Trivia: American actor C. Thomas Howell (the "C" is for Christopher) began his acting career at the age of four, when he was a regular on the TV series Little People; he went on to appear on two other series: Two Marriages and Into the Homeland. This led to a big break when he was cast at the age of 16 in a secondary role in Steven Spielberg's E.T.: The Extra-Terrestrial (1982), one of the most successful films of all time. Following that, Francis Ford Coppola gave him the lead (in part due to Howell's "pretty-boy" good looks) in The Outsiders (1983), which has led to a consistent film career. However, most of his movies (with the exception of The Hitcher, 1986, in which he is stalked by a killer) have fared badly at the box office. Besides being an actor, Howell is also a former junior rodeo circuit champion. He is married to actress Rae Dawn Chong, with whom he co-starred in Soul Man (1986). The two divorced in 1990, but Howell remarried Sylvie Anderson in 1992.Howell would continue to appear in several projects a year, playing such notable roles as Lt. Thomas D. Chamberlain in 1993's Gettysburg, and the title role in 1995's Baby Face Nelson. In 1995, he tried his hand at directing, helming the drama Hourglass. In 1996 he directed The Big Fall and Pure Danger, and later, Howell added writing and producing to his resume as well, earning both screenwriter and producer credits for 2004's Hope Ranch and 2005's Blind Injustice. Howell also never gave up acting, appearing in such varied films as 2004's Hidalgo and 2007's Hoboken Hallow. He continued to work steadily, directing projects like The Day the Earth Stopped, The Land That Time Forgot, and The genesis Code in addition to acting in various films. He enjoyed his highest profile success in many years when he played the father of a young boy rescued by a superhero in The Amazing Spider Man.

Trivia: Tall, strikingly handsome Dutch actor Rutger Hauer, the son of drama teachers, ran away from his Amsterdam home at age 15 and spent a year aboard a freighter. After coming home, he took a variety of odd jobs while attending night classes to study acting. Afterwards he joined an experimental theater troupe, remaining with them for five years. He then landed a role in a Dutch TV series in which he played a swashbuckler. He debuted onscreen as the lead in Paul Verhoeven's erotically graphic film Turkish Delight (1973); his English-speaking debut came two years later in Ralph Nelson's The Wilby Conspiracy (1975), but it failed to establish him in Hollywood and he returned to making European films. He finally broke through in America as the sociopathic cold-blooded terrorist in the Sylvester Stallone vehicle Nighthawks (1981), after which he was frequently cast as steel-cold heavies in American films. However, his range extends beyond bad guys, as shown (for example) in his role oppposite Michelle Pfeiffer in the medieval romance Ladyhawke (1985). Most of his films since 1981 have been made in America.

Trivia: A professional actor since the age of nine, Jennifer Jason Leigh earned her Screen Actors Guild card at 16 and dropped out of high school to study at the Lee Strasberg Institute and star in seedy made-for-TV movies. Born to actor Vic Morrow and writer/actress Barbara Turner in Hollywood, CA, Jennifer picked up the middle name Jason from family friend Jason Robards Jr. Throughout her career, she has made a name for herself portraying helpless, damaged, or mentally unsound characters, often performing at a higher level than the material. Also known for extensively researching her roles, Leigh dropped down to less than 90 pounds for one of her first features as an anorexic teenager in the TV-movie The Best Little Girl in the World. Never one to shy away from touchy subject matter, her breakthrough role came in 1982 as the naïve high school girl who gets an abortion in Fast Times at Ridgemont High. After a decade of developing a repertoire of various troubled characters, she was nominated for two Critics Circle awards in 1990 for playing prostitutes in both Miami Blues and Last Exit to Brooklyn. She would continue to play vulnerable characters in dangerous situations as the rookie narcotics officer-turned-drug addict in Rush. This was followed by her notorious role as the psycho roommate Hedra who tries to steal the identity of her roommate (Bridget Fonda) in Single White Female. She played a phone sex worker in the ensemble film Short Cuts, her first of three projects involving director Robert Altman. Leigh occasionally stepped out of her down-and-out roles, and in 1994 she shined as Amy Archer in The Hudsucker Proxy. Her comic turn as a plucky undercover journalist was said to recall the work of legendary actresses like Katharine Hepburn and Barbara Stanwyck. She delivered critically acclaimed performances in her next two films, with a Golden Globe nomination for Mrs. Parker and the Vicious Circle and an Independent Spirit nomination for Georgia. After playing an angry daughter in Dolores Claiborne, a spitfire kidnapper in Kansas City, and a domestic violence survivor in Bastard out of Carolina, she took another dramatic turn toward a period film. In Agnieszka Holland's Washington Square, Leigh proved her range by portraying a shy, clumsy girl as she evolves into adulthood. She returned to more showy roles for two films dealing with Shakespeare's King Lear: A Thousand Acres with Jason Robards Jr. and the fourth Dogme 95 film, The King Is Alive. Not limiting herself to dramas, Leigh appeared as an isolated computer programmer in David Cronenberg's thriller eXistenZ and as an over-the-top mom in the comedy Skipped Parts. Around that time, she also appeared on-stage in Broadway and off-Broadway plays, most notably as dancer Sally Bowles in Cabaret. Testing out new ground in 2001, she and fellow Cabaret star Alan Cumming wrote, directed, and starred in the ensemble comedy The Anniversary Party, a digital video project inspired by Dogme 95. Continuing to evolve as a respected actress, she went on to work in the crime genre, first as a hitman's wife in Road to Perdition, and then in Jane Campion's thriller In the Cut. In the several years to come, Leigh would remain an active force on screen, appearing most memorably in films like Margot at the Wedding, Synecdoche, New York, and on the series Weeds. After several years of quiet films, she made a splash in 2015 with two very different movies - the stop-motion film Anomalisa (directed by Charlie Kaufman and Duke Johnson) and The Hateful Eight, a western homage by Quentin Tarantino. Leigh nabbed an Oscar nomination for her work The Hateful Eight, the first in her career.

Trivia: Began acting as a member of the Mountebanks, the oldest student theater group in the U.S. In college, planned to be an engineer. Was a member of the National Shakespeare Company and did summer seasons at the Eugene O'Neill Theatre Center. Actually voiced O'Neill in the 1983 PBS documentary A Glory of Ghosts. Made his Broadway debut in 1976 in Comedians. Has appeared in a number of projects for writer-director Frank Darabont, who considers him a "good-luck charm." One of his most thrilling acting moments was his scene with James Cagney in 1981's Ragtime. Won a Cable ACE Award for his performance in HBO's Citizen X (1995).

Trivia: In films from 1971, Billy Green Bush has usually projected a good-ol'-boy image. Though there were the occasional villains in his TV and film manifest, Bush was most often seen as sheriffs and state troopers. His credits extend from such landmark 1970s efforts as Five Easy Pieces (1971) and Alice Doesn't Live Here Anymore (1974) to such 1990s potboilers as Friday the 13th Pt. IX: Jason Goes to Hell (1993). Bush has also twice essayed the role of Vernon Presley, first in the 1988 TV movie Elvis and Me, then in the short-lived weekly series Elvis (1990). Billy "Green" Bush is the father of twin actresses Lindsay Greenbush and Sidney Greenbush.

Trivia: Not wishing to be typecast in Latino roles, actor Henry Thomas Delgado changed his professional name to Henry Darrow -- only to spend his first dozen or so years in show business playing Hispanics. Darrow gained nationwide attention when briefly cast as a Mexican lawyer on the ABC daytime drama General Hospital; he had previously been active in Spanish-language soap operas, and as a Hollywood voice-over artist, dubbing Hispanic films into English. While appearing in an L.A.-based stage play in early 1967, Darrow was spotted by TV producer David Dortort, who was then in the process of casting the upcoming Western series The High Chaparral. Dortort created the character of aristocrat-turned-ranchhand Manolito Montoya with Darrow specifically in mind; the actor remained in this role until High Chapparal completed its four-season run in 1971. Darrow was then seen in a handful of films (Badge 373, Maverick, etc.) and a whole slew of weekly TV programs, including The New Dick Van Dyke Show (1973-1974 season, as stage manager Alex Montenez) and Time Trax (1993). He also returned to the daily-serial grind as Rafael Castillo on Santa Barbara (1984-1992). In 1983, Henry Darrow was starred on the spoofish series Zorro and Son as Zorro Sr. (aka Don Diego de la Vega), a character he'd previously played via voice-over on the Saturday morning cartoon weekly The Tarzan/Lone Ranger/Zorro Adventure Hour (1981); and in 1989, he was seen as the title character's father on the Family Channel cable series Zorro.

Trivia: Stunt man and actor Tony Epper first appeared onscreen in the '70s.

Trivia: American actor Tom Spratley played character roles on-stage and in films of the 1970s and '80s.