992). Despite their joint star quality, gorgeous cinematography, and adequate direction by Ron Howard, critics panned the lackluster film.Kidman's subsequent projects, My Life and Malice ( both 1993), were similarly disappointing, despite scattered favorable reviews. Batman Forever (1995), in which she played the hero's love interest, Dr. Chase Meridian, fared somewhat better, but did little in the way of establishing Kidman as a serious actress even as it raked in mile-high returns at the summer box office. Kidman finally broke out of her window-dressing typecasting when Gus Van Sant enlisted her to portray the ruthless protagonist of To Die For (1995). Directed from a Buck Henry script, this uber-dark comedy casts Kidman as Suzanne Stone, a television broadcaster ready and eager to commit one homicide after another to propel herself to the top. Displaying a gift for impeccable comic timing, she earned Golden Globe and National Broadcast Critics Circle Awards for Best Actress. Further critical praise greeted Kidman's performance as Isabel Archer in Jane Campion's 1996 adaptation of Henry James' The Portrait of a Lady. Now regarded as one of the hottest actresses in Hollywood, Kidman starred opposite George Clooney in the big-budget action extravaganza The Peacemaker (1997) and opposite Sandra Bullock in the frothy Practical Magic (1998). In 1999, Kidman starred in one of her most controversial films to date, Stanley Kubrick's Eyes Wide Shut. Adapted from Arthur Schnitzler's Traumnovelle and cloaked in secrecy from the beginning of its production, the film also stars Cruise as Kidman's physician husband. During the spring and summer of 1999, the media unsurprisingly hyped the couple's onscreen pairing as the two major selling points. However, despite an added measure of intrigue from Kubrick's death only weeks after shooting wrapped, Eyes Wide Shut repeated the performance of prior Kubrick efforts by opening to a radically mixed reaction.As the new millennium arrived, problems began to erupt between Kidman and Tom Cruise; divorce followed soon after, and the tabloids swirled with talk of new relationships for the both of them. She concurrently plunged into a string of daring, eccentric film roles much edgier than what she had done before. The trend began with a role in Jez Butterworth's Birthday Girl (2001) as a Russian mail order bride, and Baz Luhrmann's Moulin Rouge (2001), which cast her, in the lead, as a courtesan in a 19th century Paris hopped up with late 20th century pop songs. The picture dazzled some and alienated others, but once again, journalists flocked to Kidman's side.Following this success (the picture gleaned a Best Picture nod but failed to win), Kidman gained even more positive notice for her turn as an icy mother after the key to a dark mystery in Alejandro Amenabar's spooky throwback, The Others. When the 59th Annual Golden Globe Awards finally arrived, Kidman received nominations for her memorable performances in both films. Though it couldn't have been any further from her flamboyant turn in Moulin Rouge, Kidman's camouflaged role as Virginia Woolf in the following year's The Hours (2002) (she wears little makeup and a prosthetic nose), for which she delivered a mesmerizing and haunting performance, kept the Oscar and Golden Globe nominations steadily flowing in for the acclaimed actress. The fair-haired beauty finally snagged the Best Actress Oscar that had been so elusive the year before. Post-Oscar, Kidman continued to take on challenging work. She played the lead role in Lars von Trier's Dogville, although she declined to continue in Von Trier's planned trilogy of films about that character. She swung for the Oscar fences again in 2003 as the female lead in Cold Mountain, but it was co-star Renee Zellweger who won the statuette that year. Kidman did solid work for Jonathan Glazer in the Jean-Claude Carriere-penned Birth, as a woman revisited by the incarnation of her dead husband in a small child's body, but stumbled with a pair of empty-headed comedies, Frank Oz's The Stepford Wives and Nora Ephron's Bewitched (both 2005), that her skills could not save. She worked with Sean Penn in the political thriller The Interpreter in 2005. For the most part, Kidman continued to stretch herself with increasingly demanding and arty roles throughout 2006. In Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus, Kidman plays controversial housewife-cum-photographer Diane Arbus. Meanwhile, Kidman returned to popcorn pictures by playing Mrs. Coulter in Chris Weitz's massive, $150-million fantasy adventure The Golden Compass (2007), adapted from Philip Pullman's His Dark Materials series of books. She also headlined the sci-fi thriller The Invasion, a loose remake of the classic Invasion of the Body Snatchers. Also in 2007, Kidman teamed up with Noah Baumbach for a starring role as a supremely dysfunctional mother in Margot at the Wedding (2007). The actress then set out to recapture her Moulin Rouge musical success with a turn in director Rob Marshall's 8 1/2 remake Nine (2009), teamed up with indie cause-célèbre John Cameron Mitchell and Aaron Eckhart for the psychologically-charged domestic drama Rabbit Hole (2010), and starred opposite Jennifer Aniston and Adam Sandler in the Dennis Dugan-helmed comedy Go With It (2011). Kidman would spend the next few years continuing her high level of activity, appearing in movies like Trespass and The Paperboy.

Trivia: Due to Alopecia, lost all his hair at age 6. Attended the same boarding school as Sacha Baron Cohen, who was in Lucas's older brother's class. Met longtime comedy collaborator David Walliams when both attended the National Youth Theater (which also boasts alumni such as Helen Mirren and Daniel Craig). The pair debuted on stage together in 1995 at the Edinburgh Fringe Festival. Lucas and Walliams co-created Little Britain for BBC 4 Radio in 2001, BBC television in 2003 and then HBO (as Little Britain USA) in 2008. Entered into a civil partnership with Kevin McGee at a December 2006 ceremony, which included guests such as Elton John and Courtney Love; the union was legally dissolved in October 2008.

Trivia: Has given his voice to three video games: Wallace & Gromit: The Curse of the Were-Rabbit, Perfect Dark Zero and Kameo. Stars in and directs the British comedy prank series Fonejacker and Facejacker. Prank called the BBC and left a message pretending to be Kevin Spacey; the BBC called him back.

Trivia: British film and television actor Matt King specialized in characterizations with a slightly wild, hyperkinetic bent, often to great comedic effect. A stand-up comedian by stock and trade, King initially emerged as a star in Britain as the nutty, crack-addled Super Hans, a multiseason turn on the irreverent English mockumentary sitcom Peep Show (2003). Its success spurred King on to greater heights, including extensive big screen work for such directors as Guy Ritchie (as a hooligan in that helmer's 2008 crime comedy RocknRolla) and Nicolas Winding Refn (in the same year's biopic of British criminal Charles Bronson, Bronson). Also in 2008, King signed on to work with Iain Softley in the big screen children's fantasy Inkheart (2009). Off camera, the comedian/actor sustained a reputation for his caustic wit and irreverent, occasionally profane jests.

Trivia: Geoffrey Palmer is a master of deadpan drollery. His hangdog countenance and understated comedic style are two of the main reasons that his TV situation comedies are popular not only in Britain but also in America. Among the best-loved of his sitcoms -- which enjoy a long afterlife in the rerun market -- are The Rise and Fall of Reginald Perrin and As Time Goes By. In the latter sitcom, Palmer co-stars with one of the U.K.'s most esteemed actresses, Judi Dench. They play old flames reunited after 40 years. Palmer has also performed in other popular TV comedies, including Fawlty Towers, Executive Stress, Fairly Secret Army, Hot Metal, Butterflies, and Whoops Apocalypse. In addition, his finespun wit and waggery has enlivened many a film production, such as Rat, A Fish Called Wanda, and The Madness of King George.Palmer was born in London on June 4, 1927. After a brief career in business, he discovered his acting talent in amateur theater, then became a stage manager and eventually a full-time performer. Like so many other outstanding British actors, he studied and acted in plays written by the greatest popularizer of situation comedies, William Shakespeare. His role as Quince in A Midsummer Night's Dream is well known to fans of BBC Shakespeare productions. However, Palmer has not limited himself to comedies; he has also performed in productions in other genres, such as Mrs. Brown (a drama about Queen Victoria as a widow), Tomorrow Never Dies (a James Bond adventure), and Anna and the King (a historical/costume epic about an Englishwoman's relationship with the King of Siam). Thanks to his resonant voice, Palmer has also obtained work doing TV commercials, selling everything from veal to varooming cars. In his leisure time, he enjoys foraying into nature with his wife, Sally, who introduced him to trout and salmon fishing. They have two children.