Trivia: An actor whose strong features and sinewy 6'4" physique appear to have been chiseled from a slab of testosterone, Vince Vaughn is Hollywood's closest human approximation of a Chevy pick-up. Born March 28th, 1979, Vaughn's roles invariably reflect these qualities, and have given him a genial affability among middle Americans. Thanks to Vaughn's skills as a performer, however, he continues to resist typecasting, lending effortless portrayals to characters ranging from slick bachelors to raging psychopaths to morally conflicted limo drivers. A tried-and-true Midwestern boy, Vaughn was born in Minneapolis on March 28, 1970, and raised in the wealthy Chicago suburb of Lake Forest. The son of a self-made businessman and a stock and real-estate broker, Vaughn diverged from the upwardly mobile path forged by his parents. A hyperactive teen (and lackluster student), Vaughn spent time in special ed. and ran with a fast crowd (though he later claimed that he never felt the need for all-out rebellion). Despite his poor scholastic performance, Vaughn derived ambition from his interest in acting -- an interest that first blossomed at the age of seven -- and even served as senior class president. Upon graduation, with only his diploma and a role in a Chevy commercial as his credentials, Vaughn headed for Hollywood. Upon arrival, he proceeded to work in almost complete obscurity for the next seven years.During this period, Vaughn made the acquaintance of Jon Favreau, another struggling actor who hailed from the East. Their ensuing friendship and real-life adventures provided the inspiration for their ticket to the bigtime, 1996's Swingers. Directed by Doug Liman, the comedy stars Vaughn and Favreau (who also co-wrote the script) as two amiable, Rat Pack-obsessed, "so money" bachelors prowling the streets and bars of L.A. for "beautiful babies" and the occasional job opportunity. This irreverent-but-insightful Miramax release became a bona-fide sleeper hit. Vaughn, whose character, Trent, was the film's resident fast-talking ladies' man, emerged as a sex symbol in the making. A supporting role in Steven Spielberg's The Lost World: Jurassic Park heightened the actor's profile and revealed his ability to transition with great fluidity between indie films and box-office blockbusters. Nevertheless, Vaughn subsequently took the small, quiet film route, starring in The Locusts (1997), an overheated but half-baked melodrama in debt to both Tennessee Williams and East of Eden, and A Cool, Dry Place, a family drama that garnered a cool, dry reception from both audiences and critics. In 1998, the actor fared substantially better with his turn as a limo driver who is called upon to make a great sacrifice for a friend in Joe Ruben's Return to Paradise, and he brought a fine admixture of dark humor and sublimated menace to his part as a charismatic sociopath in Clay Pigeons. Vaughn evoked colossal mental dysfunction as Norman Bates in Gus Van Sant's truly ugly and ill-advised remake of Psycho that same year. Critics and viewers regarded his performance -- like the film itself -- with a tepid blend of indifference and bewilderment. After that egregious misfire, Vaughn wisely took a couple of years off before re-emerging with a number of projects in 2000. These included The Cell, a surrealistic horror picture co-starring Jennifer Lopez and Vincent D'Onofrio, Prime Gig, with Vaughn as California's best telemarketer, and South of Heaven, West of Hell, an ensemble western that marked the directorial debut of country singer Dwight Yoakam. Following-up with a part in writer Favreau's Made, Vaughn's next big role arrived in the form of a deceptive stepfather harboring a dark secret in the thriller Domestic Disturbance. Unfortunately, the film bombed on a critical front. Vaughn again ducked out of sight for several years, but Todd Phillips's 2003 comedy Old School brought him back to the top of the heap. Teaming Vaughn with Will Ferrell and Luke Wilson as a trio of over-the-hill party animals who relive their Animal House days by returning to frat house life, Old School became a sleeper hit, and inspired the press to term Vaughn, Wilson, Will Ferrell, Ben Stiller, Jack Black and others as The Frat Pack. The next of the "Frat Pack" vehicles arrived in 2004, with Todd Phillips's spoofy retread of the 1970s hit Starsky & Hutch, featuring Vaughn as the slimy villain, Reese Feldman. The picture (predictably) became a mega-hit, and the actor's newfound momentum continued to build when, only a few months later, he starred in Dodgeball: A True Underdog Story. Apparently channeling Bill Murray circa-1985, Vaughn received positive reviews for playing the good-guy opposite muscle-bound baddie Ben Stiller.Vaughn next graced the Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy (2004) with a small but memorable role, before he made an about-face for the comedy-drama Thumbsucker. Vaughn impressed critics with his characterization and received praise for his funny and heartfelt performance. He returned to the popcorn humor that initially made him a star, however (and joined the $200-million-gross club in the process) with a leading part in the comedy The Wedding Crashers, a raunchy, R-rated film that proved once and for all the actor could open a movie.Throughout 2006, rumors swarmed about Vaughn's offscreen life, and alleged romantic relationship with newly divorced Jennifer Aniston -- a relationship that blossomed on the set of The Break-Up (ironically, a comedy about an couple ending their two-year relationship and trying to divide their possessions, friends and condo without killing each other). Gossip amped up anticipation and heightened curiosity. Meanwhile, Aniston aggressively denied rumors of an engagement. Upon release, The Break-Up bolstered Vaughn's reputation as a strong comic lead, and became another surprise hit.In the holiday comedy Joe Claus -- which marks Vaughn's third outing with director David Dobkin -- he plays the title character, the no-account, loser brother of Santa Claus who teams up with his more famous sibling at the North Pole to defeat villain Kevin Spacey. Vaughn undertook a personal venture for the documentary Vince Vaughn's Wild West Comedy Show, tooling around the country on a tour bus with four aspiring stand-up comics as they travel from gig to gig. And he stayed true to form with another "Frat Pack" comedy, Outsourced. In the years to come, Vaughn would remain an ever present force in the comedy world, appearing in movies like Four Christmases, Couples Retreat, and The Watch, as well as producing projects like The Internship and the sitcom Sullivan & Son.

Trivia: As one of the most impressively talented members of the emerging New Hollywood of the early 21st century, Reese Witherspoon has proven that she can do far more than just pose winsomely for the camera. Born March 22, 1976, in Nashville, TN, Witherspoon was a child model and acted in television commercials from the age of seven. She had a part in the 1991 Lifetime cable movie Wildflower before making her 1991 film debut in the coming-of-age story The Man in the Moon (1991). The 14-year-old Witherspoon made an immediate impact on critics and audiences alike, netting widespread praise for her portrayal of a tomboy experiencing love for the first time.While still in high school, Witherspoon completed two more feature films, Jack the Bear (1993), starring Danny De Vito, and Disney's A Far Off Place (1993), which required the actress to spend several months living in the Kalahari Desert. Following a supporting role in the 1993 CBS miniseries Return to Lonesome Dove and a lead in the critically disembowelled S.F.W., Witherspoon temporarily set aside her career to study English literature at Stanford University. She then returned to film as the abused girlfriend of a psychotic Mark Wahlberg in the thriller Fear (1996). In the same year, she had to deal with yet another crazed male in Freeway, a satirical version of Little Red Riding Hood in which Witherspoon co-starred with Kiefer Sutherland, who took on the role of the aforementioned crazed male.Her career began to take off in 1998, with roles in two high-profile films. The first, Twilight, saw her sharing the screen with Gene Hackman, Susan Sarandon, and Paul Newman. The film received mixed reviews and lackluster box office, but Pleasantville, her other project that year, proved to be both a critical and financial hit. The actress won wide recognition for her leading role as Tobey Maguire's oversexed sister, and this recognition -- along with critical respect -- increased the following year with another leading role, in Alexander Payne's acclaimed satire Election. Starring opposite Matthew Broderick, Witherspoon won raves for her hilarious, high-strung portrayal of student-council presidential candidate Tracy Flick. The character stood in stark contrast to the one Witherspoon subsequently portrayed in Cruel Intentions, Roger Kumble's delightfully trashy all-teen update of Dangerous Liaisons. As the virginal Annette, Witherspoon was convincing as the object of Ryan Phillippe's reluctant affection, perhaps due in part to her real-life relationship with the actor, whom she married in June 1999.After turning up in an amusing minor role as serial killer Patrick Bateman's burnt-out yuppie girlfriend in American Psycho (2000), Witherspoon again pleased critics and audiences alike with her decidedly Clueless-esque role in 2001's Legally Blonde. Her star turn as a seemingly dimwitted sorority blonde-turned-Harvard law-school-prodigy unexpectedly shot the featherweight comedy to number one, despite such heavy summer contenders as Steven Spielberg's A.I. and the ominously cast heist thriller The Score. The 18-million-dollar film went on to gross nearly 100 million dollars, proving that Witherspoon had finally arrived as a box-office draw.Though she would test out her chops in the Oscar Wilde adaptation The Importance of Being Earnest, Witherspoon's proper follow-up to Legally Blonde came in the form of 2002's Sweet Home Alabama, a culture-clash romantic comedy as embraced by audiences as it was rejected by critics. As with Drew Barrymore before her, Witherspoon used her newfound standing among the Hollywood elite to start her own production company, Type A Films, as well as to up her asking price to the rarefied 15-million-dollar range for the sequel to Legally Blonde. Though Blonde 2 didn't perform quite as well as the first film, the power player/doting mother of two wasted no time in prepping other projects for the screen, taking the lead in 2004's elaborate costume drama Vanity Fair as Becky Sharp, a woman who strives to transcend class barriers in 19th century England. For all its lavish costumes and sets, Vanity Fair received mixed reviews, but Witherspoon's winning performance still garnered praise.The next year, she appeared in the heaven-can-wait romantic comedy Just Like Heaven with Mark Ruffalo, as well as James Mangold's biopic Walk the Line as June Carter Cash, wife of country music legend Johnny Cash. This role proved to be a pivotal one, earning Witherspoon both a Best Actress Academy Award and a Golden Globe for her performance, and cementing her as an actress whose abilities go far beyond her charm and pretty face.As with others before her, however, the Best Actress statue portended a breakup between her and her husband; in October, 2006, she and Phillippe began their divorce proceedings, shortly after his starring turn in Clint Eastwood's Flags of Our Fathers. Career-wise, however, she didn't miss a beat, continuing to appear in popular romantic comedies like Four Christmases and Just Like Heaven, before getting more serious for the 1930's period drama Water for Elephants in 2011. By the next year, Witherspoon was crossing genres, playing the femme fatale at the center of a love triangle between two deadly secret agents in the action comedy This Means War.She did strong work in a supporting role in Mud, and in 2014 she returned to the Oscar race, garnering a Best Actress nomination for her work in Wild, playing a recovering addict who takes a grueling hike through California and Oregon in order to purge herself of her problems.

Trivia: One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born January 5, 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola, which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking. In 2006 he scored a hit in another western. The made for television Broken Trail, co-starring Thomas Haden Church, garnered strong ratings when it debuted on the American Movie Classics channel. That same year he appeared opposite Drew Barrymore and Eric Bana in Curtis Hanson's Lucky You.In 2010, Duvall took on the role of recluse Felix "Bush" Breazeale for filmmaker Aaron Schneider's Get Low. The film, based on the true story of a hermit who famously planned his own funeral, would earn Duvall a nomination for Best Actor at the SAG Awards, and win Best First Feature for Schneider at the Independent Spirit awards. He picked up a Best Supporting Actor nod from the Academy for his work in 2014's The Judge, playing a beloved judge on trial for murder.

Trivia: Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category.She continued to work steadily in projects such as the drama North Country, the comedy Hot Rod, Four Christmases, and Get Low. In 2010 she joined the cast of the HBO series Big Love, and the next year she had a key role in the Oscar-nominated drama The Help, resulting in one of the biggest commercial hits of her illustrious career.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: An actor whose solid everyman quality has endeared him to audiences and critics alike, Jon Favreau first made his name with 1996's Swingers. The story of a group of rat pack-obsessed, out-of-work actors slumming amiably through life in L.A., the indie-comedy was one of the year's biggest sleeper hits and made a star out of Favreau, who also wrote the script.A native of Queens, NY, where he was born on October 19, 1966, Favreau was raised as the only child of two educators. After attending the Bronx High School of Science, he did an abbreviated stint at Queens College before heading to Chicago to pursue a comedy career. In Chicago, he studied improvisational comedy with Del Close and was a member of the ImrovOlympic troupe. Favreau's time in Chicago ended when he decided to head to L.A. to try and break into film; his experiences as a lovelorn, out-of-work actor would later provide the inspiration for Swingers.After years of false hopes and false starts that took the form of supporting roles in such disappointing films as Rudy and P.C.U., Favreau began channeling his experiences and those of his friends (who included fellow Swingers star Vince Vaughn) into a rudimentary script for Swingers. Encouraged to make his script into a film, the actor despaired of securing enough funding for the project until he met fledgling director Doug Liman, who convinced him that the film could be made for 250,000 dollars. Costs were cut by filming largely without permits and making use of inexpensive shooting locations such as Favreau's own apartment. The film's low-budget charm was sufficient enough to sway the powers-that-be at Miramax who picked it up for distribution. When Swingers was eventually released in 1996, it was hailed by critics as a funny and painfully accurate account of the L.A. scene and its various faux-hipster denizens, as well as the dynamics at work amongst a group of guys (Favreau, Vaughn, and company) and the women they try so desperately to impress. In the wake of the film's success, Favreau, who was being hailed as the latest in the long line of Hollywood "Next Big Things," chose to star in Very Bad Things (1998), a black comedy directed by actor-turned-director Peter Berg. The film, in which Favreau played a soon-to-be married man whose Las Vegas bachelor party goes disastrously wrong, received very mixed reviews, although most critics praised the actor's performance as a "suburban Joe" caught up in circumstances that rapidly spiral beyond his control. After playing the eponymous boxing legend in the made-for-TV Rocky Marciano in 1999, Favreau returned to the screen in 2000 to star as a football player in The Replacements, a sports comedy directed by Howard Deutch. That same year, he returned to the indie scene with Love & Sex, a take on urban romance. In 2001, Favreau re-teamed with Vaughn for Made, a crime comedy that cast the two actors as aspiring mobsters and marked Favreau's feature directorial debut. Also in 2001, Favreau made the jump to the small screen, producing and hosting IFC's Dinner for Five, a candid roundtable program featuring fellow actors and filmmakers. In 2003, not only did Favreau show up in supporting roles in the hits Daredevil and Something's Gotta Give, his sophomore directorial effort, the Will Ferrell holiday comedy Elf proved to be one of the season's biggest crowd-pleasers, grossing over 100 million dollars at the box office. He followed up that success by bringing Chris Van Allsburg's Zathura to the big screen, although it did not match Elf's box office success. After making a few cameos on TV shows like My Name Is Earl and Monk, Favreau re-teamed with Vince Vaughn once again for a supporting role in the 2006 comedy The Break-Up. He also lent his vocal talents to the animated film Open Season. That same year he announced he would be taking on directorial duties for the big screen adaptation of the comic book Iron Man. Though it wouldn't be released until 2008, Iron Man was a huge success, and helped further Favreau's already solid reputation as a director. Favreau went on to direct Iron Man 2 (2010), which enjoyed similar success.Favreau returned to the screen to play a role in the 2009 comedy Couples Retreat (which he also wrote), which follows a group of married adults who realize their inclusion in a tropical vacation depends on taking part in intense, mandatory therapy sessions. The same year, Favreau appeared in the buddy comedy I Love You, Man, and lent his voice to the cast of the animated children's adventure G-Force. In 2011, Favreau directed and produced the popular sci-fi Western Cowboys & Aliens, and worked as an Executive Producer for 2012's blockbuster hit Marvel's The Avengers.

Trivia: Curly haired, sandy-voiced actress Mary Steenburgen is a natural when it comes to playing Southerners, probably because she hails from the region herself. Born in Arkansas on February 8, 1953, Steenburgen was the daughter of a railroad employee. Pursuing drama in college, she headed to New York in 1972, where she worked with an improvisational troupe. She was spotted by Jack Nicholson, who cast her as his feisty "in name only" frontier wife in 1978's Goin' South. Two years later, she won a Best Supporting Actress Oscar for her performance as Melvin Dummar's inamorata in Melvin and Howard (1980).Able to convey a wide age and character range, Steenburgen was effectively cast as a free-spirited Frisco girl in Time After Time (1979), the corseted matriarch of a turn-of-the-century household in Ragtime (1981), prim authoress Marjorie Rawlins in Cross Creek (1983), a long-suffering suburban housewife in Parenthood (1989), and a Marcia Clark-like attorney in Philadelphia (1993). She also portrayed the Jules Verne-loving Western schoolmarm Clara in Back to the Future 3 (1990), a role she perpetuated (via voice-over) on the Back to the Future TV cartoon series. In 1988, she was executive producer of End of the Line, in which she also appeared. Steenburgen's film appearances throughout the 1990s were erratic: some highlights, in addition to Philadelphia, include What's Eating Gilbert Grape (1993), Nixon (1995), and The Grass Harp (1995). In 1999, she starred as Noah's wife in the biblical epic Noah's Ark, sharing the screen with the likes of Jon Voight, F. Murray Abraham, James Coburn, and Carol Kane. As the 21st century began, Steenburgen continued to work steadily in projects such as Life as a House, I Am Sam, Sunshine State, and Elf. She was cast in the CBS drama Joan of Arcadia in 2003. In 2006 she appeared in David Lynch's Inland Empire, and the next year she starred opposite Jodie Foster in the vigilante drama The Brave One. She was cast in the comedies Step Brothers and Four Christmases in 2008, and in 2011 she was the editor who inspires the main character to write the book in The Help.Formerly married for several years to actor Malcolm McDowell, Steenburgen married former Cheers star Ted Danson in 1995. The two have collaborated on a number of projects, including 1994's Pontiac Moon and the made-for-TV Gulliver's Travels in 1996.

Trivia: A top-selling country music star since the mid-'80s, multi-talented Dwight Yoakam branched out into acting in the 1990s.Born in Kentucky, Yoakam was raised in Ohio and attended college at Ohio State University. Inspired by music since childhood, Yoakam dropped out of school to move to Nashville in the late '70s. Finding the Nashville scene less than accommodating for his interpretation of country music, Yoakam subsequently headed to Los Angeles. Striking music gold with his first album in 1986, Yoakam became a renowned country-rock singer/songwriter of the '80s and '90s. Casting an eye on another facet of Los Angeles' entertainment world, Yoakam began acting. After appearing on TV, Yoakam played a truck driver in John Dahl's acclaimed neo-noir Red Rock West (1993); he then provided the music score for Red Rock West star Dennis Hopper's 1994 comedy Chasers. Yoakam played a larger part in the TV docudrama Roswell (1994) (not to be mistaken for the 1999 teen series). After moving to a starring role as a rodeo clown in the action movie Painted Hero (1995), Yoakam earned critical raves for his intense performance as an abusive drunk in Billy Bob Thornton's Oscar-winning drama Sling Blade (1996). Yoakam again garnered positive notices (though the movie did not) as a humble safecracking associate of the titular gang in The Newton Boys (1998). Sticking with off-center screen fare, Yoakam subsequently starred as one of the detectives that Owen Wilson's serial killer Van imagines is stalking him in Hampton Fancher's idiosyncratic crime story The Minus Man (1999). Aiming to try more creative pursuits, Yoakam wrote and directed, as well as scored and starred in, his next film, South of Heaven, West of Hell (2000). Yoakam returned to acting in David Fincher's thriller The Panic Room (2001). Yet despite his neverending drive to entertain, it wasn't all showbiz for the former country-boy made good, and in early 2006 Yoakam would team up with Modern Foods to produce his very own line of southern-flavored frozen foods. With products such as Dwight Yoakam's Chicken Lickin's Chicken Fries, Lanky Links Pork, Sausage Links, and Boom Boom Shrimp, the Grammy-winning recording artist and increasingly popular actor would do his very best to ensure that his fans were well fed. A 2005 new album entitled Blame the Vain found Yoakam recapturing the energy and intensity that defined his earliest and best musical efforts, and following a role as a neglectful sheriff in Tommy Lee Jones' The Three Buriels of Melquaides Estrada and a rare comedic turn in Wedding Crashers, Yoakam sould next be seen in the edge-of-your-seat assassin-on-the-run action thriller Crank. He had a bit part in the comedy Four Christmases, and returned for the sequel Crank High Voltage. He made a few more film appearances, but returned to music in 2012 with the release of his album 3 Pears.

Trivia: Hailed as the prime successor to Garth Brooks in the new millennium -- both for his rousing, Southern-fried honky tonk tunes and his laid-back countrypolitan ballads -- country and western performer Tim McGraw shot to fame on the basis of his sophomore recording, the 1994 Curb release Not a Moment Too Soon, which sold over five million copies and heralded the arrival of a major new superstar. Each additional album confirmed this status, and McGraw peaked critically and commercially with the 2004 Live Like You Were Dying. He gained additional acclaim from his high-profile marriage to Southern belle Faith Hill, also a chart-topping country singer; the two often headlined concerts and tackled interviews together. Coincident with Dying's release, McGraw opted to branch out from music videos into dramatic turns. He was particularly effective as an obnoxious, abusive, narrow-minded father in the Billy Bob Thornton-headlined sports drama Friday Night Lights (2004), and as a loving, supporting dad in the 2006 family-oriented drama Flicka (2006). McGraw would find continual opportunities to branch into acting in the years to come, appearing in movies like The Kingdom, Four Christmases, The Blind Side, and Country Song.

Trivia: Any fan of Kristin Chenoweth knows that the musical quality of her lilting timbre is more than just a nice speaking voice: the actress has been one of the most successful and well-known performers on Broadway for the past 15 years. The sprightly 4'11" actress attended Oklahoma City University on a full scholarship to study voice before going on to earn her master's in opera performance. Chenoweth's first Broadway role came in 1997 when she was cast in a production of Molière's Scapin. The next season, she was cast in Steel Pier, winning a Theatre World Award for her performance. Once Chenoweth's stage career was off and running, she quickly became one of the most well-known and best-liked Broadway actresses alive, working constantly and winning several awards, including a Tony for her performance in You're a Good Man Charlie Brown. She was particularly praised for her performance in 2003's Wicked, and her performance of selections from her album Let Yourself Go at a concert for Lincoln Center's fifth American Songbook.Chenoweth began a second career onscreen in 2001 with a short-lived NBC sitcom called Kristin. The mid-season replacement didn't last, but Chenoweth was soon delighting audiences with guest appearances on shows like Frasier, and in 2004, she began a recurring role on the critically acclaimed series The West Wing. In 2005, Nicole Kidman saw Chenoweth in a performance of Wicked and was so impressed with the songstress' talent and charisma that she had her cast in her upcoming film adaptation of Bewitched. This kicked off a series of appearances in comedies for the actress, who proved to have great comic timing. After roles in The Pink Panther, RV, and Deck the Halls, Chenoweth joined the cast of a new TV show called Pushing Daisies, about a man who falls in love with a deceased lady after he discovers how to bring people back from the dead. She followed the tragically cancelled show with a memorable arc on the exceedingly popular musical series Glee, as well as a starring role on the short-lived comedic series CGB. Chenoweth continued to alternate between films, television and the stage (and occasionally released an album) for the next several years.

Trivia: Before moving to Los Angeles, actress Katy Mixon studied at the Carnegie Mellon University's School of Drama, and later appeared in the Utah Shakespeare Festival. She began her onscreen career with a role in the 2005 thriller The Quiet, and subsequently continued to find herself on camera, appearing in films like Four Christmases and State of Play. In 2009 she landed a lead role in the HBO comedy series Eastbound & Down. She had a memorable supporting turn in Take Shelter, and also appeared in the Nicolas Cage vehicle Drive Angry.

Trivia: By any stretch of the imagination, Colleen Camp has enjoyed a diverse film career since her big-screen debut in one of the Planet of the Apes sequels in 1973. She has worked as an actress, dancer, singer, and producer; she was directed by Francis Ford Coppola, Nicolas Roeg, Jack Hill, and Hal Needham; and she was often cast as either a sex symbol or stuffy prude. Born in San Francisco on June 7, 1953, Camp precociously began her acting career in regional theater at the age of three, although her first big break didn't come until more than a decade later, when she was cast as one of the dancing Gold Diggers on The Dean Martin Show. In 1973, the actress landed her first film role with a bit part as a human slave in Battle for the Planet of the Apes; larger roles in The Swinging Cheerleaders and The Last Porno Flick followed, but, in 1975 Camp had the chance to show off her considerable comic talent in Michael Ritchie's satiric comedy Smile. Despite her strong performance, however, her career still failed to catch fire; while she found steady work, she tended to land larger roles in undistinguished films such as The Gumball Rally or Ebony, Ivory and Jade, and smaller parts in more ambitious pictures, such as Apocalypse Now and They All Laughed. (Camp also sang "One Day Since Yesterday" in the latter, a song which briefly grazed the Billboard singles charts.) In time, Camp began to develop something of a cult following, and, while she was still a long way from film stardom, she worked often and landed supporting roles in such hits as Wayne's World, Sliver, Die Hard With a Vengeance, and Election. Married to Paramount executive John Goldwyn, she began working more behind the camera in the '80s, serving as a producer of The City Girl in 1984, and was a part of the production team of a number of other films, including Teenage Caveman, Earth vs. The Spider, and The Day The World Ended.

Trivia: In 2007, moved to California with his family. Spent his senior year in Vancouver filming Night at the Museum: Secret of the Tomb (2014). Ben Stiller and Robin Williams helped him with his "promposal" video.

Trivia: Started his career in college appearing in student theater productions, including the lead role in Sweeney Todd. Is an alumnus of Minneapolis' Brave New Workshop, whose past members include Al Franken, Peter MacNicol and Mo Collins. Landed his first major TV role with Comedy Central's Cops parody Reno 911! While still appearing as a police officer on Reno 911! on TV, he played a prison guard in the 2004 movie Meet the Fockers. In addition to his film and television work, has lent his voice to various video game, including Iron Man 2, Mafia II and Crash: Mind Over Mutant.

Trivia: With only a handful of TV guest appearances under his belt, Atlanta-born Brian Baumgartner was a relative unknown when the U.S. version of The Office premiered on NBC in 2005. Playing pencil pusher Kevin Malone on the hit sitcom quickly garnered the actor prominence, and in 2007 he landed a supporting role opposite fellow Office cast member John Krasinski in the romantic comedy License to Wed. Once the series ended in 2013, he continued to work in television, with guest appearances on Hot in Cleveland and Mike & Molly.

Trivia: Many know actor, director, and producer Peter Billingsley for the role he played when he was just nine years old, portraying young Ralphie in the classic 1982 holiday film A Christmas Story, but Billingsley's career actually dates back even further. He began appearing in TV commercials from the age of two, and by the time he auditioned for A Christmas Story, he'd already become popular with audiences all over America, providing the "children's angle" on the popular TV series Real People.He continued to act in projects throughout the '80s, appearing on TV shows like Who's the Boss? and in films like Russkies, as well as in a handful of after-school specials, but Billingsley was never able to duplicate the fame he garnered as Ralphie. In the late '90s, the film vet stepped behind the camera and began exploring a new avenue in his career, producing and executive producing a variety of projects like the Discovery Channel's A.R.K., and movies like Elf, The Break-Up, and Iron Man.