Trivia: It's quite possible that Hugh Marlowe might have been limited to film comedy roles had he retained his given name of Hugh Herbert Hipple, but it's not likely that he would have garnered many laughs. A radio announcer and stage performer, Marlowe had a brief leading-man filing in the late 1930s, but was more effective from the mid-1940s onward as a second lead and character actor. His stiff, humorless demeanor served him well in many second parts at 20th Century-Fox in the 1950s. Director Howard Hawks cleverly exploited Marlowe's solemnity by casting the actor as foil to the childish antics of "fountain of youth" partaker Cary Grant in Monkey Business (1952). Marlowe also showed up in several science fiction films, notably The Day the Earth Stood Still (1951), Earth vs. the Flying Saucers (1956) and World Without End (1956), wherein his somber approach lent a measure of credence to the proceedings. On television, Hugh Marlowe played Ellery Queen (a role he'd previously essayed on radio) in a 1954 syndicated series, and was the last of four actors to portray Jim Matthews on the NBC daytime drama Another World.

Trivia: American utility actor Donald Curtis made his screen bow sometime around 1940. Plying his trade in serials and Westerns, Curtis specialized in villainy, usually at Columbia Pictures. One of his larger roles was as a sourpussed murder suspect in Red Skelton's The Fuller Brush Man (1948). Active until 1967, when he left show business to become a clergyman, Donald Curtis worked frequently in television, co-starring with Lynn Bari in the 1950 comedy-mystery series The Detective's Wife.

Trivia: American actor Morris Ankrum graduated from the University of Southern California with a law degree, then went on to an associate professorship in economics at the University of California at Berkeley. Here he founded a collegiate little theatre, eventually turning his hobby into a vocation as a teacher and director at the Pasadena Playhouse. (He was much admired by his students, including such future luminaries as Robert Preston and Raymond Burr.) Having already changed his name from Nussbaum to Ankrum for professional reasons, Ankrum was compelled to undergo another name change when he signed a Paramount Pictures contract in the 1930s; in his first films, he was billing as Stephen Morris. Reverting to Morris Ankrum in 1939, the sharp-featured, heavily eyebrowed actor flourished in strong character roles, usually of a villainous nature, throughout the 1940s. By the 1950s, Ankrum had more or less settled into "authority" roles in science-fiction films and TV programs. Among his best known credits in this genre were Rocketship X-M (1950), Red Planet Mars (1952), Flight to Mars (1952), Invaders From Mars (1953) (do we detect a subtle pattern here?), Earth Vs. the Flying Saucers (1956) and From the Earth to the Moon (1958). The fact that Morris Ankrum played innumerable Army generals was fondly invoked in director Joe Dante's 1993 comedy Matinee: the military officer played by Kevin McCarthy in the film-within-a-film Mant is named General Ankrum.

Trivia: Actor Grandon Rhodes worked steadily on stage, television, and in over 40 films during his four-decade career. On television, he had recurring roles on Bonanza (as a doctor) and Perry Mason.

Trivia: General-purpose actor Larry Blake made his screen debut playing a young Adolf Hitler in James Whale's troubled The Road Back (1937), only to see his scenes end up on the cutting room floor. A difficult actor to pigeonhole, Blake went on to play everything from cops to robbers in a long career that lasted through the late '70s and included such television shows as The Lone Ranger, The Adventures of Superman, Yancy Derringer, Perry Mason, Leave It to Beaver, Gunsmoke, The Munsters, The Beverly Hillbillies, Ironside, Little House on the Prairie, and Kojak. His son is Michael F. Blake, a well-known makeup artist and the biographer of silent screen star Lon Chaney.

Trivia: General purpose actor Harry Lauter began showing up in films around 1948. Long associated with Columbia Pictures, Lauter appeared in featured roles in such major releases as The Big Heat (1953), Hellcats of the Navy (1957) and The Last Hurrah (1958). He also acted in the studio's "B"-western and horror product. Making occasional visits to Republic, Lauter starred in three serials: Canadian Mounties vs. the Atomic Invaders (1953), Trader Tom of the China Seas (1954) and King of the Carnival (1956), Republic's final chapter play. On TV, he co-starred with Preston Foster in Waterfront (1954) and was second-billed as Ranger Clay Morgan in Tales of the Texas Rangers (1955-59). After appearing in Escape from the Planet of the Apes (1971), Harry Lauter retired from acting to concentrate on painting and managing his art and antique gallery.

Trivia: American actor Frank Wilcox had intended to follow his father's footsteps in the medical profession, but financial and personal circumstances dictated a redirection of goals. He joined the Resident Theater in Kansas City in the late '20s, spending several seasons in leading man roles. In 1934, Wilcox visited his father in California, and there he became involved with further stage work, first with his own acting troupe and then with the Pasadena Playhouse. Shortly afterward, Wilcox was signed to a contract at Warner Bros., where he spent the next few years in a wide range of character parts, often cast as crooked bankers, shifty attorneys, and that old standy, the Fellow Who Doesn't Get the Girl. Historian Leslie Haliwell has suggested that Wilcox often played multiple roles in these Warners films, though existing records don't bear this out. Frank Wilcox was still working into the 1960s; his most popular latter-day role was as Mr. Brewster, the charming banker who woos and wins Cousin Pearl Bodine (Bea Benaderet) during the inaugural 1962-1963 season of TV's The Beverly Hillbillies.

Trivia: In films from 1937, silver-haired American actor Forbes Murray could be described as a less-costly Claude Rains. Murray lent his middle-aged dignity to such serials as The Spider's Web (1938), Mandrake the Magician (1940), Lone Ranger (1938), Perils of Nyoka (1942), Manhunt of Mystery Island (1945), and Radar Patrol vs. Spy King (1950). He also showed up in quite a few comedies, notably as the bank president who finances the college education of Laurel and Hardy ("Diamonds in the rough," as he describes them) in A Chump at Oxford (1940). Forbes Murray was active at least until 1955.

Trivia: From a scene with Charlie Chaplin to a bit part with Elvis Presley to a familiar role as a butler in Madonna's Who's That Girl, Arthur Roland Tovey's career spanned much of the 20th century, during which he worked with some of its biggest stars. Tovey made his film debut in the 1922 Marion Davies feature Yolanda. A longtime Hollywood extra and bit actor, Tovey also doubled for Leslie Howard in the classic Gone With the Wind. In addition to his career as an actor, Tovey was a longtime member of the Musicians Local 47 and the Screen Actors Guild, and also served in the U.S. Army during WWII. In recent years, he made the most of his appearances on television, appearing on programs such as ER and Married With Children until well into his nineties. Arthur Roland Tovey died of natural causes at his home in Van Nuys, CA, on October 20, 2000. He was 95.

Trivia: A University of Florida football star, Dale Van Sickel entered films in the very early '30s as an extra. Playing hundreds of bit parts at almost every studio in Hollywood, Van Sickel earned his true fame as one of Republic Pictures' famous stuntmen, specializing in fisticuffs and car stunts. He appeared in nearly all the studio's serials in the 1940s, including The Tiger Woman (1944), The Purple Monster Strikes (1945), and The Black Widow (1947), almost always playing several bit roles as well. Often the studio cast their leading men because of their resemblance to Van Sickel and the other members of the serial stunt fraternity that included Tom Steele, Dave Sharpe, and Ted Mapes. A founding member and the first president of the Stuntmen's Association of Motion Pictures, Van Sickel later performed in innumerable television shows as well as such diverse feature films as Spartacus (1960), It's a Mad Mad Mad Mad World (1963), and The Love Bug (1969).

Trivia: In his prime--which lasted a good 40 years--voice artist Paul Frees was not so much ubiquitous as inescapable. It was literally impossible during the 1960s and most of the 1970s to turn on the TV on any given night and not hear the ineluctable Mr. Frees. Blessed with a versatile voicebox from an early age, Frees first came to public attention as "Buddy Green," the name he was using when he won a radio impersonation contest. He toured in vaudeville, then returned to radio as star of The Player, a syndicated anthology series in which he played all the roles. He went to work as actor, announcer and narrator for such series as Suspense and Escape; he also made a number of appearances on comedy programs, usually playing a hammy Orson Wellesian actor (one such character was actually named "Lawson Bells"). In bandleader Spike Jones' memorable rendition of the old torch song "My Old Flame," Frees recites the lyrics in the style of a Peter Lorre-like pyromaniac. Frees began working in films in 1948, sometimes as an on-screen actor (His Kind of Woman, The Thing, War of the Worlds, Suddenly, The Shaggy Dog) but most often in a variety of voiceover capacities. When Chill Wills was unavailable to provide his talking-mule voice in Francis in the Haunted House (1955), Frees replaced him, accurately recreating Wills' folksy drawl; when producer George Pal was forced to rerecord most of the male actors in Atlantis, the Lost Continent (1961), Frees supplied all the voices; and whenever Japanese film star Toshiro Mifune appeared in an English-language film like Grand Prix (1969), he would insist that his heavily-accented voice be redubbed by Frees, who "sounds more like me than I do." In addition to his TV-ad work as Poppin' Fresh, Mr. Goodwrench et. al, Frees was heard as the "late, fabulously wealthy" John Beresford Tipton on The Millionaire (1955-60). Frees' vocal activities in the realm of animated cartoons is so extensive that to list all his credits would require five single-spaced columns, a few examples are: Boris Badenov and Captain Peter Peachfuzz in Rocky and His Friends, Inspector Fenwick in Dudley Do-Right, Oliver Wendell Clutch in Calvin and the Colonel, Flat-Top in The Dick Tracy Show, the title character in Squiddly Diddly, Morocco Mole in Secret Squirrel, John Lennon in The Beatles, and Ludwig Von Drake in Walt Disney's Wonderful World of Color. In addition, Frees worked in virtually everything ever produced by satirist Stan Freberg, including the legendary 1963 LP History of the United States. By the mid-1970s, Frees was averaging $1 million per year--and was only working six months out of the year, spending the remaining six months vacationing on his own South Sea island. According to most sources, Frees was married six times. Since his death in 1986, Paul Frees' legacy has been carried on by a wealth of imitators, none of whom have quite come up to the standard set by The Master.