Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: The son of a Manhattan clothing manufacturer, Ron Leibman defied his family's wishes by dropping out of Wesleyan University to study at the Actor's Studio. Appearing in off-Broadway productions from 1959, Leibman made his Broadway debut in 1963's Dear Me, the Sky is Falling. He won an Obie Award for his work in Transfers, and a New York Drama Desk Award for We Bombed in New Haven. An undeniably major talent, Leibman's explosive temper and entrenched insistence upon integrity at all costs has lost him more jobs than he'd probably care to count (There are some who say that much of Leibman's fabled contentiousness was incorporated into Dustin Hoffman's character in Tootsie). After resisting series TV for many years, Leibman accepted the role of Martin Kazinksi, ex-con turned lawyer, in the 1978 weekly Kaz; the show died after a single season, but not before he won an Emmy Award (At the time, he insisted he'd never do another series; in 1991, however, he could be seen as Detective Al Burkhardt on the weekly Pacific Station, and earlier had been one of the candidates for the starring role in the TV sitcom Coach). In films, Leibman seems to relish wildly extroverted roles: The relentless stalker of Billy Pilgrim in Slaughterhouse Five (1971), gonzo NYPD troubleshooter "Batman" in The Super Cops (1973), the out-of-town union organizer in Norma Rae (1979), the lithping Cathtillian heavy in Zorro the Gay Blade (1981), abrasive racing promoter Dave Davis in Phar Lap (1984), and Dolly Parton's greasy agent in Rhinestone (1985) (he was starred in Mad Presents Up the Academy, but had a falling out with the producers and insisted that his name be removed from the credits). Returning to Broadway in 1993, Leibman won a Tony Award for Angels in America. Once married to actress Linda Lavin, Ron Leibman is currently wed to actress Jessica Walter.

Trivia: American character actor Nicholas Pryor has played his share of weak or ineffectual characters, but can exert authority and strength if the need arises. One of the busiest actors on the daytime-drama scene, Pryor has been a regular on such soapers as All My Children (he was the third of four actors to play Link Tyler) Young Dr. Malone, The Nurses, Another World, The Edge of Night, Love is a Many Splendored Thing and The Nurses. His prime-time TV roles include John Quincy Adams II in The Adams Chronicles (1976), vice principal Jack Felspar in Bronx Zoo (1987), and chancellor Arnold in Beverly Hills 90210 (1990- ). Among Nicholas Pryor's best film assignments were the roles of beauty-contest organizer Barbara Feldon's long-suffering husband in Smile (1975) and Tom Cruise's clueless dad in Risky Business (1983).

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Dancer-turned-actress Stacy Edwards spent a decade in TV and B movies before her breakthrough in Neil LaBute's controversial In the Company of Men (1997). Air Force brat Edwards was raised around the world before a dance scholarship landed her in Chicago at age 18. She became a full-time actress when she joined TV's daytime drama Santa Barbara in 1986. Edwards spent the late '80s and early '90s guest-starring on such TV series as 21 Jump Street, and acting in TV movies, including Dinner at Eight (1989). Edwards added several B-flicks, including Relentless 3 (1993), to her credits as well.Edwards proved her strength as an actress beyond her pretty face in 1997. As the deaf victim of a yuppie seduction scheme in In the Company of Men, Edwards' finely shaded performance was the only emotional oasis in LaBute's caustic treatise on male cruelty. Edwards followed her critically lauded turn with a role on CBS' Chicago Hope. Along with playing Chicago Hope's Dr. Caterra from 1997 to 1999, Edwards burnished her film resumé with a starring role as Houdini's wife in the TV biopic Houdini (1998), as well as featured parts in political film à clef Primary Colors (1998) and James Toback's incendiary ensemble film on race and pop culture Black and White (1999). Maintaining her film career after Chicago Hope, Edwards emerged unscathed from Madonna's failed vehicle The Next Best Thing (2000) and joined the cast of action director Renny Harlin's racecar drama Driven (2001).

Trivia: Educated at the University of Pennsylvania, actor Philip Sterling made his first Broadway appearance in the 1955 musical Silk Stockings. Sterling was later spotlighted in such New York stage productions as Summertree, An Evening with Richard Nixon and Broadway Bound. In films from 1969's Me, Natalie, he has generally been cast as father figures or corporate bigwigs. His more notable film roles include Mr. Lipman in Joan Micklin Silver's Hester Street (1975) and Hollywood mogul Joseph Schenck in the 1980 TV movie Rita Hayworth: The Love Goddess. In addition, Philip Sterling has made numerous appearances in episodic television; in 1975, he co-starred with Wayne Rogers in the summer-replacement series City of Angels.