Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: A staple of the British stage for nearly a quarter of a century before he gained his first significant measure of international notice, Nigel Hawthorne has had one of the acting profession's more slow-burning careers. However, it has been an undeniably distinguished career marked with any number of critical peaks, perhaps most notably his brilliant, Oscar-nominated title performance in Nicholas Hytner's 1994 adaptation of Alan Bennett's The Madness of King George. Born in Coventry on April 5, 1929, Hawthorne grew up in Cape Town, South Africa, where he moved with his family at the age of four. After attending the University of Cape Town, where he started acting, he returned to England in 1951. Determined to pursue an acting career, Hawthorne slogged away for years in relative obscurity, oftentimes hovering precipitously close to complete bankruptcy. His early career proved to be so disappointing that the actor returned to Cape Town for a time, but he ultimately returned to England to try his luck all over again. His second attempt was thankfully more successful than his first, and although it would be years before he would be duly appreciated, he did enjoy some measure of success in London's West End. Hawthorne's first helping of international acclaim came with his portrayal of Sir Humphrey Appleby on the popular British television series Yes, Minister during the '80s. His work on the political satire earned him a number of BAFTA awards and such fame in his native country that he was on occasion mistaken for being an actual politician, even, reportedly, by Queen Elizabeth herself. The actor went on to establish himself as one of Britain's great performers, winning a 1991 Tony Award for his performance in the Broadway production of Shadowlands and a 1992 Olivier Award (as well as an Evening Standard Award and a host of other honors) for his title role in the Royal National Theatre's production of The Madness of George the Third. His work in the latter play was adapted to the screen in 1994 with Nicholas Hytner's widely acclaimed The Madness of King George. Again, Hawthorne enjoyed great critical praise for his portrayal of the mentally unbalanced king, earning an Oscar nomination and a BAFTA award for his rich, manic, and ultimately dignified performance.Hawthorne, who had been appearing onscreen since 1972's Young Winston, subsequently did starring and supporting work in a number of high profile films, including Richard Loncraine's Richard III (1996), Steven Spielberg's Amistad (1997), The Object of My Affection (1998), and David Mamet's acclaimed adaptation of Terence Rattigan's The Winslow Boy (1999), which cast Hawthorne as the father of the title character. The actor, who offscreen has enjoyed a long relationship with writer Trevor Bentham, earned additional recognition for his contributions to film, television, and the theatre when he was made a Commander of the British Empire (CBE) in 1987. In 1999, he was further recognized in the Queen's 1999 New Year's Honours List when he received a much-deserved knighthood.

Trivia: Goes by his middle name, Stokes, to family and friends. His father was an engineer with the Navy and the family spent time in the Philippines and Guam before settling in San Diego. Went to high school with Annette Bening. Worked with San Diego's Old Globe Theatre, the Junior Theater and the Civic Light Opera. Met his wife, Allyson Tucker, when they were both cast in the 1990 Broadway production of Oh, Kay! Took a seven year break from Broadway after his son was born in 2003. Released his self-titled debut album in 2006. Before being cast as one of her dads on Glee, worked with Lea Michele when she was 8 in a Toronto production of Ragtime and again in the 2008 Hollywood Bowl production of Les Miserables.

Trivia: Broadway actor Victor Garber was born on March 16th, 1940 in London, Ontario, Canada. Through years of working on-stage, he has earned several Tony and Drama Desk nominations. He earned his first Obie award for his performance in Wenceslas Square at the 1988 New York Shakespeare Festival. Some of his other stage credits include Macbeth, Sweeney Todd, Damn Yankees, and Yasmina Reza's Art. After playing Jesus on-stage in Toronto, Garber reprised his role in David Greene's 1973 film musical Godspell. He joined Greene again to play the lead in Liberace: Behind the Music (1988).Staying busy with theater, Garber occasionally acts in supporting roles on the big screen. He appeared in two of Nora Ephron's feature comedies: Sleepless in Seattle (1993) and Mixed Nuts (1994). He also appeared in the tense drama Exotica in 1994, directed by fellow Canadian Atom Egoyan. Throughout the '90s and beyond, he appeared in countless TV movies, from Woman on the Run: The Lawrencia Bembenek Story (1993) to Torso: The Evelyn Dick Story (2002). Some of his mainstream feature appearances include small parts in The First Wives Club, Titanic, and Legally Blonde. Meanwhile, he regularly appeared in a Canadian television mystery series, Criminal Instincts, based on the novels by Gail Bowen, starting with the first installment Love and Murder in 2000. He played Inspector Phillip Menard to head police detective Joanne Kilborne (Wendy Crewson). He also had a very comfortable home in Disney movies during this time, as he played the dad in Tuck Everlasting, the king in Rodgers & Hammerstein's Cinderella, and Daddy Warbucks in Rob Marshall's 1999 TV feature Annie.In 2001, Garber was cast as another dad in the dramatic spy series Alias. He played Jack Bristow, the CIA agent dad of Sydney Bristow (Jennifer Garner). He earned an Emmy nomination for his work on the show. Characters for 2003 included a mayor in the ABC musical The Music Man and a detective in the independent drama Home Room. The actor continued his work in Alias until 2005, and enjoyed further success on the television series' Justice and Eli Stone. In 2008, the actor took on the role of Mayor Moscone for the Academy Award-winning Milk, and lent his voice to Kung Fu Panda 2 in 2011.

Trivia: A veteran character actor whose work has shown he's as comfortable with comedy as drama, Frankie Faison was born in Newport News, VA, in 1949. Faison developed the acting bug while in grade school after appearing in a school play, and after high school he was a theater student at both Illinois Wesleyan University and New York University. Faison began pursuing a career in the theater, and appeared in a number of acclaimed off-Broadway productions, including Athol Fugard's Playland, the New York Shakespeare Festival's production of Before It Hits Home, and an adaptation of King Lear at the NYSF Delacorte Theater. Faison made his film debut in 1981 with a small role in Ragtime, and Faison soon began supplementing his stage work with small parts in motion pictures and guest shots on television. An inkling of what was to come for Faison appeared in 1986, when he was cast in a small role as a cop in Manhunter, an adaptation of Thomas Harris' novel Red Dragon, in which Brian Cox played the murderous Hannibal Lector. In 1987, Faison appeared on Broadway in August Wilson's drama Fences, opposite James Earl Jones; Faison's performance earned him a Tony award nomination. In 1988, Faison scored a showy comic role in the Eddie Murphy vehicle Coming to America, and a year later he was one of the "corner men" in Spike Lee's acclaimed and controversial Do the Right Thing. In 1990, Faison scored the male lead in a short-lived sitcom, True Colors, and in 1991 he appeared in another adaptation of a Thomas Harris novel when he was cast as Barney Matthews, the big but gentle male nurse in The Silence of the Lambs. Faison continued to win supporting roles in a variety of notable films, including City of Hope, Sommersby, Mother Night, I Love Trouble, Albino Alligator, Where the Money Is, and The Thomas Crown Affair, and he had a leading role in the well-regarded police drama Prey; sadly, the show fared poorly in the ratings and didn't survive its first season. Faison revived his role as Barney Matthews in 2001's box-office blockbuster Hannibal, making him the only actor to appear in all three films about the famous cannibal. ~ Mark Deming

Trivia: Actor Robert Costanzo is generally typecast an urban Italian-American, prone to mouthing such lines as "You gotta problem with that?" Costanzo began popping up with regularity in such films as Saturday Night Fever in the late '70s. The first of his many TV-series stints was as plumber Vincent Pizo, the blue-collar father of Travolta clone Joe Piza (Paul Regina), in 1978's Joe and Valerie. He retained his man-of-the-people veneer as maintenance engineer Hank Sabatino in the weekly series Checking In (1980), Lt. V.T. Krantz in the 1990 TVer Glory Days, and the voice of Detective Bullock in Warner Bros.' Batman: The Animated Series (1992). In 1995, Robert Costanzo joined the cast of television's NYPD Blue as Detective Giardella.

Trivia: Six feet tall by the time he was twelve, Richard Moll would eventually peak at 6'8". To ward off jokes about his height, Moll adopted the "class clown" pose in school, eventually developing a taste for play-acting. Moving from his hometown of Pasadena to Hollywood in 1968, Moll spent the next decade or so with various theatrical troupes, and for a while toured schools in the role of Abraham Lincoln. Whenever he made the movie and TV casting rounds, Moll was greeted with an astonished "What a monster!"; thus, a monster he became, playing a steady succession of "bikers and snake men and one-eyed mutants." He was one of the title characters in the 1972 TV movie Gargoyles, was seen as an abominable snowman in Caveman (1981), and played various and assorted hulking goons in such adventure flicks as Metalstorm (1982) and The Sword and the Sorceror (1984). He was finally allowed to exhibit his "human" side--not to mention his considerable flair for light comedy--as court guard Bull Shannon on the long-running (1984-92) TV sitcom Night Court. Back to monstrosities and villains again in the 1990s--this time by choice rather than necessity-- Richard Moll has continued appearing in sizeable (in more ways than one) TV guest-star roles, and has lent his vocal talents to the role of Harvey Dent, aka Two-Face, in Batman: The Animated Series.

Trivia: With his unmistakable presence -- characterized by an obese figure, oversized red glasses, a shaggy blonde mane, and a scruffy, unkempt beard -- Bruce Vilanch checked in as one of Hollywood's most colorful characters for decades. His effeminate presence and apparel (both of which played up Vilanch's open homosexuality) only heightened this. Though known to many as an onscreen character player and comedian, Vilanch scored his most resounding successes as a gag writer for stand-up comics such as Bette Midler, Billy Crystal, Lily Tomlin, and Roseanne; in fact, a point arrived where many considered him the go-to comic for stand-up sets and a first-choice writer for events such as the perennial Oscar, Grammy, Emmy, and Tony telecasts. A native of Paterson, NJ, Vilanch attended Ohio State University as a theater and journalism major. After graduation, Vilanch moved into show business professionally, with comic roles in features such as the 1975 Mahogany (as a fashion designer), the 1984 Ice Pirates, the 1986 thriller The Morning After, and the 2008 Adam Sandler comedy You Don't Mess with the Zohan. On the side, Vilanch did frequent uncredited rewrites of Hollywood features and enjoyed a lengthy and productive tenure as a writer of features for the Chicago Tribune newspaper. Vilanch's professional mainstay, however, remained comedy writing. He was the subject of the all-star 1999 documentary Get Bruce! and played Edna Turnblad during an extensive run of the Broadway musical Hairspray.

Trivia: While she appeared in several notable features in the 1980s and 1990s, TV was the star-making venue for Jasmine Guy. A multi-talented performer, Boston-born Guy began her career as a dancer for the Alvin Ailey American Dance Center. She moved to acting and television, however, with a part in the TV film At Mother's Request (1987) and a starring role as snooty co-ed beauty Whitley in The Cosby Show spin-off A Different World (1987-1993). During the show's six season run, Guy also made her feature film debut in Spike Lee's politically charged college comedy/musical School Daze (1988) and co-starred in Eddie Murphy's ill-fated Harlem Nights (1989). Guy further revealed her range in TV movies Runaway (1989), A Killer Among Us (1990), and Stompin' at the Savoy (1992). After A Different World ended in 1993, Guy continued to be a regular TV presence with numerous guest star roles throughout the 1990s, particularly on Melrose Place and NYPD Blue. Guy also returned to the stage as a musical theater actress in touring companies of Grease and Chicago, played a major role in the feature thriller Kla$h (1995), and made a brief appearance as one of Stephen Rea's former female protégées in the 1999 Sundance Film Festival prizewinner Guinevere. She continued to act in projects such as the made-for-TV remake of Carrie, and enjoyed a run on the short-lived Dead Like Me - both of those projects written by Bryan Fuller. She appeared in the 2010 sequel Stomp the Yard: Homecoming, and the 2012 adoption/abortion drama October Baby.