Trivia: Audrey Meadows will be forever immortalized as Alice Kramden ("Alice, you're the greatest!"), wife of bus-driver Ralph Kramden on The Honeymooners (irregularly from 1951-1971). Despite its later popularity, The Honeymooners actually began as a series of sketches, just one part of The Jackie Gleason Show (1952-1970). The show had only one real season of 39 shows, in 1955, and it wasn't a success. Later, the original sketches were re-edited into episodes in the '80s, which is when the show finally became a success. Born in China, the red-haired actress is the older sister of Steve Allen's wife Jayne Meadows. She also appeared on Bob and Ray (1951-53), Club Embassy (1952-53), Too Close for Comfort (1980-83), and several game shows. She won an Emmy Award for The Jackie Gleason Show in 1955. Her film appearances include Lady in the Lake (1946). Meadow's feature film credits include character roles in That Touch of Mink (1962) and Rosie! (1967). In 1995, Meadows was diagnosed with cancer, but she told no one, not even her sister, until she was admitted to the hospital on January 24, 1996. Meadows passed away on February 3, 1996.

Trivia: American actor/singer Ray Middleton spent several years in regional and New York stage productions before his first film appearance (a non-singing one) in Gangs of Chicago (1940). He might have made his film debut in 1938, the year he was being considered for the romantic lead in the Laurel and Hardy comedy Swiss Miss; however, the film's leading lady, Della Lynd, vetoed Middleton in favor of Walter Woolf King. Most of Middleton's films were forgettable save for his starring appearance in I Dream of Jeannie (1952), an unusually lavish Republic Studios biopic about the life of Stephen Foster. In 1965, Middleton signed on to play the Innkeeper in the Broadway musical Man of La Mancha, a role he retained through six seasons and several Don Quixotes. Despite the job security, those six years were eventful ones for Middleton. He underwent serious heart surgery during the play's run, only to return to his part stronger and in better voice than ever. And, for the first time in his life, Middleton took a bride, dancer/singer Patricia Dinnell. After La Mancha, the Middletons devoted themselves to Unitarian church activity and to Ray's one-man touring concert, America in Song and Dance. Active in TV commercials into the 1970s, Ray Middleton made a welcome screen return in the 1972 film musical 1776.

Trivia: American entertainer Mel Blanc, who would make his name and fortune by way of his muscular vocal chords, started out in the comparatively non-verbal world of band music. He entered radio in 1927, and within six years was costarring with his wife on a largely adlibbed weekly program emanating from Portland, Oregon, titled Cobwebs and Nuts. Denied a huge budget, Blanc was compelled to provide most of the character voices himself, and in so doing cultivated the skills that would bring him fame. He made the Los Angeles radio rounds in the mid-1930s, then was hired to provide the voice for a drunken bull in the 1937 Warner Bros. "Looney Tune" Picador Porky. Taking over the voice of Porky ("Th-th-th-that's all, Folks") Pig from a genuine stammerer who knew nothing about comic timing, Blanc became a valuable member of the "Termite Terrace" cartoon staff. Before long, he created the voice of Daffy Duck, whose lisping cadence was inspired by Warner Bros. cartoon boss Leon Schlesinger. In 1940, Blanc introduced his most enduring Warners voice -- the insouciant, carrot-chopping Bugs Bunny (ironically, Blanc was allergic to carrots). He freelanced with the MGM and Walter Lantz animation firms (creating the laugh for Woody Woodpecker at the latter studio) before signing exclusively with Warners in the early 1940s. Reasoning that his limitless character repetoire -- including Sylvester, Foghorn Leghorn, Speedy Gonzales, Tweety Pie, Pepe Le Pew, Yosemite Sam and so many others -- had made him a valuable commodity to the studio, Blanc asked for a raise. Denied this, he demanded and got screen credit -- a rarity for a cartoon voice artist of the 1940s. Though his salary at Warners never went above $20,000 per year, Blanc was very well compensated for his prolific work on radio. He was a regular on such series as The Abbott and Costello Show and The Burns and Allen Show, and in 1946 headlined his own weekly radio sitcom. For nearly three decades, Blanc was closely associated with the radio and TV output of comedian Jack Benny, essaying such roles as the "Si-Sy-Si" Mexican, harried violin teacher Professor LeBlanc, Polly the parrot, and the sputtering Maxwell automobile. While his voice was heard in dozens of live-action films, Blanc appeared on screen in only two pictures: Neptune's Daughter (1949) and Kiss Me Stupid (1964). Extremely busy in the world of made-for-TV cartoons during the 1950s and 1960s, Blanc added such new characterizations to his resume as Barney Rubble on The Flintstones (1960-66) and Cosmo Spacely on The Jetsons (1962). In early 1961, Blanc was seriously injured in an auto accident. For weeks, the doctor was unable to communicate with the comatose Blanc until, in desperation, he addressed the actor with "How are you today, Bugs Bunny?" "Eh...just fine, Doc," Blanc replied weakly in his Bugs voice. At that miraculous moment, Blanc made the first step towards his eventual full recovery (this story sounds apocryphical, and even Blanc himself can't confirm that it took place, but those who witnessed the event swear that it really happened). In the 1970s, Blanc and his actor/producer son Noel -- whom Mel was grooming to take over the roles of Bugs, Daffy and the rest -- ran their own school for voice actors. Mel Blanc continued performing right up to his death in July of 1989; earlier that same year, he published his autobiography, That's Not All, Folks.