Trivia: If Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies. Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation, Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s, Ford and his first wife, Mary Marquardt (his college sweetheart) moved to Hollywood, where he signed as a contract player with Columbia and, later, Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as Gunsmoke, The Virginian, and Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice, Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that Ford acquired his famous scar, the result of a minor car accident). Meanwhile, Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in George Lucas' American Graffiti (1973). The film became an unexpected blockbuster and greatly increased Ford's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho Bob Falfa, the kind of subtly charismatic portrayal that would later become Ford's trademark. However, Ford's career remained stagnant until Lucas cast him as space pilot Han Solo in the megahit Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the comedy Western The Frisco Kid with Gene Wilder), although he did manage to land the small role of Colonel G. Lucas in Francis Ford Coppola's Apocalypse Now (1979). The early '80s elevated Ford to major stardom with the combined impact of The Empire Strikes Back (1980) and his portrayal of action-adventure hero Indiana Jones in Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "Indy" twice more, in 1984's Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade in 1989. Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability. Having appeared in several of the biggest money-makers of all time, Ford was able to pick and choose his roles in the '80s and '90s. Following the success of Witness, Ford re-teamed with the film's director, Peter Weir, to make a film adaptation of Paul Theroux's novel The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred, Ford went on to choose projects that brought him further departure from the action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors, Roman Polanski and Mike Nichols. With Polanski he made Frantic, a dark psychological thriller that fared poorly among critics and audiences alike. He had greater success with Nichols, his director in Working Girl, a saucy comedy in which he co-starred with Melanie Griffith and Sigourney Weaver. The film was a hit, and displayed Ford's largely unexploited comic talent. Ford began the 1990s with Alan J. Pakula's courtroom thriller Presumed Innocent, which he followed with another Mike Nichols outing, Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent Jack Ryan in a series of five movies based upon the novels of Tom Clancy. The first two films of the series, Patriot Games (1992) and Clear and Present Danger (1994), met with an overwhelming success mirrored by that of Ford's turn as Dr. Richard Kimball in The Fugitive (1993). Ford's next effort, Sydney Pollack's 1995 remake of Sabrina, did not meet similar success, and this bad luck continued with The Devil's Own (which reunited him with Pakula), despite Ford's seemingly fault-proof pairing with Brad Pitt. However, his other 1997 effort, Wolfgang Petersen's Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that Ford, even at 55, was still a bona fide, butt-kicking action hero. Stranded on an island with Anne Hesche for his next feature, the moderately successful romantic adventure Six Days, Seven Nights (1998), Ford subsequently appeared in the less successful romantic drama Random Hearts. Bouncing back a bit with Robert Zemeckis' horror-flavored thriller What Lies Beneath, the tension would remain at a fever pitch as Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea thriller K-19: The Widowmaker. As the 2000's unfolded, Ford would prove that he had a strong commitment to being active in film, continuing to work in projects like Hollywood Homicide, Firewall, Extraordinary Measures, Morning Glory, and Cowboys & Aliens. Ford would also reprise one of his most famous roles for the disappointing Indiana Jones and the Kingdom of the Crystal Skull.

Trivia: The Waller-Bridge family were landed gentry of Cuckfield, Sussex. Descended from The Rev. Sir Egerton Leigh, 2nd Baronet, Conservative MP for Mid Cheshire from 1873 to 1876. Her maternal grandfather was Sir John Edward Longueville Clerke, 12th Baronet, of Hitcham, Buckinghamshire. Was inspired by her childhood nickname 'Flea' for the title of Fleabag. Set up the theatre company DryWrite with writer-director Vicky Jones to showcase young, talented writers. Made her acting debut in the play Roaring Trade at Soho Theatre in 2009. Played the role of Marian in a theatre production of Mydidae in 2013 at the Trafalgar Studios in London. In 2014, played the role of Jo in a theatre production of The One at the Soho Theatre. Was signed by US agent UTA in 2016, shortly before the American debut of Fleabag.As a playwright, she wrote the series Good. Clean. Fun. Best known as the creator, writer and star of the BBC series Fleabag and as the head writer and executive producer of the first series of the BBC America thriller Killing Eve. Both series have been highly acclaimed as among the 100 greatest television series of the 21st century by The Guardian, which ranked the former at no.8 and the latter at no. 30. Voiced and performed the role of droid L3-37 in Solo: A Star Wars Story in 2018. Co-wrote the screenplay for the 25th James Bond film, No Time to Die, along with Neal Purvis and Robert Wade in 2019. A versatile actress who writes and has appeared in films, on stage and in television programmes.

Trivia: Internationally known for his charisma and smoldering good looks, Antonio Banderas is the ultimate manifestation of the Latin heartthrob. Born in Málaga, Spain on August 10, 1960, Banderas wanted to become a professional soccer player until a broken foot sidelined his dreams at the age of fourteen. He went on to enroll in some drama classes, eventually joining a theatre troupe that toured all over Spain. His work in the theatre, and his performances on the streets, eventually landed him a spot with the National Theatre of Spain. While performing with the theatre, Banderas caught the attention of director Pedro Almodóvar, who cast the young actor in his film debut, Laberinto de Pasione (Labyrinth of Passion) (1982). He went on to appear in the director's La Ley del Deseo (Law of Desire) (1984), making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's Matador (1986), the director cast him in his internationally acclaimed Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown) (1988). The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Atame! (Tie Me Up! Tie Me Down!) as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love.Banderas made his first stateside appearance as an unwitting object of Madonna's affections in Truth or Dare (1991). The following year, still speaking next to no English, he starred in his first American film, The Mambo Kings. It was a testament to his acting abilities that, despite having to learn all of his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling musician. He broke through to mainstream American audiences as the gay lover of AIDS-afflicted lawyer Andrew Beckett (Tom Hanks) in Philadelphia (1993). The film's success earned Banderas wide recognition, and the following year he was given a substantial role in Neil Jordan's high-profile adaptation of Anne Rice's Interview with the Vampire, which allowed him to share the screen with the likes of Tom Cruise and Brad Pitt. Banderas subsequently appeared in a number of films of widely varying quality, doing particularly strong work in Desperado (1995), Evita (1998), and The Mask of Zorro (1998). In 1999, he made his first foray into directing with Crazy in Alabama, a black comedy starring Melanie Griffith, to whom he had been married since 1996. The following year he starred as an aspiring boxer opposite Woody Harrelson in Play It to the Bone, portrayed a Cuban tycoon with a bad seed bride (Angelina Jolie) in Original Sin, and starred alongside Bob Hoskins and Wes Bentley in The White River Kid. Well established as a hearthrob and a talented dramatic actor by the end of the 1990s, the fact that Desperato director Robert Rodriguez was the only director to have expolored Banderas' comic potential (Banderas provided one of the few memorable performances in Rodriguez's segment of the otherwise abysmal Four Rooms (1995)) hinted at a heretofore unexplored but potentially lucrative territory for the actor. Later approached by Rodriguez to portray the super-spy patriarch in the family oriented adventure comedy Spy Kids (2001), Banderas charmed children and adults alike with his role as a kidnapped agent whose children must discover their inner stregnth in order to rescue their mother and father. After reprising his role in the following year's Spy Kids 2: Island of Lost Dreams, Banderas would next return to more adult oriented roles in both Brian DePalma's Femme Fatale and the ill-fated Ballistic: Ecks vs. Sever (both 2002). After essaying a more historic role in the dramatic biopic Frida (also 2002), the remarkably diverse actor would one again team with Rodriguez for the sprawling Once Upon a Time in Mexico (2003). In 2004 he joined the highly successful Shrek franchise voicing Puss In Boots, and the character became so popular that he appeared in each of the following sequels, and was the subject of his own feature in 2011. In 2005 he played Zorro again, and he had a major part in the dance film Take the Lead. In 2011 he reteamed for the first time in two decades with Pedro Almodovar in the Hitchcock-inspired The Skin I Live In, and the next year he appeared as a mysterious international espionage figure in the action film Haywire. He appeared in a small role in Rodriguez's Machete Kills (2013) and later appeared in The Expendables 3 (2014).

Trivia: Trained at the Washington Theatre Laboratory and Lee Strasberg Theatre Institute, Karen Allen was primarily a stage actress when she began to accept small film roles in such productions as National Lampoon's Animal House (1978) and Manhattan (1979), although her most celebrated film assignment was as the plucky Marion Ravenwood in Steven Spielberg's Raiders of the Lost Ark (1981). Spielberg reportedly acknowledged his appreciation of Allen's performance by gallantly kissing her hand after each take, also preferring roles for Allen that allowed her to appear without makeup, with her generously freckled face in full view. Among her more notable post-Raiders films were Starman (1984), The Glass Menagerie (1987), Malcolm X (1992), and In the Bedroom (2001). Temporarily blinded by conjunctivitis shortly before launching her film career, Allen was able to draw from life while portraying the adult Helen Keller in the mid-'80s Broadway play Helen and Teacher. Allen's TV roles included a portrayal of the ill-fated civilian astronaut Christa McAuliffe in Challenger (1990). The actress reunited with Harrison Ford in a reprisal of her role as Marion in 2008's Indiana Jones and the Kingdom of the Crystal Skull. Allen continues to be active in film and television.

Trivia: Danish-born Mads Mikkelsen studied his craft at Arhus Theatre School near his hometown of Copenhagen before embarking on his professional career. He would appear in many Danish films throughout the '90s, such as Pusher and Bleeder and on the series Unit One before transitioning into American cinema, playing Tristan in 2004's King Arthur and villain La Chiffre in 2006's Casino Royale. Mikkelsen would soon follow this up with roles in Monsters vs. Aliens, Valhalla Rising, and 2010's Clash of the Titans, in which he played Draco.

Trivia: At age 28 became a model after being discovered while working as a carpenter at a theatre. Went on to model for designer brands such as Gucci, Jean Paul Gaultier, Hugo Boss, Calvin Klein and Marc Jacobs. Aside from acting he plays the banjo and guitar, and is a sculptor who has held several exhibitions. Sent director Gus Van Sant a script, which lead to him being given his first acting role, in the film Milk.

Trivia: John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated films Aladdin and the King of Thieves (1996) and Cats Don't Dance (1997). The actor has done additional voice work for Animaniacs, Batman: the Animated Series, Gargoyles, Pinky and the Brain, The Fantastic Four, and The Incredible Hulk. He has also branched out to other medias, starring in video games such as Wing Commander III: Heart of the Tiger, Dune 2000, and Baldur's Gate: Dark Alliance, and the CD-ROM game Quest for Glory IV. In 1999, Rhys-Davies read for the minor character of Denethor in the second installment of Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Jackson offered him the role of the warrior dwarf Gimli, a major figure in all three pictures. As Gimli, Rhys-Davies is utterly unrecognizable: The part required that he wear heavy facial prosthetics and perform on his knees in order to portray the 4'2" dwarf (the actor, himself, is over six feet tall). The three films -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were shot simultaneously over an 18-month period in New Zealand, after which Rhys-Davies was asked to return to the set and record the voice of Treebeard, a computer-generated character in the second picture. In 2001, in the midst of attending press junkets for the release of The Fellowship of the Ring, Rhys-Davies began work on the Jackie Chan film Highbinders (2002) and the Eric Roberts B-picture Endangered Species (2002). Besides being an actor, Rhys-Davies is also a serious vintage car collector and a thriving investor. In the '80s, he invested heavily with his earnings and purchased a company that conducts genetic engineering feasibility studies. The actor resides in both Los Angeles and the Isle of Man.

Trivia: A man with a peculiar face and small stature born into a long line of performers, Toby Jones might seem born to be a character actor. Jones' father, Freddie Jones, has graced the screen in a multitude of projects, from David Lynch's enigmatic sci-fi epic Dune to BBC adaptations of classic works of literature. Meanwhile, Jones' mother was born to a family whose legacy in acting went back seven generations, setting the stage for Toby's career almost before he was born. Jones took to the stage at his school in Oxfordshire, England, where he discovered an aptitude for theatrical acting. Though stage work would remain an important element of his professional life, Jones eventually tried his hand at screen work, beginning with a minor role in the 1992 film adaptation of Virginia Woolf's Orlando. Many of these bit parts would follow in movies like Ever After and Les Miserabes, as Jones' distinct and memorable visage set him apart from the masses. This same unique quality eventually began to win him more substantial roles, like a four-episode run as a pathologist on the U.K. detective show Midsomer Murders, and a chance to explore vocal acting as the voice of the animated Dobby the House Elf in Harry Potter and the Chamber of Secrets. More of Jones' usual small but memorable parts would follow, such as Smee, right-hand man to Captain Hook in Finding Neverland. Then in 2004, Jones got the chance to sink his teeth into not one but two substantial characters -- both with considerably more screen time than he was accustomed to. In the U.K. made-for-TV biopic Elizabeth I, Jones played Robert Cecil, 1st Earl of Salisbury, spymaster, and later secretary of state to Queen Elizabeth, a man infamous for his odd, slight appearance. Exaggerating his quirky physical characteristics and delving deeply into the complex character, Jones was lauded by audiences and critics alike. That same year, Jones won the starring role of controversial writer Truman Capote in Infamous, the big-screen American telling of the writing the true-crime novel In Cold Blood. A dream role both for his artistic sensibilities and the furthering of his career, Jones joined a cast of American stars including Sigourney Weaver, Sandra Bullock, Gwyneth Paltrow, Isabella Rossellini, and Daniel Craig. In typical Hollywood style, the film was green-lit around the same time that another studio was beginning production on a feature with the same subject matter, and Bennett Miller's Capote was scheduled to be released first. The buzz surrounding this rival production, however, was not the kind that Infamous producers were hoping for; instead of generating interest in their film, they feared that the overwhelming praise that Capote was receiving for its script, direction, and acting by star Philip Seymour Hoffman would only overshadow their own film. The release date for Infamous was pushed back as Capote went on to sweep the awards circuit, picking up over 40 awards and nominations including Oscar nods for Best Picture, Best Director, Best Supporting Actress (for Catherine Keener's performance as Harper Lee), and Best Screenplay, as well as an Oscar win for Hoffman in the category of Best Actor. With Capote seeming to have already carved a place in the history of cinema and Philip Seymour Hoffman moving to the top of the list of gifted and respected actors, the cast and crew of Infamous had to worry that for all their hard work, their production would be seen as little more than the "other Truman Capote movie." Its release was finally set for late fall of 2006, roughly a year after its original date. Jones, however, was not going to spend the meantime biting his nails. By the time Infamous hit theaters, Jones had already completed filming on an adaptation of the Somerset Maugham novel The Painted Veil, and begun production on Nightwatching, a film about the life of the artist Rembrandt in which Jones would play the Dutch painter Gerard Dou.

Trivia: Originally trained as an Olympic swimmer, German actor Thomas Kretschmann began his career in the theater as part of the Schiller Ensemble in Berlin. In 1989, he started working steadily in German-language theater productions, television, and film. He moved to Vienna, Austria, in 1991 and won the Max Ophül prize for Best Young Actor. He broke into international feature films with the German war drama Stalingrad and the Italian thriller The Stendhal Syndrome. At this point, he was developing a knack for playing authority figures and other tough guys in action-packed situations. In addition to his numerous other appearances in European films, he gained pivotal roles in Coppia Omicida, Tease, and the American film Total Reality. In 2000, Hollywood was introduced to Kretschmann with the submarine adventure U-571 and the action thriller Blade II. Though he relocated to Hollywood, he continued working in international features for the historical epic I cavalieri che fecero l'impresa as well as Roman Polanski's The Pianist. Other projects for 2004 included a starring role in the romance Head in the Clouds and a return to submarine action for In Enemy Hands.

Trivia: Represented Great Britain in American football. Played the Beast's father in the 2017 rendition of Disney's Beauty and the Beast. Attributed his ability to prepare the body and mind for peak creative performance to his interest in sport, yoga and meditation. Human and animal rights activist.