Trivia: Like his older brother, Keenan Ivory Wayans, African-American performer Damon Wayans matriculated from standup comedy to series television to movies. He was a regular on TV's Saturday Night Live and -- along with virtually everyone else in the Wayans family -- In Living Color. Exhibiting a fondness for the outrageous, Wayans attracted both adulation and condemnation for his many In Living Color characterizations, notably the dour Homey the Clown and the excessively effeminate co-host of the "Men on Film" skits. Damon's first film was 1984's Beverly Hills Cop 2; he has since functioned as co-star (with brother Marlon Wayans), co-producer, co-writer, and director of Mo' Money (1992), and has been heard but not seen as the voice of a troublesome baby in Look Who's Talking 2 (1992). In 1995, Damon Wayans played a role once essayed by Charlton Heston, in Major Payne, a remake of Heston's The Private War of Major Benson (1955).

Trivia: Though most commonly associated with her multi-season portrayal of marketing executive Gina Waters-Payne, significant other of Martin Payne (Martin Lawrence) on the Fox sitcom Martin (1992-97), Tisha Campbell began her lengthy Hollywood career with a role that film buffs will have little difficulty remembering. Campbell made her feature debut as Chiffon, a member of the black female doo-wop group that acts as a Greek chorus, in the 1986 Frank Oz musical comedy Little Shop of Horrors (1986). An Oklahoma City native, born to a coat factory employee father and a gospel singer mother, Campbell moved with her family to Newark, New Jersey at the age of three, where the entire clan suffered from abject poverty. At age 6, Campbell won a talent contest, and the following year landed a turn in an ABC Afterschool Special entitled Unicorn Tales, as well as a supporting role in the off-Broadway musical Really Rosie. Campbell attended and graduated from Newark's Arts High School, then made the ambitious trek out to Los Angeles (with her family's encouragement) and spent several years surviving numerous television pilots that failed to take off. Shop, however, rocketed Campbell to national attention and jump-started her film career. She landed additional roles in Spike Lee's School Daze (1988), House Party (1988) (which she also choreographed), and Boomerang (1992). Campbell met future co-star Lawrence on the set of House Party; according to Campbell's later recollections, Lawrence immediately invited her to play his girlfriend should he ever land a sitcom. In 1992, that plan materialized. The program scored sensational ratings and immediately connected with a young, black, urban market; the arc of the series witnessed Gina and Martin transitioning from lovers to intendeds to husband-and-wife. Campbell originally planned to remain with the series through its final season, but actually left Martin several months prematurely, in November of 1996, asserting that Lawrence verbally, physically and sexually abused her on the set of the program - allegations that Lawrence and his representatives aggressively denied, claiming that Campbell was using the actor as a pawn in a contractual dispute with the network despite the fact that the actress left in mid-season.After her stint on Martin, Campbell signed for supporting roles in a number of low-profile features including Linc's (1998), The Sweetest Gift (1998) and Snitch (1999), then returned to network television briefly as one of the stars of the domestically-themed situation comedy My Wife and Kids (2001).Campbell is also occasionally credited by her married name of Tisha Campbell-Martin. She enjoyed a brief tenure as a recording artist with a 1993 r&b release entitled Tisha.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: Son of comedic legend Damon Wayans, Damon Wayans Jr. began following in his dad's footsteps in 1994 when, at the age of 12, he played the younger version of David Alan Grier's character Kevin in the movie Blankman. He would spend the next several years honing his stand-up comedy skills, eventually joining the cast of the sitcom My Wife and Kids in 2001. He would also become a writer on the show, penning several episodes before departing in 2004. In 2006, Wayans became a writer and actor on the outrageous sketch comedy series The Underground, joining forces with his father, who also helped create the show. Then in 2009, the comedian kept it in the family once again, playing Thomas in the parody Dance Flick, which was directed by Wayans' cousin Damien Wayans. He then appeared in the Will Farrell action comedy The Other Guys.