Trivia: Intending to become a dentist like his father, American actor Edgar Buchanan wound up with grades so bad in college that he was compelled to take an "easy" course to improve his average. Buchanan chose a course in play interpretation, and after listening to a few recitations of Shakespeare he was stagestruck. After completing dental school, Buchanan plied his oral surgery skills in the summertime, devoting the fall, winter and spring months to acting in stock companies and at the Pasadena Playhouse in California. He was given a screen test by Warner Bros. studios in 1940, received several bit roles, then worked himself up to supporting parts upon transferring to Columbia Pictures. Though still comparatively youthful, Buchanan specialized in grizzled old westerners, with a propensity towards villainy or at least larceny. The actor worked at every major studio (and not a few minor ones) over the next few years, still holding onto his dentist's license just in case he needed something to fall back on. Though he preferred movie work to the hurried pace of TV filming, Buchanan was quite busy in television's first decade, costarring with William Boyd on the immensely popular Hopalong Cassidy series, then receiving a starring series of his own, Judge Roy Bean, in 1954. Buchanan became an international success in 1963 thanks to his regular role as the lovably lazy Uncle Joe Carson on the classic sitcom Petticoat Junction, which ran until 1970. After that, the actor experienced a considerably shorter run on the adventure series Cade's County, which starred Buchanan's close friend Glenn Ford. Buchanan's last movie role was in Benji (1974), which reunited him with the titular doggie star, who had first appeared as the family mutt on Petticoat Junction.

Trivia: Dark-haired actress Lori Saunders is probably best remembered for her six season (1966-1972) portrayal of Bobbie Jo Bradley on the long-running sitcom Petticoat Junction. But she did appear in feature films, as well, including adventure and horror pictures, usually working under the name Linda Saunders, and even got to play the title-role in one such vehicle during the early/middle 1960s. Born Linda Marie Hines in Kansas City, Missouri in 1941, she began working as Linda Hines on television during the early 1960s, appearing in episodes of The Adventures of Ozzie And Harriet playing various characters. By the time she started showing up on episodes of Burke's Law and Bob Hope's TV specials, she was working as Linda Saunders, and it was under that name that she made her feature film debut in 1965, in The Girls On The Beach. Later that same year, Saunders played the title-role, a sort of distaff Tarzan, raised by wolves in the Alaskan wild, in Mara of the Wilderness, an adventure film that got a fairly wide theatrical release at the time, aimed primarily at younger audiences -- additionally, because it also starred Adam West, the movie was re-released following the premiere of the Batman television series in 1966, and was later shown on network television. By the time that movie had made its initial bow in theaters, however, Saunders had also appeared in a lead role in the Jack Hill/Stephanie Rothman-directed horror film Blood Bath (1966) (aka Track of the Vampire). In the year of that movie's release, however, Saunders redirected her work and career toward comedy, taking over the role of Bobbie Jo Bradley, the cerebral, studious middle daughter in the sitcom Petticoat Junction (and its sister series, Green Acres) from actress Pat Woodell. In contrast to Woodell, who had emphasized the character's braininess, Saunders' portrayal made the character a bit more boy-crazy and charmingly goofy -- one might think of a very young, slightly ditsy Phyllis Kirk -- and during the final season the writers gave her an on-going romantic interest in the guise of game warden Orrin Pike (Jonathan Daly). She also appeared in episodes of The Beverly Hillbillies and Love American Style and, following the cancellation of Petticoat Junction, worked in the comedy western series Dusty's Trail, as well as showing up in various feature films. Saunders retired from acting in the 1980s.

Trivia: Whit Bissell was a familiar face to younger baby boomers as an actor mostly associated with fussy official roles -- but those parts merely scratched the surface of a much larger and longer career. Born Whitner Nutting Bissell in New York City in 1909, he attended the University of North Carolina at Chapel Hill and was an alumnus of that institution's Carolina Playmakers company. He made his movie debut with an uncredited role in the 1940 Errol Flynn swashbuckler The Sea Hawk and then wasn't seen on screen again for three years. Starting in 1943, Bissell appeared in small roles in a short string of mostly war-related Warner Bros. productions, including Destination Tokyo. It wasn't until after the war, however, that he began getting more visible in slightly bigger parts. He had a tiny role in the opening third of Ernst Lubitsch's comedy Cluny Brown (1946), but starting in 1947, Bissell became much more closely associated with film noir and related dark, psychologically-focused crime films. Directors picked up on his ability to portray neurotic instability and weaselly dishonesty -- anticipating the kinds of roles in which Ray Walston would specialize for a time -- and used him in pictures such as Brute Force, He Walked by Night, and The Killer That Stalked New York. His oddest and most visible portrayal during this period was in The Crime Doctor's Diary (1949), in which he had a scene-stealing turn as a mentally unhinged would-be composer at the center of a murder case. By the early 1950s, however, in addition to playing fidgety clerks, nervous henchmen, and neurotic suspects (and friends and relatives of suspects), he added significantly to his range of portrayals with his deeply resonant voice, which could convincingly convey authority. Bissell began turning up as doctors, scientists, and other figures whose outward demeanor commanded respect -- mainstream adult audiences probably remember him best for his portrayal of the navy psychiatrist in The Caine Mutiny, while teenagers in the mid-1950s may have known him best for the scientists and psychiatrists that he played in Target Earth and Invasion of the Body Snatchers. But it was in two low-budget films that all of Bissell's attributes were drawn together in a pair of decidedly villainous roles, as the mad scientists at the center of I Was a Teenage Werewolf and I Was a Teenage Frankenstein. The latter, in particular, gave him a chance to read some very "ripe" lines with a straight face, most memorably, "Answer me! I know you have a civil tongue in your mouth -- I sewed it there myself!" But Bissell was never a one-note actor. During this same period, he was showing off far more range in as many as a dozen movies and television shows each year. Among the more notable were Shack Out on 101, in which he gave a sensitive portrayal of a shell-shocked veteran trying to deal with his problems in the midst of a nest of Soviet spies; "The Man With Many Faces" on the series Code 3, in which he was superb as a meek accountant who is pushed into the life of a felon by an ongoing family tragedy; and, finally, in "The Great Guy" on Father Knows Best, where he successfully played a gruff, taciturn employer who never broke his tough demeanor for a moment, yet still convincingly delivered a final line that could bring tears to the eyes of an audience. By the end of the 1950s, Bissell was working far more in television than in movies. During the early 1960s, he was kept busy in every genre, most notably Westerns -- he showed up on The Rifleman and other oaters with amazing frequency. During the mid-1960s, however, he was snatched up by producer Irwin Allen, who cast Bissell in his one costarring role: as General Kirk, the head of the government time-travel program Project Tic-Toc on the science-fiction/adventure series Time Tunnel. He also showed up on Star Trek and in other science-fiction series of the period and continued working in dozens of small roles well into the mid-1980s. Bissell died in 1996.

Trivia: American actress Hope Summers was noted in Hollywood for her ability to emit blood-curdling screams. The character actress worked frequently on stage, radio, television, and in feature films.