Trivia: Given his formidable success in numerous arenas of the entertainment industry, the multi-talented Will Smith qualifies as an original "Renaissance man." Although Smith initially gained fame as the rap star Fresh Prince prior to the age of 20, (with constant MTV airplay and blockbuster record sales), he cut his chops as an A-list Hollywood actor on the small and big screens in successive years, unequivocally demonstrating his own commercial viability and sturdy appeal to a broad cross section of viewers. A Philadelphia native, Smith entered the world on September 25, 1968. The son of middle-class parents (his father owned a refrigeration company and his mother worked for the school board) and the second of four children, Smith started rapping from the age of 12, and earned the nickname "Prince" thanks to his ability to slickly talk his way out of trouble. Smith engendered this moniker as a household phrase when he officially formed the duo DJ Jazzy Jeff & the Fresh Prince, with fellow performer Jeff Townes in 1986. That team netted two Grammys (one for the seminal 1988 youth anthem "Parents Just Don't Understand" and one for the 1991 single "Summertime") and scored commercially with a series of albums up through their disbandment in 1993 that did much to dramatically broaden the age range of rap listeners (unlike artists in the gangsta rap subgenre, Smith and Townes never ventured into R- or X-rated subject matter or language). However, by the time he was 21, Smith had frittered away much of his fortune and had fallen into debt with the IRS. Help arrived in the form of Warner Bros. executive Benny Medina, who wanted to create a family-friendly sitcom based on his own experiences as a poor kid living with a rich Beverly Hills family, starring the genial Smith. The Fresh Prince of Bel-Air debuted on NBC on September 10, 1990, and became a runaway hit, lasting six seasons. The program imparted to Smith -- who had turned down an MIT scholarship to pursue his career -- even wider audience exposure as the show's protagonist, introducing him to legions of viewers who fell outside of the rap market. During Prince's lengthy run, Smith began to branch out into film work. Following roles in Where the Day Takes You (1992) and Made in America (1993), he drew substantial critical praise on the arthouse circuit, as a young gay con man feigning an identity as Sidney Poitier's son, in Six Degrees of Separation (1993), directed by Fred Schepisi and adapted by John Guare from his own play. Smith also elicited minor controversy around this time for remarks he made in an interview that some perceived as homophobic. In 1994, Smith and Martin Lawrence signed on with powerhouse producers Don Simpson and Jerry Bruckheimer to co-star in the action-comedy Bad Boys, in which the two play a hotshot pair of Miami cops; it eventually raked in over 141 million dollars worldwide. The following year, Smith topped his Bad Boys success (and then some) with a turn in the sci-fi smash Independence Day, the effects-laden tale of an alien invasion. Co-written, executive-produced, and directed by Roland Emmerich for 20th Century Fox, this picture eventually pulled in over 816 million dollars globally, making it not only the top grosser of 1996, but one of the most lucrative motion pictures in history. Smith then tackled the same thematic ground (albeit in a completely different genre), as a government-appointed alien hunter partnered up with Tommy Lee Jones in Barry Sonnenfeld's zany comedy Men in Black (1997), another smash success. Not long after this, Smith achieved success on a personal front as well, as he married actress Jada Pinkett on New Year's Eve 1998. The following autumn, Smith returned to cinemas with Enemy of the State, a conspiracy thriller with Gene Hackman that had him on the run from government agents. That film scored a commercial bull's-eye, but its triumph preceded a minor disappointment. The following summer, Smith starred opposite Kevin Kline in Wild Wild West, Sonnenfeld's lackluster follow-up to Men in Black, an overwrought and ham-handed cinematic rendering of the late-'60s TV hit.The late fall of 2000 found Smith back in cinemas, playing a mysterious golf caddy who tutors down-on-his-luck putter Matt Damon in the syrupy The Legend of Bagger Vance (2000). Smith then trained rigorously for his most demanding role up to that point: that of legendary boxer Muhammad Ali in director Michael Mann's biopic Ali (2001). The film struggled to find an audience, and critics were mixed, even if Smith's well-studied performance earned praise as well as his first Oscar nomination. While Smith executive produced the Robert De Niro/Eddie Murphy comedy Showtime (2002), he doubled it up with work in front of the camera, on the sci-fi comedy sequel Men in Black II, also helmed by Barry Sonnenfeld. As expected, the film made an unholy amount of money; he followed it up with yet another sequel, the Bruckheimer-produced Bad Boys II. It topped the box office, as expected. The next year saw Smith pull the one-two punch of I, Robot -- a futuristic, effects-laden fantasy -- and the CG-animated Shark Tale, in which he voiced Oscar, a little fish with a big attitude who scrubs whales for a living. While Smith had proven himself as an action star time and again and had received high marks for his dramatic work, it remained to be seen if he could carry a romantic comedy. All speculation ceased in early 2005 with the release of Hitch: Starring Smith as a fabled "date doctor," the film had the biggest opening weekend for a rom-com to date, leading many to wonder if there was anything Smith couldn't do.The following year, Smith starred in the period drama The Pursuit of Happyness. Set in early-'80s San Francisco, and directed by Gabriele Muccino (a director specifically summoned for the task by Smith), the film recounted the true story of Charles Gardner (Smith), a single dad struggling in an unpaid position as an intern at Dean Witter, all in an effort to be able provide for his son. The film tapped new reserves of compassion and desparation in Smith's persona, as he managed to fully embody another real-life character while maintaining all of the qualities that endeared him to audiences in the first place: His humor, his hustle and his ingenuity. Upon its release, Happyness provided Smith with perhaps his first cinematic hat trick: critical praise, a second Academy Award nomination for Best Actor, and staggering box-office success (the film would become one of his largest hits). Meanwhile, he began work as the lead in I Am Legend (2007), the third screen incarnation of sci-fi giant Richard Matheson's seminal novel of the same title (following a 1964's The Last Man on Earth, and 1971's The Omega Man).The actor continued to keep busy in 2008 with films including Seven Pounds (despite an unintentionally comical suicide by sea life, the film was a critical failure) and superhero comedy Hancock, featuring Smith in the lead role as a hard-drinking ne'er-do-well who is reluctantly thrust into the world of crime-fighting. After producing a remake of The Karate Kid (starring his son, Jaden Smith) and spy comedy This Means War, Smith reprised his role as Agent J for Men in Black III in 2012. MIB III was a box office success, in no small part due to the chemistry between Smith and Agent K (Tommy Lee Jones).

Trivia: North Carolina native Mary Elizabeth Winstead began training as a ballet dancer as a child, and later studied at Joffrey Ballet School in Chicago. She also studied singing and acting intensively and pursued a successful career on Broadway, appearing in productions like Joseph and the Amazing Technicolor Dreamcoat. Eventually transitioning to the screen, Winstead became an audience favorite when she made a handful of appearances on the soap opera Passions in 1999. She would go on to appear in movies like 2005's Sky High and Final Destination 3, before scoring the role of Lee -- the girl whose friends use her as collateral in order to drive a mint Dodge Charger -- in 2007's Death Proof, part of the double-feature Grindhouse. She played Lucy in Live Free or Die Hard, before taking on the role of Ramona V. Flowers in the quirky 2010 graphic novel adaptation Scott Pilgrim vs. the World.

Trivia: A suave, darkly handsome actor reminiscent of the young Sean Connery in looks and charisma, Clive Owen first came to international attention with his sinuous, understated portrayal of the amoral protagonist of Mike Hodges' Croupier (1998). A flop in Britain, where Owen had long been a staple of various BBC TV series, the film was a sleeper hit in the States, its success duly generating a flurry of interest in the relatively unknown actor who lent the film its seductive intensity. A product of Coventry, Warwickshire, Owen got a bumpy start in his chosen career, living on the dole for two years after he left school. Fortunately, respite arrived in the form of an acceptance to the Royal Academy of Dramatic Art in 1984, and following his graduation from RADA, the young actor joined the Young Vic Theatre Company, where he performed a number of the classics. Owen broke into TV in 1986 with a guest appearance on the series Boon, and subsequently made his film debut in Beeban Kidron's Vroom (1988), a road movie co-starring David Thewlis and Diana Quick. More television work followed in the form of Chancer, a popular miniseries that cast Owen as its heroic protagonist. The actor also found himself increasingly busy with big-screen performances, turning in a complex portrayal of a man involved in an obsessive and incestuous relationship with his sister (Saskia Reeves) in Close My Eyes (1991). Owen received one of his biggest roles to date in Sean Mathias' 1997 screen adaptation of Martin Sherman's Bent, a Holocaust drama in which Owen starred as a bisexual concentration camp inmate who falls in love with a fellow prisoner (Lothaire Bluteau). Although the film earned a substantial degree of critical acclaim and boasted the talents of such luminaries as Ian McKellen and Mick Jagger, it failed to garner much commercial notice. Owen finally broke through to an international audience with Hodges' Croupier, earning almost unanimous acclaim for his portrayal of a struggling writer who becomes caught up in an intricate scam after taking a job in a casino. He subsequently starred as a prisoner who takes up gardening in Greenfingers, a comedy that also starred Helen Mirren and had its premiere at the 2000 Toronto Film Festival. The actor also remained active on the stage, even as his screen work thrived, starring in the original 1997 London production of Patrick Marber's highly feted Closer, and performing alongside Rachel Weisz and Paul Rhys in Sean Mathias' acclaimed revival of Noël Coward's Design for Living at London's Donmar Warehouse.The new millennium saw Owen appearing in an eclectic range of projects. In 2001, he starred as the only recurring character in BMW's Hire series of ambitious short films by directors such as Ang Lee and Guy Ritchie and also appeared in Robert Altman's acclaimed Gosford Park. Following a memorable supporting performance opposite Matt Damon in 2002's popular The Bourne Identity, Owen moved up to a starring role as an international relief worker who has an affair with Angelina Jolie in 2003's Beyond Borders. The next year, he took on the title role in King Arthur, Antoine Fuqua's non-fantasy retelling of the legendary story, with then it-girl Keira Knightley as his Guinevere. Both Beyond Borders and King Arthur failed to garner much of an audience, with the latter especially disappointing in light of its 120-million-dollar budget. Despite buzz about the possibility of Owen taking over the James Bond role in the iconic series, his prospects as a Hollywood leading man seemed to be faltering. Also in 2004, Owen appeared stateside in a smaller-budget U.K. film from Croupier director Mike Hodges called I'll Sleep When I'm Dead, about a former gangster investigating the mysterious death of his younger brother. Starring an impressive cast that included Charlotte Rampling, Jonathan Rhys-Meyers, and Malcolm McDowell, the film was well-received by critics but relegated to only small arthouse exposure in the States. Later that year, Owen appeared in the big-screen adaptation of Closer, directed by Mike Nichols and co-starring such big names as Julia Roberts, Jude Law, and Natalie Portman. In 2005, Owen joined an even more star-studded cast with a role in Robert Rodriguez' adaptation of Frank Miller's comic Sin City, and he would also star opposite Julianne Moore in Savage Grace and Jennifer Aniston in Derailed.His biggest success to date came in early 2006, when he played the criminal mastermind behind a savvy bank heist in director Spike Lee's first blockbuster genre picture, The Inside Man. He would follow that with Alfonso Cuaron's Children of Men, a futuristic thriller where Owen plays a man protecting a pregnant woman at a time when no human beings have been born in nearly two decades. Owen also took a part in Shekar Kapur's Elizabeth: The Golden Age, a sequel to his Oscar nominated biopic Elizabeth.Owen would spend the following several years enjoying his leading man status with films like Killer Elite, Shadow Dancer, and Blood Ties.

Trivia: First role was on a BBC radio play called Kai Mei Sauce in 1993. Was nominated for a British Independent Film Award for his supporting role in Dirty Pretty Things. Made his West End stage debut in 2013 in Chimerica.

Trivia: Appeared in numerous stage productions helmed by legendary English playwright Harold Pinter, and was a close friend of the director until his death in 2008. Released his first folk music album, Cowley Road Songs, in 2005 under the name Doug Hodge. Made his Broadway directorial debut with 2015's Old Times, which starred Clive Owen. Has voiced commercials for Red Bull, British Airways, and British Gas.

Trivia: Became interested in professional acting after playing Danny Zuko in his middle school's production of Grease. Was featured in three different films that premiered at the New York International Latino Film Festival in 2011. Took improv comedy classes at UCB Theatre in New York. Cofounded a production company, Almost Dark. Teamed up with Examiner.com for an anti-bullying campaign in which he spoke to students regarding his experiences.

Trivia: While still a teenager, producer and director Tony Scott made his first foray into film with an appearance in his big brother Ridley Scott's first short film, Boy and Bicycle. He later attended London's Royal College of Art, as did his brother, and proceeded to get his feet wet behind the camera, at first by directing TV commercials for his brother's production company Ridley Scott Associates. He became a leader in the British commercial industry, directing countless ads and building up an impressive resumé over the years.By the early '80s, Tony Scott was ready to begin directing films, and for his first project, he agreed to tackle MGM's artful vampire pic The Hunger, starring David Bowie and Catherine Deneuve. The movie was released in 1983 to a disappointing silence at the box office, and for the next few years Scott returned to commercials as he waited for his next opportunity to come along. That project came in the form of an offer from producer Jerry Bruckheimer to direct a fun action drama about hotshot fighter jet pilots -- Top Gun. Scott's darker artistic sensibilities didn't jive with Bruckheimer's ideas at first -- he had images of Apocalypse Now and The Road Warrior in mind, while the producers were envisioning something poppier and easy to digest. Finally, Scott understood what they were asking for and created the rock & roll and blue-skies flick that they had in mind. The movie was a massive box-office hit, ushering Scott into the next tier of filmmakers and making a star out of Tom Cruise.Scott almost instantly became the man to call on for fun action romps, directing films like Beverly Hills Cop II in 1987, Days of Thunder in 1990, and The Last Boy Scout in 1991. He also directed a script written by a then unknown named Quentin Tarantino called True Romance. Starring a top-notch ensemble cast including Christian Slater, Patricia Arquette, Dennis Hopper, Christopher Walken, Gary Oldman, and Brad Pitt, the film was something of a sleeper at the box office. The exuberant tribute to cinematic expressions of love, crime, violence, and rock & roll quickly became another cult hit -- and a preview of things to come from the writer behind it. The movie also served as a reminder that Scott was capable of more sensitive and artistic sentiments than the testosterone-driven pictures that encompassed much of his filmography.That is not to say Scott was not quite at home in the action and thriller areas of film, as he spent the 1990s churning out popular titles like Crimson Tide, The Fan, and Enemy of the State. He continued with his trademark action-with-a-sense-of-humor style in the new millennium with films like Spy Game, Man on Fire, and Domino, but by this time he was trying his hand at producing as well. Scott produced and executive produced TV ventures like The Last Debate, The Gathering Storm, and Numb3rs, as well as features such as Tristan + Isolde and In Her Shoes, and his own Man on Fire and Domino. Scott's next three films, 2006's Deja Vu, and 2009's The Taking of Pelham 1 2 3, and 2010's Unstoppable, found the director becoming something of a frequent collaborator with Hollywood heavyweight Denzel Washington. Yet just as his career would circle back with the development of Top Gun 2, Tony took his own life by jumping off the Vincent Thomas Bridge in San Pedro. He left behind a wife, two twin boys, and a breadth of work that was unique, satisfying, and always delivered with a stylish flair that only became more daring as his career went on.