Trivia: Lead actor John Getz first appeared onscreen in the '80s.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: Born the daughter of an Illinois minister on June 23, 1957, Frances McDormand attended West Virginia's Bethany College and later studied acting at the prestigious Yale Drama School. After her graduation, McDormand could be seen gaining professional experience in numerous stage productions across the country. In 1984, McDormand made her film debut playing a somewhat dim-witted adulterous wife in the Coen brothers' Blood Simple, thus beginning an association that would culminate in her marriage to director Joel Coen. Despite winning critical acclaim for her performance, it would be four years, save for a cameo in the Coens' Raising Arizona (1987) and various small roles, before she would be featured in another major film production. In the meantime, McDormand's stage career flourished, and she received a Tony nomination for the 1987 Broadway production of A Streetcar Named Desire. She also did periodic television work, co-starring on the short-lived detective drama Legwork (1987) and appearing in a recurring role on Hill Street Blues.In 1988, McDormand found her way back into the Hollywood spotlight, and won an Oscar nomination for her role as a Klan wife who testifies against a good ol' boy sheriff in Alan Parker's Mississippi Burning. Her film career picked up significantly afterwards, and led to appearances in a wide variety of well-wrought dramas, including Ken Loach's controversial Hidden Agenda (1990), which featured the actress one of a group of American attorneys working to improve prisoner rights throughout a war-torn Ireland. 1990 would also find her playing a small role in the Coens' Miller's Crossing, which led to a similar performance in Robert Altman's Short Cuts. In 1996, McDormand won a Best Actress Academy Award for her portrayal of sheriff Marge Gunderson in Fargo, yet another Coen brothers film. The following year, she co-starred as a German doctor in Bruce Beresford's WWII drama Paradise Road, and then tried her hand at children's films with a starring role in Madeline (1998).In 2000, McDormand made memorable supporting appearances in two films. First was the part of an adulterous academic wife in Curtis Hanson's overlooked Wonder Boys; late that year she could be seen playing the well-meaning, yet unarguably overprotective mother in Cameron Crowe's critically successful coming-of-age drama Almost Famous. The latter would net her another Supporting Actress nomination. In 2001, McDormand could be seen playing a camped-out version of a film noir lush in the Coens' The Man Who Wasn't There. Her subsequent role in 2002's Laurel Canyon -- as an aging, wild-child record producer -- earned her critical hosannas, even if the film was little-seen. The issue picture North Country offered her the challenge of playing a working-class woman gradually succumbing to Lou Gehrig's disease, and in early 2006, earned her another Best Supporting Actress nomination. She followed it up with an acid-tongued role in the ensemble comedy-drama Friends With Money.Over the next several years, McDormand would continue to appear in several acclaimed films, including Burn After Reading, This Must Be the Place, and Moonrise Kingdom.

Trivia: Dan Hedaya has played a wide variety of characters on the stage, screen, and television. Fans of the long-running sitcom Cheers will remember Hedaya for his portrayal of barmaid Carla's grease bag husband Nick Tortelli. Following studies in literature at Tufts University, Hedaya launched his acting career. He then went on to act in the New York Shakespeare Festival for many years. Hedaya made his feature film debut in The Passover Plot (1975). Since 1980, Hedaya has appeared in over 20 feature films, and is frequently cast as cops, criminals, or rough-edged regular joes. In Blood Simple (1984), he got the opportunity to play a leading role as Marty, the jealous husband who hires a creepy detective to kill his faithless wife. It is on television, that Hedaya has found most of his work. He has guest-starred on numerous shows ranging from police and courtroom dramas like Hill Street Blues and Law and Order, to sitcoms such as Family Ties.