Trivia: As a child, Michael Biehn moved from his Alabama hometown to Nebraska and finally Arizona, where he graduated high school. He went to college and later moved to Los Angeles to begin a film career, making his professional stage debut after two years of intensive training. In 1978, Biehn was cast as Mark Johnson, the hard-veneered but vulnerable ward of psychiatrist Robert Reed in the TV series Operation: Runaway. For the next few years, malevolence was Biehn's onscreen strong suit, first as the psycho title character in 1981's The Fan, then as the neofascist military-school upperclassman in The Lords of Discipline (1982). After switching gears with the sympathetic role of futuristic android-hunter Kyle Reese in James Cameron's The Terminator, Biehn became a member of Cameron's informal stock company, playing colorful leading roles in Aliens (1986) and The Abyss (1989). Biehn would remain a prolific actor and a cult favorite for the next few decades, appearing most notably in movies like The Rock, Clockstoppers, and Grindhouse, as well as TV shows like The Magnificent Seven and Hawaii. Biehn would also inhabit the director's chair, helming thrillers like The Victim.

Trivia: Julliard-trained actress Diane Venora made both her New York stage and film debut in 1981. The play was the off-Broadway production Penguin Touquet; the film was Wolfen. In 1983, Venora became the focus of voluminous press coverage for her appearance in the New York Shakespeare Festival production of Hamlet--not as Ophelia or Gertrude, but in the title role! Her subsequent film roles included Gloria Swanson in The Cotton Club (1984), Ellen in FX (1986), Peg in Ironweed (1987), and, best of all, Chan Parker, the put-upon wife of jazz great Charlie Parker (Forest Whitaker), in director Clint Eastwood's Bird (1988). Previously seen on television as Corinna in the 1985 miniseries AD and as Ed Asner's daughter in the pilot episode of the 1994 weekly series Thunder Alley (Robin Riker played the role in the series proper), Diane Venora was cast as Dr. Geri Infante in the CBS medical drama Chicago Hope (1994- ).

Trivia: A few character actors make such an indelible impression with one role that they find it consistently impossible to outgrow that image. Anthony Perkins had it with Norman Bates, M. Emmet Walsh has it with Visser (from Blood Simple), and R. Lee Ermey will forever be associated with the sadomasochistic verbal rapist of a drill instructor, Gunnery Sgt. Hartman, from Stanley Kubrick's Vietnam opus, Full Metal Jacket (1987). Though Ermey never again quite matched the intensity of this role (or the gutter-bucket poetic invention of its obscene dialogue), it was enough to give him permanent recognition as a character actor among filmgoers, and to typecast him in a series of variants on that role, again and again, throughout his life.Born on March 24, 1944, in Emporia, KS, Ermey enlisted in the armed forces as a young man and hightailed it to Vietnam on a non-commissioned basis, but injuries forced him to retire from active duty. He received full disability pay and moved to Manila in the early '70s, where he managed to ably support himself on his USAF allotment (thanks to the lower cost of living) while studying for a degree in criminology. Each morning, Ermey visited the coffee shop at the Manila Hilton -- well-reputed as the haunt of American filmmakers shooting on-location in the Philippines -- until one of the directors happened to notice Ermey and asked him to pose for a series of blue jeans ads. This experience led to his film debut, a role as a retired soldier in a local production. By 1976, Ermey had appeared in several Filipino films. He broke into Hollywood films that year, when he slipped onto the set for Francis Ford Coppola's Apocalypse Now and convinced Coppola to hire him as a helicopter pilot. Indeed, the ex-officer's Vietnam experience came in handy and Coppola utilized him as a technical advisor. Ermey made his American cinematic debut -- and held to the military-man typecasting -- in Sidney J. Furie's comedy drama The Boys in Company C (1978), and the director's follow-up, Purple Hearts (1984). But his biggest break came shortly thereafter, when Stanley Kubrick -- a notorious tyrant himself -- tapped him to portray Gunnery Sgt. Hartman in Full Metal Jacket (1987). Ermey's evocation of the satanically profane, vile, and sadistic Hartman, laden with the thankless, brutal job of toughening up raw recruits before sending them to Vietnam (who eventually gets blown away by one of his trainees) dominates the film's first 45 minutes and provides an unforgettably realistic, disturbing portrait of military training. Thanks to his unique countenance and authoritative voice, Ermey maintained his image as a rough-hewn, tough-as-nails SOB onscreen.Neither Company C or Purple Hearts received substantial critical and public recognition (or a very wide release); in contrast, the broader exposure of Full Metal Jacket (it received an Academy Award nomination for Best Adapted Screenplay and a National Board of Review nomination for Best Picture) boosted Ermey's prominence -- immeasurably so. He followed it up with spots in such well-received pictures as Alan Parker's racial drama Mississippi Burning (1988) and Abel Ferrara's Body Snatchers (1993). In 1995, Ermey spoofed himself to great effect as the voice of the leader of the little green soldiers in Toy Story, and doubled it up with a turn as the vengeful father of a homicide victim in Tim Robbins' capital punishment drama Dead Man Walking. A third role in that same year -- as the boss of Morgan Freeman and Brad Pitt in David Fincher's seminal work Seven -- elicited a positive (if limited) critical and public response for Ermey's portrayal.During the early 2000s, Ermey once again drew on his military expertise and background, albeit in a much different fashion, as host of the small-screen program Mail Call. Episodes featured him answering a series of viewer questions about various aspects of military life and history. In 2003, he returned to his dramatic roots (and managed to top the despicability of Sgt. Hartman) in Marcus Nispel's Tobe Hooper remake, The Texas Chainsaw Massacre. Ermey plays Sheriff Hoyt, the deviant backwater law officer -- in cahoots with the family of slaughter-happy cannibals -- who refuses to listen the cries and wails of Jessica Biel's Erin. (In fact, Nispel invented Ermey's role for the remake). After a comic turn as yet another tough-nosed authority figure, Captain Nichols, in the 2005 Tommy Lee Jones vehicle Man of the House, Ermey reprised the Hoyt role for the sequel to the Chainsaw remake, Texas Chainsaw Massacre: The Beginning (2006). In that picture, Hoyt precipitates the central crisis by happening upon another group of teens, murdering one in cold blood, and dragging the others back to the house where maniac Leatherface and his cronies reside. R. Lee Ermey married his wife, Nila Ermey, in 1975. They have four children.

Trivia: Possessing a pair of the most elegantly piercing steel blue eyes ever to be captured on celluloid, German cult actor Udo Kier has made a distinct mark for himself in the world of cinema with roles in everything from obscure European exploitation films to the most mainstream of Hollywood fare. Though as an actor Kier has made a name for himself by essaying frequently bizarre and sometimes sadistic film roles, the man himself is almost the complete opposite of the characters he portrays onscreen, exuding a flamboyant and personable earthy elegance that stands in stark contrast to his unforgettably cold, vampiric screen presence. Born in October of 1944 in Cologne, Germany, it may come as no surprise that Kier's incredibly dramatic birth would easily rival the intensity of any of the future actor's film roles. As war raged outside the serene confines of the hospital, Kier's mother requested a few moments alone with her newborn son immediately following his birth. Moments later the hospital was bombed and Kier's mother began the grueling task of digging herself and her son from out of the rubble. His father absent for much of his youth, Kier had a chance encounter with an aspiring young filmmaker named Rainer Werner Fassbinder before moving to Britain at the age of 18 to study English and acting. Shortly after Kier's arrival, director Mike Sarne offered him the role of a gigolo in The Road to St. Tropez (1966), and with that film the young actor made his screen debut. Though Kier would appear in a few films rounding out the 1960s, it was his part in the controversial 1970 film The Mark of the Devil that would truly set his career path in motion. His role as a witch hunter apprentice who meets a gruesome demise horrified audiences, and the film was subsequently banned in many areas of the world. Increasingly prolific in the following years, it was a pair of Paul Morrissey films from the mid-'70s that would leave an indelible impression on not only European audiences, but American audiences as well. It was while on a flight from Rome to Munich that Kier made the acquaintance of director Morrissey, and shortly thereafter Kier was cast in the role of Baron Frankenstein in Andy Warhol's Frankenstein (aka Flesh for Frankenstein). Filled to the brim with satirical gore and graphic violence, the notorious film immediately garnered an X-rating though it would become a hit with strong-stomached audiences who could appreciate its dark humor. Released that same year, Andy Warhol's Dracula (aka Blood for Dracula) once again found Kier relishing in gore-drenched satire. In 1977 Kier would appear before old friend Fassbinder's lens in the television drama The Stationmaster's Wife and play a small role in Italian horror director Dario Argento's Suspiria. The remainder of the 1970s as well as the majority of the 1980s, found Kier appearing frequently in European exploitation films with such lurid titles as G.I. Bro (1977) and Prison Camp Girls, Jailed for Love (1982). Though sharp-eyed American audiences could catch glimpses of Kier in such films as Moscow on the Hudson (1984) (in which he appeared uncredited), it was during this period that Kier would work almost exclusively in Europe. Though American audiences didn't necessarily bear witness to most of Kier's work in the 1980s, his career continued to flourish overseas and the actor began to develop a strong personal and professional relationship with director Lars von Trier. Following his appearance in von Trier's Medea (1987), Kier would not only appear in all of the director future films, but also become the godfather of von Trier's daughter Agnes as well. It was Kier's role in director Gus Van Sant's My Own Private Idaho (1991) that brought the actor back to stateside audiences, and following his memorable appearance in the film, Kier would appear in such big-budget American films as Johnny Mnemonic (1995), Armageddon (1998), and Blade (also 1998). Despite appearances in such mainstream comedies as Ace Ventura: Pet Detective (1994), Kier would remain true to his European roots by simultaneously appearing in numerous foreign films such as von Trier's Europa (1991) and the gleefully amoral Terror 2000 (1992). With the millennial turnover bringing Kier more stateside exposure than ever, following a memorable turn in Shadow of the Vampire (2000), the tireless actor would appear in no less than eight films in 2001 alone, including Werner Herzog's Invincible and the apocalyptic thriller Meggido: The Omega Code 2. His feature career continuing to flourish, Kier could now be considered a full-fledged star, as appearances in numerous commercials and music videos by such popular acts as Korn virtually guaranteed that while he might not necessarily be a household name, his face would be instantly recognizable by virtually anyone. Though he continued to appear in numerous mainstream films, his experimental side could be evidenced with his participation in director von Trier's film Dimension. The production of the film would span 30 years, following the actors (without makeup) as they aged. The actors and director got together once a year to shoot a scene. Spending much of his free time in nature, Kier enjoys gardening, enjoying the company of his dog, and working on his home in California.

Trivia: Jim Metzler has appeared on stage since the 1970s, and in films from 1981's Four Friends. Bright, handsome and possessed of above-average talent, Metzler has proven a valuable asset to such so-so films as 976 Evil (1988) and Circuitry Man (1990). The actor has been offered better opportunities on TV; he was top billed as Dr. Andy Fenton in the 1983 series Cutter to Houston, and was seen as science teacher Dan Braden in the 1985 weekly The Best Times. Jim Metzler also co-starred as James Huntoon on the hit 1985 miniseries North and South and its 1986 sequel.

Trivia: Born Albert Hedison, David Hedison billed himself as Al Hedison when he signed his 20th Century-Fox contract in 1958. He was still Al when he starred in his best-known film, The Fly, as the unfortunate researcher who ends up as lunch for a slavering spider ("Hellllp meeeeee"). By 1959, he was David Hedison, both as leading man of the 17-episode TV series Five Fingers and as romantic lead of still another fantasy film, The Lost World (1960). In 1964, Hedison worked off his Fox contract in the role of Captain Lee Crane in the weekly TVer Voyage to the Bottom of the Sea (1964-67). The most amusing episode of that Irwin Allen production was a 1963 entry which utilized generous stock footage from Lost World, with Hedison "out of uniform" so that he could match shots of himself lensed three years earlier. In the last three decades, David Hedison has co-starred in numerous made-for-TV movies, and has been seen on two television soap operas: the daytime Another World and the nighttime The Colbys.

Trivia: Raised in Richmond, CA. Decided to pursue acting while in college. Stage debut came in 1977's The Year of the Dragon with the San Francisco-based Asian American Theatre Company. Appeared in the 1981 off-Broadway production of Family Devotions. Played Data's father in the 1985 film The Goonies. His first TV series was the 1994 syndicated drama Valley of the Dolls. Provided the voice for Jimmy Ho on Fox's animated comedy The PJs. Likes to ride, build and restore single-speed bikes.

Trivia: Possessing the sort of moody good looks that can melt the hearts of teenage girls everywhere, actor Chad Michael Murray impressed television audiences early on with his role on the popular family drama series Gilmore Girls. Later breaking into feature territory with roles in the apocalyptic Megiddo: Omega Code 2 and Freaky Friday, the up-and-comer seemed poised to become the next Josh Hartnett. Born and raised in Buffalo, NY, Murray gave his family a taste of his talent early on when the assured young entertainer kept them in stitches with a series of amusing skits and songs. A career in high-school athletics was cut short when the gridiron runner was sidelined with a serious football injury, and it was during his recovery that a nurse persuaded Murray to pursue a career in modeling. Subsequently awarded a modeling scholarship from a nearby Buffalo agency, Murray was spotted by a Hollywood talent scout during a convention in Orlando and convinced to try his hand at acting. With high school behind him and stars in his eyes, the handsome young model made for the West Coast while supporting himself with a series of modeling jobs. As with many L.A. newcomers, Murray's early career consisted mainly of supporting performances in such shows as Diagnosis Murder, and in 2001, his profile was given a considerable boost with roles on both Dawson's Creek and Gilmore Girls. A feature debut in Megiddo was quick to follow, and in 2003, Murray strapped on the famous identity-concealing mask for the lead in the made-for-TV remake The Lone Ranger. A role opposite teen sensation Lindsay Lohan in the Disney remake Freaky Friday offered Murray some prime exposure, with One Tree Hill finding him returning to the small screen as a basketball-playing teen who shares a dark secret with his estranged brother. After appearing opposite Lizzie McGuire star Hilary Duff in the romantic teen comedy A Cinderella Story (2004), Murray moved into darker territory with the horror remake House of Wax (also 2004). With One Tree Hill a hit, Murray focused on his TV show, starring on the show until 2009 and making occasional guest appearances in later seasons. He starred in Day One (2012) and had a supporting role in the Sundance hit Fruitvale Station (2013). In 2014, he starred in Left Behind opposite Nicolas Cage. The following year, he returned to television, with a lead role in the Marvel series Agent Carter.

Trivia: A natural athlete, his main interest as a teenager was to become a professional soccer player. After his first divorce, he decided to move to the United States to act in American television series and films. Won a Regional Emmy Award for Best Actor for his lead role in the telenovela Guadalupe in 1993. Was named "Mr. Amigo" by the Mr. Amigo Association in 2012, recognizing his acting contributions in both Mexico and the United States.

Trivia: Speaks Spanish and Italian. He and his wife narrated a book together, An Unfinished Life, by Mark Spragg. Frequently works with the Berkeley Repertory Theatre, including stints in Uncle Vanya and The Pillowman. Appeared in both The Mask of Zorro (1998) and the 2005 sequel The Legend of Zorro, but as different characters.