Trivia: In 1999, Doris Roberts achieved "overnight" stardom in the role of Marie Barone in the series Everybody Loves Raymond, going from working actress -- which she'd been for more than 40 years -- to being an instantly recognized performer. It was an improbable climb to the top rank of popular culture stardom. Roberts was born in St. Louis, MO, in 1925, to a family that was soon shattered when the father abandoned them. She had a difficult but loving childhood as her mother sought to provide for both of them by herself, and eventually Roberts gravitated toward the idea of an acting career. To do this, she had to work at any jobs that she could find, including clerk typist, to afford the lessons that she needed from teachers that included Lee Strasberg and Sanford Meisner. She made her first television appearance in the early '50s, in a Studio One production of Jane Eyre, and made the usual rounds between theater and television. Her theatrical debut came on the a stage at New York's City Center in 1955, and she was Shirley Booth's understudy in the theatrical version of the comedy Desk Set. She distinguished herself in the role of Mommy in the original production of Edward Albee's The American Dream, and since the early '60s, had carved a niche for herself in maternal and neighborly roles, on both stage and screen. Following her screen debut in Jack Garfein's New York-filmed drama Something Wild (1961), she tended more toward comedy (albeit often black comedy), with performances in Jack Smight's No Way to Treat a Lady, where she played the skeptical onlooker whose questions and low-key intervention save the life of a would-be victim; Leonard Kastle's The Honeymoon Killers (1970), in which she played the roommate of the nurse-turned-murderer played by Shirley Stoler; and Alan Arkin's Little Murders (1971), where she played Elliott Gould's mother. Female comics seemed to perceive Roberts' gifts as an actress especially well, as she got two of her better roles, in A New Leaf (1971) and Rabbit Test (1978), from Elaine May and Joan Rivers, respectively. Although she began appearing in television in the 1950s, with appearances on Ben Casey, The Mary Tyler Moore Show, Baretta, All in the Family, The Streets of San Francisco, Rhoda, Soap, and Barney Miller, Roberts didn't start to make a lasting impression in the medium -- which would become her vehicle for stardom -- until the 1970s. She was supposed to have a role in a proposed new series starring Mary Tyler Moore, but when that series failed to sell, she was cast in the role of Donna Pescow's mother in the series Angie (1979), which got Roberts her first real notice by the public or the press. After that, the television appearances grew more frequent, and finally in 1983, she joined the cast of Remington Steele midway through the series' run, as Mildred Krebs, an IRS investigator-turned-secretary-turned-detective, working alongside Pierce Brosnan and Stephanie Zimbalist, and often stealing the show with her low-key comedic work. Roberts' first marriage ended in divorce, and her second, to novelist William Goyen, ended when he died in 1983 -- her son from her first marriage, Michael Cannata, has been her manager since the 1970s. It was a dozen years after Remington Steele, and some notable guest star appearances on shows like St. Elsewhere, that she landed the role of Marie on Everybody Loves Raymond. Since then, she has been a guest on talk shows and an acting celebrity, with a brace of Emmy nominations to her credit.In 2003 Roberts published the book Are You Hungry, Dear?: Life, Laughs and Lasagna, and the following year she was appointed a cultural ambassador by the U.S. Department of State. But back on the small screen Roberts was more recognizable than ever before, with appearances in Grey's Anatomy, Hot in Cleveland, and Desperate Housewives keeping her as active as ever. Roberts continued to work steadily until her death in 2016, at age 90.

Trivia: Tall, blonde, and possessing a choir of perfect teeth that would make any dentist jealous, James Van Der Beek emerged as one of the ultimate teen pin-ups of the late 1990s. First attaining prominence with the title role of Dawson Leary in the WB Network's Dawson's Creek, Van Der Beek proceeded to branch out with film and stage work, and in the process managed to be anointed in 1998 as one of People Magazine's "50 Most Beautiful."Born March 8, 1977 to a cell phone salesman father and a mother who ran a gymnastics studio, Van Der Beek was raised in his hometown of Cheshire, Connecticut. The oldest of three children, he was an honors student and excelled at football until an injury sidelined his budding career. In its own way the injury proved to be serendipitous, as it led Van Der Beek to take up acting. Following a casting trip to New York with his mother, Van Der Beek made his professional debut at the age of 16 in the Off-Broadway production of Finding the Sun, which was written and directed by Edward Albee. More stage work ensued, as did some television work (most notably in the form of a 1995 stint on As the World Turns). Van Der Beek made his film debut in the 1995 comedy Angus, aptly cast as a golden-boy football quarterback. Another movie, the little-seen Claire Danes/Jude Law vehicle I Love You, I Love You Not, followed in 1997, but it was his starring role in Dawson's Creek, premiering in January of 1998, that gave Van Der Beek his big break. The show's success with critics and audiences alike propelled Van Der Beek and his fellow cast members into the limelight, and soon Van Der Beek secured his first major film roles, first in the little-seen Harvest (1998), and then in the football comedy-drama Varsity Blues (1998). The film's modest reviews were overshadowed by its financial success, geared as it was toward a new generation of teenagers eager to see their favorite actors in glorious celluloid. The film's enthusiastic commercial response, coupled with Dawson's continuing success, virtually guaranteed the young actor that no matter what the future held for him, his career had certainly gotten off to a very positive start.Though to this point Van Der Beek's success had been built on the image of the squeaky clean, all-American small town boy, a pair of efforts following the millennial turnover signaled that the actor who had become the very personification of white-bred wholesomeness was determined to create a new, decidedly more edgy image for himself. Though his initial effort ended in mystery as the segment featuring Van Der Beek as a closeted high school homosexual was cut from director Todd Solandz's Storytelling (2002) shortly before the film's release, his efforts would be cemented later that same year with the subsequent release of The Rules of Attraction. Directed by Pulp Fiction collaborator Roger Avery (Killing Zoe) and based on a novel by American Psycho author Brett Easton Ellis, The Rules of Attraction found the former innocent plunged into a strange world of drugs and sexual deviance that left many Dawson's Creek fans up in arms. As college student/drug dealer Sean Bateman (who also happens to be the brother of American Psycho maniac Patrick Bateman) Van Der Beek essayed what was without question his seediest role to date. With his Dawson's Creek and Rules of Attraction characters existing on the most extreme polar opposite ends of the spectrum imaginable, Van Der Beek made it no secret that his acting coach recieved a hearty workout as the actor attempted to balance hiumself between the two projects. When Dawson's Creek finally came to an end, Van Der Beek appeared in Clive Barker's The Plague, Eye of the Beast, Formosa Betrayed, and Stolen. He spoofed his own image as a squeaky-clean guy by playing an obnoxious version of himself in the sitcom Don't Trust the B - in Apartment 23 and joined the cast of CSI: Cyber in 2015.

Trivia: Lived on a five-acre farm with her parents for the first three years of her life. Spent a year living in the Caribbean. Supports the charities Caleb's Hope, Doctors Without Borders and the Canadian Red Cross. Studied acting at the Lyric School of Acting in Vancouver.

Trivia: Is of Ukranian descent.Received training in acting from The Lyric School of Acting in Vancouver, British Columbia.Made her feature film debut in the 2002 TV-movie adaptation of Stephen King's Carrie starring Angela Bettis.Earned her first producing credits as an executive producer on the comedy/ drama/ fantasy TV mini-series Riftworld Chronicles.Is perhaps best known for playing the title role of Erica Strange in the comedy/ drama series Being Erica.

Trivia: Daughter of a Panamanian father and a Brazilian mother.Began talking at 11 months, spoke full sentences at age 1, and was able to memorize lines by age 5.Appeared in her first national commercial at the age of 5.At age 6, moved to Vancouver with her family.Won the Young Artist Award in 2011 and 2012.Speaks English, French and Spanish.