Trivia: Another member of the Saturday Night Live Screen Actors Guild, Will Ferrell made his major film debut as Steve Butabi, one of the spectacularly clueless brothers who serve as the protagonists of A Night at the Roxbury (1998). The character originated on SNL, where Ferrell had been a regular since 1995, entertaining audiences with his celebrity impressions and such characterizations as Craig the Spartan Cheerleader and junior high-school teacher Marty Culp.Born in Irvine, CA, on July 16, 1967, Ferrell attended the University of Southern California, graduating with a degree in sports information. Following graduation, he worked as a sportscaster on a weekly cable show, but he soon found his interests leaning toward acting and standup comedy. He enrolled in classes and workshops given at a local community college, and after only a year of training, he was invited to join the Groundlings, an infamous L.A. comedy improv group. Ferrell's involvement with the Groundlings led to his SNL discovery; from that point on, the previously unknown comic found himself enjoying growing recognition and a steady paycheck.Although A Night at the Roxbury turned out to be a complete and utter flop, it did little to prevent Ferrell from finding more screen work; the following year, he could be seen as journalist Bob Woodward in Dick and as the object of fellow SNL castmate Molly Shannon's unwanted affection in Superstar. A series of scene-stealing supporting roles followed for Ferrell in such films as Drowning Mona, Zoolander, and, most-notably, Old School. In the 2003 Todd Phillips film, Ferrell sunk his teeth into the role of Frank "The Tank", delivering several lines that would forever be quoted by frat guys the world over.But it was Ferrell's other 2003 film that truly announced his arrival as a Hollywood star. As the oversized titular character in director Jon Favreau's holiday comedy Elf, Ferrell delighted audiences and critics alike, making the modestly-budgeted film a surprise box-office smash.In the wake of Elf's success, Ferrell's 2004 plate was full, starring as fictional '70s TV newscaster Ron Burgundy in Anchorman (a film which had enough outtakes to merit an entire second feature upon being released to home video), taking a role in the Woody Allen's Melinda and Melinda, and signing on for lead roles in two long-anticipated projects: the filmed adaptation of John Kennedy Toole's cult novel A Confederacy of Dunces and the big-screen version of the classic sitcom Bewitched. Though the curse that had plagued the big-screen adaptation of Confederacy seemed to persist when, by mid-2006, there still seemed to be no signs that the film would be going before the cameras anytime soon, Ferrell continued to crack-up audiences with a hilarious cameo in the popular Vince Vaughn/Owen Wilson comedy Weddng Crashers, as well as a memorable turn in The Producers - a big screen adaptation of the smash Broadway hit that was inspired by Mel Brooks' 1968 comedy classic of the same name. As the 2000's unfolded, it became clear that Ferrell's comic fame could not be matched. He would score box office gold with many movies to comes, such as Talladega Nights: The Ballad of Ricky Bobby, Stranger Than Fiction, Blades of Glory, Step-Brothers, Everything Must Go, and The Campaign, in addition to popular runs on TV series like The Office and Eastbound & Down.

Trivia: Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People. Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007,

Trivia: A Chicagoan from head to toe, American comedian Bob Newhart started his workaday life as a certified public accountant after flunking out of law school. As a means of breaking his job's monotony, Newhart would call his friend Ed Gallagher, and improvise low-key comedy sketches. A mutual friend of Newhart and Gallagher's, Chicago deejay Dan Sorkin, tape-recorded some of these off-the-cuff routines and played them for Warner Bros. records. Newhart suddenly found himself booked into a Houston nightclub -- his first-ever public appearance. Armed with telephone-conversation routines which delineated how Abe Lincoln would be handled by a publicity agent, or how Abner Doubleday would have fared trying to sell baseball to a modern-day novelty firm, Newhart recorded his first comedy album in 1960 -- which evidently struck a nerve with fellow white-collar workers, since it sold 1,500,000 copies. The hottest young comic on the club-and-TV circuit, Newhart was offered starring roles in situation comedies, but felt he wasn't a good enough actor to make a single character interesting week after week. Instead, he signed in 1961 for NBC's The Bob Newhart Show, a comedy-variety series which nosedived in the ratings but won an Emmy. Fearing that TV would eat up all his material within a year or so, Newhart went back to nightclubs after his one-season series was cancelled. Sharpening his acting skills in TV guest spots and in several films (his first, 1962's Hell is For Heroes, was so unnerving an experience that Bob repeatedly begged the producers to kill his character off before the fadeout), Newhart felt emboldened enough to attempt a regular TV series again in 1972. This Bob Newhart Show cast the comedian as psychologist Bob Hartley - an ideal outlet for his "button-down" style of dry humor. Six seasons and several awards later, Newhart was firmly established as a television superstar; this time around he wasn't cancelled, but ended the series on his own volition, feeling the series had exhausted its bag of tricks. Most popular sitcom personalities had come acropper trying to repeat their first success with a second series, but Newhart broke the jinx with Newhart in 1982, wherein Bob played author Dick Loudon, who on a whim decided to open a New England colonial inn. Newhart was every bit as popular as his earlier sitcom, and, like the previous show, the series ended (in 1990) principally because Newhart chose to end it. This he did with panache: Newhart's final scene suggested the entire series had been a bad dream experienced by Bob Newhart Show's Bob Hartley! A third starring sitcom, 1992's Bob, found Newhart playing a cult-figure comic book artist; alas, despite excellent scriptwork and the usual polished Newhart performance, this new series fell victim to format tinkering and poor timeslots. Over teh course of the next few decades, Newhart would frequently turn up in guest roles on shows like Murphy Brown, ER, and Desperate Housewives, and though his 1997 odd couple sitcom George & Leo failed to find its footing, he did appear in all three installments of TNT's popular fantasy trilogy The Librarian, starring Noah Wyle. Meanwhile, cameos in such films as Elf and Horrible Bosses continually offered a gentle reminder that comedy's nicest funnyman could still crack us up.

Trivia: Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway. Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy. When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren.

Trivia: Curly haired, sandy-voiced actress Mary Steenburgen is a natural when it comes to playing Southerners, probably because she hails from the region herself. Born in Arkansas on February 8, 1953, Steenburgen was the daughter of a railroad employee. Pursuing drama in college, she headed to New York in 1972, where she worked with an improvisational troupe. She was spotted by Jack Nicholson, who cast her as his feisty "in name only" frontier wife in 1978's Goin' South. Two years later, she won a Best Supporting Actress Oscar for her performance as Melvin Dummar's inamorata in Melvin and Howard (1980).Able to convey a wide age and character range, Steenburgen was effectively cast as a free-spirited Frisco girl in Time After Time (1979), the corseted matriarch of a turn-of-the-century household in Ragtime (1981), prim authoress Marjorie Rawlins in Cross Creek (1983), a long-suffering suburban housewife in Parenthood (1989), and a Marcia Clark-like attorney in Philadelphia (1993). She also portrayed the Jules Verne-loving Western schoolmarm Clara in Back to the Future 3 (1990), a role she perpetuated (via voice-over) on the Back to the Future TV cartoon series. In 1988, she was executive producer of End of the Line, in which she also appeared. Steenburgen's film appearances throughout the 1990s were erratic: some highlights, in addition to Philadelphia, include What's Eating Gilbert Grape (1993), Nixon (1995), and The Grass Harp (1995). In 1999, she starred as Noah's wife in the biblical epic Noah's Ark, sharing the screen with the likes of Jon Voight, F. Murray Abraham, James Coburn, and Carol Kane. As the 21st century began, Steenburgen continued to work steadily in projects such as Life as a House, I Am Sam, Sunshine State, and Elf. She was cast in the CBS drama Joan of Arcadia in 2003. In 2006 she appeared in David Lynch's Inland Empire, and the next year she starred opposite Jodie Foster in the vigilante drama The Brave One. She was cast in the comedies Step Brothers and Four Christmases in 2008, and in 2011 she was the editor who inspires the main character to write the book in The Help.Formerly married for several years to actor Malcolm McDowell, Steenburgen married former Cheers star Ted Danson in 1995. The two have collaborated on a number of projects, including 1994's Pontiac Moon and the made-for-TV Gulliver's Travels in 1996.

Trivia: The daughter of cinematographer Caleb Deschanel and actress Mary Jo Deschanel, Zooey Deschanel made her film debut as the conflicted, rebellious patient of a small-town psychologist in Lawrence Kasdan's Mumford (1999). Prior to her debut, Deschanel -- who spent much of her childhood on location with her parents -- acted in a number of stage productions and made her professional debut on an episode of the sitcom Veronica's Closet. A year after making her film debut in Mumford, the young actress appeared in Cameron Crowe's Almost Famous as the sister of an aspiring rock journalist who becomes caught up in the parallel universe of '70s rock. After turning up in the Dogma 95-style Manic in 2001, Deschanel would join the strong cast of director Barry Sonnenfeld's long-delayed comedy Big Trouble before re-teaming with that film's D.J. Qualls for the loser-turned-smooth operator teen comedy The New Guy in (2002). After following up with a role in the equally ill-recieved teen-thriller Abandon the same year, Deschanel earned positive nods for her role as the virginal teen who falls for a reformed womanizer in critical darling David Gordon Green's All the Real Girls. Though her next few film roles remained relatively low-key, the latter half of 2003 found the emerging young actress appearing in both the independent black comedy Eulogy and wide-release Will Ferrel family comedy Elf.In 2005 she scored a part in the big-screen adaptation of the popular sci-fi book The Hitchhiker's Guide to the Galaxy. In 2006 she was cast in the romantic comedy Failure to Launch. In 2007 she scored a small-screen success as Dorothy in the reimagining of Wizard of Oz known as Tin Man. In 2008 she was the lead actress in the derided thriller The Happening, but had a huge critical success the next year in the indie comedy (500) Days of Summer. In 2011 she was one of the sisters in the comedy Our Idiot Brother, and had another hit on the small-screen as the lead in the FOX sitcom New Girl.

Trivia: A plus-sized actor of Afro-Cuban descent whose killer smile and infectious laugh can liven up any comedy, Faizon Love got his start in such well-received African-American comedies as Fear of a Black Hat and Friday before getting wide recognition in such high-profile comedies as Money Talks, The Replacements, and Elf. It was during high school in New Jersey that the aspiring comic first became interested in performing for a crowd; his English teacher recognized Love's skill for comedy and allowing the student to perform for his classmates on days when lessons went especially well. Following graduation, Love moved to New York and made a bid for the big time in the East Coast entertainment capitol; it didn't take long for the performer to land an off-Broadway role in the Harlem National Black Theater production of Bitter Heart Midtown (a modernized retelling of Charles Dickens' Great Expectations). The subsequent death of beloved comic Robin Harris during the production of the animated comedy BeBe's Kids provided the emerging performer with his first big break in film, and though it was strictly a vocal affair, Love performed admirably under pressure. He could next be seen alongside Robert Townsend, Rusty Cundieff, Ice Cube, and Shawn Wayans in a series of low-budget but well-received comedy features. Love later parlayed his connection with Townsend into an extended television role on the small-screen sitcom The Parent 'Hood, and he continued to climb the credits until his role as a gridiron giant in The Replacements punted him into the mainstream. It was following his appearance in the Keanu Reeves sports comedy that Love's career truly took off, with a 2001 performance opposite Sean "Puffy" Combs in Jon Favreau's Made marking the beginning of a working relationship between the director and the actor that would continue when Love appeared opposite Will Ferrell in Elf (2003). Love's role as a surfing football player in Blue Crush in 2002 allowed the actor to overcomed his duel fears of sharks and water to brave the waves. And after attempting to remain in control of a prison as the warden in The Fighting Temptations, it was time to hit the road in Torque, a two-wheeled thrill ride starring Love's former Friday co-star Ice Cube. Video-game players with an ear for detail would recognize Love's substantial role in the hit 2004 release Grand Theft Auto: San Andreas, with additional roles opposite Lindsay Lohan in Just My Luck and in the long-awaited OutKast musical Idlewild effectively serving to mark the arrival of a comedic actor whose versatility continued to impress.

Trivia: Standing four feet five inches tall, actor Peter Dinklage has had a prolific career both on-stage and in film. After graduating from college in Vermont, he studied at the Royal Academy of Dramatic Arts in London and the Welsh School of Music and Drama in Wales. He worked in several productions off-Broadway and wrote his own play entitled Frog. He made his film debut in Tom DiCillo's 1995 independent comedy Living in Oblivion as the dwarf in the dream sequence. He then appeared in Safe Men, Bullet, Never Again, and Just a Kiss before returning to independent comedies. In 2001 he had a substantial role in Michel Gondry's Human Nature, written by Charlie Kaufman. In 2002, he played Binky, the sidekick to the clown Bananas played by Steve Buscemi in Alexandre Rockwell's 13 Moons. His first starring film role was in Tom McCarthy's The Station Agent as Finbar McBride, a lonely misfit who shacks up in an abandoned railway depot. Also starring Patricia Clarkson and Bobby Cannavale, the film won festival acclaim at Sundance. In 2003, Dinklage can be seen in both the Lincoln Center production of Toulouse Lautrec and the Jon Favreau holiday comedy Elf starring Will Ferrell. After a supporting role in The Baxter found Dinklage appearing in one of the year's most off-beat romantic comedies, and the sci fi television series Threshold afforded him the opportunity to appear alongside Star Trek: The Next Generation star Brent Spiner, Dinklage would next share the screen with the most popular canine in film and television history in the 2006 family-oriented adventure Lassie. In 2005, Dinklage took on a starring role in Threshold, a short-lived science fiction series from CBS, and joined the cast of filmmaker Michael Showalter's comedy The Baxter, in which he played a wedding planner. The following year the actor would make waves in Ryan Murphy's highly sexed drama Nip/Tuck. After appearing in a variety of television roles (including a stint playing himself on HBO's popular series entourage) Dinklage once again teamed with HBO to join the cast of Game of Thrones. This proved a fateful decision on his part, as the adaptation of George R. R. Martin's popular series of novels would become wildly successful, in no small part due to Dinklage's portrayal of Tyrion Lannister, the "imp" whose political savvy and brilliant mind allow him to thrive in a world that is less than kind to those it perceives as physically limited. The role led to an Emmy Award for Outstanding Supporting Actor in a Drama Series, and a Golden Globe Award for Best Supporting Actor - Series, Miniseries or Television Film in 2012.

Trivia: Comedianne Amy Sedaris confronts vulgarity with a daring innocence to create her wickedly absurd characters. You may best remember her as America's most lovable skank, Jerri Blank, from the hyper-irreverent series Strangers With Candy. Raised in North Carolina, Sedaris got her start at Second City in Chicago before moving to N.Y.C. to write plays with her brother, author David Sedaris, who has hilariously documented their family's history in many of his novels. Calling themselves "The Talent Family," they wrote, directed, and starred in numerous plays in N.Y.C., winning some Obie and Drama Desk awards. Along with fellow Second City vets Stephen Colbert and Paul Dinello, she wrote and starred in the sketch show Exit 57, which ran on Comedy Central.Sedaris has made a few small appearances on the big screen, from minor roles in major studio releases like Six Days, Seven Nights and Maid in Manhattan to short films like Bad Bosses Go to Hell; however, her breakthrough performance was in the TV series Strangers With Candy. An absurdist satire of afterschool specials, the show only ran from April 1999 to October 2000 on Comedy Central. Sedaris wrote it with her old cohorts from Second City, and also birthed the character of Jerri Blank, the ex-junkie and former prostitute who goes back to high school at age 46. In its 30-episode run, the show gained her a devoted following and several other television appearances. Though cancelled, sales of the show's DVD sets proved profitable enough to warrant a feature, and in 2006 Sedaris and company transferred their skewed worldview to the big screen, with a feature-length installment of Strangers With Candy. Packed with star cameos and even-cruder-than-cable-allows humor, the movie seemed destined to become a cult hit.Sedaris continues to work in the theater, while also running a cupcake and cheeseball business out of her West Village home, collecting taxidermied animals, and sometimes appearing on Sex and the City and Just Shoot Me. In collaboration with Dinello and Colbert, she is also co-author of the book Wigfield: The Can-Do Town That Just May Not.

Trivia: Wide-shouldered American actor Michael Lerner has become a Rod Steiger for the '90s, specializing in portraying brusque bullies with above-average intelligence. For many years a professor of literature at San Francisco State College, Lerner turned to acting in the late '60s, making his film bow with 1970's Alex in Wonderland. He alternated his movie work with stage appearances at the American Conservatory Theatre. Michael Lerner's more notable film roles include Arnold Rothstein in Eight Men Out (1988) and a Louis Mayer-clone movie producer (for which he was Oscar nominated) in Barton Fink (1991).

Trivia: While he rose to fame as a talk show sidekick, Andy Richter has since developed a reputation as a talented and likable comic actor with roles on a number of feature films and television series. Born in Grand Rapids, MI, in 1966, Andy Richter spent most of his childhood in Yorkville, IL. After graduating from high school (where he was voted Prom King in his senior year), Richter attended the University of Illinois, Urbana/Champaign; he later studied film and video production at Columbia College. Richter began pursuing a career as a performer in Chicago, where he studied improvisational theater with Del Close and worked with a number of improv comedy groups, including the Annoyance Theater, ImprovOlympia, and Comedy Underground. Richter's first notable success as a performer came in 1992 when he landed the role of Mike Brady in the off-Broadway stage success The Real Live Brady Bunch, a stage adaptation of the perennially popular TV sitcom; Richter was a member of the original New York cast, and moved with the show to Los Angeles later that year. While in L.A., Richter scored his first film role, a small but showy part in the Chris Elliott-vehicle Cabin Boy, but his biggest stroke of luck came when he was hired as a writer for a new talk show being hosted by former Simpsons and Late Night With David Letterman writer Conan O'Brien. Richter and O'Brien soon discovered they had a natural comic rapport, and by the time Late Night With Conan O'Brien debuted in the fall of 1993, Richter had become O'Brien's on-air sidekick, exchanging banter with the host and participating in a variety of comic sketches. The show's five-airings-a-week schedule kept Richter busy, but also allowed him to develop a strong fan following of his own, and he occasionally found time for outside projects, including appearing in an off-Broadway play written by David Sedaris and his sister, Amy Sedaris, Incident at Cobbler's Knob. In the summer of 1999, Richter announced he would be leaving Late Night in May of 2000 to devote himself to other projects, and he soon began appearing in a variety of film roles, among them one of Richard Gere's hunting buddies in Dr. T and the Women, Eugene in Dr. Dolittle 2, and Father Harris in Scary Movie 2; he also made occasional guest spots on television series, including Just Shoot Me. In 2002, he headlined the quirky cult sitcom Andy Richter Controls the Universe, which was prematurely axed. Two years later, he went on to helm another unsuccessful sitcom, Quintuplets, which also ended after failing to gain an audience. He then stuck to being a guest star on established shows like Will & Grace, Malcolm in the Middle, Monk, and The New Adventures of Old Christine. He also kept busy on the silver screen by taking small roles in a number of offbeat comedies including Elf (2003), Talladega Nights: The Ballad of Ricky Bobby (2006), and Semi-Pro (2008). Another attempt to headline a sitcom, Andy Barker, P.I., managed to charm critics but didn't have staying power and lasted only seven episodes in 2007. He maintained career momentum with guest starring TV roles and a number of small parts in movies. He also did well behind the scenes, voicing a character in the animated features Madagascar (2005)and Madagascar: Escape 2 Africa (2008), which led to more voice work in the Nickelodeon animated series Penguins of Madagascar and Mighty B. In 2009, he returned to Conan O'Brien's side when The Tonight Show With Conan O'Brien launched on NBC. The gig ended when NBC infamously returned The Tonight Show to Jay Leno, and Richter quickly joined O'Brien's subsequent Legally Prohibited From Being Funny On Television stand-up tour.In his private life, Richter married actress Sarah Thyre -- who played Marcia alongside Richter in The Real Live Brady Bunch -- in 1994; the couple has one son. Richter also has the distinction of being one of the highest-scoring celebrity contestants in the history of the popular game show Jeopardy, winning over 29,000 dollars for charity.

Trivia: Best known as one half of the surprisingly musically competent comedy rock band Tenacious D, Kyle Gass has actually been appearing in front of the camera since long before the inception of his face-melting collaboration with Jack Black. Despite speculation that he sold his immortal soul to the devil himself in exchange for his musical abilities, Gass began playing the flute at the age of eight, eventually moving on to the saxophone and then guitar. He got his first acting break as a kid, appearing in a 7-Up commercial. After graduating high school in 1979, Gass enrolled at UCLA, where he met future celebrity Tim Robbins. Robbins recruited him into the Actor's Gang, where he soon met his future bandmate, a 16-year-old kid named Jack Black. Gass didn't take too kindly to the blustering upstart at first, but soon the two joined forces in the name of rock (and comedy). He taught Black to play guitar, and before long the two were creating the mythos of Tenacious D. Gass made numerous small appearances in movies throughout the '90s, playing characters like the anesthetist in Brain Dead and a smoker in an episode of Seinfeld. Then, in 2000, Tenacious D were given their own show on HBO. Combining sketch comedy with their bombastic songs and hardcore talent, the show earned the band a huge cult following. More small roles in movies took Gass through the inception of the new millennium, but the success of Tenacious D's show, appearances, album, and concerts were what made him the most visible. In 2006, Gass and Black filmed Tenacious D in the Pick of Destiny, a big-screen telling of the band's mythical story including appearances by Ronnie James Dio, Meat Loaf, and of course, Satan.

Trivia: Comedian Artie Lange is best known as having informally inherited the role of the tubby, prat-falling sidekick in vehicles for Saturday Night Live alums, which was occupied by Chris Farley before his death in 1997. More restrained than Farley, but of similar build and acquaintanceship, Lange has rode his appearance and his exasperated comic deliveries to a handful of film credits and a regular gig on Howard Stern's radio show.Born in Union, NJ, on October 11, 1967, Lange was a prankster from a young age and was held back from graduating high school with the rest of his class. Lange had the last laugh when he scored a recurring role on Fox's Mad TV from 1995 to 1997. After leaving that show, Lange began capitalizing on his friendship with SNL veteran Norm MacDonald, first appearing in MacDonald's revenge comedy Dirty Work (1998) (in which Farley also appears), then working with the comic on his ABC sitcom Norm, also known as The Norm Show. The real comparisons to Farley inevitably came when he appeared opposite David Spade, former partner of Farley, in the 1999 comedy Lost and Found, in which he was required to perform many of the indignities that Farley once performed. Lange has also popped up in such films as Mystery Men (1999) and The Bachelor (1999).

Trivia: An actor whose solid everyman quality has endeared him to audiences and critics alike, Jon Favreau first made his name with 1996's Swingers. The story of a group of rat pack-obsessed, out-of-work actors slumming amiably through life in L.A., the indie-comedy was one of the year's biggest sleeper hits and made a star out of Favreau, who also wrote the script.A native of Queens, NY, where he was born on October 19, 1966, Favreau was raised as the only child of two educators. After attending the Bronx High School of Science, he did an abbreviated stint at Queens College before heading to Chicago to pursue a comedy career. In Chicago, he studied improvisational comedy with Del Close and was a member of the ImrovOlympic troupe. Favreau's time in Chicago ended when he decided to head to L.A. to try and break into film; his experiences as a lovelorn, out-of-work actor would later provide the inspiration for Swingers.After years of false hopes and false starts that took the form of supporting roles in such disappointing films as Rudy and P.C.U., Favreau began channeling his experiences and those of his friends (who included fellow Swingers star Vince Vaughn) into a rudimentary script for Swingers. Encouraged to make his script into a film, the actor despaired of securing enough funding for the project until he met fledgling director Doug Liman, who convinced him that the film could be made for 250,000 dollars. Costs were cut by filming largely without permits and making use of inexpensive shooting locations such as Favreau's own apartment. The film's low-budget charm was sufficient enough to sway the powers-that-be at Miramax who picked it up for distribution. When Swingers was eventually released in 1996, it was hailed by critics as a funny and painfully accurate account of the L.A. scene and its various faux-hipster denizens, as well as the dynamics at work amongst a group of guys (Favreau, Vaughn, and company) and the women they try so desperately to impress. In the wake of the film's success, Favreau, who was being hailed as the latest in the long line of Hollywood "Next Big Things," chose to star in Very Bad Things (1998), a black comedy directed by actor-turned-director Peter Berg. The film, in which Favreau played a soon-to-be married man whose Las Vegas bachelor party goes disastrously wrong, received very mixed reviews, although most critics praised the actor's performance as a "suburban Joe" caught up in circumstances that rapidly spiral beyond his control. After playing the eponymous boxing legend in the made-for-TV Rocky Marciano in 1999, Favreau returned to the screen in 2000 to star as a football player in The Replacements, a sports comedy directed by Howard Deutch. That same year, he returned to the indie scene with Love & Sex, a take on urban romance. In 2001, Favreau re-teamed with Vaughn for Made, a crime comedy that cast the two actors as aspiring mobsters and marked Favreau's feature directorial debut. Also in 2001, Favreau made the jump to the small screen, producing and hosting IFC's Dinner for Five, a candid roundtable program featuring fellow actors and filmmakers. In 2003, not only did Favreau show up in supporting roles in the hits Daredevil and Something's Gotta Give, his sophomore directorial effort, the Will Ferrell holiday comedy Elf proved to be one of the season's biggest crowd-pleasers, grossing over 100 million dollars at the box office. He followed up that success by bringing Chris Van Allsburg's Zathura to the big screen, although it did not match Elf's box office success. After making a few cameos on TV shows like My Name Is Earl and Monk, Favreau re-teamed with Vince Vaughn once again for a supporting role in the 2006 comedy The Break-Up. He also lent his vocal talents to the animated film Open Season. That same year he announced he would be taking on directorial duties for the big screen adaptation of the comic book Iron Man. Though it wouldn't be released until 2008, Iron Man was a huge success, and helped further Favreau's already solid reputation as a director. Favreau went on to direct Iron Man 2 (2010), which enjoyed similar success.Favreau returned to the screen to play a role in the 2009 comedy Couples Retreat (which he also wrote), which follows a group of married adults who realize their inclusion in a tropical vacation depends on taking part in intense, mandatory therapy sessions. The same year, Favreau appeared in the buddy comedy I Love You, Man, and lent his voice to the cast of the animated children's adventure G-Force. In 2011, Favreau directed and produced the popular sci-fi Western Cowboys & Aliens, and worked as an Executive Producer for 2012's blockbuster hit Marvel's The Avengers.

Trivia: Founding member of the Upright Citizens Brigade with comedians Matt Besser, Amy Poehler and Ian Roberts. They met while studying at the ImprovOlympics Theater in Chicago. Cowrote and starred in the 2003 movie Martin & Orloff. Hosts a sports podcast called Bear Down, about the Chicago Bears.

Trivia: Ray Harryhausen carved out an all-but-unique niche for himself in movies, from the 1950s through the 1980s. In an era in which actors commanded the lion's share of public attention, with directors taking most of what was left, Harryhausen acquired a worldwide fandom as the creator and designer of some of the most beloved fantasy films of all time. He was usually identified as a special-effects designer and, more specifically, a master of stop-motion animation, but Harryhausen's role went much deeper than that. He was the originator of most of the movies with which he is associated, and his special effects determined the shape, content, and nuances of his movies down to the script level, much more so than the directors of the movies, who often had little more to do than move actors around and run the crew. Harryhausen began devising his own models and puppets, eventually putting his skills to use working in an army-training film unit during World War II. After the war, he went to work for producer George Pal on a series of stop-motion animated short films called Puppetoons, and eventually went to work for Willis O'Brien. At the time, O'Brien was working on a joint production with Merian C. Cooper (the co-producer of King Kong), making a fantasy film about a giant ape entitled Mighty Joe Young (1949). As it worked out, O'Brien was so heavily involved on the production side that 80 percent of the animation in the movie was Harryhausen's work.At the start of the 1950s, Harryhausen devised a relatively low-cost method of stop-motion work that permitted the creation of special effects on a smaller budget than had theretofore been the case. The first movie to make use of his new technique was The Beast From 20,000 Fathoms (1953). Inspired by the short story The Foghorn (written by Harryhausen's longtime friend Ray Bradbury), the movie told the story of a dinosaur awakened from suspended animation by an Arctic nuclear test; the dinosaur escapes official notice at first, wrecking isolated ships and a lighthouse as it follows its ancient spawning instinct down the Atlantic coast until it comes ashore in New York City. That last third of the film remains one of the most spectacular ever seen in movies, Harryhausen's model work and Willis Cooper's miniature sets resulting in stunningly realistic, spellbinding depictions of the gigantic beast and the destruction of the city.The Beast From 20,000 Fathoms was soon remade as Gojira, which was later recut for the U.S. and retitled Godzilla, King of the Monsters; and later as The Giant Behemoth; with a man in a rubber suit, as Gorgo. He followed this up with It Came From Beneath the Sea (1955), Earth vs. the Flying Saucers (1956), and 20 Million Miles to Earth (1957).Harryhausen eventually wearied of doing monster-on-the-loose stories, so he turned back to an idea that he'd first conceived after The Beast From 20,000 Fathoms of doing an Arabian Nights fantasy along the lines of the 1940 Alexander Korda-produced Thief of Bagdad. The difference would be that his would show all of the wonders of the ancient-world fantasy onscreen using stop-motion photography. The result was The 7th Voyage of Sinbad (1958). The opening of Harryhausen's great cycle of fantasy films, the movie was a huge box-office hit and a critical favorite.The next 23 years were something of a golden age for Harryhausen and Schneer, as they generated seven extraordinary fantasy and sci-fi fantasy films: The Three Worlds of Gulliver (1959), Mysterious Island (1961), Jason and the Argonauts (1963), The First Men in the Moon (1964), The Valley of Gwangi (1969), The Golden Voyage of Sinbad (1973), Sinbad and the Eye of the Tiger (1977), and Clash of the Titans (1981). He also took a break from his own productions with Schneer to work on Hammer Films' One Million Years B.C. (1966), starring Raquel Welch and John Richardson. The latter featured the best dinosaur animation seen onscreen since King Kong, and The Valley of Gwangi gave Harryhausen a chance to pay tribute to his mentor, adapted as it was from a proposal of O'Brien's. The jewel among his own productions with Schneer, however, was Jason and the Argonauts, which brought the Greek gods, goddesses, demigods, and other mythical creations to life as they had never before been seen onscreen. Harryhausen's movies of the 1970s were no less dazzling, and it is to his credit that he continued making his fantasy movies. By 1981, Harryhausen and Schneer had reached the top of their game in terms of casting -- Burgess Meredith, Dame Maggie Smith, and Sir Laurence Olivier were all in Clash of the Titans. But Columbia had gone through several management shifts over the years and declined to produce that movie, which ended up in the hands of MGM. It was also the first movie in which Harryhausen had to rely on the work of assistants to help him. He was unable to get further films produced, however, as the generational change in the movie industry, combined with his good taste, his advancing age (as well as his corresponding desire not to be divided from his family for months at a time), and his unwillingness to utilize CGI technology, left Harryhausen seeming out of step with the business.From the 1980s onward, Harryhausen maintained (and his fans seem to all agree) that his stop-motion technique, though time-consuming, permitted the introduction of a personality into his creations. Those creatures, from Mighty Joe Young to Clash of the Titans, display the illusion of full life, including feeling and, within the limits of what their nature is supposed to be, an inner life. Indeed, one of the highest tributes to Harryhausen's art is the sense of real life behind his Rhedosaurus from The Beast From 20,000 Fathoms, his Ymir (and the elephant) from 20 Million Miles to Earth, the Cyclops (and most of the rest) from The 7th Voyage of Sinbad, and all of the creatures from Jason and the Argonauts and The Valley of Gwangi -- they feel so real that it hurts when they hurt . Despite Harryhausen's absence from movies for 11 years, he received an Academy Award in 1992 for his career-length work as a creator and designer of stop-motion animation. A frequent guest at festivals of his films, he has also seen his models and miniatures exhibited in museums. In May of 2004, he published Ray Harryhausen: An Animated Life, a deluxe oversize hardcover book (co-written with Tony Dalton), featuring a forward by Ray Bradbury. Harryhausen died in 2013 of natural causes at the age of 92.