Trivia: Seemingly coming out of nowhere to essay the difficult role of famed shock-jock Howard Stern's wife in 1997's autobiographical Private Parts, actress Mary McCormack has since gone on to offer memorable performances in such fare as Mystery, Alaska (1999) and K-PAX (2001). A native of Plainfield, NJ, McCormack's interest in performing was piqued at an early age when the aspiring, 12-year-old actress gender-bent her way through a production of Menotti's Christmas opera Amahl and the Night Visitors. Since none of the local boys possessed the necessary vocal abilities, McCormack donned a hat and hit the notes needed to carry the play. Subsequently performing in regional theater before continuing her education at Trinity College in Hartford, CT, it was there that McCormack would major in English and painting while continuing to hone her stage skills. After earning her Comparative Arts degree from Trinity, McCormack decided to further her acting career by studying at the William Esper Studio. Performances at such New York theaters as The Atlantic Theater Company were quick to follow, as was her film debut in the 1994 remake of Miracle on 34th Street. Simultaneously appearing on the small screen in the popular crime series Murder One (1995), it wasn't long before Private Parts would offer a stratospheric boost to her onscreen career. A cinematic love letter to Stern's real-life wife, Private Parts offered the burgeoning actress a complex emotional role that proved without a doubt what she was fully capable of. Follow-up roles in such high-profile fare as Deep Impact (1998) and Mystery, Alaska (1999) didn't quite offer McCormack the chance to shine that Private Parts did, though it was obvious to all who viewed her subsequent roles that her star was on the rise. The millennial turnover found McCormack successfully alternating between drama (Madison) and comedy (High Heels and Low Lifes) before once again heading the Hollywood route with a supporting performance in K-PAX. An unconventional role in director Steven Soderbergh's Full Frontal was quick to follow, and McCormack was soon beginning preparation for the television miniseries based on Soderbergh's Traffic (which was in turn inspired by 1989 U.K. series Traffik).She was the female lead in the creepy apocalyptic thriller Right at Your Door, and landed a small part in Christopher Guest's For Your Consideration. In 2008 she landed the lead role on the cable series In Plain Sight and enjoyed the most consistent success of her career.

Trivia: Made his professional stage debut as an understudy in the original New York production of Six Degrees of Separation. Made his silver screen debut playing the lead role of Matty Dean in Stonewall (1996), a film about the start of the gay rights movement. Played Brian Wilson in the ABC miniseries The Beach Boys: An American Family in 2000. Was directed by Neil LaBute in London and New York stage productions of The Shape of Things and also in the 2003 film version of the play. In 2005, he portrayed a talking lizard in the Lincoln Center Theater's revival of Edward Albee's Seascape. His first major TV role had him playing a cop in the police drama Missing Persons (1993-94). More than a decade later, his second major TV gig cast him in another crime-solving role as a U.S. Marshall in the USA Network series In Plain Sight. Wrote, directed and starred in Streetcar, a short film about an aspiring television actor that made the rounds at various film festivals in 2010.

Trivia: Studied set design in college and was asked to take on a part in a play, which led to his shift to acting. First appeared on television in the 1987 made-for-TV movie Blood Vows: The Story of a Mafia Wife. Won critical acclaim for his portrayal of Moe Howard in the 2000 made-for-TV biopic The Three Stooges. Has been cast in roles on many HBO series including The Wire, Entourage and John From Cincinnati. Co-authored the play The Good Steno with his mother, Leah Kornfeld Friedman. A guest appearance on an episode of the USA Network series Monk led to his role, beginning in 2008, on that network's In Plain Sight.

Trivia: Got her start in the comedy, Dude, Where's My Car? Roles in Shallow Hal and Austin Powers in Goldmember followed. Played a character who came between Clark and Lana in a 2006 episode of Smallville. Starred in the horror movies, May and Trailer Park of Terror. Was cast as more than one character for repeat appearances on CSI: Crime Scene Investigation and NYPD: Blue. Landed a recurring role on Desperate Housewives.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.

Trivia: A former Mexican television actor who went on to make a name for himself in U.S. film and television, Cristián de la Fuente served in the Chilean Air Force Reserve before he starting acted professionally; his military background may not have pointed to a cinematic career early on, but his speedy ascent to fame hinted at great things to come for the actor. Born to a chemist father and homemaker mother in Santiago, Chile, de la Fuente opted early on to study engineering while attending college in his native country. An only child, the licensed pilot was discovered by a talent scout and then made appearances in Chilean soap operas and variety shows before relocating to Mexico for a leading role in the popular television series Reyes y Rey (1998). Following a stateside television appearance in Family Law, the handsome Latino would subsequently turn up in the Sylvester Stallone racing drama Driven (2001). Claiming to be equally happy whether acting on stage, screen, or film, de la Fuente describes his acting method as loaning his body to the characters rather than portraying them, and he often becomes so entangled with his characters that he finds it difficult to wind down at the end of the day. Following his work with childhood idol Stallone, de la Fuente next took a role alongside another favorite from his youth, singer-turned-actor Jon Bon Jovi. As a man of the cloth dedicated to ridding the world of blood-sucking immortals, de la Fuente teamed with Bon Jovi to battle the legions of the undead in the vast deserts of Mexico in Vampires: Los Muertos (2002). Though that film ultimately proved to be a bit of a disappointment, de la Fuente's subsequent role in director John McTiernan's Basic (2003) seemed to ensure a healthy career for the promising young actor. The actor co-starred in the short lived television series In Plain Sight in 2008, and competed in the 6th season of Dancing with the Stars the same year.

Trivia: Mention the name Steven Weber to any television fanatic, and odds are their eyes will soon gloss over with fond memories of the popular early-'90s sitcom Wings. Despite the popularity of his small-screen past, though, the handsome actor has gone on to prove his versatility in a number of features, both made-for-television and otherwise. Born in Queens, NY, to a nightclub singer and a comic manager, Weber discovered his love of acting around the age of three while appearing in a series of television commercials. He followed up a stint at New York's High School of the Performing Arts with an education at New York's prestigious State University at Purchase, and after working a series of odd jobs, Weber made his film debut in the 1984 Matt Dillon comedy The Flamingo Kid. A role on the enduring daytime soap opera As the World Turns introduced Weber to his first wife, Finn Carter, a few short years later. After appearing as a rock star in Los Angeles and as John F. Kennedy in The Kennedys of Massachusetts (both 1990), Weber was more than ready to take the lead in his own sitcom. Cast as the half-owner, along with brother Joe (Timothy Daly), of a Nantucket-based airline, Weber's charisma and comic talents went a long way in supporting the show over the course of its enduring eight-year run. Of course, Weber wasn't content to simply sit back and enjoy the success of Wings; in addition to the popular show, the actor turned up in supporting roles in numerous features including Single White Female (1992), Jeffrey (1995), and Leaving Las Vegas (also 1995). By the time the show came to an end in 1997, Weber had divorced Finn Carter and married actress Juliette Hohnen, and was ready to find out what else he had to offer to the worlds of film and television. Though a role in the made-for-television adaptation of The Shining failed to erase the memory of Jack Nicholson's terrifying interpretation of the role, Weber did prove memorable in Seinfeld creator Larry David's bitter-flavored comedy Sour Grapes (1998). The following few years would find Weber playing things relatively low-key onscreen; he returned to the small screen to moving effect with the 1999 made-for-television drama Love Letters. In 2000, Weber essayed a supporting role in director Mike Figgis' experimental comedy drama Timecode, and that same year he would return to sitcom territory with the short-lived Cursed. Though that particular effort may not have quite lived up to potential, Weber did gain positive notice for his role in the little-seen independent thriller Sleep Easy, Hutch Rimes (2000). After appearing opposite Alan Alda in the made-for-television feature Clubland (2001), Weber joined the cast of the popular small-screen drama Once and Again later that same year.Weber's enduring appeal has led to a steady stream of recent television work, both as a guest star and in regular roles. After wrapping up on Once and Again, he appeared as Will's brother Sam on Will & Grace; chairman of the fictional NBS network on the surprisingly short-lived dramedy Studio 60 on the Sunset Strip; a flirtatious co-worker romancing Sarah Walker (Rachel Griffths) during a stint on Brothers & Sisters; a regular role on another short-lived show, 2010's Happy Town; and a recurring role on 2 Broke Girls as Caroline's (Beth Behrs) jailed father, Martin Channing.