Trivia: A consummate character actor, Joe Pesci rose to success on the strength of a series of Martin Scorsese films which took full advantage of his gift for outlandishly menacing supporting performances. Born February 9, 1943, in Newark, NJ, Pesci was a child actor who began his radio career at the age of four. Broadway beckoned just a year later, and by 1953 he was a regular on the television variety program Star Time Kids. His acting career stalled during his teen years, however, and by the mid-'60s, he mounted a musical career under the name Joe Ritchie, recording an LP titled Little Joe Sure Can Sing and later playing guitar in the pop band Joey Dee & the Starliters. He also formed a vaudeville-style nightclub comedy act with Frank Vincent. Outside of 1961's Hey, Let's Twist!, Pesci did not appear in films prior to the little-seen 1975 feature The Death Collector; the film earned virtually no notice upon its release and he dropped out of acting, dejectedly returning to New York to run an Italian restaurant.While few people saw The Death Collector, one of those who did was actor Robert De Niro, who was so impressed by Pesci's performance that he brought the film to the attention of Scorsese, who cast Pesci in his 1980 masterpiece Raging Bull. The performance earned Pesci an Academy Award nomination in the Best Supporting Actor category, and he became one of the busiest character actors in the business, steadily appearing in films ranging from the 1983 Rodney Dangerfield comedy Easy Money to the 1984 Sergio Leone epic Once Upon a Time in America. After starring in a failed 1985 sitcom, Half Nelson, Pesci's onscreen visibility diminished, and over the next four years he appeared in only one film, 1987's Man on Fire. In 1989, however, he co-starred opposite Mel Gibson and Danny Glover in the hit Lethal Weapon 2, a performance which put his talent for comic relief to such fine use that he later reappeared in the third chapter of the franchise, issued in 1992.By that point, Pesci had already become a star; 1990 was his breakthrough year, as he appeared in the family comedy blockbuster Home Alone and Scorsese's brilliant GoodFellas, winning the Best Supporting Actor Oscar for his vivid portrayal of a psychotic mobster. While his first major starring role in 1991's The Super proved disastrous, he won good notices for his supporting turn in Oliver Stone's JFK and in 1992 starred in the hit courtroom comedy My Cousin Vinny. Later, following the disappointment of 1994's Jimmy Hollywood and With Honors, he reunited with Scorsese and De Niro for the 1995 epic Casino, essaying a variation on his GoodFellas character. However, a pair of poorly received 1997 comedies -- Eight Heads in a Duffel Bag and Gone Fishin' -- again called Pesci's capabilities as a lead actor into question. He found more success reprising his supporting role in Lethal Weapon 4, released in 1998. On the heels of his second outing with Mel Gibson and Danny Glover, however, the popular character actor disappeared from the big screen for nearly a decade. It took his old friend DeNiro to get him back in front of the camera for the CIA thriller The Good Shepherd (2006), with the four year gap between that film and Pesci's next film Love Ranch hinting that the aging screen veterean was in no hurry to jump back into the fray. But the window between films seemed to start shrinking when it was announced that Pesci would be returning to the world of crime cinema in director Geo Santini's 2012 gangster drama The Irishman.

Trivia: With his short slender build, large brown eyes, and abundant hair, actor Ralph Macchio has often appeared to be the perennial adolescent -- a fact that has sometimes hindered his career. The actor is best known for his work in the phenomenally popular Karate Kid (1984), in which the then twenty-two year old actor played a troubled 14-year-old boy who is helped by a sage karate instructor. Macchio has been in show business most of his life; born in Long Island, he began performing in local musical productions as a young teenager. At 16, he began working in TV commercials, and before he had even graduated from high school had appeared in the adolescent comedy Up the Academy (1980), though he did not appear in another film until working in Francis Ford Coppola's epic of teenage rivalry The Outsiders (1983). Following the Karate Kid, Macchio began working in a series of minor films, such as the successful My Cousin Vinny (1992). He continued to work on television and on stage, even after his teen heart-throb days were over, appearing on Broadway opposite Robert De Niro in 1986 in Cuba and His Teddy Bears. He also appeared in the next two Karate Kid sequels, along with films like Dangerous Company and Too Much Sun. In 2002, Macchio tried his hand at screenwriting and directing, both helming and penning the short film Love Thy Brother. In 2006, the actor took a comedic turn in the sports comedy Beer League. Macchio would remain active for years to come, appearing most notably on the popular series Ugly Betty.

Trivia: Plucky Brooklyn-born actress Marisa Tomei was one year into her college education at Boston University when she was tapped for a co-starring role on the CBS daytime drama As the World Turns. Her role on that show, as well as work on another soap, One Life to Live, paved the way for her entrance into film: In 1984, she made her film debut with a bit part in The Flamingo Kid.Three years later Tomei became known for her role as Maggie Lawton, Lisa Bonet's college roommate, on the sitcom A Different World. Her real breakthrough came in 1992, when she co-starred as Joe Pesci's hilariously foul-mouthed girlfriend in My Cousin Vinny, a performance that won her a Best Supporting Actress Oscar. Later that year, she turned up briefly as a snippy Mabel Normand in director Richard Attenborough's mammoth biopic Chaplin, and was soon given her first starring role in Untamed Heart (1993). A subsequent starring role -- and attempted makeover into Audrey Hepburn -- in the romantic comedy Only You (1994) proved only moderately successful. Tomei's other 1994 role as Michael Keaton's hugely pregnant wife in The Paper was well-received, although the film as a whole was not. Worse luck hit with her participation in the critically thrashed Four Rooms in 1995. Fortunately for Tomei, she was able to rebound somewhat the following year with a solid performance as a troubled single mother in Nick Cassavetes' Unhook the Stars. She turned in a similarly strong work in Welcome to Sarajevo in 1997, and in 1998 did some of her best work in years as the sexually liberated, unhinged cousin of Natasha Lyonne's Vivian Abramowitz in Tamara Jenkins' The Slums of Beverly Hills. Appearing in no less than five movies in 2000, Tomei continued her journey back to the top with a memorable performance in 2001's In the Bedroom. An emotionally wrenching tale of loss and grief, Tomei's performance as a recently separated wife who begins a tragic affair with a college student struck a common cord with critics and filmgoers alike, in addition to earning the talented actress her second Oscar nomination.Tomei's versatility assured her continuous work in a variety of different kinds of films. She played one of the women in the remake of Alfie, co-starred opposite Adam Sandler in Anger Management, and worked in the Charles Bukowski-inspired independent film Factotum. In 2007 she earned strong reviews for her work in Sidney Lumet's Before the Devil Knows You're Dead, and appeared in the box office smash Wild Hogs. In 2008, Tomei enjoyed her largest critical acclaim since In the Bedroom thanks to her supporting turn opposite Mickey Rourke in The Wrestelr. Her performance earned her a number of year-end critics awards, as well as nominations from both the Golden Globes and the Academy.In 2010 she appeared in the Duplass Borthers comedy Cyrus, as the overly clingy mother to a son played by Jonah Hill, and the next year she had memorable turns in Crazy Stupid Love as a teacher who picks an unfortunate partner for a one-night-stand, and The Ides of March as a political reporter who has a hand in shaking up a presidential campaign.

Trivia: The son of a Wall Street broker, towering (6'5") actor Fred Gwynne was born sucking on the proverbial silver spoon. Gwynne attended the prestigious Groton prep school, where he made his acting bow in a student production of Henry V. He then attended Harvard, where he studying drawing with artist R.S. Merryman and was active in dramatics and as a staffer of the Harvard Crimson. Upon graduation, Gwynne played Shakespeare with the Cambridge repertory before heading to New York City. He appeared in such Broadway plays as Mrs. McThing and was cast in a bit role in the Oscar-winning film On the Waterfront, but for many years his principal source of income was as a book illustrator and commercial artist (his first published work was titled The Best in Show). In 1961, Gwynne was co-starring in the Broadway musical Irma La Douce when TV producer/writer Nat Hiken, who'd cast Gwynne in a handful of guest roles on the 1950s sitcom Sgt. Bilko, hired the actor to play NYPD officer Francis Muldoon on the weekly comedy Car 54, Where are You? A year after the series' cancellation, Gwynne was starred in his most famous TV role: bolt-necked, soft-hearted Herman Munster in The Munsters (1964-66). Afterwards, Gwynne distanced himself from television for the most part. In the 1970s and 1980s, he distinguished himself on Broadway in powerful dramatic roles, often playing autocratic Southerners (e.g. Big Daddy in Cat on a Hot Tin Roof and an elderly Klansman in Texas Trilogy). Fred Gwynne also returned to films during this period, playing key roles in such major productions as The Cotton Club (1984) and Shadows and Fog (1992); he died of pancreatic cancer shortly after completing his critically acclaimed role of the judge in My Cousin Vinny (1993).

Trivia: Lane Smith attended the Actors Studio during its halcyon days of the late 1950s-early 1960s. Though he didn't go on to stardom like such Studio grads as Dustin Hoffman and Al Pacino, Smith found steady work on the New York stage. In over 100 films and television projects from 1974's Man on a String, Smith has regularly invested three-dimensionality into such cardboard characters as prosecutor Jim Trotter III in My Cousin Vinny (1992) and Coach Reilly in The Mighty Ducks (1993). His latter-day stage work has included a healthy run in the original production of David Mamet's Glengarry Glen Ross. Smith's TV roles included smiler-with-a-knife space alien Nathan Bates in V (1984) and Dr. Robert Moffitt in Kay O'Brien (1986). In 1989, Lane received a Golden Globe nomination for his portrayal of Richard M. Nixon in the ABC miniseries The Final Days. Fans of ABC's Lois & Clark: The New Adventures of Superman will recognize Smith for playing the gruff Daily Planet editor Perry White. Lane Smith was married to writer Sydne MacCall.

Trivia: An alumnus of the Yale School of drama, American actor Austin Pendleton was lucky enough to latch onto a starmaking stage role relatively early in life. Pendleton was the first performer to play the part of tailor Motel Kamzoil in the evergreen musical Fiddler on the Roof, in which he had one of the play's best non-Tevye songs, "Miracle of Miracles." Hollywood has been less generous to Pendleton in terms of good roles. He was cast in a supporting role in Skidoo (1968), a smash miss frequently cited as the worst film in the careers of most of its participants (Jackie Gleason, Groucho Marx, Carol Channing, Otto Preminger, et al.) He was shown to better advantage in What's Up, Doc? (1972), while in The Front Page (1974) he sparkled as a condemned killer plagued by a bad head cold on the eve of his execution. A first-rate character player, Austin Pendleton has never quite scaled the heights of stardom in films, though his theatre work as both actor and director has always been critically lauded.

Trivia: Husky American actor Bruce McGill made his film debut in Citizen's Band (1978), but it was his next film role, frat-brat "D Day" in National Lampoon's Animal House, that gained him a following. McGill repeated his D-Day characterization in the spin-off TV series Delta House (1979), then co-starred with David Hasselhoff in the 1980 weekly-TV version of the 1977 theatrical football comedy Semi-Tough. He went on to play a string of brusque authority types in films (Cliffhangers) and television (MacGiver, Live Shot). Fans of the fantasy series Quantum Leap (1989-93) may recall McGill's occasional guest shots, which ranged from mildly eccentric to truly weird. In 1987, Bruce McGill enjoyed one of his few feature-film leading roles in Waiting for the Moon. But it wasn't until the 1990s that casting directors really began to utilize McGill's unique range, and though he never won any awards, he shifted between film (A Perfect World, Timecop, The Insider) and television (Babylon 5, Star Trek: Voyager) with the skill of a seasoned pro. Any genre was fair game, and all were tackled with equal aplomb. At the dawn of the 2000s McGill seemed to shift his focus toward feature films, with roles in Ali, The Sum of All Fears, and Collateral helping to make him both a Michael Mann regular, and one of those welcomed faces that seems to turn up everywhere. Still TV just seemed to be in McGill's blood and after lending his voice to both Family Guy and The Cleveland Show he could be seen as a regular on the TNT detective series Rizzoli and Isles.

Trivia: A talented character actor whose pudgy frame and adaptable face allows him to alternate between meek and imposing at the drop of a hat, Maury Chaykin endeared himself to television audiences as razor-sharp detective Nero Wolfe, though he has been appearing in film and television since the late '70s. Raised in Brooklyn, NY, Chaykin took a shine to acting while attending James Madison High School. Following his dream to the University of Buffalo, where he majored in theater, it was there that Chaykin would found The Swampfox Theater in 1968. An avant-garde troupe that became the talk of the town after crashing Toronto's Festival of Underground Theater in 1970, The Swampfox troupe would later gain accolades as the most original group at the Yale Drama Festival. Following such strong beginnings, it was clear to many that great things were in store for Chaykin. Spending a few years at North Buffalo's American Contemporary Theater following his college graduation, Chaykin would later move on to work in experimental theater in Toronto. Alternating frequently between television and film in his early years, small early roles in such popular films as 1983's WarGames insured the burgeoning actor increased visibility, and following roles in such high-profile fare as Mrs. Soffel (1983) and Turk 182! (1984), Chaykin made a lasting impression when promoted to leading-man status in 1985's Canada's Sweetheart: The Saga of Hal C. Banks. Flawlessly essaying the role of a Canadian union-leader who presided over the country's shipping industry in the 1950s and '60s, the film found Chaykin gaining near universal critical accolades in addition to winning a Nellie Award for his spot-on performance. Despite his success in the role of Banks, Chaykin rounded out the '80s with appearances in such schlocky films as Meatballs III (1987) and Iron Eagle II (1988), with only the occasional dark drama such as Cold Comfort (1989) offering the rare opportunity for him to truly shine. Things began to look up for Chaykin in the 1990s, and appearances in such acclaimed efforts as Dances With Wolves (1990) and My Cousin Vinny (1992) ensured that he would retain a high profile in the coming years. Though Chaykin's roles were far from top-billed, appearances in Sommersby (1993) and Devil in a Blue Dress (1995) served well to balance out forgettable turns in such efforts as Josh and S.A.M. (1993). In addition to an affecting turn as a faded rock star who attempts to create music that will allow him to communicate with nature in 1994's Whale Music, a haunting turn in the downbeat drama The Sweet Hereafter (1997) provided Chaykin with one of his most memorable roles of the decade. As the 1990s drew to a close, his turn as a biker inmate in the long-running HBO series Oz found a virtually unrecognizable Chaykin using his imposing frame to surprising effect. Rounding out the decade with roles in Entrapment and Mystery, Alaska (both 1999), it seemed that Chaykin was finally getting the recognition he deserved. At the dawn of the new millennium, television audiences began to warm up to Chaykin when A Nero Wolfe Mystery debuted in 2001. That same year Chaykin would take a memorable turn as a bumbling bureaucrat in director Jonathan Parker's Bartleby, and a dramatic role as a husband suffering after the tragic loss of a child in the made-for-television Crossed Over (2002) proved that he could alternate between mystery, comedy, and drama with unprecedented ease. In the following years, Chaykin could be spotted in substantial roles in such films as Owning Mahowney (2003) and Being Julia (2004).

Trivia: One of America's most recognizable character actors, James Rebhorn was a veteran of over 100 television shows, feature films, and plays. While best known for portraying lawyers, politicians, doctors, and military men, he delivered equally notable performances in a variety of other roles, including that of a brutal serial killer on NBC's Law & Order, a shipping magnate in Anthony Minghella's The Talented Mr. Ripley (1999), and a comically doomed restaurateur in Billy Morrisette's Scotland, PA (2001).Born in Philadelphia, PA, on September 1, 1948, Rebhorn moved to Anderson, IN, as a child. A devout Lutheran, he attended the Evangelical Lutheran Church in America's Wittenburg University in Ohio, where he studied political science. After graduating in 1970, Rebhorn moved to New York City, where he earned a Master's of Fine Arts in acting from Columbia University's School of the Arts and joined the metropolitan theater scene.After making his television debut on the NBC soap opera The Doctors in 1977, Rebhorn starred on Another World: Texas and The Guiding Light, as well as earned a 1989 Soap Opera Digest Award for his performance as Henry Lange on As the World Turns. He displayed his comic talents during a recurring role on Kate and Allie, and in an unforgettable turn as the district attorney who jails the Seinfeld gang in the show's final episode. He also garnered recurring roles on some of television's most heralded dramas -- including Law & Order, Third Watch, Now and Again, and The Practice -- and memorable telefilms -- including Sarah, Plain and Tall (1981), North and South (1985), Skylark (1993), From the Earth to the Moon (1998), and A Bright Shining Lie (1998).Rebhorn's feature-film career began in the early '80s with roles such as "Lawyer" in Soup for One (1982), "Los Alamos Doctor" in Silkwood (1983), and "Drunken Business Man" in Cat's Eye (1985). As the decade progressed, his parts increased in importance and he emerged in the '90s as an established supporting actor with roles in several high-profile films. After appearing in 1991's Regarding Henry with Harrison Ford and Annette Bening, Rebhorn gave stand-out performances opposite Marisa Tomei and Joe Pesci in My Cousin Vinny (1992), Sharon Stone and Michael Douglas in Basic Instinct (1992), Chris O'Donnell and Al Pacino in Scent of a Woman (1992), and Susan Sarandon and Nick Nolte in Lorenzo's Oil (1992). He went on to earn prominent roles in Carlito's Way (1993), Guarding Tess (1994), I Love Trouble (1994), Up Close & Personal (1996), Independence Day (1996), If Lucy Fell (1996), and My Fellow Americans (1996). Rebhorn rounded out the '90s by playing the mysterious Consumer Recreation Services representative in The Game (1997), the prosecuting attorney in Snow Falling on Cedars (1999), and Jude Law's shipping magnate father in the above-mentioned The Talented Mr. Ripley (1999). The new millennium saw him starring as Robert De Niro's future in-law in Meet the Parents (2000) and a modern-day version of Macbeth's Duncan in the above-mentioned Scotland, PA, before gearing up for the Eddie Murphy sci-fi vehicle The Adventures of Pluto Nash (2002), and Todd Haynes' long-awaited return to directing, Far From Heaven (2002).Towards the end of his career, Rebhorn returned to television, playing recurring characters on several different shows, playing the CEO of Abbadon Industries on HBO's Enlightened, an FBI special agent on USA's White Collar and, his final role, Carrie Mathison's father on Showtime's Homeland.While juggling his film and television work, Rebhorn frequently returned to the stage. He appeared at the Manhattan Theater Club, Playwright's Horizons, the New York Shakespeare Festival, the LaJolla Playhouse, the Ensemble Studio Theater, and Lincoln Center. In 2002, he earned rave reviews for his performance in the Roundabout Theater's production of Arthur Miller's first play, The Man Who Had All the Luck, with Chris O'Donnell and Samantha Mathis.Rebhorn was diagnosed with melanoma in 1992 and struggled with the disease for the next two decades, before succumbing in 2014 at the age of 65.

Trivia: A character actor with a knack for playing blustery Southerners and military men (comic and dramatic), Chris Ellis was, appropriately enough, born and raised in Mississippi. While hardly a radical, 18-year-old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi. In 1968, he began studying acting with a theater troupe in Memphis, TN, where he made his stage debut. After completing his studies, Ellis moved to New York City, where he began working in off-Broadway and regional theater. However, keeping his foot in the door proved difficult for Ellis, and he found himself without steady work through most of the '80s, getting by thanks to the kindness of friends who would often invite him over for dinner. In 1990, Ellis' luck began to change when he was cast as the memorable Harlan Hoogerhyde in the Tom Cruise vehicle Days of Thunder. By the mid-'90s, Ellis was working steadily in film and television, making small but notable appearances in Apollo 13, That Thing You Do!, and Armageddon, and making guest appearances on such series as The X-Files, Millennium, and Chicago Hope.

Trivia: British supporting actor, onscreen from the '60s.