Trivia: New Zealander Anna Paquin made her stage bow in the coveted role of a skunk in a grade school play. After attracting attention for her work in a TV commercial, Paquin was selected from some 5,000 applicants to portray Holly Hunter's precocious daughter in director Jane Campion's dour period piece The Piano. The film was completed in 1992 when Paquin was nine. She kept busy for the next year or so in a series of American TV ads for a computer company, portraying an androgynous "young DaVinci" type. In 1994, an amazed 11-year-old Paquin rushed on the stage of the Dorothy Chandler Pavillion to accept the best supporting actress award for her performance in The Piano. Paquin played her first adult role in Hurly Burly (1998).

Trivia: One who graduated from obscure actor to Hollywood icon in just a few years, Matt Damon became an instant sensation when he co-wrote and starred in Good Will Hunting with longtime buddy and collaborator Ben Affleck. A native of Cambridge, Massachusetts, where he was born on October 8, 1970, Damon grew up in prosperous surroundings with his tax preparer father, college professor mother, and older brother. At the age of ten, he befriended Affleck, a boy two years his junior who lived down the street. Educated at Cambridge's Rindge and Latin School, Damon landed his first role in a Hollywood production before the age of 18, with a one-scene turn in Mystic Pizza (1988). Not long after, Damon gained acceptance to Harvard University, where he studied for three years before dropping out to pursue his acting career. During his time there, he had to write a screenplay for an English class, that served as the genesis of Good Will Hunting. Arriving in Hollywood, Damon scored his first big break with a plum role in School Ties opposite Affleck. As the film was a relative flop, Damon's substantial role failed to win him notice, and he was back to laboring in obscurity. It was around this time, fed up with his Hollywood struggles, that Damon contacted Affleck, and the two finished writing the former's Harvard screenplay and began trying to get it made into a film. It was eventually picked up by Miramax, with Gus Van Sant slated to direct and Robin Williams secured in a major role, opposite Damon as the lead. Before Good Will Hunting was released in late 1997, Damon won some measure of recognition for his role as a drug-addicted soldier in Courage Under Fire; various industry observers praised his performance and his dedication to the part, for which he lost forty pounds and suffered resulting health problems. Any praise Damon may have received, however, was overshadowed the following year by the accolades he garnered for Good Will Hunting. His Oscar nomination for Best Supporting Actor, Best Screenplay win alongside Damon, and strong performance in the film virtually guaranteed industry adulation and steady employment, a development that became readily apparent the following year with lead roles in two major films. The first, John Dahl's Rounders, cast Damon as a card shark with a serious gambling addiction, who risks his own personal safety when he becomes entangled with a reckless loser buddy (Edward Norton). Damon's second film in 1998, Steven Spielberg's Saving Private Ryan, brought him even greater recognition. As Ryan's title character, Damon headlined an all-star line-up and received part of the lavish praise heaped on the film and its strong ensemble cast. The following year, Damon signed for leads in two more highly anticipated films, Anthony Minghella's The Talented Mr. Ripley and Kevin Smith's Dogma. The former cast the actor against type as the title character, a psychotic bisexual murderer, with a supporting cast that included Cate Blanchett, Jude Law, and Gwyneth Paltrow. Dogma also allowed Damon to cut against the grain of his nice-guy persona by casting him as a fallen angel. One of the year's more controversial films, the religious comedy reunited him with Affleck, as well as Smith, who had cast Damon in a bit role in his 1997 film, Chasing Amy. Damon next delivered noteworthy performances in a pair of low-grossing, low-key dramas, The Legend of Bagger Vance and All the Pretty Horses (both 2000), before appearing in director Steven Soderbergh's blockbuster remake of the Rat Pack classic Ocean's Eleven the following year. 2002 found the actor vacillating between earnest indie projects and major Hollywood releases. Behind the camera, Damon joined forces with filmmaker Chris Smith for the Miramax-sponsored Project Greenlight, a screenplay sweepstakes that gave the winner the opportunity to make a feature film and have the process recorded for all to see on an HBO reality series of the same name. Toward the end of 2001, Damon scored a box office triumph with director Doug Liman's jet-setting espionage thriller The Bourne Identity. With this effort, Damon proved once again that he could open a film with just as much star power as his best friend and colleague. Better yet, Bourne reinforced Damon's standings with the critics, who found his performance understated and believable. The press responded less favorably, however, to Damon's reunion project with Van Sant, the experimental arthouse drama Gerry (2003). Also in 2003, Damon starred opposite Greg Kinnear in the Farrelly Brothers' broad comedy Stuck On You, as the shy half of a set of conjoined twins.In 2004, Damon reprised the role of Jason Bourne in The Bourne Supremacy. As the actor's biggest leading-man success to date, it reinforced Damon's continued clout with audiences. Staying on the high-powered sequel bandwagon, he reunited with Brad Pitt and George Clooney for the big-budget neo-rat pack sequel Ocean's Twelve later that year. 2005 was somewhat lower-key for the actor, as he toplined Terry Gilliam's disappointing The Brothers Grimm and joined the sprawling ensemble of Syriana. After working seemingly non-stop for a few years, Damon claimed only a call from Martin Scorsese would get him to give up his resolve to take some time off. Sure enough, that call came. The Departed, an American remake of the Hong Kong mob-mole thriller Infernal Affairs, co-starred Jack Nicholson and Leonardo DiCaprio. Playing the squirmy, opportunistic cop to DiCaprio's moral, tormented mobster, Damon underplayed his part to perfection while holding his own opposite his two co-stars. Damon then took the lead role in the Robert De Niro-directed CIA drama The Good Shepherd. In 2007, the actor once again returned to box office franchises for the sequels Ocean's Thirteen and The Bourne Ultimatum, the latter of which netted him -- by far -- the largest opening-weekend take of his career to that point. 2009 was another great year for the hard-working star. His turn as the unstable federal informant in Steven Soderbergh's wicked comedy The Informant! earned him rave reviews, and his supporting work in Clint Eastwood's Invicus, as the leader of the South African rugby team, earned Damon nominations from the Golden Globes, the Screen Actors Guild, and the Academy. In 2010 he reteamed with Eastwood for the supernatural drama Hereafter, and continued working with the best filmmakers of his time by landing a supporting role in the Coen brothers remake of True Grit. Meanwhile, Damon tried his hand at small screen work with a memorable recurring role as Carol, an airline pilot and sometime boyfriend of Liz Lemon, on the NBC situation comedy 30 Rock and a lauded turn opposite Michael Douglas' Liberace in the TV movie Behind the Candelabra. Damon had long since established himself as an A-list movie star, however, and would continue to star in big screen projects for years to come, including notable titles like Contagion, The Adjustment Bureau, and We Bought a Zoo. Damon next turned in performances in three films set in outer space: Neill Blomkamp's Elysium (2013), a supporting role in Christopher Nolan's Interstellar (2014) and an Oscar-nominated spin in Ridley Scott's The Martian (2015).

Trivia: After 12 years as a struggling actor, Mark Ruffalo became the next big thing with his exceptional performance in the Oscar-nominated independent film You Can Count on Me (2000). Born in Wisconsin on November 22nd, 1967, Ruffalo wanted to be an actor as a child, but he ignored his early aspirations until the end of high school. Not sure what else to do, Ruffalo headed to Los Angeles at 18 "out of desperation" to study the craft at the prestigious Stella Adler Conservatory. After taking classes for several years and evading career decisions, Ruffalo began to venture into L.A. theater and independent film. Along with acting in over 30 plays, as well as writing and directing one of his own theater works, Ruffalo spent the 1990s amassing roles in indie movies, beginning with A Gift From Heaven (1994). Working mostly in comedies, Ruffalo appeared in The Last Big Thing (1996) and alongside comic character actor stalwarts Steve Zahn and Paul Giamatti in Safe Men (1998); he also starred as an artist with love problems in the romantic comedy Life/Drawing (1999). Trying his hand at screenwriting, Ruffalo penned Slamdance success The Destiny of Marty Fine (1996). Two potentially higher-profile films, the disco period film 54 (1998) and Ang Lee's Civil War epic Ride With the Devil (1999), failed to make a positive impression on critics and audiences.Ruffalo's luck began to change, however, when he was cast in an off-Broadway production of This Is Our Youth. Not only did he win an acting award, but Ruffalo also got to know the playwright, Kenneth Lonergan. Despite his non-resemblance to future onscreen sister Laura Linney, Ruffalo talked Lonergan into auditioning him for the role of Linney's brother in Lonergan's first film, You Can Count on Me. Well-matched in familial chemistry, Ruffalo's self-destructive, irresponsible, sensitive Terry meshed perfectly with Linney's uptight Sammy and her sheltered son, Rudy (Rory Culkin), creating a deeply felt portrait of troubled yet strong family bonds. Earning raves for its nuanced performances as well as sharp writing, You Can Count on Me garnered Ruffalo the Montreal Film Festival's Best Actor prize and talk of an Oscar nod. Though he didn't get the nomination, Ruffalo swiftly moved up the Hollywood ranks, starring as an imprisoned military pilot caught between Robert Redford and James Gandolfini in The Last Castle (2001), and as a soldier in John Woo's WWII saga Windtalkers (2001).Ruffalo's ascent to stardom was temporarily sidetracked, however, when he was diagnosed with a brain tumor while filming The Last Castle in 2000. Forced to drop out of the Joaquin Phoenix role in M. Night Shyamalan's summer hit Signs (2002), Ruffalo had surgery and spent months rehabilitating from the procedure. Having made a full recovery, Ruffalo returned to work.After Ruffalo appeared as Gwyneth Paltrow's boyfriend in the woeful flop View From the Top (2003), his lead performance as the male axis of a complicated love triangle in the indie film XX/XY (2003) garnered far more enthusiastic critical kudos than the movie itself. Ruffalo also stayed firmly within the independent cinema realm, co-starring as terminally ill Sarah Polley's lover in the drama My Life Without Me (2003). Ruffalo subsequently scored roles in two higher-profile, if still offbeat, Hollywood projects. In Jane Campion's long-gestating adaptation of erotic thriller In the Cut (2003), Ruffalo co-starred as a homicide detective who becomes involved with Meg Ryan's lonely New York professor.2004 started off with a bang for Ruffalo when We Don't Live Here Anymore, a film he both starred in and produced, received the top dramatic prize at the Sundance Film Festival. The film saw the actor teamed with Laura Dern, Peter Krause, and Naomi Watts and traced the crumbling of four characters' friendships and marriages when two of them engage in an affair. Ruffalo's next two roles would be increasingly lighter by comparison. In the Charlie Kaufman-scripted brain twister The Eternal Sunshine of the Spotless Mind, he played a goofy scientist who attempts to erase Jim Carrey's memories of Kate Winslet. He then starred opposite Jennifer Garner in the romantic comedy 13 Going on 30.Three for three with the critics in 2004, Ruffalo's next project of the year was not only met with positive reviews but was a box-office winner as well. In Michael Mann's Collateral, Ruffalo played the lawman trying to track down a menacing hitman played by Tom Cruise as the hired gun terrorizes cabdriver Jamie Foxx.Ruffalo attempted to capture a mass audience with a pair of big-budget romantic comedies in 2005. Sadly, both Just Like Heaven and Rumor Has It... failed to garner large box office, even though Ruffalo was fine in both efforts. The next year, he appeared in Kenneth Lonergan's second directorial feature, Margaret, and he was part of the powerhouse cast for Steven Zaillian's remake All the King's Men, which included Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins. While All the King's Men, too, failed to gain a solid following -- an especially shocking surprise given the powerhouse cast on display in the film -- the verdict on Margaret had yet to be decided when, in early 2007, Ruffalo appeared onscreen opposite Robert Downey Jr. and Jake Gyllenhaal in director David Fincher's Zodiac. Ruffalo was praised for his performance as a South Boston native struggling to end the cycle of poverty and crime in 2008's crime drama What Doesn't Kill You, and delivered a solid supporting performance in the complex romantic comedy The Brothers Bloom.Ruffalo's star would grow exponentially throughout the late 2000s and beyond after he delivered solid performances in a series of critically acclaimed features including a turn as partner to Detective Teddy Daniels (Leonardo DiCaprio) in Martin Scorsese's haunting adaptation of author Dennis Lehane's thriller Shutter Island. The actor then took over the role of the Hulk in The Avengers, a 2012 summer blockbuster from director Joss Whedon.He was part of the ensemble in the box office hit Now You See Me in 2013, and enjoyed stellar reviews in the made-for-HBO drama The Normal Heart in 2014. That same year Ruffalo scored a Best Supporting Actor nomination from the Academy for his role in Foxcatcher, playing the champion wrestler David Schultz. In 2015, he reprised his role in the Avengers sequel, and earned a third Oscar nomination for his work in Spotlight.

Trivia: Although Matthew Broderick has built a solid reputation as one of the stage and screen's more talented and steadily working individuals, he will forever be associated with the role that gave him permanent celluloid infamy, the blissfully irresponsible title hero of John Hughes's 1986 Ferris Bueller's Day Off. Thanks to his association with the character, as well as his own boyish looks, Broderick for a long time had trouble obtaining roles that allowed him to play characters of his own age. However, with the success of films like Election (1999) and a 1994 Tony Award for How to Succeed in Business Without Really Trying, audiences finally seemed ready to accept the fact that Broderick had indeed graduated from high school.The son of late actor James Broderick and playwright/screenwriter Patricia Broderick, Broderick was born in New York City on March 21, 1962. With the theatre a constant backdrop to his childhood, Broderick's entrance into the entertainment world seemed a natural outcome of his upbringing. He began appearing in theatre workshops with his father when he was seventeen, and was soon acting on Broadway in plays like Neil Simon's Biloxi Blues and Brighton Beach Memoirs and Harvey Fierstein's Torch Song Trilogy. Broderick played Fierstein's adopted son in Torch Song; in the Simon plays, he portrayed the playwright's alter ego, winning a Tony Award for his 1983 performance in Brighton Beach Memoirs. The same year, Broderick made his film debut in WarGames, playing a young man who unwittingly plants the seeds of a nuclear war; the film was a success and launched the actor's onscreen career. Films like Max Dugan Returns and Ladyhawke followed, as did an acclaimed television adaptation of Athol Fugard's Master Harold and the Boys, but it was the 1986 Ferris Bueller's Day Off that made Broderick a star. As a then-23-year-old playing a 17-year-old, Broderick became a champion of smart-asses everywhere, and in so doing earned a certain kind of screen immortality. The success of the film allowed him to work steadily in films like Project X and the screen adaptations of Biloxi Blues and Torch Song Trilogy (in which Broderick now played Fierstein's lover, instead of his adopted son). Widely publicized tragedy struck for Broderick in 1988 when he and Jennifer Grey were vacationing in Ireland: after losing control of the car he was driving, Broderick crashed into an oncoming car, killing the mother and daughter in it. The actor was hospitalized, and his ensuing legal problems were the subject of much media scrutiny. However, he continued to work, winning critical acclaim for his portrayal of a Civil War colonel in the 1989 Glory. He then kicked off the 1990s with the title role of a naive film student in The Freshman; following that film's relative success, he starred in the poorly received comedy The Night We Never Met, and in 1994, he was cast against type as one of Dorothy Parker's unsympathetic lovers in Mrs. Parker and the Vicious Circle. That same year, he ventured back to Broadway, where he found acclaim as the lead in How to Succeed in Business Without Really Trying, winning a Tony Award for Best Actor in a Musical. Over the next few years, Broderick had his hits (The Lion King) and misses (The Road to Wellville, The Cable Guy, Addicted to Love). In 1996, he made his directorial debut with Infinity, which also featured a screenplay by his mother. A love story based on the life of famed physicist Richard Feynman, the film made a brief blip on the box-office radar, although it did garner some positive reviews. In 1997 he wed actress Sarah Jessica Parker who gave birth to their son, James Wilke Broderick, in October of 2002. The same couldn't be said for Broderick's massively budgeted, hyper-marketed 1998 feature, Godzilla. The subject of critical abuse and audience evasion, the film was a disappointment. Fortunately for Broderick, his role as the film's hero was largely ignored by critics who preferred to level their attacks at the film's content. The actor managed to rebound successfully the following year, first playing against type as a high-school teacher caught up in an ethical conundrum in Alexander Payne's hilarious satire Election. The film received positive reviews, with many critics praising Broderick's performance as the morally ambiguous Mr. McAllister. The actor then could be seen as the title character in the giddy action flick Inspector Gadget. It was a role that would have made Ferris Bueller proud: not only did Broderick get to shoot flames from his limbs and sprout helicopter blades from his skull, he also got to defeat the bad guys and, in the end, get the girl. In 2000, Broderick played a supporting role in Kenneth Lonergan's critically acclaimed You Can Count On Me with Laura Linney and Mark Ruffalo, and appeared in a well received television adaptation of The Music Man later that year. Broderick lent his vocal chords for both 2003's The Good Boy and 2004's The Lion King 1/2, and signed on to appear in three hotly anticipated 2004 films; namely, The Last Shot with William H. Macy, Tom Cairns' black comedy Marie and Bruce, and The Stepford Wives with Nicole Kidman, Christopher Walken, and Bette Midler. Of course, Broderick's biggest achievement of the 2000's was not on the silver screen, but on stage with Nathan Lane in Mel Brooks' hugely successful comedy The Producers, which won a record 12 Tony awards in 2001. He reprised the role for a film adaptation in 2005, with Will Ferrell and Uma Thurman joining the cast. 2006 found the actor appearing in the big screen adaptation of Strangers with Candy, as well as the drama Margaret, tough post-production problems kept that film from being released until 2011, and the holiday comedy Deck the Halls. Broderick worked in animated films such as Bee Movie and The Tale of Despereaux, and was also part of the ragtag crew planning the perfect crime in the comedy Tower Heist.

Trivia: With mournful eyes that suggest deep contemplation lurking beneath a sometimes imposing exterior, French actor Jean Reno (born July 30th, 1948) has carved a particular niche in cinema by portraying men who prefer to define themselves through action rather than words. Though his characters may often resort to violence without pause when necessary, that isn't to say that they are without the sort of honor or dignity that has served to define some of the screen's most memorable action stars. Born Juan Moreno Errere y Rimenes in Casablanca, Morocco, the future star spent his early, more carefree days roaming the beaches with friends to escape the searing summer heat. Reno was captivated by the likes of such screen legends as John Wayne, Marlon Brando, and Jean Gabin, who would form the foundation of his screen persona much later in life. An early stint in drama school found Reno exploring his acting abilities, but little did the aspiring talent know that his life would soon take a new and unexpected turn. Though Reno's life to that point had been somewhat idyllic, Morocco's increasing instability forced Reno's family to flee to France to start anew. Unfortunately, his new homeland was in the midst of turbulent civil unrest. In order to gain his citizenship, Reno had to sign up with the national service, and he was quickly recruited into the army. When his superiors noticed that he had previously been to drama school, they placed him in charge of arts and entertainment, and after a year of service, Reno set his sights on Paris. More drama school was soon to follow, and throughout the 1970s, Reno gained experience through stage and television work. After being singled out by critics for memorable appearances in such plays as Costa-Gavras' Clair de Femme (a role that he would later revisit in the 1979 film of the same name) and touring Europe with Didier Flamand's theater troupe, Reno made his screen debut in the 1979 Raúl Ruiz film The Hypothesis of the Stolen Painting. Throughout the 1980s, Reno made a name for himself playing screen heavies with little dialogue, and in 1981, things began to look up for the rising star when he teamed with hot young French director Luc Besson for the short film L'Avant Dernier. In the years that followed, Reno and Besson not only became close personal friends, but Reno would also appear in almost every one of the director's films. With small parts in Le Dernier Combat (1983) and Subway slowly elevating his star status, it was only a matter of time until Reno landed his breakout role. Of course, it came as no surprise to many that that particular role was in one of Besson's films, and with the release of Besson's Le Grand Bleu in 1988, Reno's time finally came. Cast as the comic rival of diver Jacques Mayhol (Jean-Marc Barr), Reno received international exposure when the film became a worldwide hit with both critics and audiences. In his home country of France, Reno was even nominated for a Best Supporting Actor César. He took a somewhat darker turn two years later when he was cast as a taciturn hit man in Besson's art-house action hit Nikita. By the time Reno took the lead in the 1993 time travel comedy Les Visiteurs (which quickly became the most successful film in French box-office history), he had truly established himself as a lucrative box-office draw. Though the film was indeed a massive success in France, it was deemed "too French" for U.S. distribution, and only the most die-hard fans and critics outside of Reno's native country were truly aware of his star power. If Reno's rise in France had been successfully boosted thanks, in part, to old friend Besson, so would his international exposure thanks to Besson's masterful 1994 effort Léon (released stateside as The Professional). With Reno once again cast in the role of a hit man, Léon told the remarkably tender tale of a sympathetic killer who befriends a young orphan named Mathilda (memorably portrayed by screen newcomer Natalie Portman) after her family is wiped out by a corrupt DEA agent (an unhinged Gary Oldman). Despite the fact that the heart of Léon and Mathilda's relationship was edited out of the U.S. release after being deemed too intense for stateside audiences (the film would eventually find release in the U.S. uncut thanks to a 2000 DVD release of the original version), the movie still possessed a soulful display of character generally lacking in the action genre, and audiences took to the film in droves. Reno was now a bankable star worldwide, though his unpredictable film choices continued to surprise audiences while also informing them that he was capable of much more than high-octane gunplay. In the years that followed, Reno made it a point to act in one French film for each American film in which he appeared, and with stateside roles in French Kiss (1995), Mission: Impossible (1996), and Roseanna's Grave (1997), Reno successfully pleased both his testosterone-driven male fan base and his more sensitive female followers. 1998 would prove a remarkably successful year for Reno in both the U.S. and his native France when, after completing the sequel Corridors of Time: The Visitors II, he turned up in both the disastrous wannabe summer blockbuster Godzilla (for which he turned down the role of Agent Smith in The Matrix) and Manchurian Candidate director John Frankenheimer's masterful action thriller Ronin. Holding his own opposite screen legend Robert De Niro, Reno was clearly a talent to be reckoned with. Before adapting The Visitors for U.S. audiences (as Just Visiting), Reno faced unspeakable danger in the Seven-esque French thriller The Crimson Rivers (2000). In between such action efforts as the Besson-produced Wasabi (2001) and the misguided sci-fi remake Rollerball (2002), Reno found time for love in the romantic comedy Jet Lag (also 2002) with Juliette Binoche. Despite the fact that action in such efforts as 2001's Wasabi and 2003's Ruby & Quentin tended to lean toward the comic angle, Reno proved he wasn't afraid to get a little dirty by once again facing danger in Crimson Rivers 2: Angels of the Apocalypse (2004). Roles in the French-language flicks L'Corse Enquête and L'Empire des loups were quick to follow in 2004 and 2005 respectively, and shortly after starring opposite Roberto Benigni and Tom Waits in Benigni's 2005 effort The Tiger and the Snow, Reno would head back into blockbuster territory stateside with supporting performances in The Pink Panther and The Da Vinci Code. In 2006 Reno would take to the skies with some determined American fighter pilots in the World War I war adventure Flyboys. Reno continued to work in films throughout the 2000s, appearing in The Pink Panther 2, Flushed Away, and Couples Retreat.

Trivia: One of the most talented -- and often underappreciated -- character actresses of the late 1990s, Allison Janney first began courting critical attention with roles in such acclaimed films as Big Night (1996) and American Beauty (1998). Able to play characters ranging from a name-dropping Manhattan socialite to a withdrawn, abused wife, the 6'0" Janney infuses all of her portrayals with equal parts poignancy and unforced gusto.A product of Dayton, Ohio, where she was born November 19, 1959, Janney was raised as the daughter of a homemaker and the president of a real estate firm. She aspired to be a champion figure skater from a young age, but any hopes of pursuing a skating career were halted by a freak accident that badly damaged Janney's leg when she was in her mid-teens. As a student at Kenyon College, she became interested in acting, and got her first break when she successfully auditioned for a play being directed by Kenyon alum Paul Newman. After impressing Newman, a racing enthusiast, with both her acting skills and her love of fast cars, Janney went on to impress his wife, Joanne Woodward, who directed her in a number of off-off-Broadway plays during the early 1980s.Although she enjoyed early stage success, Janney had difficulty starting her career, something that was hindered by her height: one disparaging casting agent went so far as to tell her that the only roles she was suitable for were lesbians and aliens. Thankfully, the actress pressed on in the face of such idiocy, waitressing and scooping ice cream to support herself during dry spells. Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway -- where she earned a Tony nomination for her role in 1998's A View from the Bridge -- and onscreen in such films as Big Night (1996) and Mike Nichols' Primary Colors (1998). In the former film, she appeared as the quiet, capable love interest of Tony Shalhoub's struggling Italian chef, while the latter featured the actress in the minor but poignant role of a painfully-awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidate. Janney, who had been appearing on television and in films since the early '90s, went on to do reliably excellent work in a variety of films that ranged from The Object of My Affection (1998), in which she played the supercilious, name-dropping wife of a high-powered literary agent (Alan Alda); to Drop Dead Gorgeous (1999), which featured her as a beehived, chain-smoking trailer park resident; to American Beauty (1999), in which she gave a quietly powerful portrayal of the abused wife of a tyrannical ex-Marine (Chris Cooper). Janney's talents have also been put on ample display on the small screen: in 1999, she joined the cast of the acclaimed NBC White House drama The West Wing, originating the role of tough press secretary C.J. Cregg.In addition to continuing her work on The West Wing, Janney played a supporting role in the award winning psychological drama The Hours (2002), and voiced Peach the Starfish in Pixar's wildly successful Finding Nemo (2003). The actress' would play the neighbor of protagonist Jim Winters (Anthony LaPaglia) in 2004's drama Winter Solstice, and continued to play small, yet meaty roles throughout the coming years (among them include On Our Very Own and Hairspray), she earned mainstream attention and critical praise for her role as the parent of a pregnant teen (Ellen Page) in Juno. Ironically, in light of her Juno success, Janney was also critically recognized for her performance as an emotionally detached mother in Sam Mendes' bittersweet comedy Away We Go (2009).

Trivia: The daughter of actress/director Elaine May, Jeannie Berlin made a name for herself cinematically in Ms. May's The Heartbreak Kid (1974). For her portrayal of a whiny, dumped-on new bride, Jeannie was nominated for an Academy Award. Though Heartbreak Kid was touted as her film debut, Jeannie had been acting professionally since 1970, playing small roles in Getting Straight and in the made-for-TV The Baby Maker. Briefly retiring from filmmaking after Sheila Levine is Dead and Living in New York (1975), Jeannie Berlin turned to writing and directing; in 1990, she was back before the cameras in In the Spirit, which was directed by her mother and which she also co-wrote.

Trivia: One of the Culkin clan of child actors, Kieran Culkin emerged from older brother Macauley Culkin's considerable shadow in the late 1990s. Born and raised in New York, Culkin made his movie debut playing his sibling's cousin in the blockbuster family comedy Home Alone (1990). Along with returning for the sequel Home Alone 2: Lost in New York (1992), Culkin bolstered his presence as a cute foil playing Steve Martin's young son in Father of the Bride (1991) and Father of the Bride Part II (1995). Despite his parents' well-publicized custody battle over their acting brood in the mid-1990s, Culkin continued to work steadily, finally graduating to starring status in The Mighty (1998). As a physically challenged boy who forms a deep bond with an illiterate classmate, Culkin displayed his dramatic abilities as well as comedic, proving that he could be more than just an adorable face. Culkin followed up his lead turn with prominent supporting roles as another little brother in the teen romantic comedy She's All That (1999), Meryl Streep's teenage son in Music of the Heart (1999), and one of the orphans in The Cider House Rules (1999).After playing at the Sundance Film Festival, The Dangerous Lives of Altar Boys earned strong reviews for Culkin's performance as one of the imaginative, restless Catholic schoolboys grappling with adolescence and dour nun teacher Jodie Foster in the 1970s. A rare teen film with a brain, Altar Boys became an art house success. Delving into the rarified world of the genteel poor, and enhancing Culkin's status as an "alternative" teen lead, Igby Goes Down starred Culkin as the titular alienated son who must deal with harridan mother Susan Sarandon and superficial brother/romantic rival Ryan Phillippe while pondering whether he'll suffer the same fate as his schizophrenic father Bill Pullman.

Trivia: Actress Rosemarie DeWitt premiered onscreen in the early to mid-2000s and essayed a series of bit roles -- initially in A-list features such as Cinderella Man (2005) and Off the Black (2006). She scored a lead opposite Ron Livingston on the small screen, as a federal agent in the hostage-crisis drama Standoff (2006), but unfortunately, that program folded after a rather short life span, and DeWitt returned to supporting turns -- notably a colorful characterization as Midge Daniels, the bohemian mistress of a successful ad executive during the early '60s on AMC's serialized drama Mad Men (2007). In 2008 DeWitt co-starred with Anne Hathaway in director Jonathan Demme's drama Rachel Getting Married, and landed a supporting role in the first two seasons of The United States of Tara (2009-2010), a Showtime drama following a suburban woman living with Dissociative Personality Disorder. In 2011 she co-starred and consulted for Your Sister's Sister, a drama wherein she portrayed a heartsick young woman who bonds with a man grieving the death of his brother. She co-starred with Jennifer Garner and Dianne Weist in The Odd Life of Timothy Green the following year.

Trivia: Actress Olivia Thirlby accepted one of her earliest on-camera roles when she signed to work for director Paul Greengrass on his acclaimed docudrama United 93 -- and thereby delivered a haunting onscreen evocation of the late Nicole Carol Miller, 21-year-old college student and victim of one of the September 11th hijackings. Thirlby subsequently tackled supporting roles in such productions as David Gordon Green's explosive small-town drama Snow Angels (2007) and Jason Reitman's seriocomedy Juno (2007), then teamed up with Lili Taylor and X-Files stalwart David Duchovny for Vincent Perez's supernatural thriller The Secret (2007). The following year Thirlby made her stage debut in the 2008 off-Broadway production of Farragut North, and in 2009 she played the recurring role of Suzanne, Jonathan's ex-girlfriend, on HBO's Bored to Death. A supporting appearance in No Strongs Attached preceded a leading role in the sci-fi dud The Darkest Hour, and after lending her voice to David Gordon Green's animated comedy series Good Vibes, she landed the plum role of a young artist who upsets the delicate balance of a California household in the low-key drama Nobody Walks. But that was all talk, and Thirlby fans who craved a bit more action got exactly what they were looking for when she teamed with Karl Urban to battle a vicious gang of futuristic drug dealers in Dredd -- a feature adaptation of long-running comic strip that originated in the British science fiction comic 2000 A.D. (and was previously adapted for the screen in a 1995 Sylvester Stallone vehicle).

Trivia: Is of Colombian and English descent.Started her acting career at a young age performing in school plays.Considered pursuing a career as a high school science teacher.The first audition she had was for the role of Hannah Montana.Is skilled at Taekwondo, and has a black belt.In 2012, she made her debut as a singer with her single Flow.Is an animal lover, especially dogs.

Trivia: A native of Silver Spring, MD, suave and clean-cut actor Michael Ealy appeared on-camera from the late '90s. He began on the small screen, with guest appearances on network programs including Law & Order and ER, but scored his breakout role with a much-favored turn as Ricky Nash, a convict-in-the-running with several past charges against him, in the predominantly African American ensemble comedies Barbershop (2002) and Barbershop 2: Back in Business (2004). The billing in these projects was somewhat prescient: Ealy continued to take challenging and unique supporting roles and gradually worked his way up the Hollywood ladder, openly declaring himself in no hurry to become a top-billed star. Additional projects included the action sagas 2 Fast 2 Furious (2003) and S.W.A.T. (2003) and the psychological thriller November (2003), but Ealy netted much greater acclaim -- and flexed some impressive dramatic muscle -- with his portrayal of Teacake in the Oprah Winfrey-produced telemovie Their Eyes Were Watching God (2005). He then landed the incredibly demanding and edgy lead role of Darwyn Al-Sayeed, a terrorist plotting an attack on the United States, in the Showtime original miniseries Sleeper Cell (2005). In 2008, Ealy starred opposite Will Smith and Rosario Dawson in the earnest suicide drama Seven Pounds, directed by Gabriele Muccino (The Pursuit of Happyness). Ealy took on a leading role as a Bishop hiding in a small Italian village that opposes the Nazi cause in Spike Lee's acclaimed war drama Miracle at St. Anna (2008), and co-starred with Julianna Margulies and Michael J. Fox in the CBS television series The Good Wife the following year. In 2010 he played a supporting role in the crime thriller Takers, and starred in the romantic comedy Think Like a Man in 2010.

Trivia: J. Smith-Cameron is an Obie-winning actress for her performance in the Broadway presentation of As Bees In Honey Drown. She has made numerous television appearances, ranging from Spin City to Law & Order.

Trivia: Inspired by his enjoyment of the film Ghostbusters to take up entertainment as a career. Made off-Broadway debut at age 15 in David Marshall Grant's Current Events at the Manhattan Theatre Club; and his Broadway debut in 2006 in Rabbit Hole, David Lindsay-Abaire's Pulitzer Prize-winning drama. Tony Award-winning performance for Spring Awakening (2006) also earned a nomination for the Drama Desk Award for Outstanding Actor in a Musical. Also a musician, he played in several bands while growing up in Delaware, including Old Springs Pike, and his solo performances have featured his folk-musician parents as an opening act. Other stage work includes Broadway productions of American Idiot (2010) and Jerusalem (2011).