Trivia: Initially known as a teen idol thanks to his role on 21 Jump Street and tortured pretty-boy looks, Johnny Depp survived the perils of adolescent heartthrob status to earn a reputation as a respected adult actor. His numerous collaborations with director Tim Burton, as well as solid performances in a number of critically acclaimed films, have allowed Depp to carve a niche for himself as a serious, if idiosyncratic performer, a real-life role that has continuously surprised critics intent on writing him off as just another photogenic Tiger Beat casualty.Born in Kentucky and raised in Florida,Depp had the kind of upbringing that would readily lend itself to his future portrayals of brooding lost boys. After his parents divorced when he was 16, he dropped out of school a year later in the hopes of making his way in the world as a musician. Depp fronted a series of garage bands; the most successful of these, the Kids, was once the opening act for Iggy Pop. During slack times in the music business, Depp sold pens by phone. He got introduced to acting after a visit to L.A. with his former wife, who introduced him to actor Nicolas Cage, who encouraged Depp to give it a try. The young actor made his film debut in 1984's A Nightmare on Elm Street (years after attaining stardom, Depp sentimentally played a cameo in the last of the Elm Street series), and his climb to fame was accelerated in 1987, when he replaced Jeff Yagher in the role of Officer Tom Hanson, a cop assigned to do undercover duty by posing as a student in crime-ridden Los Angeles-area high schools, in the Canadian-filmed Fox TV series 21 Jump Street (1987-90). Biding his time in "teen heartthrob" roles, Depp was first given a chance to exhibit his exhausting versatility in the title role of Tim Burton's fantasy Edward Scissorhands (1990).Following the success of Edward Scissorhands, the actor made a conscious effort never to repeat himself. He continued to gain critical acclaim and increasing popularity for his work, most notably in Benny & Joon (1993), What's Eating Gilbert Grape, Ed Wood and Dead Man. Depp continued to ascend the Hollywood ranks. He would continue to play quirky character roles, starring turn as Hunter S. Thompson's alter ego in Terry Gilliam's trippy adaptation of Fear and Loathing in Las Vegas (1998), and teaming with Burton again to play a decidedly mincing Icabod Crane in Sleepy Hollow. Depp's charm still made him a natural romantic lead, however, as he proved in Chocolat.In what was perhaps his most surprising departure since Fear and Loathing in Las Vegas, Depp shed his oftentimes angst-ridden persona for a role as flamboyant pirate Jack Sparrow in 2003's Pirates of the Caribbean. Essaying the crusty role in the manner of a drunken, debauched rock star -- Depp publicly admitted Keith Richards was his inspiration -- the actor added a dose of off-kilter fun to an above-average summer thrill ride, and found himself with his biggest hit and first Oscar nomination ever.The role effectively made Depp both a character actor and full-fledged leading man, and he would continue to appear in several films over the coming years that allowed him to star in large scale productions, playing decidedly quirky characters. Films like Secret Window, Finding Neverland, Charlie and the Chocolate Factory, Sweeney Todd, Public Enemies, and a slew of massively successful Pirates of the Caribbean sequels would prove again and again how taken audiences were with the star, always playing the hero, but with an unconventional twist.Despite this massive success (or maybe as a result), Depp's career suffered a downswing after a string of critical and commercial flops. Films like The Tourist (opposite Angelina Jolie), Dark Shadows (a rare misstep with Tim Burton) and The Lone Ranger failed to connect with audiences and critics alike and left many to wonder when Depp's career would recover. He continued to have a strong presence in the film industry, though, and in 2016, reprised his role as the Mad Hatter in Alice Through the Looking Glass and began work on a fourth Pirates movie.

Trivia: Born in early 1992, British performer Freddie Highmore shot to fame as a child star, via plum roles -- usually leads -- in family-oriented contemporary classics such as the 2004 Finding Neverland (as Peter Llewelyn Davies), Tim Burton's 2005 Charlie and the Chocolate Factory (as Charlie Bucket), and the 2006 Arthur and the Invisibles (as Arthur). From time to time, he also essayed child parts in adult-oriented films, such as Ridley Scott's gentle, heartfelt drama A Good Year and the music-themed drama August Rush, which co-starred Jonathan Rhys-Meyers, Keri Russell, and Robin Williams. In 2007, Highmore opted for a unique turn as identical twins in Mark Waters' hotly anticipated, family-oriented fantasy The Spiderwick Chronicles (2008). He voiced Astro Boy in the 2009 movie of the same name, and appeared in the big-screen adaptation of Master Harold…and the Boys the next year.

Trivia: Irish actor David Kelly was probably best known to worldwide audiences for his role as Michael O'Sullivan in the 1998 comedy hit Waking Ned (known in the U.S. as Waking Ned Devine) and for several roles in the cult John Cleese TV series Fawlty Towers. However, he also performed in other major productions, including Ordinary Decent Criminal (2000), starring Kevin Spacey; the TV miniseries Kidnapped (1995), starring Armand Assante; A Man of No Importance (1994), starring Albert Finney; and the TV miniseries Scarlett (1994), starring Timothy Dalton. Kelly was born in Dublin on July 11, 1929. After undergoing training at Dublin's Abbey Theatre, he became a stage actor. Over the years, he has performed in productions of William Shakespeare, Samuel Beckett, Brendan Behan, Arthur Miller, and William Butler Yeats. He also acted in film adaptations of the works of James Joyce and Victor Hugo. Kelly's screen career began in 1958, when he appeared in Dublin Nightmare. Five years later, he landed a role in the TV series Doctor Who. After appearing in scores of other film, TV, and stage productions in the '60s, '70s, '80s, and '90s, Kelly continued to remain active in the new century in such films as Happy As Larry (2002), Mean Machine (2001), Rough for Theatre 1 (2000), Greenfingers (2000), and the previously mentioned Kevin Spacey film. He died at age 82 in 2012,

Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: Born Andrea Kay Pyle in Houston, TX, a six-month-old Pyle was given the fateful nickname of "Little Missi," which would stick to her throughout her childhood and to the present day. Pyle was infatuated with acting by the age of 13, and attended Germantown High School in Tennessee, one of the top three performing-arts high schools in the United States. While there, Pyle was tapped as a lead singer in several musical productions, though her eventual goal remained a career in television and film. After graduation from Germantown High, Pyle was accepted to the prestigious North Carolina School of the Arts and was cast as the female lead in a series of Shakespearean productions. During the summer, she crossed the Atlantic to attend the Oxford School of Drama in England, where she further honed her acting skills.By 1996, Pyle had made her film debut in The Cottonwood, which followed a group of wannabe actors hoping to use their lottery winnings to score big in Hollywood. Pyle's breakout role, however, wouldn't come until several years later, when she played a supporting role as a love-struck alien in Galaxy Quest alongside Tim Allen and Sigourney Weaver. Though the early 2000s did little to bring Pyle much in the way of mainstream success, they nonetheless helped the actress develop a loyal fan base; her performances in The Wayne Brady Show, Ally McBeal, and Josie and the Pussycats (all 2001) were solid enough to grab the attention of several prominent casting directors. Surely enough, by 2003, Pyle had been chosen for a supporting role in Bringing Down the House with Steve Martin and Queen Latifah, as well as a small but indelible role in Tim Burton's big-budget fantasy comedy Big Fish (2003). In 2004, Pyle worked with Ben Stiller in Along Came Polly and lent her support to Soul Plane and 50 First Dates. Working with Stiller proved a lucky experience for Pyle, who accepted a larger supporting role in Stiller's Dodgeball: A True Underdog Story (2004), which also stars fellow Galaxy Quest alumni Justin Long. When she isn't filming, Pyle continues her work with the all-female sketch comedy group Bitches and Funny.

Trivia: After several years in secondary film roles, the skeletal, menacing Christopher Lee achieved horror-flick stardom as the Monster in 1958's The Curse of Frankenstein, the second of his 21 Hammer Studios films. Contrary to popular belief, Lee and Peter Cushing did not first appear together in The Curse of Frankenstein. In Laurence Olivier's Hamlet (1948), in which Cushing plays the minor role of Osric, Lee appears as the cadaverous candle-bearer in the "frighted with false fires" scene, one of his first film roles. In 1958, Lee made his inaugural appearance as "the Count" in The Horror of Dracula, with Cushing as Van Helsing. It would remain the favorite of Lee's Dracula films; the actor later noted that he was grateful to be allowed to convey "the sadness of the character. The terrible sentence, the doom of immortality...."Three years after Curse, Lee added another legendary figure to his gallery of characters: Sherlock Holmes, the protagonist of Sherlock Holmes und das Halsband des Todes. With the release eight years later of The Private Life of Sherlock Holmes, Lee became the first actor ever to portray both Holmes and Holmes' brother, Mycroft, onscreen. Other Lee roles of note include the title characters in 1959's The Mummy and the Fu Manchu series of the '60s, and the villainous Scaramanga in the 1974 James Bond effort The Man With the Golden Gun. In one brilliant casting coup, the actor was co-starred with fellow movie bogeymen Cushing, Vincent Price, and John Carradine in the otherwise unmemorable House of Long Shadows (1982). Established as a legend in his own right, Lee continued working steadily throughout the '80s and '90s, appearing in films ranging from Gremlins 2: The New Batch (1990) to Tim Burton's Sleepy Hollow (1999).In 2001, after appearing in nearly 300 film and television productions and being listed in the Guinness Book of World Records for being the international star with the most screen credits to his name, the 79-year-old actor undertook the role of Saruman, chief of all wizards, in director Peter Jackson's eagerly anticipated screen adaptation of J.R.R. Tolkien's Lord of the Rings. Thought by many to be the millennial predecessor to George Lucas' Star Wars franchise, audiences thrilled to the wondrous battle between Saruman and Gandalf (Ian McKellen) atop the wizard's ominous tower, though Lee didn't play favorites between the franchises when Lucas shot back with the continuing saga of Anakin Skywalker's journey to the dark side in mid-2002. Wielding a lightsaber against one of the most powerful adversaries in the Star Wars canon, Lee proved that even at 80 he still had what it takes to be a compelling and demanding screen presence. He lent his vocal talents to Tim Burton's Corpse Bride in 2005, and appeared as the father of Willy Wonka in the same director's adaptation of the Roald Dahl classic. He appeared as Count Dooku in Revenge of the Sith, and voiced the part for the animated Clone Wars. He appeared in the quirky British film Burke & Hare in 2010, and the next year he could be seen Martin Scorsese's Hugo. In 2012 he teamed with Tim Burton yet again when he appeared in the big-screen adaptation of Dark Shadows.Now nearly into 90s, Lee returned to Middle Earth in 2012 with Jackson's Hobbit trilogy, appearing in the first (The Hobbit: An Unexpected Journey) and third (The Hobbit: The Battle of the Five Armies) films. He also reprised the role in a number of video games based on the two series. Lee was still actively working when he died in 2015, at age 93.

Trivia: Began acting at age 9. Made his Broadway debut in a revival of Private Lives in 2002. Stepped in last minute to take on the lead role in the controversial play Paul in London in 2005. Researched autism for several months before portraying Raymond Babbitt in the 2008 stage adaption of Rain Man in London. Was unfamiliar with the comic-book series Powers before landing a role on the related TV series of the same name.

Trivia: For some actors a career in film seems to be in the cards from the very beginning; such was the case with early bloomer AnnaSophia Robb. The only child of an architect and an interior designer, Robb knew from the age of five that she was destined for a career as an entertainer. A Denver, CO native who never wavered in her determination to succeed, Robb convinced her parents to let her take an acting class before setting out on her first round of L.A. auditions in 2003. It was during this time that her new manager and agent team would help young Robb successfully navigate the Hollywood audition scene, her family living in a modest guest house as her father worked and her mother took Robb to auditions during the daytime hours. By the end of the summer, Robb had attended no less than 42 auditions and had landed her first role as a Bratz-loving Happy Meal fan in a McDonald's commercial. Due to the success of her first voyage west, it didn't take much to encourage Robb to come back to Hollywood in the spring, and after receiving notice that auditions were being held for Wayne Wang's Because of Winn-Dixie, it was time to gas up the car for the long haul once again. Fate seemed to play a curious role during the trip when her father pulled out a stack of librarian-recommended books on tape that he had rented only to find the recorded version of the best-selling Kate DiCamillo novel sitting right on top, and before long Robb was preparing to help bring Dixie to the big screen. Having previously played the lead in the made-for-television movie Samantha: An American Girl Holiday, it didn't take Robb long to find her place in front the camera, and she frequently credits Dixie director Wang with providing the advice she needed to advance as an actress. A subsequent role as bubblegum-chomping brat Violet Beauregarde in the Tim Burton film Charlie and the Chocolate Factory allowed the young actress to cut loose and have a bit of fun on film, and in 2006 Robb could be seen fending off the forces of evil in the apocalyptic horror thriller The Reaping.She had a major part opposite Josh Hutcherson in the 2007 adaptation of Bridge to Terabithia. The next year she had a small part in Jumper, and the year after that she would star opposite The Rock in the remake of Race to Witch Mountain. In 2011 she had the lead in the inspirational surfing film Soul Surfer, playing a girl whose arm was bitten off by a shark. In 2013, she won the starring role in the CW's The Carrie Diaries, playing a young version of Carrie Bradshaw (a role first embodied by Sarah Jessica Parker on the HBO series Sex and the City).

Trivia: Supporting actress, onscreen from the '80s.

Trivia: Moved at the age of 3 from Kenya to Coventry, where his family still own and run a corner shop. While tracing his family history on the BBC documentary Who Do You Think You Are, Ganatra discovered that his grandmother was married at the age of 6. Known most prominently for his long running role as Masood Ahmed in BBC soap opera Eastenders, which he joined in 2007. Long time friend of fellow actor Sanjeev Bhaskar OBE, having met as students in the early 1990's. Originally worked as an optometrist, having gained a degree in Optometry from Aston University in 2000. Became a father for the first time at the age of 38 in 2006, when his wife gave birth to their son, Sameer Vivek. In 2014, called for more racial diversity in British soaps because of a "pressure" for minority groups to be represented. Ranked #58 in the 100 Greatest East Enders Characters of All Time for his performance as Masood Ahmed in 2015.

Trivia: After completing her training at the Webber Douglas Academy of Dramatic Art in England, actress Shelley Conn took on several small roles in a variety of British films; in 2001, she was praised for her performance in the BBC's Down to Earth. After a number of recurring roles in British television and several stage performances throughout 2002, Conn appeared briefly as Princess Pondicherry in Tim Burton's 2005 adaptation of Charlie and the Chocolate Factory. Conn rejoined the BBC in 2006 to portray a criminology lecturer in The Innocence Project, a unique legal drama, and again in 2007 in the role of Ashika Chandiramani, the chief advisor to a key member of Parliament. Conn would continue to appear on screen over the coming years, appearing on shows like Raw, Strike Back, and Terra Nova.

Trivia: Appearing to be a blend of Steve Buscemi and Nick Cave, Noah Taylor made his name playing Danny Embling, a young man juggling inner torment and sexual anxiety in John Duigan's The Year My Voice Broke (1987) and Flirting (1991). In 1996, he gained further international recognition and respect for his role as the younger version of piano prodigy David Helfgott in Scott Hicks' Shine. The son of journalists, Taylor was born in Melbourne, Australia, on September 4, 1969. Although he spent his early years wanting to be a spy or a commando, he began his acting career at the age of 16 when he left school and joined the city's St. Martin's Youth Theatre. His work with the theater led to his casting as Danny Embling in The Year My Voice Broke. Following the critical success of both Year and its sequel, Flirting, Taylor became known as one of his country's most promising actors. His widely praised performance in Shine further solidified this status, and he was able to do steady work in a number of diverse projects both at home and abroad. In 1998, Taylor starred in Ben Hopkins' acclaimed period drama Simon Magus, and the following year he starred alongside Daniel Auteuil in Michel Blanc's Mauvaise Passe and won a coveted role in Cameron Crowe's Almost Famous, the semi-autobiographical tale of an aspiring teen rock journalist. Taylor would work again with Crowe the very next year, taking a role in the director's remake of Alejandro Amenábar's Open Your Eyes, entitled Vanilla Sky. Heading into action territory with the high-profile video game-to-screen adaptation Lara Croft: Tomb Raider in 2001, Taylor straddled the line between big-budget excess and independent credibility with an appearance in the little seen but curiously titled He Died With a Felafel in His Hand that same year. In 2002, Taylor gained notable media attention for his controversial portrayal of Adolf Hitler in the independent drama Max. The film presented an intimate view of the future Nazi leader as a young aspiring artist, leading numerous groups to protest its humanization of such a feared and monstrous figure. Though the reviews of the film itself were generally fairly positive, Max soon disappeared from arthouse screens with Taylor's performance going largely unseen. If audiences had missed Taylor in Max, however, they would no doubt have a chance to catch him on the screen the very next year in the Tomb Raider sequel Lara Croft Tomb Raider: The Cradle of Life. Taylor next showed up in the anticipated Wes Anderson adventure comedy The Life Aquatic alongside an all-star cast, including Bill Murray, Cate Blanchett, Owen Wilson, Anjelica Huston, and Willem Dafoe.

Trivia: Born into a theatrical family, British actor James Fox made his film bow as a child actor in 1950, using his own name, William Fox. Fox's first movie was The Miniver Story (1950), a Hollywood-financed sequel to 1942's Mrs. Miniver. The best of the actor's earliest appearances was in The Magnet (1950), in which 11-year-old Fox played a fun-loving young boy at play with his mates. Fox changed his first name to James when he began assuming adult roles in the early 1960s, a period in which he played upper-class types. It was in one of these roles that Fox appeared with Dirk Bogarde in the brooding, Freudian Harold Pinter drama The Servant (1963); that same year, Fox appeared in the "angry young man" exercise The Loneliness of the Long Distance Runner, which starred Tom Courtenay With his Servant vis-a-vis Sarah Miles, Fox headlined an international cast in the comedy extravaganza Those Magnificent Men in Their Flying Machines (1965). Fox continued in films into the 1980s, generally in class-"A" items like A Passage to India (1984) and The Russia House (1989). Fox continues to play old-blood aristocrats in films, most recently as the foolishly fascistic lord of the manor in Remains of the Day (1993); he also appeared in Mrs. Parker and the Vicious Circle (1994) and Heart of Darkness (1994).

Trivia: Has an English father and American mother. Began acting as a member of the Medieval Players. Worked with Mark Saban as a street theatre duo in The Two Marks. Appeared as a car salesman in a SEAT television advertisment. Is the voice of the fox in the Old Speckeled Hen advertisment.

Trivia: Joined Sir Ian McKellen's Actors' Company, and later the Royal Shakespeare Company in Stratford after drama school.Made her film debut in the 1977 Terry Gilliam film Jabberwocky, playing Griselda Fishfinger.Started her career in radio in 1992 with a role in David Halliwell's comedy Little Malcolm and His Struggle Against the Eunuchs for BBC Radio 3.Played the recurring villain Blon Fel-Fotch Pasameer-Day Slitheen a.k.a. Margaret Blaine on the 2005 series of Doctor Who.