Trivia: Jennifer Lopez's first serious screen role in Gregory Nava's 1995 Latino melodrama My Family followed years of training in television movies and series. Like Rosie Perez, Lopez began her career as a Fly Girl -- a dancer on the sketch comedy series, In Living Color -- and appeared in music videos by Puff Daddy and Janet Jackson. Her big break came in 1997 when she appeared in the title role of Nava's Selena, the story of the successful Tejano singer who was tragically murdered in 1995. Lopez was at first cast as a femme fatale -- due in no small part to her classic Latina beauty (she was born in the Bronx to parents of Puerto Rican descent) -- and worked almost exclusively with acclaimed directors: Francis Ford Coppola (Jack, 1996), Oliver Stone (U-Turn, 1997), and Bob Rafelson (Blood and Wine, 1996). In 1998, she had one of her most acclaimed roles, starring opposite George Clooney in Out of Sight, Steven Soderbergh's adaptation of the Elmore Leonard novel. Cast as a deputy federal marshal who falls for a charming criminal (Clooney), Lopez won raves for her tough, sexy performance, and in the process, she became the highest paid Latina actress in Hollywood history. That same year, she earned an introduction to a new generation of fans by lending her voice to the popular Antz (1998). The lavish but much more adult-oriented thriller The Cell (2000) followed shortly thereafter, bringing Lopez one of her first number-one openings. In an attempt to curry favor from the rom-com crowd, Lopez lightened things up a bit opposite Matthew McConaughey in 2001's romantic comedy The Wedding Planner. Though Lopez was consistently smooth in her frequent transitions from actress to songstress, her next role in the supernatural romance Angel Eyes (2001) failed to click with audiences and critics alike, and her role in the cathartic revenge thriller Enough (2002) likewise disappeared from theaters shortly after its release. Though Maid in Manhattan (2002) was ultimately relegated to a similar fate as her last few films, few could anticipate the outright hostility with which her 2003 comedy Gigli would be greeted. In the movie, Lopez was cast as a female gangster assigned to keep an eye on a kidnapper (played by then-real-life-boyfriend Ben Affleck) who is holding a psychologically challenged young boy hostage. The harsh public backlash against the film was likely due (at least in part) to over-saturated media coverage of the duo's tumultuous off-screen relationship. Though the film's failure wasn't exactly what one would call a career-ender for either star, their shoddy onscreen dynamic reportedly led director Kevin Smith to excise most of Lopez' role in the Affleck-starrer Jersey Girl.Finally, in 2005, it appeared the actress' string of bad box-office luck had possibly reached its end. Teaming up with Jane Fonda for the latter thespian's first feature in over a decade, Lopez scored a modest hit with the comedy Monster-In-Law. The Lasse Hallstrom-helmed drama An Unfinished Life followed later the same year with Lopez opposite heavy-hitters Robert Redford and Morgan Freeman. Lopez married singer Marc Anthony in 2006, and gave birth to twins in 2007. She subsequently worked less over the next few years, opting to spend time with her family. Lopez would get back into acting with the 2010 romantic comedy The Back-up Plan, but sadly, she and Anthony would separate in 2011. She continued to slip effortlessly between film, music and television, including taking a job as a judge on American Idol, setting up a residency in Las Vegas and starring and producing in her own show on NBC, Shades of Blue.

Trivia: Hollywood legend has it that Bette Davis was forced to talk to a blank wall rather than her co-star Henry Fonda during filming of her close-ups in Jezebel; the reason was that he had repaired to New York to attend the birth of his daughter Jane. A child of privilege, the young Jane Fonda exhibited the imperious, headstrong attitude and ruthlessness that would distinguish both her film work and her private life. The teenage Fonda wasn't keen on acting until she worked with her father in a 1954 Omaha Community Theatre production of The Country Girl. Slightly interested in pursuing a stage career at that point, Fonda nonetheless studied art both at Vassar and in Europe, returning to the States to work as a fashion model. Studying acting in earnest at Lee Strasberg's Actors' Studio, Fonda ultimately starred on Broadway in Tall Story, then made her film debut by re-creating this stage appearance in 1960. A talented but not really distinctive player at that time, Fonda astonished everyone (none as much as her father) by becoming one of the first major American actresses to appear nude in a foreign film. This was La Ronde (1964), directed by her lover (and later her first husband) Roger Vadim. The event was heralded by a giant promotional poster in New York's theater district, with Fonda's naked backside in full view for all of Manhattan to see. Vadim decided to mold Fonda into a "sex goddess" in a series of lush but forgettable films; the best Fonda/Vadim collaboration was Barbarella (1968), which scored as much on the actress' sharp comic timing (already evidenced in such American pictures as Cat Ballou [1965]) as it did on her kinky costuming. In the late '60s, Fonda underwent another career metamorphosis when she became involved in the anti-Vietnam War movement. Her notorious visit to North Vietnam at the height of the conflict earned her the sobriquet "Hanoi Jane," as well as the enmity of virtually every ex-GI who fought in Southeast Asia. Even so, Fonda's film stardom ascended in the early '70s; in 1971, she won the first of two Oscars for her portrayal of a high-priced prostitute in Klute (her other was for Coming Home [1978]), and Fonda's career flourished despite a sub-rosa Hollywood campaign to discredit the actress and spread idiotic rumors about her subversive behavior (one widely circulated fabrication had Fonda destroying the only existing negative of Stagecoach because she despised John Wayne).In the 1980s, the actress realized several personal and career milestones: she worked with her father on film for the only time in On Golden Pond (1981); she assisted former peace activist Tom Hayden, whom she had married in the early '70s, in his successful bid for the California State Assembly; and she launched the first of several best-selling exercise videos. She also won an Emmy for her performance in the TV movie The Dollmaker (1984). After her marriage to Hayden ended in the early '80s, Fonda married media mogul Ted Turner in 1991 (the couple would divorce in 2000), and began curtailing her film appearances, all but retiring from the screen after her lead role opposite Robert De Niro in 1990s Stanley & Iris. Fonda was no less the social activist in the 1990s than she was two decades earlier; among her projects was the production of several "revisionist" dramatic specials and documentaries about the history of Native Americans, duly telecast on Turner's various worldwide cable services.Just when it seemed audiences might have seen the last of Fonda on the big screen, she proved that she had no intention of retiring. The 2000's would see the veteran actress continuing to star in a vareity of projects, like Monster-in-Law, Georgia Rule, and Peace, Love, & Misunderstanding.

Trivia: French-American actor Michael Vartan made his handsome presence felt in several European and independent films before getting his Hollywood studio break in the romantic comedy Never Been Kissed (1999). Born in Boulogne-Billancourt , France and raised in the small Normandy town of Fleury, Vartan moved to Los Angeles at age 18 to be with his American mother. Though he began taking acting classes in Los Angeles, Vartan nabbed his first film roles in the French productions Un Homme et Deux Femmes (1991) and Promenades d'Ete (1992). Still working in Europe, Vartan gained international attention as the doomed lover of the fabled title character in Paolo Taviani and Vittorio Taviani's Fiorile (1993). Returning to the Hollywood fold, Vartan appeared in To Wong Foo, Thanks for Everything! Julie Newmar (1995) and The Pallbearer (1996). He played more substantial roles, however, in the indie AIDS drama Touch Me (1997) and college crime thriller The Curve (1998), as well as playing Julianne Moore's brother in Sundance entrant The Myth of Fingerprints (1997). Vartan finally earned his first starring role in a Hollywood studio production when star/executive producer Drew Barrymore insisted that he be cast opposite her in Never Been Kissed. As undercover reporter Barrymore's "high school" teacher, Vartan was an adult-teen dream come true; the movie went on to become Vartan's first Hollywood hit. Vartan was not so lucky, however, with his next Hollywood film, the critically lambasted Madonna vehicle The Next Best Thing (2000).After he was impeccably cast as Lancelot in the lavish TV miniseries adaptation of The Mists of Avalon (2001), Vartan stayed with TV to play CIA agent Michael Vaughn, ally of Jennifer Garner's double agent Sydney Bristow, on the stylish, critically praised ABC action series Alias (2001). While on Alias, he appeared on the big-screen as Jennifer Lopez's intended in Monster-in-Law (2005).When Alias ended in 2006, Vartan stayed mostly in television, on ABC's short-lived sitcom Big Shots (2007), followed by a three-season run on the TNT medical drama Hawthorne, playing the Chief of Surgery. In 2014, he had a recurring role on A&E's Bates Motel.

Trivia: A quick-witted comedien who has transcended the comedy scene to become one of the funniest comics to hit the stage in some time, Wanda Sykes' unique blend of stinging humor and outspoken honesty has found her moving beyond a career in standup thanks to notable success in film and television. With an Emmy under her belt indicating a bright and enduring career in the years ahead, Sykes has shown a versatility that has gained her increasing attention on such acclaimed HBO series' as The Chris Rock Show and Curb Your Enthusiasm. Born in Portsmouth, VA, and raised in Maryland, Sykes rounded out her education by receiving her B.S. in marketing at Hampton University. It was around this time that an impromptu performance at Washington D.C.'s Super Talent Showcase sparked an interest in standup comedy, and in the years that followed, the rising starlet would continue to hone her skills on-stage. In 1997, Sykes kicked off her small-screen career as a writer for both The Keenan Ivory Wayans Show and The Chris Rock Show, with the latter offering additional exposure by giving the comedien a place in front of the camera as well as behind. A supporting role in Louis C.K.'s 1998 feature Tomorrow Night was quick to follow, and a 1998 part in the HBO special Larry David: Curb Your Enthusiasm found Sykes in a scene-stealing performance as David's wife's best friend. By this time, Sykes' feature career was beginning to gain momentum, and after commendable supporting performances in The Nutty Professor II: The Klumps and Down to Earth, she delivered a winning performance in the little-seen C.K. comedy Pootie Tang. Though her next foray into television on the short-lived The Downer Channel proved almost as abysmal as Pootie Tang's box-office returns, Sykes endured to lend her voice to the hit Comedy Central series Crank Yankers and host the pay-cable channel's popular standup comic series Premium Blend. The following year seemed to find Sykes at her peak as she landed her own sitcom, Wanda at Large, and her first standup special, Wanda Sykes: Tongue Untied, and served as a field correspondent for HBO's Inside the NFL. Though Wanda at Large premiered to impressive ratings early in the year, the show was moved from Wednesday to Friday nights for its second season and died a quick death in the difficult time slot. Hardly deterred by the end of that sitcom, Sykes appeared in the hit comedy Monster-In-Law offering up zingers at Jane Fonda in her comeback film, and appearing in the Ivan Reitman comedy My Super Ex-Girlfriend. Considering that withering sarcasm comes easily to Sykes, it is little surprise that she has worked on a variety of animated films including Over the Hedge and Barnyard.She had a bit part in Clerk II, and in 2008 she was cast in the hit sitcom The New Adventures of Old Christine. She had her own cable series, The Wanda Sykes Show, for a brief period, and continued to work steadily in animated projects like Rio and Ice Age: Continental Drift.

Trivia: A native of Santa Cruz, CA, who was born in 1973, actor Adam Scott first encountered acting in elementary school, on a decidedly negative note (thanks to a not-so-pleasant experience in a science play), but by mid-adolescence changed his views about the craft and aggressively pursued a career in drama. He applied, and was accepted to, the American Academy of Dramatic Art in Pasadena, then made the short move west to Hollywood with several buddies. The actor took his bow with a guest bit on the series Dead at 21, and thereafter largely divided his time between television and the theatrical stage. In the television venue, guest roles followed on series including ER and NYPD Blue, as well as a recurring parts on Murder One, Party of Five, and on the Friday-night ABC sitcom Boy Meets World as high school senior Griff Hawkins. Scott moved into features in the late '90s and scored supporting roles in A-list Hollywood features; thereafter, the roles arrived quickly and furiously. Projects included Payback (1997), The Aviator (2004), Art School Confidential (2006), Knocked Up (2007), and Step Brothers (2008). Small-screen enthusiasts may also remember Scott for his role as Palek, one of the troubled husbands on the racy HBO relationship drama series Tell Me You Love Me (2007). He appeared in Step Brothers, but started to generate buzz as the lead in the made for cable comedy series Party Down. He joined the cast of Parks and Recreation in that show's second season which led quickly to roles in a number of big-screen comedies including Leap Year, Our Idiot Brother, and Friends With Kids.

Trivia: Took her great-grandmother's maiden name as a stage name. Trained in England at London's Holborne Center for Performing Arts. In 2001, her role as Julia Lindsay Snyder on As the World Turns earned her a Daytime Emmy nomination for Outstanding Young Actress. Before joining the Law & Order cast in its 15th season as ADA Alexandra Borgia, she played an exotic dancer in a May 2002 episode titled "Attorney Client." Has been an active stage actress, appearing in Broadway's Prelude to a Kiss (2007) and starring in the title role of the play Becky Shaw (2009). Taught a class called Acting for the Camera at Fordham University.

Trivia: Lithe, blonde Monet Mazur toiled in bit-part obscurity for several years before capturing attention with a role in Ted Demme's cocaine biopic Blow (2001). Named for her dad's favorite painter, Mazur grew up in Malibu familiar with the entertainment world through her record industry father and model mother. While still in her teens, Mazur began acting professionally with a bit role in the popular movie sequel Addams Family Values (1993), and a part on the TV daytime drama Days of Our Lives. Mazur moved to nighttime TV drama with a guest appearance on Fox's orphan tearjerker Party of Five in 1995. Mazur also played her first movie lead that same year in the schlock horror movie Raging Angels (1995), tellingly directed by Alan Smithee. Returning to higher profile projects, Mazur had one line as a "Mod Girl" in Austin Powers: International Man of Mystery (1997), appeared in the ill-fated film version of The Mod Squad (1999), and played a TV reporter in the superhero spoof Mystery Men (1999). Mazur also continued to guest star on TV, including episodes of the WB's Jack and Jill in 1999. Mazur finally earned a spate of "actress on the verge of stardom" articles when she was cast in a meatier role as one of Johnny Depp's stoner cohorts in Blow (2001). Though Blow was not a major hit, Mazur continued to register on the movie radar with a dramatic turn as Jennifer Lopez's abused sister-in-law in the mystical romance Angel Eyes (2001), and a starring role as a seductive con artist in the independent crime drama The Learning Curve (2001). Returning to lighter work, Mazur subsequently played a sexy dot-com employee intent on breaking Josh Hartnett's vow of abstinence in the romantic comedy 40 Days and 40 Nights (2002).

Trivia: Straight out of finishing school, American actress Elaine Stritch laid the groundwork for her career by studying drama at New York's New School. Stritch's first stage appearance was in 1944, and her Broadway bow was in 1946. A superlative dramatic actress, Ms. Stritch also excelled in musical comedy, a genre she returned to off and on into the '90s. After her film debut in The Scarlet Hour (1956), Stritch contributed a compelling performance to the 1957 remake of A Farewell to Arms, but wouldn't make another truly worthwhile film (worthwhile to her, that is) until the French-filmed Providence in 1970. On television, Stritch starred in the the pioneering 1948 domestic comedy Growing Paynes, the short-lived 1960 sitcom My Sister Eileen, and costarred as the star's mother in The Ellen Burstyn Show (1986). She was also a member of the supporting comedy troupe on the 1949 TVer Jack Carter and Company, a comic switchboard operator on the bi-weekly 1956 variety series Washington Square, and Peter Falk's secretary on the one-season Trials of O'Brien (1965). In 1972, Ms. Stritch moved to London as a cast member of the Broadway hit Company and remained there to work for several years. In the last decade, Elaine Stritch has appeared in such films as September (1988) and Cocoon (1990), and has won additional critical plaudits for her role as Parthy Hawkes in the lavish 1994 Broadway revival of Show Boat. Her on-screen work included projects such as Krippendorf's Tribe, Autumn in New York, Screwed, and the working-class musical Romance & Cigarettes. She was part of Jane Fonda's comeback vehicle Monster-In-Law, and in 2012 she lent he voice to the animated family film ParaNorman. She had a recurring role as Colleen Donaghy, Jack's mother, on 30 Rock, which earned her an Emmy Award in 2007. She died in 2014 at age 89.

Trivia: After almost a decade of starring in failed pilots, Toronto-born Will Arnett finally hit pay dirt in 2003 when Fox picked up Arrested Development, an irreverent sitcom that cast him as a spoiled rich kid-turned-aspiring illusionist. While the show struggled in ratings, it won loads of critical praise and garnered an incredibly loyal fan base that helped keep it on the air for three seasons before Fox finally gave up and pulled the plug. In the wake of Arrested Development's cancellation, Arnett quickly and smoothly transitioned into big-screen work. His first starring role came in 2006 with the comedy Let's Go to Prison! Though the film failed to find success at the box office, Arnett's momentum wasn't hampered in the least. In 2007, his film career exploded with supporting roles in Blades of Glory, Hot Rod, and Ratatouille, and a starring slot opposite Saturday Night Live's Will Forte in The Brothers Solomon. That same year also saw Arnett starting a scene-stealing recurring role on NBC's 30 Rock and a memorable voice-over cameo in Edgar Wright's faux-trailer contribution to Grindhouse, "Don't."Thanks to his distinctive deep voice, Arnett found steady work in animated films including Ratatouille, Dr. Seuss' Horton Hears a Who, Monsters vs. Aliens, Despicable Me, and The Lego Movie. He had a failed sitcom, Running Wilde, in 2010 that was cancelled after just one season, but he quickly found himself as the lead on the NBC sitcom Up All Night opposite Christina Applegate, a show that did earn a second season before it too was cancelled. Arnett tried again with the CBS comedy The Millers in 2013 and also reprised his role in the resurrected fourth season of Arrested Development on Netflix.

Trivia: Made her acting debut off Broadway in the original production of Godspell in the early 1970s; also appeared on Broadway in Grease before moving to Los Angeles in 1978. Played one of TV's first openly gay women on the ABC soap-opera parody Soap in 1979. Made her film debut in the 1979 comedy Fast Break, but her best-known movie role is Lucille LaRusso (the mother of Ralph Macchio's character) in The Karate Kid (1984) and The Karate Kid Part III (1989). Has had guest roles on more than 50 TV series. Longtime companion Bob Griffard is a TV veteran whose behind-the-camera credits include the ABC sitcoms Two of a Kind, Going Places, Step by Step and Perfect Strangers.

Trivia: Made his Broadway debut in the play Slab Boys alongside Kevin Bacon and Sean Penn. Has appeared in three movies under director Oliver Stone: 1986's Platoon (his feature debut), 1989's Born on the Fourth of July and 1991's The Doors. Shared in 2005 and 2006 Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series with the cast of Desperate Housewives, on which he played Paul Young. Had a unique insight into his role as an ad man on the AMC series Mad Men because his father worked in advertising on Madison Avenue in the 1960s. With actor wife Annie LaRussa, is the parent of two sons.

Trivia: Born in Puerto Rico, his parents were Canadian and moved the family back to Toronto when he was 13. Was a member of the high school swim team and student council. Enjoys collecting primitive art. Is a resident director at Theatre 40 in Beverly Hills. Established an acting scholarship at his high school. Is active in many charities, including Project Angel Food, the AIDS Project Los Angeles and the United Way.

Trivia: Got her start on MTV's Undressed series. Had big-screen bit parts in Nurse Betty, Red Eye and Rumor Has It... Kicked off 2005 with the third season of the filmmaking reality series Project Greenlight, which resulted in the production of the horror movie Feast. She returned to play her character of Honey Pie in two Feast sequels. Guest starred on CSI: NY and Pushing Daisies. Landed a recurring role in the second season of Reaper.

Trivia: Born in Petion-Ville, Haiti, actor Jimmy Jean-Louis moved to Paris during adolescence (1980). He enrolled in business courses, but quickly realized that his heart lay in performance, and studied at the Academie International de Dance. This marked a prescient move, for around a decade later, producers discovered Jean-Louis during one of his dancing stints in a French club (1991); deeply impressed, they tapped him to appear in a Coca-Cola ad, the success of which prompted the star ascendant to spend several years modeling across Europe for such notables as Gianfranco Ferré and Valentino. By the mid-'90s, he was gracing music videos by such superstars as Mariah Carey, Seal, and George Michael, and appearing in low-budget "independent" films in Los Angeles. Hollywood A-list roles were quick to follow. Jean-Louis debuted on the big screen in the Jean-Claude Van Damme action opus Derailed, then signed for supporting roles in such films as Hollywood Homicide (2003), Monster-in-Law (2005), and Phat Girlz (2006). He achieved his most widespread fame, however, when cast in the recurring role of The Haitian on the superhero-themed serial Heroes (2007). He stuck with the program through its three-year run. His first part after the program was cancelled came in the 2010 action comedy Coursier.