Trivia: Actor and occasional producer Brian Presley took his premier on-camera bow as a soap opera star, maintaining a particularly high profile on the daytime drama Port Charles. Presley then segued into production work as a triple threat, by writing, producing, and starring in the 2004 sleeper Guarding Eddy, made under his production banner, Freedom Films. This inspirational drama concerns Eddy (Presley), a mentally challenged young man with the unfulfilled dream of playing basketball, who finds comfort and solace from a most unlikely source. The film received limited release in the United States and swept through the festival circuit; Presley followed it up with a return to acting, essaying roles in several key films, including a lead in the slasher opus Borderland, a true crime saga about a series of gruesome murders that transpired near the U.S./Mexico border in 1989.

Trivia: When Peter Jackson's Heavenly Creatures was released to international acclaim in 1994, it launched the career of a then-unknown actress by the name of Kate Winslet. Unfortunately, it didn't do the same for Winslet's co-star, the similarly unknown and equally talented Melanie Lynskey. As Pauline Parker, a New Zealand schoolgirl who, along with best friend Juliete Hulme (Winslet), brutally murders her mother, Lynskey turned in a performance that combined sullen adolescent alienation with cold-blooded brutality. Although marked as a promising newcomer, she did not enjoy a subsequent breakthrough of the magnitude of Winslet's but instead worked quietly for a few years, gradually earning belated recognition from audiences and industry figures alike.Born in New Plymouth, New Zealand, on May 16, 1977, Lynskey was a high school student when she was discovered by Peter Jackson's wife, Frances Walsh, who cast her in Heavenly Creatures. Following the film's success, the fledgling actress moved to Los Angeles, but encountered endless rejection thanks to her non-blonde, non-waifish physique, and after only six weeks returned to her native country. Eighteen months of film, theatre, and English studies at Victoria University followed, as did a supporting role in Jackson's The Frighteners (1996). A self-professed attitude change -- the result of her friendship with director Gaylene Preston, who encouraged the actress to make herself a stronger person -- also altered Lynskey's approach to acting, and she subsequently won a role in her first Hollywood film, Andy Tennant's Ever After (1998). Cast as the not-so-evil stepsister of Drew Barrymore's Cinderella-like heroine, Lynskey enjoyed the greater recognition the film's success afforded her and went on to supporting roles the next year in Detroit Rock City, in which she co-starred with Natasha Lyonne and Edward Furlong, and Michael Cacoyannis' adaptation of The Cherry Orchard, which also starred Alan Bates, Charlotte Rampling, and Katrin Cartlidge. With another successful independent film, Jamie Babbit's But I'm a Cheerleader (1999), and a Jerry Bruckheimer chick flick, Coyote Ugly, also under her belt, Lynskey began the new decade on a decidedly promising note.

Trivia: When college basketball star Marc Blucas did not make the NBA, he decided to apply to law school. The day before he was scheduled to take the Law School Admission Test, he unwound by watching Rob Reiner's courtroom drama A Few Good Men (1992) and realized that what excited him about the film was not the law, but the acting. A few years later, Blucas was a television veteran with several feature films under his belt and a coveted spot in Vanity Fair's prestigious Hollywood Issue.Born Marcus Paul Blucas on January 11, 1972, the actor grew up in the small town of Girard, PA. The son of a school superintendent and an education administrator, he made his stage debut as a cupcake in his third grade class' production of Hansel and Gretel. At 6'2" tall, he was the star center on the Girard High School basketball team. An All-State athlete, Blucas averaged 20.8 points and 10.1 rebounds per game and lead his team to two 2A championships. In his senior year, the team went undefeated and was ranked among the best high school basketball teams by USA Today. Blucas earned a full scholarship to Wake Forest University in Winston-Salem, NC, where he majored in business with a minor in speech communication and played shooting guard and small forward for the Wake Forest Demon Deacons. He competed in four NCAA tournaments and won the Murray C. Greason Sr. Athletic Academic Award and the Weaver-James-Corrigan Postgraduate Scholarship in his senior year. When Blucas was not picked in the NBA draft, he joined the Manchester Giants and played pro basketball in England for one season. After starting a company that was targeted to assist athletes in endorsement and contract negotiations, he intended to go to law school but tried his hand at acting instead.Blucas had already appeared opposite Marg Helgenberger and Kris Kristofferson in the television movie Inflammable (1995), when a friend at Wake Forest informed him that the producers of the Whoopi Goldberg comedy Eddie (1996) were looking for a baby-faced basketball player to appear in the picture. He was a perfect fit and made his feature-film debut as a benched player on the New York Knicks. After working as the technical advisor on NBC's sports biopic Never Give Up: The Jimmy V Story (1996), Blucas was able to expand his part as an athlete in Pleasantville (1997) by coordinating the film's basketball sequences. He then dedicated himself to honing his craft through workshops and acting classes, before resurfacing as Jerry O'Connell's best friend in the NBC miniseries The '60s (1999), and as Carmen Electra's ex-beau in Jeff Abugov's The Mating Habits of the Earthbound Human (1999). He also appeared on MTV's Undressed, the WB's Clueless, and HBO's Arli$$.Blucas' breakthrough role came in the fall of 1999, when he was cast as a regular on Joss Whedon's hit series Buffy the Vampire Slayer. Portraying Buffy's (Sarah Michelle Gellar) demon-hunting boyfriend, Riley Finn, he became a recognizable actor with a sturdy fan base. Blucas left the show in 2000 (with the promise that he would be back) in order to pursue film work. After starring in the baseball-themed Summer Catch (2001) with Freddie Prinze Jr. and Jessica Biel, he began a back-to-back shooting schedule that included Kevin Smith's Jay and Silent Bob Strike Back (2001) with Ben Affleck and Jason Lee, John Sayles' The Sunshine State (2001) with Angela Bassett and Edie Falco, and Randall Wallace's We Were Soldiers (2002) with Mel Gibson and Chris Klein. He also joined the casts of the Gwyneth Paltrow comedy A View From the Top (2002), the thriller They (2002), and the period piece I Capture the Castle (2002).While still swearing to fans that he will return to Buffy the Vampire Slayer as soon as he can, Blucas signed on to director Alex Steyermark's Pray for Rock 'n' Roll, which stars Gina Gershon, Jennifer Esposito, Jane Adams, and Shelly Cole as a struggling Los Angeles-based girl band. Despite his onscreen success and his busy schedule, the actor still makes time for basketball. He plays on an adult team and serves as a referee for a Los Angeles youth league.

Trivia: One of the most iconic action stars of all time, Kurt Russell (born March 17th, 1951) is among the few to make the successful transition from child star to successful adult actor. As a youth, Russell aspired to follow the footsteps of his father, Bing Russell, who, in addition to being a big league baseball player, was also an actor (he was perhaps best known for his role as the sheriff on the TV Western Bonanza). That his heroes Mickey Mantle and Roger Maris did the same thing only strengthened Russell's resolve to have both a baseball and acting career.He first broke into acting on television, starring in the series The Travels of Jamie McPheeters, and he made his film debut playing the boy who kicks Elvis in the 1963 Elvis Presley vehicle It Happened at the World's Fair. After signing a ten-year contract with Disney, Russell got his big break as a juvenile actor in 1966, starring opposite Fred MacMurray in Disney's live-action feature Follow Me Boys! His association with the studio lasted through 1975, and produced such comedic family movies as The Horse in the Gray Flannel Suit (1968), The Computer Wore Tennis Shoes (1969), The Barefoot Executive (1971), and The Strongest Man in the World (1975). The last film marked Russell's final collaboration with Disney, aside from his voicing the character of Copper in the studio's The Fox and the Hound (1981). Still an avid baseball enthusiast during those years, Russell nurtured his dreams of becoming a professional ball player until a shoulder injury permanently changed his plans.After ending his association with Disney, Russell disappeared from features for a few years. He appeared in a few television movies, most notably playing the title role in Elvis, John Carpenter's made-for-television biopic. His next role as a sleazy used car salesman in Robert Zemeckis' hilariously caustic Used Cars (1980) allowed him to counter his wholesome, all-American nice guy image, and prove that he was an actor of untapped range. Director Carpenter recognized this and cast Russell as ruthless mercenary Snake Plissken in his brooding sci-fi/action film Escape From New York (1981). The role would prove to be one of legendary status, and one that would cement Russell as a cult hero for generations to come. Carpenter also cast Russell as a scientist stranded in the Antarctic in his chilling 1982 remake of The Thing. Realizing that his characters were larger than life, Russell typically played them with a subtle tongue- in-cheek quality. He also used this comic intuition in comedies like 1987's Overboard, in which he starred alongside his long-time life-partner and mother of his child Golide Hawn.In 1983, Russell moved to serious drama, playing opposite Cher and Meryl Streep in Silkwood. The success of that film helped him break into a more mainstream arena, and he was later able to win praise for his dramatic work in such films as Swing Shift (1984), Tequila Sunrise (1988), and Winter People (1989). However, it is with his performances in action films that Russell remains most widely associated. He has appeared in a number of such films, all of disparate quality. Some of Russell's more memorable projects include Big Trouble in Little China (1986), Tango and Cash (1989), Backdraft (1991), Tombstone (1993), and Executive Decision (1996). In 1996, he reprised his Snake Plissken character for Carpenter's Escape From L.A. The following year, he starred opposite Kathleen Quinlan in the revenge thriller Breakdown before returning to the sci-fi/action realm with Soldier in 1998. It would be two years before movie-going audiences would again catch a glimpse of Russell, though with his roles in 2000 Miles to Graceland (again carrying on the Elvis associations that have haunted his career) and Cameron Crowe's Vanilla Sky, the versatile actor proved that he was still very much on the scene. Is some of Russell's later day roles had stressed the action angle a bit more than the more dramatic aspects of the stories, the release of Dark Blue in 2003 combined both with Russell cast as a volitile police officer tracking a killer against the backdrop of the 1992 L.A. riots. In 2005, Russell played a frustrated father and horse-man in Dreamer: Inspired by a True Story, showing audiences that for all his on-screen bombast, he still had a sensitive side. He quickly leapt back into the action-packed saddle, however, with a leading role in 2006's remake of The Poseidon Adventure, Poseidon. Soon afterward, he accepted a role that took a decidedly self-aware perspective on his own fame as an over-the-top action star as he signed on for the leading role in Death Proof, Quinten Tarantino's half of the double-feature Grindhouse. A tribute to the fantastically violent B-exploitation films of its title, Grindhouse would cast Russell as Stuntman Mike, a literal lady-killer with a car that can be crashed and smashed without ever allowing the driver to be hurt.

Trivia: Unpredictable American actress Christine Lahti majored in drama at the University of Michigan, then toured Europe with a group of pantomimists. She studied with Uta Hagen in New York, taking whatever stage work that came along (including her Obie award-winning performance in an Off-Broadway revival of Little Murders) before being steadily employed on TV. In 1978, Lahti was co-starred in The Harvey Korman Show as Korman's daughter. The following year, she made her first film, ...And Justice for All. A scene stealer par excellence, Lahti often found her film roles reduced in the cutting room, usually at the behest of nervous stars. Her performance as Hazel Zenutti in Swing Shift (1984) was severely pared down after previews, but that didn't prevent Lahti from being nominated for an Oscar. The endearingly off-balance nature of many of Lahti's screen characters is best summed up by her scene in Housekeeping (1987), in which she calmly carries on a conversation while her living room fills up with water. In 1995, Lahti joined the cast of the Emmy-Award-winning TV medical drama Chicago Hope, playing the part of heart-surgeon Dr. Kathryn Austin.

Trivia: Began modeling at age 14; career took off after winning a Mossimo clothing model-search contest in 1999. Sang in Europe with the Kentucky Ambassadors of Music, a 200-member band and chorus composed of high-school students. Signed with Eileen Ford modeling agency in 2001. Was a series regular on Quintuplets (2004-5), 7th Heaven (2006-7) and The Loop (2007). Starred in the 2006 made-for-MTV volleyball comedy All You've Got.

Trivia: Began singing, dancing, acting and modelling at age three. Moved to Melbourne when she was seven with her parents and younger brother, actor Kodi Smit-McPhee. Became a cast member of Neighbours in 2005, at aged 12, playing Bree Timmins for two years. Stared in the 2013 film All Cheerleaders Die, as well as preforming four songs on the soundtrack. In 2015 launched her singing career as Sianoa.

Trivia: Set a hospital record when he was born, weighing in at over 11 pounds. Was a Media Fellow while at DePauw University. Played a cadet during the first two seasons of Malcolm in the Middle. Appeared in the 2010 stage production of Pee-Wee's Playhouse in Los Angeles, opposite Paul Reubens; he later transferred with the show to Broadway. Had a recurring guest role on Gotham in season one, before being promoted to a series regular for season two.

Trivia: A native of Levittown, Long Island, NY, vocalist-cum-actor Kevin Covais entered the public eye as a teenager. While still a student at Island Trees High School, Covais auditioned for the fifth season (ca. 2006) of the blockbuster Fox network reality series American Idol; though he made the cut to compete in the series per se, he ultimately lost the competition as an 11th-place finalist. Covais transitioned to features as Morris, the geeky, bespectacled college student in director Deb Hagan's critically excoriated frat boy comedy College.

Trivia: Perhaps best known for his work as a black-clad muse for Gregg Araki, James Duval has built a career on playing alienated, melancholic lost boys. Part of his ability to capture such alienation comes from the actor's own real-life experiences: of French, Vietnamese, Native American and Irish descent, he was constantly picked on by schoolmates while growing up. A native of Detroit, Michigan, where he was born on September 10, 1973, Duval made his way to Hollywood, where, eighteen and down on his luck after a band to pursue an acting career, he had his fateful encounter with Araki. The two met in a café that Duval frequented; Araki approached him, asked if he was an actor, and proceeded to cast him in Totally F***ed Up, the first installment of his so-called "teen-angst trilogy." The 1993 film, which focused on a group of alienated gay teens in Los Angele, was a cult hit, giving its director cult status and Duval more employment opportunities. After a turn as a biker in Mod Fuck Explosion, Jon Moritsugu's 1994 tale of urban teen dysfunction, Duval again collaborated with Araki, this time on The Doom Generation (1995). Cast as Jordan White, a lamb-for-the-slaughter role Araki had written specifically for him, the actor again got to demonstrate his capacity for disillusioned brooding and his readiness to take on less than salubrious subjects. The second installment of Araki's "teen-apocalypse" trilogy, The Doom Generation was also the most controversial, mainly due to its liberal inclusion of graphic violence--the most shocking of which centered on Duval's character. No such controversy surrounded Araki and Duval's subsequent collaboration, 1997's Nowhere. The last of the trilogy, it starred Duval as yet another bored, alienated Los Angeles teen and covered Araki's familiar stomping grounds of sexual experimentation, urban disillusionment, and the search for true love amid L.A.'s cultural wasteland. It met with a degree of success on the independent circuit, further establishing Duval as one of Araki's most visible mouthpieces. Aside from his work with Araki, Duval has also appeared in a number of independent films, including SLC Punk and Doug Liman's Go (both 1999). He has also made the occasional foray into mainstream film, appearing in the 1996 summer blockbuster Independence Day.

Trivia: Was discovered by a casting director in Detroit, Michigan when she was 5 years old.Made her acting debut in the 2011 action thriller drama, Last Man Standing, playing Haley.Made her TV debut on the Disney Channel series A.N.T. Farm playing Hazel.Perhaps best known for playing Piper Hart on the Nickelodeon series Henry Danger, which she has done since 2014.