Trivia: One of the salutary byproducts of the TV series Seinfeld is that it created a market in the '90s for sitcoms built around the comedy routines of young, hip New York comics. One of the best of these programs was Mad About You, created by and starring Manhattan-born Paul Reiser. Reiser and Seinfeld share more than a similarity of sitcoms; together with comedians Larry Miller and Mark Schiff, they comprise what has been unofficially dubbed the Four Funniest Men in the World Club, which has met for lunch each New Year's Day for the past several years. Reiser's credentials include a degree from S.U.N.Y.-Binghamton, a short stint as a health food distributor, and a 1982 film debut in Diner. Most of his film roles have been in comedies, though he was effectively cast as a greedy space traveler (who comes to a well-deserved bad end) in 1986's Aliens. Reiser has noted that his weekly series Mad About You, in which he co-starred with Helen Hunt, was based on his relationship with his wife, Paula. In 1995, Paul Reiser took a brief respite from Mad About You to star in the "single dad" comedy Bye Bye Love.As the new decade began, and Mad About You came to a close, Resier appeared in One Night at McCool's, and four years later realized a personal dream by co-starring with Peter Falk in The Thing About My Folks, a film Resier co-wrote as well. He was interviewed in The Aristocrats, and appeared as himself in Funny People. In 2011 he masterminded the very short-lived NBC sitcom The Paul Reiser Show.

Trivia: A precociously talented youngster, Helen Hunt was drawing paychecks as a television actress from the age of ten. Before she was 17, she had appeared as a regular on two series, Swiss Family Robinson (1975) and The Fitzpatricks (1977). Hunt proved she was more than just a workaday child actor with her starring performance in the fact-based 1981 TV movie The Miracle of Kathy Miller, in which she played a high school athlete who overcame severe mental and physical damage brought on by a highway accident. While she had been appearing in films as early as Rollercoaster in 1977, Hunt was never groomed as a star player, and it is possible that her resemblance to another child actress, Jodie Foster, held her back from more important roles.After taking on her first adult role in the 1982 sitcom It Takes Two, Hunt's film assignments improved, with sizable roles in Girls Just Want to Have Fun (1985), Peggy Sue Got Married (1986), Project X (1987), Next of Kin (1989), and The Waterdance (1991). She also gained a small measure of cult status by appearing in a brace of science fiction films, including Trancers II (1991) and Trancers III (1992). That same year, Hunt landed her longest-lasting acting assignment to date, as the co-star of the Paul Reiser-created comedy series Mad About You. During the show's seven-year run, she won both Emmy and Golden Globe awards for her portrayal of Jamie Buchman. In 1996, Hunt had her most successful film role to date in the blockbuster Twister. The following year, she topped that when she received a Best Actress Oscar for playing a caring waitress and single mother who befriends acerbic, obsessive-compulsive author Melvin Udall (Jack Nicholson, who also won an Oscar for his performance) in As Good As It Gets. After Mad About You ended in 1999, Hunt appeared in films by several veteran directors, including Robert Zemeckis (Cast Away [2000]), Robert Altman (Dr. T and The Women [2000]), and Woody Allen (The Curse of the Jade Scorpion [2001]). She starred in Life x 3 on Broadway in 2003.In 2005, Hunt joined the star-studded cast of HBO's two-part miniseries Empire Falls in the role of Janine, ex-wife of Miles (Ed Harris), the story's central character. The actress made her feature directorial debut in Then She Found Me (for which Hunt also starred, produced, and wrote the screenplay), an adaptation of Elinore Lipman's best-selling novel of the same name. The story follows a Philadelphia schoolteacher (Hunt) whose long-lost birth mother (Bette Miller) reappears at just as her daughter is careening into a midlife crisis. Hunt played a supportive mother in Soul Surfer (2011), an inspirational drama based on the true tale of a surfer who returned to the sport after tragically losing an arm. In 2012 she played a sex surrogate helping a man in an iron lung lose his virginity for director Ben Lewin in The Sessions, a part that earned her rave reviews and an Academy Award nomination for Best Supporting Actress.

Trivia: A natural-born actress who received her primary training in the foyer of her parents' home, Leila Kenzle has since moved on to brighten the lights of Broadway and bask in the warm glow of television and film. Born in Patchogue (Long Island), NY, and raised by an electrical supplies salesman and an antique dealer in nearby Rutherford, NJ, Kenzle was the one of three daughters who often entertained houseguests with her energetic antics. After deciding to expand her talents beyond the realm of home dinner theater, Kenzle earned her B.F.A. in theater from the Mason Gross School of the Arts Conservatory at Rutgers. As with many others in her field, the burgeoning talent found the demanding life of an actress too much to bear and promptly withdrew from the stage, finding work as a hotel phone operator. Encouraged by a sympathetic casting director to follow her dreams and go in for an audition, Kenzle landed her first off-Broadway role and has since never looked back. Following a breakthrough role in the off-Broadway hit Tony 'n Tina's Wedding, the newly confident actress soon relocated to Los Angeles and quickly landed roles in no less than five television pilots. Her television career on a role, Kenzle appeared in such popular series as The Golden Girls, thirtysomething, and Mad About You. Her exposure growing, it wasn't long before Kenzle was making the leap to films with roles in Other People's Money (1991) and Dogmatic (1996). The new millennium found Kenzle landing roles in such popular features as White Oleander and the Rob Schneider comedy The Hot Chick (both 2002). Married to acting coach Neil Monaco in April of 1994, Kenzle often dedicated her time off-camera to work with the Children's International Institute and working with multiple sclerosis charities. With the release of the award-winning short film Bigger Fish, the established actress branched out to receive her first producer's credit.

Trivia: Supporting actress, onscreen from the '70s.

Trivia: Educated at Roosevelt University, bearded, booming-voiced Louis Zorich has been a working actor for nearly 50 years. Zorich made his off-Broadway debut in a revival of Pirandello's Six Characters in Search of an Author, and has appeared on Broadway in Becket, Moby Dick, Hadrian VII, and Moonchildren. He also appeared as Ben in Dustin Hoffman's 1984 staging of Death of a Salesman, repeating this role in the 1985 film version. On television, Zorich has been seen as Jules Berger in Brooklyn Bridge (1991) and as Paul Reiser's father in Mad About You (which ran from 1992 to 1999), and heard in innumerable commercial voice-overs. Louis Zorich is the husband of Oscar-winning actress Olympia Dukakis.

Trivia: In films from 1965, American actor Alex Rocco specialized in tough-guy roles, sometimes leavening his hard-bitten portrayals with a dash of roguish humor. Rocco's film assignments included such parts as gangster Legs Diamond in St. Valentine's Day Massacre (1967) and Moe Greene in The Godfather (1974). He has been a regular or semi-regular on a number of television shows, beginning with 1975's Three for the Road, in which he starred as free-lance photographer (and full-time family man) Pete Karras. Alex Rocco has since been seen in such TVers as The Facts of Life as Mr. Polniaczek, Sibs as Howie Roscio, The Famous Teddy Z as Al Floss, and The George Carlin Show as Harry Rossetti. He played the father of Jennifer Lopez's character in The Wedding Planner (2001) and was a recurring character on the short-lived series Magic City (2012-13). Rocco died in 2015, at age 79.

Trivia: Born in the Bronx, NY, to an upper-middle-class Irish family, Carroll O'Connor's father was a well-connected attorney and his mother was a school teacher. The family lived well, in the Forest Hills section of Queens, until O'Connor's father ran afoul of the law and was convicted of fraud. Despite this setback in the family's well-being, O'Connor managed to attend college and considered a career as a sportswriter, but those aspirations were interrupted by the outbreak of World War II. Rejected by the United States Navy, he enrolled instead in the Merchant Marine Academy, but he later abandoned that pursuit, instead becoming a merchant seaman. After the war, O'Connor considered journalism as a career, but a trip to Dublin in 1950 changed the course of his life, as he discovered the acting profession. While attending college in Dublin, he began appearing in productions of the Gate Theater and also at the Edinburgh Festival, where he played Shakespearean roles. Returning to New York in 1954, he and his wife worked as substitute schoolteachers while he looked for acting work, which he found, after a long dry spell in which he despaired of ever getting a break, in Burgess Meredith's production of James Joyce's Ulysses. O'Connor got a role in which he received favorable notice from the critics, and that, in turn, led to his breakthrough part, as a bullying, greedy studio boss in an off-Broadway production of The Big Knife. O'Connor jumped next to television, at the very tail-end of the era of live TV drama in New York. Beginning in 1960 with his portrayal of the prosecutor in the Armstrong Circle Theater production of The Sacco-Vanzetti Story, he established himself on the small screen as a good, reliable character actor, who was able to melt into any role with which he was presented. Over the next decade, O'Connor worked in everything from Westerns to science fiction. He played taciturn landowners, likable aliens, enemy agents (on The Man From U.N.C.L.E., in "The Green Opal Affair"), and other character roles with equal aplomb. He also appeared in several unsold television pilots during the 1960s, including The Insider with David Janssen, and Luxury Liner starring Rory Calhoun, playing character roles; and he did a pilot of his own, Walk in the Night -- directed and co-written by Robert Altman -- in which he co-starred with Andrew Duggan. O'Connor's movie career followed quickly from his television debut, starting with appearances in three dramatic films (most notably Lonely Are the Brave) in 1961. He was one of many actors who managed to get "lost" in the sprawling 20th Century Fox production of Cleopatra, but he fared better two years later in Otto Preminger's epic-length World War II drama In Harm's Way. O'Connor, playing Commander Burke, was very visible in his handful of scenes with John Wayne and Kirk Douglas, and Preminger thought enough of the actor to mention him by name along with the other stars in the film's trailer. He had major supporting roles, serious and comedic, respectively, in such high-profile movies as Hawaii and What Did You Do in the War, Daddy?, of which the latter proved critical to his subsequent career. O'Connor had been in demand for television roles since the early '60s. In an episode of The Outer Limits, he revealed his flexibility by playing a somewhat befuddled alien investigator from Mars, masquerading as a pawnshop owner in a seedy section of New York, and jumping from a slightly affected, carefully pronounced diction in one line to a working-class dialect and manner in the same shot (for benefit of a human onlooker in the scene). He had also given a very warm, memorable, and touching performance in "Long Live the King," an episode of Voyage to the Bottom of the Sea, and producer Irwin Allen had wanted O'Connor for the role of Dr. Smith on Lost in Space early in the character's conception, when the Smith figure was thoroughly villainous. Although he didn't get the part of Dr. Smith, O'Connor later appeared in "The Lost Patrol" episode of Allen's science fiction series The Time Tunnel. He had also been up for the role of the Skipper in Sherwood Schwartz's series Gilligan's Island, a role that was finally won by Alan Hale Jr. At the end of the 1960s, while O'Connor was busying himself in movies ranging from Westerns to crime films and mysteries, including Warning Shot, Waterhole No. 3, Marlowe, and For Love of Ivy, and distinguishing himself in all of them, CBS began preparing a television series called Those Were the Days. Adapted from a British series, it dealt life from the point-of-view of Archie Bunker, a fed-up, bigoted working-class resident of New York's outer borough of Queens. The network had tried for a big name, approaching Mickey Rooney to play the part, but he turned it down, and then co-producer Bud Yorkin remembered O'Connor's blustery comic performance as General Bolt in What Did You Do in the War, Daddy? O'Connor was offered the role and accepted. He was as busy as ever with movie work, including his portrayal of a memorably boisterous and comical general in Kelly's Heroes, which was shot in Europe in 1970, and the series -- now called All in the Family -- didn't seem a likely or essential prospect for success. Within weeks of All in the Family's premiere in January of 1971, however, O'Connor had become one of the most recognizable and popular leading men on television. O'Connor had never played more than major supporting roles in movies, so there were no feature films to license starring the new pop culture hero; but CBS did pull Walk in the Night, the unsold pilot from three years earlier, starring O'Connor as a detective in a race against time to save a man's life, and aired it with the kind of fanfare normally reserved for major feature films. From 1971 on, O'Connor never looked back: He got star billing the next year in the network television production Of Thee I Sing (1972), and got his first chance to star in a feature film in Law and Disorder, in 1974. O'Connor would play nothing but leads from then on, and command a leading man's salary, a matter that led to a contractual dispute in 1974 that resulted in the actor absenting himself from All in the Family for a series of shows before it was resolved. From then on, entire productions, such as the TV-movie adaptation of The Last Hurrah (1977), would be built around him. He also returned to the theater periodically with far less success, starring in and directing a handful of theatrical productions that seldom got good notices or lingered long on-stage. O'Connor earned four Emmy awards as Archie Bunker, a recognition of the convincing mixture of warmth and anger that he brought to the character, and such was his popularity in the role, that he was able to parlay it into a spin-off series for four seasons called Archie Bunker's Place. It seemed for a time in the 1980s that O'Connor would be forever locked into the role, until 1987 when he got the part of laconic small-town Southern police chief Bill Gillespie in the television series In the Heat of the Night. Taking over a part originated on screen by Rod Steiger, O'Connor rebuilt the character from the ground up, making Gillespie a strong-willed, yet soft-spoken, flawed, sometimes crude, even occasionally bigoted man who was learning to be better. His work in the series earned O'Connor an additional Emmy, and he eventually took over control of the production, transforming In the Heat of the Night from a routine cop show into one of the better dramatic series of its era, with police work only incidental to its content (and hardly a car chase in sight), in a run lasting through 1994.

Trivia: American entertainer Carol Burnett and her sister were both raised by their loving grandmother. It has long been a matter of public record that Burnett credits her grandmother for encouraging her to utilize her comic and musical talents to the fullest. Working her way through UCLA, she majored in English and Theater arts, gradually developing the poise and self-confidence to tackle an entertainment career. After nightclub work, Burnett was spotlighted on the variety programs of Steve Allen, Ed Sullivan, and Jack Paar, bringing down the house on Paar's program with the specialty ballad "I Made a Fool of Myself over John Foster Dulles." In 1956, Burnett co-starred with Buddy Hackett in the live TV sitcom Stanley, which unfortunately was scheduled opposite the indestructible Arthur Godfrey's Talent Scouts. A near-star several times over, Burnett finally grabbed the brass ring with her bravura performance in the 1959 off-Broadway musical Once Upon a Mattress, which led to a three-season stint as a regular on The Garry Moore Show. An Emmy award resulted from her contribution to Moore, and another Emmy followed for a 1962 joint appearance with Julie Andrews at Carnegie Hall. Some of her comedy of the era was the self-deprecating sort allotted to women who weren't raving beauties, but she transcended the cruelty of the jokes with an inner beauty that one would have to be blind to miss. As a slapstick comedienne Burnett was unrivalled, even by the sainted Lucille Ball, and on occasion she was allowed to drop the comic mask and deliver a heart-rending ballad. In 1962, CBS signed Burnett to a long term contract under the supervision of her then-husband, producer Joe Hamilton. After an uncomfortable few months in 1964 in which the producers of the Broadway production Fade Out Fade In sued Burnett for abandoning the play to appear in a weekly variety series The Entertainers, her post-Garry Moore career moved along unevenly. She was advised to sign for another series but avoided the option of situation comedy (she once insisted that she didn't want to be trapped playing someone named Agnes every week). In 1967, virtually out of desperation for a workable idea, The Carol Burnett Show premiered on CBS. Burnett patterned the program after Garry Moore's opening monologue, brief sketches with continuing characters, parodies, musical bits, and a closing all-star musical comedy production number. With such first-rate supporting talent as Harvey Korman, Vicki Lawrence, Lyle Waggoner and Tim Conway, The Carol Burnett Show was a ratings-grabber until its final telecast in 1978. Carol Burnett's life and career since then has been distinguished by as many valleys as peaks. Her film career never truly got off the ground, despite excellent performances in such pictures as Pete 'N' Tillie (1972) and A Wedding (1978). Nevertheless, Carol Burnett has more than earned her place in the pantheon of television giants.Burnett would remain active in the coming decades, starring in everything from the classic musical Annie to the sitcom Mama's Family, not to mention making inumerable appearances on shows like Touched By an Angel, Mad About You, Law and Order: Special Victims Unit, and Glee.

Trivia: Started her professional acting career in 1974.At the start of her career, learned to type to work in offices while also auditioning in New York.In 2008, was awarded the School of Theatre Distinguished Alumni Award by the Boston University College of Fine Arts.Has played a teacher in multiple projects, including Lean on Me (1989), If Looks Could Kill (1991), Curb Your Enthusiasm and Brooklyn Nine-Nine.In 2016, was nominated for the Independent Spirit Award for Best Supporting Female for her work in the film H. (2014).

Trivia: Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work. Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film. Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.

Trivia: Trained for an acting career from childhood, Judy Geeson was a busy juvenile player on television before making her screen debut at 18 in To Sir, With Love. She spent the early stages of her film career playing "jail bait" teenagers, then moved on to more conservative leading-lady assignments. In 1979, Geeson was a regular on the BBC serial Danger UXB, which aired in America on PBS' Masterpiece Theatre. More recently, she has specialized in elegant, landed-gentry roles. Once married to actor Kristoffer Tabori, Judy Geeson is also the sister of actress Sally Geeson, best known for her work on the TV series Star Maidens and Bless This House.

Trivia: Raised outside of Chicago as the sixth of nine children, including older brother James, a founding member of the band Chicago. Left college in his junior year after seeing David Mamet's play, The American Buffalo, which inspired Pankow to enroll in the two-year training program at Chicago's St. Nicholas Theatre. Performed on Broadway (in his first stint) in Serious Money, The Iceman Cometh and as Mozart in Amadeus. Appeared in a numerous films of the late 1980s-early '90s, including To Live and Die in L.A., Talk Radio and Mortal Thoughts. Most recognized for his role as Ira Buchman, cousin of Paul Reiser's character, on the '90s NBC sitcom Mad About You. Returned to Broadway in the 2000s, performing in Twelve Angry Men, The Prime of Miss Jean Brodie and Cymbeline. Took over the role of Merc Lapidus (from Thomas Haden Church) in 2011 on the Showtime/BBC show Episodes.

Trivia: Character actor, onscreen from 1957.