Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: Born March 27th, 1963, director/screenwriter/actor/producer Quentin Tarantino was perhaps the most distinctive and volatile talent to emerge in American film in the early '90s. Unlike the previous generation of American filmmakers, Tarantino learned his craft from his days as a video clerk rather than as a film-school student. Consequently, he developed an audacious fusion of pop culture and independent arthouse cinema; his films were thrillers that were distinguished as much by their clever, twisting dialogue as their outbursts of extreme violence. Tarantino initially began his career as an actor (his biggest role was as an Elvis impersonator on an episode of The Golden Girls), taking classes while he was working at Video Archives in Manhattan Beach, CA. During his time at Video Archives, the fledgling filmmaker began writing screenplays, completing his first, True Romance, in 1987. With his co-worker, Roger Avary (who would later also become a director), Tarantino tried to get financial backing to film the script. After years of negotiations, he decided to sell the script, which wound up in the hands of director Tony Scott. During this time, Tarantino wrote the screenplay for Natural Born Killers. Again, he was unable to come up with enough investors to make a movie and gave the script to his partner, Rand Vossler. Tarantino then used the money he made from True Romance to begin pre-production on Reservoir Dogs, a film about a failed heist. Reservoir Dogs received financial backing from LIVE Entertainment after Harvey Keitel agreed to star in the movie. Word-of-mouth on Reservoir Dogs began to build at the 1992 Sundance Film Festival, which led to scores of glowing reviews, making the film a cult hit. While many critics and fans were praising Tarantino, he developed a sizable number of detractors. Claiming he ripped off the obscure Hong Kong thriller City on Fire, the critics only added to the director/writer's already considerable buzz. During 1993, Tarantino wrote and directed his next feature, Pulp Fiction, which featured three interweaving crime storylines; Tony Scott's big-budget production of True Romance was also released that year. In 1994, Tarantino was elevated from a cult figure to a major celebrity. Pulp Fiction won the Palme d'Or at the Cannes Film Festival that May, beginning the flood of good reviews for the picture. Before Pulp Fiction was released in October, Oliver Stone's bombastic version of Natural Born Killers hit the theaters in August; Tarantino distanced himself from the film and was only credited for writing the basic story. Pulp Fiction soon eclipsed Natural Born Killers in both acclaim and popularity. Made for eight million dollars, the film eventually grossed over 100 million dollars and topped many critics' top ten lists. Pulp Fiction earned seven Academy Award nominations, including Best Picture, Best Director, Best Original Screenplay (Tarantino and Avary), Best Actor (John Travolta), Best Supporting Actor (Samuel L. Jackson), and Best Supporting Actress (Uma Thurman); it won one, for Tarantino and Avery's writing.After the film's success, Tarantino was everywhere, from talk shows to a cameo in the low-budget Sleep With Me. At the beginning of 1995, he directed a segment of the anthology film Four Rooms and acted in Robert Rodriguez's sequel to El Mariachi, Desperado, and the comedy Destiny Turns on the Radio, in which he had a starring role. Tarantino also kept busy with television, directing an episode of the NBC TV hit ER and appearing in Margaret Cho's sitcom All-American Girl.The latter half of the '90s saw Tarantino continue his multifaceted role as an actor, director, screenwriter, and producer. In 1996, he served as the screenwriter and executive producer for the George Clooney schlock-fest From Dusk Till Dawn, and the following year renewed some of his earlier acclaim as the director and screenwriter of Jackie Brown. The film, in which Tarantino had a voice-over cameo, reunited him with Fiction star Samuel L. Jackson and won him the raves that had been missing for much of his post-Fiction career. Also in 1997, Tarantino appeared in Full Tilt Boogie, a documentary about the making of From Dusk Till Dawn. His film work the following year was essentially confined to a role in friend Julia Sweeney's God Said, Ha!, and in 1999, he was back behind the camera as the producer for From Dusk Till Dawn 2: Texas Blood Money. Though Tarantino would lay relatively low in the early years of the new millennium, he did make a prominent guest-starring appearance in 2001 on a two-episode story arc of the spy show Alias. In late 2002/early 2003, hype would soon start to build around his fourth feature, Kill Bill (2003). Though originally envisioned to be a single release, Kill Bill was eventually seperated into two films entitled Kill Bill Vol. 1 and Kill Bill Vol. 2 when it became obvious that the story was simply too far-reaching to be contained in a single film. A kinetic homage to revenge movies of the 1970s, Kill Bill Vol. 1 featured Uma Thurman as a former assassin known as "The Bride." While the first film in the pair was an eye-popping homage to Asian cinema and all things extreme, the outrageous violence of Kill Bill Vol. 1 stood in stark contrast to the dialogue-driven second installment that concluded the epic tale of revenge and betrayal. The gambit of separate releases paid off, as both earned a combined sum of more than 130 million dollars domestically.In the wake of the Kill Bill films, rumors abounded concerning Tarantino's next feature, and eager fans were shocked to see his name mentioned as being a potential candidate to helm everything from the next Friday the 13th film to a remake of the James Bond classic Casino Royale.In 2005, Tarantino did step back into the director's chair to helm a segment of Robert Rodriguez's eagerly anticipated comic book adaptation Sin City. A longtime friend of Rodriguez, Tarantino agreed to take part in the filming of Sin City, not only to repay the versatile filmmaker for providing soundtrack music for the Kill Bill films, but also to try his hand at digital filmmaking -- a process increasingly championed by the seemingly inexhaustable Rodriguez. After this, the two directors joined forces again, for one of the most ballyhooed and hotly anticipated pictures of 2007: Grindhouse. A no-holds-barred elegy to the sleazy, seedy, often half-dilapidated inner-city theaters of the 1970s that would churn out similarly sleazy movies, Tarantino and Rodriguez divided Grindhouse into two portions: the first half, Death Proof, directed by Tarantino, starred Kurt Russell in homage to the high-octane auto thrillers of the '70s. Merging low-brow thrills with blunt, existential dialogue, the Tarantino segment garnered the lion's share of the film's considerable critical praise, although the three-hour-plus Grindhouse ultimately failed to connect with audiences, much to the dismay of The Weinstein Company, who released it. Separate versions of Death Proof and Rodriguez's Planet Terror were then prepped for European release, with Tarantino's effort screened in competition at the 2007 Cannes Film Festival.In 2009 Tarantino issued Inglorious Basterds, a sprawling World War II epic abuot a band of Jewish American soldiers fighting an Apache resistence behind enemy lines in Nazi-occupied France. The film, strring Brad Pitt, was a hit around the world, and garnered Tarantino nominations from the Writers Guild, the Directors Guild, the Hollywood Foreign Press, and the Academy for his screenplay and his direction.He took three years to craft his follow up, Django Unchained, a revenge tale set in the pre-Civil War American south that follows a slave who teams up with a bounty hunter to get his wife away from a sadistic plantation owner. The film was a another international box office hit, and earned a number of year-end awards including a second Best Original Screenplay Oscar for Tarantino.

Trivia: An actress with a face that, like it or not, burns itself into your memory, not to be forgotten once initially exposed, feisty young actress Juliette Lewis once commented that her ability to look alternately attractive and repellant was a key element to her success, claiming that many attractive actresses simply can't be ugly if needed. Ugly she was as a viscously sadistic serial killer in Oliver Stone's notorious Natural Born Killers, in sharp contrast with her role as the virtually seductive cyberpunk-siren in the futuristic Strange Days. Born June 21, 1973, in Los Angeles, CA, Lewis had a distinct wild streak from her earliest days. Daughter of graphic artist/actor Geoffrey Lewis, Lewis realized her dreams of becoming an actress at the age of seven, turning those dreams into reality by becoming a professional actress at the age of 12. Distressed at the obstacles refraining her from fully immersing herself in her dreams (namely school and her parents), Lewis became legally emancipated at 14, gaining exemption from child-labor laws and the ability to work more than five hours a day. The final obstacle, high school, Lewis hurdled by dropping out at the age of 15, earning her equivalency exam with the aid of a tutor. That same year, she was arrested for being underage in an underground disco.Moving to Hollywood and living for a short period with actress Karen Black while seeking work, Lewis moved into an apartment with friends, finally finding the independence she had so diligently pursued. The payoff for her persistence was not far behind, as Lewis soon landed a role in the Showtime-produced Home Fires (1987). Following up with light comedic roles in the suburban extraterrestrial comedy My Stepmother Is an Alien (1988), and taking the role of Audrey in the third installment in the vacation series National Lampoon's Christmas Vacation, Lewis was well on her way to fully achieving her dreams of stardom. Her dramatic turn as Amanda Sue Bradley in Too Young to Die, the true story of the first minor to receive the death penalty, earned Lewis well-deserved praise and the recognition that would carry her forward into more challenging territory.Lewis' breakthrough role came in the form of the awkward and rebellious daughter flirting with a psychotic Robert De Niro in Martin Scorsese's Cape Fear, a role that earned her an Oscar nomination. More mature roles began to follow such as Johnny Depp's love interest in What's Eating Gilbert Grape and in her first foray into the mind of a serial killer, Kalifornia (both 1993). Her most notorious role to date, as the homicidal Mallory to Woody Harrelson's psychopathic Micky in the controversial and numbingly hyperkinetic ode to excess Natural Born Killers, displayed her remarkably enthusiastic ability for boundless exorbitance. With a few exceptions, namely 1999's The Other Sister, Lewis' post-Natural Born Killers career was filled with supporting roles and ensemble parts. She was the pregnant kidnapping victim in the noirish The Way of the Gun and played Jennifer Lopez's best friend in the domestic-violence thriller Enough. In 2003, Lewis played Luke Wilson's excessively unfaithful wife in Old School. Director Todd Phillips enjoyed working with her so much he cast her in 2004's high-profile comedic retooling of TV's Starsky and Hutch.She kept working steadily in a variety of projects including The Darwin Awards, Catch and Release, Drew Barrymore's rollerderby comedy Whip It, and she teamed up again with Todd Philips for his 2010 comedy Due Date. She appeared in the ensemble drama August: Osage County, an adaptation of the Pulitzer Prize-winning play, in 2013. Lewis then joined two television series at the same time, playing a detective in Secrets and Lies and a bartender in Wayward Pines, from executive producer M. Night Shyamalan. Both shows premiered in the spring of 2015.

Trivia: The son of a Los Angeles police officer, American actor/director Richard "Cheech" Marin earned his nickname through his fondness for the Chicano food, specialty cheecharone. An excellent student (if something of a class cutup), Marin entered California State University, only to drop out and hightail it to Canada to avoid the draft. While working as an improvisational comedian with Vancouver's City Work troupe, Marin teamed with Tommy Chong; the Hispanic/Asian duo created the characters of Cheech and Chong, a pair of zoned-out dopers ever in search of the "perfect joint." On the strength of their bestselling record albums, Cheech and Chong were signed for the inexpensive comedy film Up in Smoke (1978), which wound up as one of Warner Bros.' highest-grossing films (not to mention one of its highest, period). As the drug culture lost its momentum, so did the film career of Cheech and Chong, with each of the team's subsequent films making less money than its predecessor. By the time C & C headlined the atrocious The Corsican Brothers (1984), the jig was up. Cheech and Chong split up in 1984 (though they remained friends) and went off to their own projects. While it was Chong who directed many of the team's features, Marin sat in the director's chair for the best of his post-team projects, the 1987 film Born in East L.A, inspired by Cheech's own parody music video. Marin's starring film is Shrimp on the Barbie (1990) contained no drug jokes and fewer laughs (an indication of its quality is the fact that the director had his name removed from the credits in favor of the pseudonymous "Alan Smithee"). Lately regarded as an elder statesman of the counterculture, Marin has kept busy with cameo roles, cartoon voice-overs (Oliver and Company, Ferngully, The Lion King), and a brief stint as a costar of the 1992 TV sitcom "Golden Palace." In 1996, he began co-starring opposite Don Johnson in the television drama Nash Bridges. Around this time he began a fruitful collaboration with independent filmmaker Robert Rodriguez. Marin had a part in Desperado, and played multiple characters in the vampire film From Dusk 'til Dawn for the Austin based maverick. Marin was cast as Kevin Costner's best friend in the golf comedy Tin Cup in 1996. The beginning of the next decade brought Marin an unexpected new audience as he began a series of humorous appearances in family films and lent his vocal talents to a number of animated films. He appeared in all three segments of Rodriguez's Spy Kids series, did vocal work in Good Boy, and voiced one of the Cars in Pixar's film. He also played small parts in John Sayles Silver City, and Bob Dylan's Masked & Anonymous.

Trivia: After excelling in football and track Northwestern University, African-American film star Fred Williamson was drafted by the San Francisco 49ers. He later played for Pittsburgh, Oakland and Kansas City, bringing attention to himself in the latter city by wearing a custom-tailored uniform and white shoes, and developing a karate-based offensive move which he called "The Hammer." In 1969, Williamson moved into acting, playing important roles in the original M*A*S*H (1970) and Otto Preminger's Tell Me That You Love Me, Junie Moon (1970); he also appeared in the recurring part of Diahann Carroll's macho boyfriend on the TV series Julia (1969-71). One of Hollywood's major black stars of the 1970s, Fred Williamson starred in such actioners as The Legend of Nigger Charley (1972), Hell Up in Harlem (1973), Take a Hard Ride (1975) and The Bronx Warriors (1983); in addition, Williamson produced, directed and wrote many of his vehicles.

Trivia: Widely considered to be the first Mexican actress to become a Hollywood movie star since Dolores Del Rio, Salma Hayek is known for bringing a fiery presence and striking, dark-eyed beauty to the screen. A soap star in her native Mexico, Hayek risked her entire career to come to L.A., where she struggled to be taken seriously. Her discovery by director Robert Rodriguez, who cast her in his 1995 film Desperado, gave Hayek her breakthrough, and she subsequently gained a reputation as one of Hollywood's sexiest and busiest actresses.The daughter of a Spanish mother and Lebanese father, Hayek was born in Coatzacoalcos, Veracruz, Mexico, on September 2, 1966. Raised in a devoutly Catholic family, she was sent to a Louisiana boarding school at the age of 12. After getting into trouble for terrorizing the nuns, Hayek returned to Mexico, but she was eventually sent to Houston, Texas, to live with her aunt, where she stayed until she was 17. She subsequently moved to Mexico City, where she studied International Relations as a university student, but, to the chagrin of her family, decided to drop out in order to pursue a career as an actress. Starting out in local theatre productions, she eventually moved to television and landed a starring role in the popular soap opera Teresa. The show's success made Hayek a celebrity in her native country, but, desiring something more, she shocked her fans by deciding to quit the show in order to pursue a career in L.A.After taking a year to learn English and study acting with Stella Adler, Hayek got her first break when Allison Anders cast her in a supporting role in Mi Vida Loca (1993). The role allowed Hayek to obtain a Screen Actors Guild card, and after doing so, she continued to audition until she appeared on a Spanish-language cable access talk show that happened to count director Robert Rodriguez amongst its viewers. Rodriguez tracked Hayek down and promptly cast her in Desperado, his bigger-budget 1995 sequel to El Mariachi. The film, which also starred Antonio Banderas, succeeded in giving the actress her own plot on the Hollywood map, and Rodriguez again demonstrated his faith in her when he cast her in his next project, the vampire extravaganza From Dusk Till Dawn (1996). Unfortunately for Hayek, the film, which also starred George Clooney, failed to do as well as expected, and Hayek's next few projects were similarly lackluster. The Faculty (1998), a teen thriller that cast Hayek as a teacher who turns into an alien, was an exception, and Kevin Smith's Dogma (1999), which featured her as a celestial muse, was fairly successful with critics and audiences. Also in 1999, Hayek had a starring role in what was to be her biggest film to date, Barry Sonnenfeld's Wild Wild West, which also starred Will Smith and Kevin Kline. Unfortunately for all involved, the film was a turkey. In 2000, Hayek could be seen in smaller, edgier ventures, including the independent comedy Chain of Fools, in which she played a centerfold-turned- cop, and Mike Figgis' experimental Time Code, which cast her as Jeanne Tripplehorn's lover. If these films ultimately didn't provide Hayek with a role that would draw attention to her genuine talent, this would soon change with the long awaited biography of tragic artist Frida Kahlo. With her role as the epnoymous character in Frida (2002), Hayek disappeared into her subject so convincingly that not only would she return to the good graces of critics, but earn an Oscar nomination as well.Hayek would spend the coming years enjoying superstar status with everything from comedic turns on sitcoms like Ugly Betty (which she produced) and 30 Rock, to meaty roles in dramatic thrillers like Savages.

Trivia: Brando-esque leading man Michael Parks was one of five children of an itinerant laborer. Like the rest of his family, Parks drifted from job to job in his early teens, briefly marrying at 15. When he wasn't nickel-and-diming it as a migrant worker, Parks acted with amateur theater groups up and down the California coast. Discovered by an agent in 1960, Parks was signed to a Universal contract, spending most of his time on suspension due to his ornery outspokenness. He settled down long enough to play an au naturel Adam in John Huston's The Bible (1966) and to star as a young motorcyclist in search of the Real America on the 1969 TV series Then Came Bronson. Parks astonished his anti-establishment fans in 1968 when he supported George Wallace for the presidency. Parks' film appearances since then have been confined to second-string productions, though he managed to attract attention in 1977 by portraying Bobby Kennedy in The Private Files of J. Edgar Hoover. In 1990, Parks co-produced as well as starred in Caged Fury, though it was his turn as Canadian mobster Jean Renault in David Lynch's Twin Peaks that offered him the most exposure that year. Numerous film and television roles followed, and in 1996 director Quentin Tarantino gave Parks a career-boost by casting him in the violent horror/crime hybrid From Dusk Till Dawn (a role that the actor would reprise in Kill Bill, Vol. 1, Death Proof, and Planet Terror). A turn as the volatile leader of a religious cult in Kevin Smith's Red State capitalized on Parks' intense onscreen charisma, and in 2012 he could be spotted in director Ben Affleck's Argo. And though the documentary Kevin Smith: Burn in Hell found the outspoken Clerks director jokingly chiding "View Askewniverse" veteran Affleck for "cherry-picking" Parks on the strength of his Red State performance, few would deny that the talented Parks would have likely won the role on his own merit. Parks died in 2017, at age 77.

Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: Actress Kelly Preston was first seen on a national basis in the last-billed role of a general's daughter on the weekly 1983 TV drama For Love and Honor. She established herself as an agreeable comedienne in such films as Mischief (1985) and Secret Admirer (1985), then became lost in the turgid melodramatics of 52 Pick-Up (1986). Her big movie break was supposed to have been her co-starring stint with Arnold Schwarzenegger and Danny De Vito in Twins (1988), but the role was too nondescript to engender any enthusiasm. Nonetheless, Preston persevered, delivering great performances in such offbeat fare as the 1993 made-for-cable movie Arthur Miller's The American Clock. In the latter half of the 1990s, Preston's perseverance began to pay off, first with a substantial role in Cameron Crowe's widely acclaimed Jerry Maguire. She continued to do comedy, appearing in Nothing to Lose (1997), Addicted to Love (1997), and Holy Man (1998), before switching back to drama in 1999 as Kevin Costner's girlfriend in For Love of the Game. On April 3, 2000, Preston gave birth to a daughter, her second child while married to Travolta. Her career onscreen barely missing a beat after the bith, Preston appeared opposite husband Travolta in the notorious 2000 bomb Battlefield Earth before taking a turn back to comedy with roles in View from the Top and The Cat in the Hat. Though it had been quite some time since Preston had appeared on television with any frequency, a return to the small screen with roles in both Joey and Fat Actress provided semi-regular work in 2004 and 2005. In 2005 Preston could also be seen as a superpowered mother in the family oriented adventure comedy Sky High, with a role as a grieving sister who returns home to mourn the death of her brother in Broken Bridges serving well to remind audiences of her dramatic abilities after a series of more lighthearted roles. She continued to work steadily in projects such as The Possibility of Fireflies and The Tenth Circle. She appeared in her husband's hit comedy Old Dogs in 2009, and played the wife of a corrupt lobbyist in Casino Jack on year later.

Trivia: Dubbed "The Godfather of Gore" for his brilliant make-up and special effects work on countless horror movies, Tom Savini has grossed people out as the guy behind the gore on films ranging from Friday the 13th to Night of the Living Dead to Quentin Tarantino's From Dusk Till Dawn.Developing an interest in magic and illusion as a child, when he was inspired by the 1957 Lon Chaney biopic Man of a Thousand Faces, Savini spent most of his youth in his room, inventing characters and experimenting with make-up techniques. After studying acting and directing at Carnegie Mellon University, he went to Vietnam as a combat photographer for the Army; ironically, he would later gain fame for simulating on the screen the same kind of carnage he witnessed first-hand during the war.Savini first began working as a make-up and special effects man on horror movies during the early 1970s. Some of his more notable work during that decade and the subsequent years includes George A. Romero's Dawn of the Dead (1978), and Day of the Dead (1985), Friday the 13th (1980), the Creepshow series, The Texas Chainsaw Massacre 2 (1986), Dario Argento's Trauma (1992), a 1995 re-make of Romero's Night of the Living Dead, which Savini also directed, and Tarantino's From Dusk Till Dawn (1996).In addition to his make-up and special effects work, Savini has a number of acting and directing credits to his name on the stage, screen, and television. He has also written a number of books about his trade and has been the subject of the documentary series Scream Greats.

Trivia: After attending City College of New York, Marc Lawrence studied acting with Eva Le Gallienne. Among the many stage productions in which Lawrence appeared were Sour Mountain and Waiting for Lefty. First signed for films by Columbia in 1932, Lawrence's scarred face and growly voice made him indispensable for gangster parts, though he generally displayed an intelligence far higher than the average goon or gunman. Though usually limited to villainy, Lawrence was not always confined to urban roles, as witness his successful portrayals of a mountaineer in Shepherd of the Hills (1942) and a western saddle tramp in The Ox-Bow Incident (1943). The actor's own favorite role was Corio in 1947's Captain from Castille. During the House UnAmerican Activities Committee investigations of the 1950s, Lawrence reluctantly offered testimony implicating several of his coworkers as alleged communist sympathizers; the experience virtually destroyed his American career and left him embittered and defensive (he would always refuse to be interviewed by historians of the "Blacklist" era, referring to them as "ghouls"). Lawrence was forced to seek out work in Europe, where he'd emerge in the early 1960s as a director of crime films and spaghetti westerns. Back in the U.S. in the 1980s, Lawrence made several TV appearances and showed up in such films as The Big Easy (1987) and Newsies (1992), typecast once more as gangsters. In 1993, Lawrence privately published his memoirs, in which for the first time in print he addressed his dark days as an HUAC "friendly witness."

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.

Trivia: Prolific character actor John Hawkes earned a new level of recognition with his role as Bugsy, the slow-witted fisherman who provides Wolfgang Petersen's The Perfect Storm (2000) with a degree of comic relief. Hailing from Austin, TX, Hawkes, who bears a vague resemblance to Tom Selleck, began his career as an actor and musician. After relocating to Los Angeles, where he moved to do further stage work, the actor wrote and performed Nimrod Soul, a one-man show staged at the Theatre at the Improv. He subsequently found work on television and broke into film in the late '80s. In addition to doing supporting turns in a large variety of films, including Flesh and Bone (1993), From Dusk Till Dawn (1996), and I Still Know What You Did Last Summer (1998), Hawkes also did guest work on such long-running TV shows as E.R. and The X-Files. In 1999, he was cast in one of his first leading roles in A Slipping-Down Life, a well-received big screen adaptation of Anne Tyler's novel of the same name that also starred Lili Taylor and Guy Pearce. With his casting the following year in The Perfect Storm, a summer smash that featured him acting alongside the likes of George Clooney, Mark Wahlberg, and John C. Reilly, it seemed that Hawkes' career was entering a new and possibly more lucrative phase. Over the next several years, he would appear in a number of films, like Identity, Miami Vice, American Gangster, Winter's Bone, and Higher Ground.

Trivia: Sultry singer Tia Texada began to build a parallel career as an actress in the 1990s, moving to increasingly prominent roles in independent and Hollywood studio productions. Born in New Orleans, Texada earned a major break as a singer on the 1995 Lilith Fair tour. While her songs could be heard on the soundtrack for TV teen drama Dawson's Creek, Texada herself moved into acting with guest appearances on such shows as ER and NYPD Blue, and a bit part in Robert Rodriguez's vampire gore fest From Dusk Till Dawn (1996). Texada, or at least her voice, subsequently garnered a larger role in the talking parrot film Paulie (1998). Texada finally became more than a voice with supporting turns in the Jamie Foxx crime comedy Bait (2000) and Neil LaBute's critically acclaimed Nurse Betty (2000). As amnesiac Betty's Hispanic roommate Rosa, Texada became a down to earth foil for Betty's soap opera star dreams, and her unwitting ally when assailants Morgan Freeman and Chris Rock come calling. Texada used both her music and acting talents as one of Mariah Carey's friends and bandmates in Glitter (2001), but the ill-starred vanity project flopped at the box office. Still, Texada offset Glitter's failure by notching a film festival success with Jill Sprecher's ensemble film 13 Conversations About One Thing (2001).