Trivia: An actor whose strong features and sinewy 6'4" physique appear to have been chiseled from a slab of testosterone, Vince Vaughn is Hollywood's closest human approximation of a Chevy pick-up. Born March 28th, 1979, Vaughn's roles invariably reflect these qualities, and have given him a genial affability among middle Americans. Thanks to Vaughn's skills as a performer, however, he continues to resist typecasting, lending effortless portrayals to characters ranging from slick bachelors to raging psychopaths to morally conflicted limo drivers. A tried-and-true Midwestern boy, Vaughn was born in Minneapolis on March 28, 1970, and raised in the wealthy Chicago suburb of Lake Forest. The son of a self-made businessman and a stock and real-estate broker, Vaughn diverged from the upwardly mobile path forged by his parents. A hyperactive teen (and lackluster student), Vaughn spent time in special ed. and ran with a fast crowd (though he later claimed that he never felt the need for all-out rebellion). Despite his poor scholastic performance, Vaughn derived ambition from his interest in acting -- an interest that first blossomed at the age of seven -- and even served as senior class president. Upon graduation, with only his diploma and a role in a Chevy commercial as his credentials, Vaughn headed for Hollywood. Upon arrival, he proceeded to work in almost complete obscurity for the next seven years.During this period, Vaughn made the acquaintance of Jon Favreau, another struggling actor who hailed from the East. Their ensuing friendship and real-life adventures provided the inspiration for their ticket to the bigtime, 1996's Swingers. Directed by Doug Liman, the comedy stars Vaughn and Favreau (who also co-wrote the script) as two amiable, Rat Pack-obsessed, "so money" bachelors prowling the streets and bars of L.A. for "beautiful babies" and the occasional job opportunity. This irreverent-but-insightful Miramax release became a bona-fide sleeper hit. Vaughn, whose character, Trent, was the film's resident fast-talking ladies' man, emerged as a sex symbol in the making. A supporting role in Steven Spielberg's The Lost World: Jurassic Park heightened the actor's profile and revealed his ability to transition with great fluidity between indie films and box-office blockbusters. Nevertheless, Vaughn subsequently took the small, quiet film route, starring in The Locusts (1997), an overheated but half-baked melodrama in debt to both Tennessee Williams and East of Eden, and A Cool, Dry Place, a family drama that garnered a cool, dry reception from both audiences and critics. In 1998, the actor fared substantially better with his turn as a limo driver who is called upon to make a great sacrifice for a friend in Joe Ruben's Return to Paradise, and he brought a fine admixture of dark humor and sublimated menace to his part as a charismatic sociopath in Clay Pigeons. Vaughn evoked colossal mental dysfunction as Norman Bates in Gus Van Sant's truly ugly and ill-advised remake of Psycho that same year. Critics and viewers regarded his performance -- like the film itself -- with a tepid blend of indifference and bewilderment. After that egregious misfire, Vaughn wisely took a couple of years off before re-emerging with a number of projects in 2000. These included The Cell, a surrealistic horror picture co-starring Jennifer Lopez and Vincent D'Onofrio, Prime Gig, with Vaughn as California's best telemarketer, and South of Heaven, West of Hell, an ensemble western that marked the directorial debut of country singer Dwight Yoakam. Following-up with a part in writer Favreau's Made, Vaughn's next big role arrived in the form of a deceptive stepfather harboring a dark secret in the thriller Domestic Disturbance. Unfortunately, the film bombed on a critical front. Vaughn again ducked out of sight for several years, but Todd Phillips's 2003 comedy Old School brought him back to the top of the heap. Teaming Vaughn with Will Ferrell and Luke Wilson as a trio of over-the-hill party animals who relive their Animal House days by returning to frat house life, Old School became a sleeper hit, and inspired the press to term Vaughn, Wilson, Will Ferrell, Ben Stiller, Jack Black and others as The Frat Pack. The next of the "Frat Pack" vehicles arrived in 2004, with Todd Phillips's spoofy retread of the 1970s hit Starsky & Hutch, featuring Vaughn as the slimy villain, Reese Feldman. The picture (predictably) became a mega-hit, and the actor's newfound momentum continued to build when, only a few months later, he starred in Dodgeball: A True Underdog Story. Apparently channeling Bill Murray circa-1985, Vaughn received positive reviews for playing the good-guy opposite muscle-bound baddie Ben Stiller.Vaughn next graced the Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy (2004) with a small but memorable role, before he made an about-face for the comedy-drama Thumbsucker. Vaughn impressed critics with his characterization and received praise for his funny and heartfelt performance. He returned to the popcorn humor that initially made him a star, however (and joined the $200-million-gross club in the process) with a leading part in the comedy The Wedding Crashers, a raunchy, R-rated film that proved once and for all the actor could open a movie.Throughout 2006, rumors swarmed about Vaughn's offscreen life, and alleged romantic relationship with newly divorced Jennifer Aniston -- a relationship that blossomed on the set of The Break-Up (ironically, a comedy about an couple ending their two-year relationship and trying to divide their possessions, friends and condo without killing each other). Gossip amped up anticipation and heightened curiosity. Meanwhile, Aniston aggressively denied rumors of an engagement. Upon release, The Break-Up bolstered Vaughn's reputation as a strong comic lead, and became another surprise hit.In the holiday comedy Joe Claus -- which marks Vaughn's third outing with director David Dobkin -- he plays the title character, the no-account, loser brother of Santa Claus who teams up with his more famous sibling at the North Pole to defeat villain Kevin Spacey. Vaughn undertook a personal venture for the documentary Vince Vaughn's Wild West Comedy Show, tooling around the country on a tour bus with four aspiring stand-up comics as they travel from gig to gig. And he stayed true to form with another "Frat Pack" comedy, Outsourced. In the years to come, Vaughn would remain an ever present force in the comedy world, appearing in movies like Four Christmases, Couples Retreat, and The Watch, as well as producing projects like The Internship and the sitcom Sullivan & Son.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: Born February 12, 1963, John Michael Higgins is a character player who evinced a flair for comedic portrayals of middle-aged types, actor John Michael Higgins jump-started his career with a dead-on evocation of David Letterman in the made-for-cable comedy The Late Shift -- a picture about the cutthroat war between Letterman and Jay Leno to be crowned "King of Late Night Talk." Higgins followed this auspicious and covetable assignment with small roles in Barry Levinson's scathing political satire Wag the Dog (1997) and a guest appearance as one of Elaine's issue-ridden boyfriends on Seinfeld, but made his most substantial impression as an occasional character on Ally McBeal -- that of Steven Milter, an attorney who doubled as a psychoanalyst of Ally's. Beginning with Best in Show (2000), Higgins enjoyed a multi-film run on the big screen with Christopher Guest and his regular mockumentary collaborators that also included the farces A Mighty Wind (2003) and For Your Consideration (2006). He also had a recurring role as an attorney Wayne Jarvis on the critically acclaimed sitcom Arrested Development and supplied the voice of Mentok the Mindtaker for the animated comedy series Harvey Birdman, Attorney at Law. Back on the big screen, Higgins essayed two A-list supporting roles in 2007, in the Steve Carell-headlined farce Evan Almighty and the holiday-themedFred Claus starring Vince Vaughn. Higgins joined Vaughn again in Couples Retreat (2009), a romantic comedy following a group of couples who arrive on a tropical island only to find out they are required to participate in couples therapy in order to stay. He appeared on the FX television series Wilford in 2011, and joined the cast of the sitcom Happily Divorced, in which he co-stars with Fran Drescher (his real life ex-wife) as a man who amicably ended his marriage after coming to terms with his homosexuality. After working with Justin Timberlake and Cameron Diaz in the moderately successful comedy Bad Teacher in 2011, the actor played a small role in the 2012 adventure drama Big Miracle, which follows the plight of a journalist and volunteer who go to extreme lengths to save a beached whale.

Trivia: Known for her vibrant, intelligent portrayals of women who run the gamut from cold-blooded killers to long-suffering wives, Miranda Richardson is one of the British cinema's foremost purveyors of elegant, energetic dysfunction. Born in Southport, Lancashire, on March 3, 1958, Richardson began acting in school plays and left school at the age of 17 to study drama at the Bristol Old Vic Theatres School. Following her graduation, she acted in repertory theatre, becoming affiliated with Manchester's Liberty Theatre in 1979. Obtaining her Equity card, Richardson performed in a number of regional productions before moving on to the London stage in 1981. While performing on the stage, she also began acting on television and then in film. Her first big break came when she was cast as the real-life Ruth Ellis, the last woman to be executed for murder in Britain, in Mike Newell's Dance with a Stranger (1985). Her astonishing performance as a woman destroyed by her dependence on her loutish lover (played by a sulky Rupert Everett) earned wide critical acclaim, but Richardson remained fairly unknown outside of Britain.In 1987, having turned down the opportunity to play the role that went to Glenn Close in Fatal Attraction, the actress appeared in her first American outing, Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Richardson's portrayal of a doctor's wife interned in a Japanese prison camp provided what little sensual heat there was to be found in the film, but it was not until five years later that American audiences finally took notice of her.In 1992, Richardson had substantial roles in both Damage and The Crying Game. Playing the long-suffering wife of a philandering MP (Jeremy Irons) in the former and a murderous IRA operative in the latter, she impressed both critics and audiences with the spellbinding range and depth of her performances. Her work in both films received a number of honors, including a Best Supporting Actress Oscar nomination for her work in Damage and a BAFTA award in the same category for her portrayal of The Crying Game's Jude. In addition, Richardson won a Golden Globe for her work in another film that year, Mike Newell's Enchanted April, in which she played one of a group of British women who find liberation in the hills of Tuscany.Richardson received her second Oscar nomination and third BAFTA nomination two years later, for her vivid, full-blooded performance in Tom and Viv, in which she played the aristocratic, unstable wife of T.S. Eliot. She subsequently did starring work in films of widely varying quality, turning in particularly memorable performances in Robert Altman's Kansas City (1996) and Robert Duvall's The Apostle (1997). In the first, she demonstrated great wit as a politician's drug-addicted wife, while in the second, she made her small role as a radio station secretary one of the film's most memorable features.Following a turn in David Hare's The Designated Mourner (which was filmed in 1997 as the actors were also performing in its original production on the London stage) and a delightfully nasty stint as the evil queen in Merlin (1998), Richardson could be seen in a number of projects in 1999. Two of these were particularly high-profile, the first being Tim Burton's Sleepy Hollow, in which Richardson did time in a bodice and fright wig to portray a mysterious woman of questionable intention. The second, George Hickenlooper's The Big Brass Ring, was a political drama that featured the actress as the wife of a gubernatorial candidate (William Hurt) whose campaign is severely threatened by his past indiscretions.Richardson ushered in the new millenium with a role in the remake of the classic British crime-thriller Get Carter and by lending her voice to the claymation family film Chicken Run. In 2002, she wowed critics both with her performance in The Hours as well as in David Cronenberg's Spider, a film that had Richardson playing three different characters opposite Ralph Fiennes. After a handful of small films in 2003, the actress returned to the megaplexes as the Queen of Denmark in 2004's The Prince & Me.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: Actress Kathy Bates has been involved in the arts in one way or another since graduating from Southern Methodist University. Among the Memphis native's earliest jobs were a stint as a singing waitress in a Catskill resort and a sojourn as a gift shop cashier in New York's Museum of Modern Art. Bates was type-cast in character roles early on, which assured her a lot more work than the thousands of faceless ingenues in the business. Her film debut occurred with 1971's Taking Off, and she made her off-Broadway debut five years later in Vanities.For a long while, Bates made her name on the stage, only to see her roles go to other actresses in the plays' subsequent film adaptations. In 1983, she was nominated for a Tony award for her stage appearance as a garrulous would-be suicide in 'Night, Mother, a role played on screen by Sissy Spacek. She also appeared as Lenny McGrath in Beth Henley's Pulitzer Prize-winning play Crimes of the Heart, a role played on screen by Diane Keaton. And in 1987, playwright Terrence McNally wrote a part specifically tailored to Bates' talents: the much-abused waitress Frankie in Frankie and Johnny in the Clair de Lune, a role which won her an Obie award, and, following a familiar pattern, was played on screen by Michelle Pfeiffer.Bates finally got to star in a movie herself in 1990. And what a starring role it was: in Misery, she portrayed the psychotic "Number One Fan" of romance writer Paul Sheldon (James Caan), a searing performance which earned the actress an Academy Award and a Golden Globe. Appropriately enough, Hollywood screenwriters subsequently began making more room for Bates in their scripts. She worked steadily throughout the rest of the decade in films of greatly varying quality. Particular highlights included Fried Green Tomatoes (1991), A Prelude to a Kiss (1992), Dolores Claiborne (1995), Titanic (1997), and Primary Colors (1998), the latter of which featured Bates giving an Oscar and Golden Globe nominated performance as a political muckraker. Following her firey, foul-mouthed performance in that thinly veilied political biopic, Bates added a new credential to her resume, that of director. Initially taking the helm for the made-for-cable feature Dash and Lilly, Bates would subsequently direct episodes of the quirky HBO drama series Six Feet Under, simultaniously taking minor film roles before returning to more substantial roles with the CBS Hallmark Hall of Fame entry My Sister's Keeper. Roles in Love Liza and Dragonfly (both 2002) were soon to follow, and with her turn as an extroverted mother who catches the attention of Jack Nicholson in About Schmidt Bates would recieve her third Oscar nomination.She directed a number of episodes of the HBO series Six Feet Under before joining the cast in season 3 as Bettina. The next year she portrayed Queen Victoria in the big-budget remake of Around the World in 80 Days. She directed he feature Ambulance Girl in 2005. She continued to act steadily in a variety of projects including Failure to Launch, P.S. I Love You, Fred Claus, Bee Movie, and Revolutionary Road. She provided expert support for Sandra Bulock as the younger actress was winning an Oscar in The Blind Side, and Bates joined the cast of The Office in 2009. She was part of the large ensemble in 2010'ss Valentine's Day, and in 2011 starred as Gertrude Stein in Woody Allen's Oscar winning Midnight in Paris. That same year she launched her own network Drama series Harry's Law.

Trivia: Esteemed British character actor Trevor Peacock has found success on stage, screen, and television in the U.K. and the U.S. He has performed with the Royal Shakespeare Company and on television is known for his regular roles on such BBC shows as Growing Pains and Wish Me Luck III. Peacock made his film debut as an actor in The Barber of Stamford Hill (1963). Two years prior he had provided music for Beat Girl. Peacock tried his hand at screenwriting with He Who Rides a Tiger (1966) and also provided the film with music. Peacock's career continued through the '90s with appearances in feature films such as For Roseanna (1997) and television miniseries like NeverWhere (1996).

Trivia: One of a number of hip-hop musicians to successfully tackle a career in movies as well, Ludacris began his career as a humble radio DJ working in Atlanta, GA. He used the job as an opportunity to hone his skills as a musician and rapper, eventually hooking up with talents like super-producer Timbaland and getting signed to a subsidiary of Def Jam in 2000. He shortly thereafter released his first album, Inconegro, and soon became a household name, not to mention one of the most important forces in hip-hop. His fame was only boosted when, in 2002, he was signed to do a promotional deal with Pepsi, but the sponsorship was terminated when right-wing TV news shock-jocker Bill O'Reilly complained that Ludacris' image promoted violence. The controversy created much debate and attracted substantial attention, possibly more than the promo contract would have earned on its own, and the rapper's album sales continued to rise.It wasn't long before Ludacris' notoriety had movie directors tapping him to make appearances in their films. After a small role in 2003's 2 Fast 2 Furious, he was cast in the 2005 film Hustle & Flow, a movie starring Terrence Howard as Djay, an aspiring rapper trying desperately to make it. Ludacris played Skinny Black, a world-famous hip-hop star who started out in Djay's hometown of Memphis. The movie became a critical success, and Ludacris followed it up with a 2006 appearance on Law & Order: Special Victims Unit as the stepson of cast member Ice-T. His booming music career didn't make it easy, but Ludacris couldn't help signing onto another project in 2007, parodying his own street-tough image as a disgruntled elf in the Christmas comedy Fred Claus.

Trivia: Possessing the kind of elegant screen beauty that often draws comparisons to a Breakfast at Tiffany's-era Audrey Hepburn, actress Elizabeth Banks' onscreen career has been steadily rising since the up-and-coming actress won the Young Hollywood Award for "Exciting New Face" back in 2003. With roles in such notable Hollywood hits as the Spider-Man films and Seabiscuit, Banks has not only had the pleasure of sharing the screen with hot-property actor Tobey Maguire multiple times, but has also been nominated -- alongside Maguire, Jeff Bridges, William H. Macy, and Gary Stevens -- for an "Outstanding Performance by a Cast in a Motion Picture" award by the Screen Actors Guild for her performance in the latter. The Pittsfield, MA, native got her first taste of fame when nominated Harvest Queen in her hometown's annual fall celebration, and in the years that followed, Banks would receive her bachelor's degree from the University of Pennsylvania and go on to pursue her graduate degree at the American Conservatory Theater. In 1998, Banks made her feature debut in the controversial addiction drama Surrender Dorothy, with subsequent small-screen roles in Third Watch and Sex and the City only serving to contribute to her rapidly growing profile in film and television. Of course, a move from New York to Los Angeles also may have had something to due with her landing more film roles, and though she would appear under her real name, Elizabeth Mitchell, in the 2000 action thriller Shaft, she soon had to change her name to avoid conflict with another actress who had already established a career under that surname. Undaunted, Banks forged on with roles in the cult comedy Wet Hot American Summer and the romantic drama Ordinary Sinner in 2001, with a supporting performance as Betty Brant in the 2002 box-office smash Spider-Man providing her most substantial onscreen performance to date. With roles opposite Madonna in Swept Away and Leonardo DiCaprio in Catch Me If You Can, it was obvious that Banks' career was on the rise, but it was her winning performance in Seabiscuit that truly put her on the map. Though the Screen Actors Guild award that the she and the cast were nominated for would ultimately go to the cast of The Lord of the Rings: The Return of the King, it was obvious to all who had been following her career that Banks was only at the beginning of her Hollywood ascent. In 2003, Banks appeared in the drama The Trade before reprising her role as Betty Brant for Spider-Man 2, and with increasingly prominent roles in Heights, The Sisters, and The Baxter scheduled through 2005, audiences could rest assured that they would be seeing plenty more of Banks in the years to come.By the time Banks turned in a standout supporting role as a bookstore employee who may hold the means of solving The 40 Year Old Virgin's titular dilemma in the 2005 Steve Carell hit, it seemed that she was an actress capable of brightening most any screen. A substantial role as a small-town trophy wife in director James Gunn's comic-frightener Slither found Banks having noticable fun in front of the cameras, with a pair of appearances on the popular television medical comedy Scrubs preceding a more serious-minded turn in the inspirational 2006 sports drama Invincible.2008 was a very busy year for Banks in which she continued to build her career as a comedic presence in films as varied as Role Models, Meet Dave, and Kevin Smith's Zack and Miri Make a Porno, and was also allowed to stretch her dramatic wings as Laura Bush in Oliver Stone's biopic W. In 2009 she first played the role of a conservative television commentator who becomes a romantic partner for Alec Baldwin's character on the award-winning sitcom 30 Rock, a role she would return to intermittently for the next few years. In 2011 she co-starred in the comedy Our Idiot Brother, and in 2012 she had a supporting part in the phenomenally successful adaptation of The Hunger Games.

Trivia: A slightly burly, heavyset British actor of cinema and television, Jeremy Swift seemed predestined for not merely character roles, but characterizations as a slightly blustery oaf. In the process of establishing himself, he grew into a performer venerated by audiences, and one of the busiest actors in British filmdom. Swift debuted on camera in the very early '80s, with bit parts in features including Fords on Water (1983) and Mr. Love (1985), but remained offscreen in the 10 years or so that followed. He reemerged as a prolific television player in the mid-'90s on U.K. series including Next of Kin, Making the Difference, and The Grand, then experienced a substantial change of venue in 2001, when the legendary Robert Altman cast him in the period murder mystery Gosford Park. That assignment inducted Swift into cinematic releases, and he followed it up with work in outings such as Mike Barker's To Kill a King (2002), Roman Polanski's Oliver Twist (2005) (as the aptly named Mr. Bumble), and the Vince Vaughn Christmas comedy Fred Claus (2007). Also in 2007, Swift enjoyed a plum supporting role in director John Crowley's acclaimed psychological drama Boy A.

Trivia: An actor whose remarkable versatility has often been described as chameleon-like, Kevin Spacey has made an art of portraying a gallery of morally ambiguous characters ranging from the mildly shady to the all-out murderous. His reputation as one of the best-respected actors of his generation was bolstered by an Oscar, a Tony, and an award as Best Actor of the Decade from England's Empire magazine in 1999.The son of a technical procedure writer and a secretary, Spacey was born in South Orange, NJ, on July 26, 1959. His family moved a great deal thanks to his father's job, eventually settling for a time in Los Angeles. It was there that Spacey -- who had previously done a stint at military school -- attended Chatsworth High School, where he was very active in the theater. After an attempt at standup comedy, Spacey went to Juilliard, though his time was cut short after his second year, when he decided to quit school and begin his career.He made his theatrical debut in 1981 with Shakespeare in the Park, performing alongside the likes of Mandy Patinkin and John Goodman. The actor continued to be a fixture on the theater scene throughout the decade, performing both on Broadway and in regional productions. It was through the theater that he got his first big break: While auditioning for a Tom Stoppard play, Spacey was approached by director Mike Nichols, who cast him in his production of David Rabe's Hurlyburly. The actor's work in the play led Nichols to cast him as a subway mugger in his 1986 Heartburn. Two years later, the director and actor worked together again in Working Girl, in which Spacey had a small but memorable role as a sleazy businessman.By this time, Spacey was starting to work steadily in film, although he maintained his stage work, winning a 1990 Tony Award for his role in the Broadway production of Lost in Yonkers. He also did a substantial amount of television work, appearing on the series Wiseguy as deranged criminal Mel Proffitt. Criminal or morally questionable activities were to figure largely in Spacey's subsequent portrayals: His first starring role in a film was as the husband of a murdered woman in the 1992 Consenting Adults. The same year, he won acclaim for his portrayal of a foul-mouthed, leech-like real estate agent in James Foley's screen adaptation of the David Mamet play, Glengarry Glen Ross. Spacey landed his next memorable film role as yet another foul-mouthed jerk in the 1994 Swimming With Sharks, which he also co-produced. He was nominated for an Independent Spirit Award for his portrayal of an abusive studio executive, and he gained further recognition the same year for his entirely different role in The Ref, in which he played one half of a constantly arguing married couple. However, it was with his performance in the following year's The Usual Suspects that Spacey fully stepped into the spotlight. As the enigmatic, garrulous "Verbal" Kint, Spacey was one of the more celebrated aspects of the critically lauded sleeper hit, winning a Best Supporting Actor Oscar for his work. The actor won additional acclaim the same year for his role as a serial killer in the stylish and unrelentingly creepy thriller Seven. Spacey went on to make his directorial debut the following year with Albino Alligator. A New Orleans-based crime drama starring Matt Dillon, Faye Dunaway, and Gary Sinise, the film won some positive reviews, though it made little impact at the box office. In addition to directing, Spacey kept busy with acting, appearing the same year in A Time to Kill and Al Pacino's documentary Looking for Richard. The actor went on to star in Clint Eastwood's highly anticipated 1997 adaptation of John Berendt's Midnight in the Garden of Good and Evil and then had a sizable role in the big-budget The Negotiator in 1998. The same year, he also lent his voice to the computer-animated A Bug's Life and starred in the screen adaptation of Hurlyburly. While doing steady film work, Spacey also continued to appear on the stage, winning raves for his performance in an adaptation of Eugene O'Neill's The Iceman Cometh, first on the London stage in 1998, and then on Broadway the following year. Also in 1999, Spacey won an Academy Award as Best Actor for American Beauty, director Sam Mendes' dark comedy about a man experiencing a mid-life crisis. Following up Beauty with starring roles in The Big Kahuna and Ordinary Decent Criminal, Spacey would later appear as a mental patient who claims to be from a distant planet in K-PAX. K-Pax proved to be a minor flop, as did the actor's other major film in 2001, Lasse Hallstrom's adaptation of The Shipping News. Although Spacey drew positive notices for his portrayal of a man trying to start a new life in Newfoundland, the film, which also starred Julianne Moore, Cate Blanchett, and Judi Dench, quickly sank at the box office and received only a lukewarm reception from critics.Spacey maintained a busy schedule throughout 2003, appearing in three disparate projects that reflected his extraordinary versatility. Besides cropping up as himself in the third Austin Powers outing, Austin Powers: Goldmember, he played the title character of The Life of David Gale, the story of a University of Texas professor whose anti-capital punishment stance assumes very personal meaning when he is convicted of rape and murder and lands on death row; the picture received a critical drubbing and faded quickly from view. That year, Spacey also starred in The United States of Leland, playing the father of a fifteen-year-old (Ryan Gosling) who murders an autistic child.2004 marked a key year for Spacey. The actor -- who had dreamed of portraying crooner Bobby Darin since childhood, and spent years striving to produce a biopic of the late singer through his production house, Trigger Horse Productions, ultimately realized that goal in December '04. In addition to starring Spacey as Darin, the biopic, entitled Beyond the Sea, enlisted Kate Bosworth as Sandra Dee, John Goodman as Steve Blauner, and Brenda Blethyn as Polly Cassotto. Beyond earned a decidedly mixed critical reception.In 2005, Spacey cut back on his acting schedule and devoted more attention to his role as artistic director of the legendary Old Vic Theatre in London -- a position he had assumed in 2003, under ten-year contract. In a Charlie Rose appearance c. 2005, the actor openly discussed his desire to use his position to revive a series of theatrical classics and reestablish The Vic as one of the world's premier stage venues. Unfortunately, Spacey's work here also earned some derision; under his aegis, The Vic mounted Arthur Miller's Resurrection Blues in May 2006 - an effort helmed by Robert Altman - and it drew vicious critical pans, one from a reviewer who demanded that Spacey resign. Although Spacey listened to the complaints about the Altman effort, (shelving the production during the theater's busy summer tourist season), he vowed to continue his efforts at the Vic unabated.Summer 2006 also saw the actor appearing in the highly anticipated big-budget extravaganza Superman Returns, playing Lex Luthor to Brandon Routh's Superman/Clark Kent and Kate Bosworth's Lois Lane. With a powerhouse supporting cast that includes Frank Langella (Good Night, and Good Luck.), and Eva Marie Saint (North by Northwest), the picture predictably opened up to spectacular box office (becoming one of summer's top grossers) and enthusiastic critical notices. Those who did criticize the film singled out Spacey's interpretation of the Luthor role.About a month prior to the Superman debut, Spacey signed with Warner Brothers to co-star in Joe Claus (originally titled Fred Claus), a Christmas comedy that reteamed Wedding Crashers director David Dobkin with funnyman Vince Vaughn, and enlisted Paul Giamatti (American Splendor, Sideways) as a co-star. Additional roles in the years that followed further reflected Spacey's penchant for the offbeat, such as his portrayal of an envious military man caught up in psychic phenomena in the satire The Men Who Stare at Goats (2009), corrupt lobbyist Jack Abramoff in the acerbic comedy Casino Jack (2010) and a sadistic boss with a taste for humiliation in Horrible Bosses (2011). Meanwhile, at about the same time, Spacey took on the role of one of Shakespeare's most iconic villains in the Old Vic's production of Richard III - for which he earned considerable critical praise. In 2013, Spacey returned to television on Netflix's House of Cards, playing ruthless congressman Frank Underwood, earning Spacey nominations from the Emmys, SAGs and Golden Globes. In 2015, he earned both a Special Olivier Award for his work as the artistic director of the Bristol Old Vic, and was awarded an honorary knighthood from Queen Elizabeth II (though, as he's not a British or Commonwealth citizen, he's not entitled to be called "Sir.")

Trivia: Bobb'e J. Thompson skirted to fame as a child actor well before his teens, initially with a small but colorful and energetic supporting role as the pint-sized Tupac in the unofficial Three Men and a Baby update My Baby's Daddy (2003), then with an ongoing small screen characterization as the infatuated Stanley on the situation comedy That's So Raven. Thompson provided one of the voices in the CG-animated adventure comedy Shark Tale (2004) and contributed to OutKast mainstay Bryan Barber's offbeat, inventive musical drama Idlewild (2006), before teaming up with Vince Vaughn in the holiday comedy Fred Claus, and Paul Rudd and Seann William Scott in the acerbic farce Role Models (2008). Alongside his film work, Thompson culled favorable attention for his prominent contributions to the youth-oriented urban dance video JammX Kids: Can't Dance Don't Want To, which afforded him the opportunity to show off his flair for urban music and footwork.

Trivia: The youngest member of the Baldwin clan, Stephen Baldwin is one of the few Hollywood actors versatile enough to boast roles in everything from The Usual Suspects (1995) to Bio-Dome (1996). Equally adept at comedy and drama, Baldwin's popularity surged in the '90s and carried the increasingly busy actor into a series of low-budget action thrillers. A Massapequa, NY, native, Baldwin gained notice in his teens as a successful opera singer and took home top prizes in numerous local competitions. Opting for a career as an actor a few short years later, the aspiring thespian refined his talents at The American Academy of Dramatic Arts before making his way to the screen in the mid-'80s. Baldwin made his film debut in the 1987 made-for-TV feature The Prodigious Mr. Hickey, with small screen appearances in Family Ties and China Beach soon to follow. In 1989, he took a featured role in the short-lived television Western The Young Riders. His feature career gained momentum with the adaptation of Hubert Selby Jr.'s Last Exit to Brooklyn (1989), and it wasn't long before he was turning up in such highbrow Hollywood fare as Born on the Fourth of July. After putting his Young Riders experience to good use in Mario Van Peebles' Posse (1993), Baldwin turned up in the Hollywood sex comedy Threesome (1994). It was around this time that roles in 8 Seconds and A Simple Twist of Fate (also 1994) began to catch the attention of the movie-going public. The following year's The Usual Suspects, however, found the rising star gaining both top billing and the best reviews of his career. Taking top billing as a criminal taken in by police for questioning following a truck hijacking, Baldwin's kinetic and humorous performance propelled him through such comedies as Bio-Dome (1996) and Fled (both 1996). Taking a stab at dramatic action with One Tough Cop (1998), the film did little to forward public perception of Baldwin as a serious actor, although he would make a successful transition into thrillers with Scarred City (1999) and Mercy (2000). His roles in big-budget Hollywood fare began decreasing after that, but the youngest Baldwin sibling was still as busy as ever with an average of four films per year. In 2002, he took to the screen for the comedy sequel Slap Shot 2: Breaking the Ice. Outside of his film work, Baldwin is well known for charitable contributions to such organizations as the Los Angeles AIDS Project. Married to Kennya Deodato in 1990, the couple reside in Tucson, AZ, with their children when Baldwin is not on location.Although Baldwin continued to work regularly, he gained notoriety with the release of an autobiography in 2006 in which he explained his conversion to born-again Christianity, and began to campaign for different conservative politicians, often putting him at odds publically with his liberal-minded brother Alec. Baldwin became enough of a name that he appeared on a pair of reality programs - I'm a Celebrity Get Me Out of Here and The Celebrity Apprentice.

Trivia: Is the son of former Olympic wrestler Derek James, and followed in his father's footsteps by joining the wrestling team in high school. Began acting at age 10, when his mother's casting-agent friend started getting him some work as an extra and a body double. Described himself as being similar to his character Jack on The Killing. Received the 2013 Young Hollywood Award for Male Breakthrough Performance for his role as Duncan in The Way, Way Back. Has one blue eye and one green eye.

Trivia: Started his career as a child model. Featured in commercials for Tide and GMC. Played a young Charlie Sheen in an episode of Two and a Half Men and portrayed a young Michael Scofield in episodes of Prison Break. Appeared in the music video for Shinedown's "The Crow & the Butterfly." Won a battle-of-the-bands contest with his band, the Feaver, landing the group a gig on the 2011 Vans Warped Tour.

Trivia: Like most of the Stallone family, Frank Stallone made his film debut in brother Sylvester Stallone's Rocky (1976). Considerably more talented than many celebrity siblings, Frank was an accomplished singer and musician. Many of his compositions made their way into such subsequent Sly Stallone efforts as Rocky II, Paradise Alley and Staying Alive. Stallone has since found steady work as a supporting actor in films like Hudson Hawk (1992) and Tombstone (1993). By accident or design, Stallone has co-starred with actress Brenda Vaccaro three times, most recently in 1989's Masque of the Red Death. One of Frank Stallone's better recent roles was Alvin Karpis in 1995's Public Enemy #1.

Trivia: Born in Los Angeles, California, where his father was a professor of linguistics at UCLA, the family moved back to their native London when he was 7. Went by the name BB Burn when he competed as a beatboxer. His big television breakthrough came in BBC's Bleak House, an adaptation of the Charles Dickens novel, in the role of William Guppy. Appeared in the 2009 West End revival of Oliver! as Bill Sikes, opposite Rowan Atkinson; he was nominated for Best Supporting Actor in a Musical in the Whatsonstage Theatre Awards for the role. He and his wife had a third child, a daughter, Rosa in 2014. The couple split up in 2017.

Trivia: Dashing British stage and screen performer Orlando Seale came of age in London as the son of an art gallery owner, and trained dramatically at several esteemed institutions, including Paris' Conservatoire National Supérieur d'Art Dramatique and London's L'École Philippe Gaulier, after completing his undergraduate studies at Oxford University's St. Peter's College. An extremely versatile performer, Seale harbored and cultivated ambitions that lay outside the realm of traditional drama, and studied such diverse modes of expression as playwriting, vocal performance, fencing, dancing, and clown work. Seale spent a year with the esteemed Royal Shakespeare Company, and indeed landed one of his first screen assignments in a Shakespeare production: Kenneth Branagh's over-scaled, four-hour cinematization of Hamlet (1996) -- albeit as an understudy/stuntman for lead (and fellow RSC vet) Branagh. Seale's next major movie role arrived three years later, with a small supporting turn in Tim Burton's gothic fable Sleepy Hollow (1999); the exposure from that appearance helped to net Seale more substantial work, and he spent the next several years juggling a heavy slate of assignments that exhibited laudable diversity. Among other accomplishments, he evoked Albert Einstein in The Infinite Worlds of H.G. Wells (2001), rocker Joe Elliott in Hysteria: The Def Leppard Story (2001), and Darcy in Andrew Black's Mormon-themed Jane Austen update, Pride & Prejudice: A Latter-Day Comedy (2003). After delving into American television with guest roles on Monk and The West Wing, and eking out a small role in Emilio Estevez's period ensemble drama Bobby (2006), Seale played an elf in David Dobkin's holiday comedy Fred Claus (2007) and starred opposite Heather Graham and Mia Kirshner in the romantic comedy Miss Conception (2008).

Trivia: Primarily a New York-based actor since the '40s, Michael Higgins' film appearances were relatively limited until the late '70s -- but that didn't stop him from doing some exceptional and memorable work on the big and small screens. Born in Brooklyn, he attended St. Michael's High School in the middle and late '30s, which was where he was first bitten by the acting bug -- while in his teens, he ended up joining the Shakespeare Fellowship of America, a semi-professional performing group that performed the Bard's plays in high schools. His theatrical aspirations were interrupted by the Second World War, during which Higgins served with the 337th Infantry in Italy, where he was wounded in combat and achieved the rank of lieutenant, and earned a Bronze Star as well as the Purple Heart. After the war, he resumed his career and made his Broadway debut with Katharine Cornell in Candida in 1946. His subsequent Broadway credits included Antigone, The Lark, and Romeo and Juliet, and he also became a familiar figure on the off-Broadway stage, in productions of Doctor Faustus, White Devil, The First Year, and The Crucible, the latter in the role of John Proctor opposite Barbara Barrie as Elizabeth Proctor. His other theatrical credits included J.B., which he did on tour with Basil Rathbone in 1959 and 1960. Apart from a few isolated instances -- an early appearance in Joseph Henaberry's 1948 documentary Shades of Gray, and a lead performance in Irving Lerner's independently produced crime drama Edge of Fury (1958) -- Higgins didn't start working in movies until he had 25 years under his belt in theater. He did do lots of television, however, including some exceptional performances on anthology shows such as Omnibus, Playhouse 90, Studio One, One Step Beyond, and The Outer Limits ("The Mice," playing the too-trusting lead scientist), and even managed one major sitcom appearance, on The Andy Griffith Show (in "Barney Hosts a Summit Meeting," a much-watched episode that featured a return appearance by co-star Don Knotts). Generally, however, he was associated with more serious vehicles -- John Crosby of the New York Herald Tribune, writing of his portrayal of Hector in The Iliad, in the 1955 season opener of Omnibus, called Higgins "easily the best actor on the premises." He racked up exceptional reviews on the stage throughout the '50s and '60s, including a memorable turn as Macbeth at the 1962 New York Shakespeare Festival. From 1969 onward, starting with Elia Kazan's The Arrangement, Higgins began appearing regularly on the big screen, in important supporting roles and the occasional lead, such as in Barbara Loden's Wanda (1970), working with such diverse talents as Francis Ford Coppola in The Conversation (1974), Bryan Forbes in The Stepford Wives (1975), and Woody Allen in New York Stories (1989), and in cult favorites such as King of the Gypsies (1978) as well as mega-hits like The Black Stallion (1979). All of this was interspersed with occasional returns to television in vehicles such as James Goldstone's Kent State (1981). Indeed, television audiences of the 21st century may know Higgins best for his award-caliber guest performances in two episodes of the series Law & Order, in "In Memory Of," in which he played a man hiding an unspeakably brutal, decades-old crime that he committed against a 10-year-old boy, who is willing to sacrifice even his own daughter's mental health to protect himself; and "Ramparts," playing a retired campus security guard implicated in a 35-year-old shooting who discovers that he was himself an unintended victim of a subterfuge by the very forces of law-and-order that he thought he was protecting. Michael Higgins made both episodes memorable by his presence and performances, in roles evoking widely divergent levels of sympathy.