Trivia: Joined the dramatic society at university where he made most of his friends, including his best friend to this day. Although he had trained as an architect, he watched a British Council screening of a film about the RSC and Stratford-upon-Avon in Nigeria where he was working as a trainee architect, and knew straightaway that he wanted to become an actor. While studying at RADA in 1977, he won the Bancroft Gold Medal for acting. Frequently performs with the Royal Shakespeare Company; played Bolingbroke in Richard II in 1990 and Petruchio in The Taming of the Shrew in 1992. Has been associated with reading novels by Charles Dickens for Naxos Audio Books since 2012, including Oliver Twist. Is a patron of the Lynx Animal Welfare Trust. In 2013, for two months played the part of Robin Carrow in Ambridge Extra, a BBC Radio 4 Extra spin-off from the BBC Radio 4 drama The Archers. Was announced a public supporter of Chapel Lane Theatre Company located in Stratford-upon-Avon, UK in 2015.

Trivia: Often mistaken for British, Alessandro Nivola has established himself as one of the American actors most likely to assume a flawless English accent in his films. Nivola, whose combination of charismatic good looks, vowel-laden name, and work in a number of British films have both confused and delighted critics and viewers, is actually a product of the East Coast. The son of an Italian-born academic father and a Boston blue-blood mother, Nivola was born and raised in Boston. Taking an early interest in acting, he grew up attending drama camp in the summer and got an internship at the Eugene O'Neill Theatre in Waterford, Connecticut, where he began acting on the stage. His love of acting continued while he was a student at the Tony Philips Exeter Academy and Yale University; by the time he was a sophomore at Yale, he had landed an agent and was making regular trips to New York City for auditions.Nivola got his first professional jobs with the Yale Repertory Theatre and a Seattle-based company. He broke into films in 1997 with a small role in Inventing the Abbotts and the more substantial part of Nicolas Cage's psychotic genius brother in John Woo's Face/Off. He then crossed the ocean, and the accent barrier, to star in the British noir drama I Want You (1998), which cast him as an enigmatic man with a dark past, and in Patricia Rozema's saucy adaptation of Mansfield Park (1998). It was the latter film that gave Nivola his first significant dose of recognition and respect, with critics and viewers alike marveling at his portrayal of the dashing and morally dubious Henry Crawford, not to mention his seamless English accent. Nivola again worked with a largely British cast and crew the following year to make Kenneth Branagh's musical version of Love's Labour's Lost (2000), in which he played a king whose vow to forsake love for intellectual enlightenment becomes severely jeopardized by the arrival of a comely French princess (Alicia Silverstone) and her ladies in waiting. That same year, he returned to the other side of the Atlantic to portray a Backstreet Boys-type singer in Mike Figgis' Time Code 2000, an experimental feature filmed entirely in one take. In the years to come, Nivola would remain a consistent presence on screen, appearing in movies like Junebug, Grace is Gone, and The Eye, as well as on the TV series The Company.

Trivia: Born in Sudan to English parents and lived in Israel as a child due to his father's position as a bank manager. Found an affinity for performing at the age of 6 while reciting A.A. Milne poems to his family. Earned a scholarship to the prestigious Royal Academy of Dramatic Art in London. Was a member of the Everyman Theatre in Liverpool. Made his Broadway debut as Henry Straker in Man and Superman at Circle in the Square Theatre in 1978. Joined the Royal Shakespeare Company in the early 1980s. Starred as Inspector Goole in the 1994 Broadway production of Stephen Daldry's An Inspector Calls. Played the role of Lord Burleigh in Mary Stuart on Broadway at the Broadhurst Theatre in 2009.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: Possessing the sort of stylish, model-esque good looks that wouldn't be out of place in the glossy pages of Vogue, actress Rachel McAdams got her start on Canadian television before graduating to Hollywood features. Though McAdams' early screen roles found her specializing in the bitchy teen princess to maximum effect, closer inspection reveals a skilled dramatic actress who no doubt has the talent to move beyond the high-school trappings of such comedies as The Hot Chick and Mean Girls.Born to a truck driver and a nurse in London, Ontario, Canada, McAdams warmed to the spotlight early on by taking up competitive skating at just four years old. Though she would remain on the ice well into her teens, the toll of constant competition eventually frazzled her nerves, and she soon began gravitating toward the stage. Beginning in summer theater camp at the age of 13, the burgeoning actress' smooth handling of Shakespeare eventually led her to enroll in theater studies at York University. In the years that followed, McAdams' comfort on the stage translated exceptionally well to the screen, and a role as a bulimic teen in the popular Disney series The Famous Jett Jackson found the rising starlet making an impressive small-screen debut. Supporting roles in such television series as Shotgun Love Dolls and made-for-TV features such as Guilt by Association were quick to follow. After climbing the credits to make her feature debut in My Name is Tanino, McAdams was nominated for a Genie award (the Canadian equivalent of an Oscar) for her performance in 2002's Perfect Pie. The film, which cast her as a small-town girl whose best friend makes the big time by becoming a celebrated opera singer, provided McAdams with her breakout role, and she soon set her sights on Hollywood. Her bags packed for the trip west and stars shining in her eyes, the talented McAdams soon caught the eyes of studio heavies and was cast as a popular but excruciatingly cruel high-school teen who learns a hard lesson in The Hot Chick. McAdams made a move to weekly television in 2003 with a supporting role in Slings and Arrows before once again returning to torment the unpopular crowd in 2004's Mean Girls. A big-screen adaptation of Rosalind Wiseman's popular book Queen Bees and Wannabes, the film was also notable as the screenwriting debut of Saturday Night Live writer/cast member Tina Fey. Moving away from the cruel halls of high school, McAdams next appeared opposite Ryan Gosling in The Notebook, the feature adaptation of author Nicholas Sparks' top-selling novel. A romantic drama concerning a young couple separated by war, The Notebook found McAdams in a notably more sympathetic role.In 2005, she pulled off an impressive triple-feat with roles in three very different movies. First, she played the female lead in Wedding Crashers, a surprise, raunchy comedic hit. Her next film was in the thriller Red Eye, where she squared off against Cillian Murphy. Her third film of the year was the family dramedy The Family Stone, with McAdams playing the sardonic younger sister of the family. After this busy year, McAdams opted to take a nearly two-year break.She returned quietly, doing some smaller films, before returning in 2009 to main-stream fare with State of Play and The Time Traveler's Wife, and finally, playing Irene Adler in Guy Ritchie's Sherlock Holmes. In 2011, she was nominated for a SAG Ensemble Award for Midnight in Paris, once again paired up with Owen Wilson (her co-star from Wedding Crashers), in a film that won Woody Allen an Oscar for Best Original Screenplay. She also reprised her role in the Sherlock Holmes sequel, A Game of Shadows. In 2012, McAdams returned to her romantic-drama roots and starred in The Vow, opposite Channing Tatum.McAdams continued to alternate between romcoms and other genres, like Richard Curtis' About Time and Brian De Palma's thriller Passion. In 2015, she took on a supporting role in Spotlight, earning McAdams her first Oscar nomination, for Best Supporting Actress.

Trivia: Though Briton Alexis Zegerman came to international attention via her supporting role in Mike Leigh's feature seriocomedy Happy-Go-Lucky (2008), the actress established her strongest and deepest roots in the theater, both on-stage and as a playwright. She attended London's famed Central School of Speech and Drama, then began turning out a series of acclaimed, award-winning plays including Noise, productions at the Bush and the Young Vic, and a lengthy series of playlets for Britain's Radio 4. Contact with Leigh came about as a product of her critical role in his play Two Thousand Years; the director felt so impressed by her work that he tapped her for the role of Zoe, the subdued flatmate of main character Poppy (Sally Hawkins), in Happy-Go-Lucky.