Trivia: American leading actor Tom Hanks has become one of the most popular stars in contemporary American cinema. Born July 9, 1956, in Concord, CA, Hanks spent much of his childhood moving about with his father, an itinerant cook, and continually attempting to cope with constantly changing schools, religions, and stepmothers. After settling in Oakland, CA, he began performing in high-school plays. He continued acting while attending Cal State, Sacramento, and left to pursue his vocation full-time. In 1978, Hanks went to find work in New York; while there he married actress/producer Samantha Lewes, whom he later divorced.Hanks debuted onscreen in the low-budget slasher movie He Knows You're Alone (1979). Shortly afterward he moved to Los Angeles and landed a co-starring role in the TV sitcom Bosom Buddies; he also worked occasionally in other TV series such as Taxi and Family Ties, as well as in the TV movie Mazes and Monsters. Hanks finally became prominent when he starred opposite Daryl Hannah in the Disney comedy Splash!, which became the sleeper hit of 1984. Audiences were drawn to the lanky, curly headed actor's amiable, laid-back style and keen sense of comic timing. He went on to appear in a string of mostly unsuccessful comedies before starring in Big (1988), in which he gave a delightful performance as a child in a grown man's body. His 1990 film Bonfire of the Vanities was one of the biggest bombs of the year, but audiences seemed to forgive his lapse. In 1992, Hanks' star again rose when he played the outwardly disgusting, inwardly warm-hearted coach in Penny Marshall's A League of Their Own. This led to a starring role in the smash hit romantic comedy Sleepless in Seattle (1993).Although a fine comedic actor, Hanks earned critical respect and an even wider audience when he played a tormented AIDS-afflicted homosexual lawyer in the drama Philadelphia (1993) and won that year's Oscar for Best Actor. In 1994 he won again for his convincing portrait of the slow-witted but phenomenally lucky Forrest Gump, and his success continued with the smash space epic Apollo 13 (1995). In 1996, Hanks tried his hand at screenwriting, directing, and starring in a feature: That Thing You Do!, an upbeat tale of a one-hit wonder group and their manager. The film was not particularly successful, unlike Hanks' next directing endeavor, the TV miniseries From Earth to the Moon. The series was nominated for and won a slew of awards, including a series of Emmys. The success of this project was outdone by Hanks' next, Steven Spielberg's Saving Private Ryan (1998). Ryan won vast critical acclaim and was nominated for 11 Oscars, including a Best Actor nomination for Hanks. The film won five, including a Best Director Oscar for Spielberg, but lost Best Picture to Shakespeare in Love, a slight that was to become the subject of controversy. No controversy surrounded Hanks' following film, Nora Ephron's You've Got Mail (1998), a romantic comedy that paired Hanks with his Sleepless co-star Meg Ryan. Although the film got mixed reviews, it was popular with filmgoers, and thus provided Hanks with another success to add to his resumé. Even more success came soon after when Hanks took home the 2000 Golden Globes' Best Actor in a drama award for his portrayal of a shipwrecked FedEx systems engineer who learns the virtues of wasted time in Robert Zemeckis' Cast Away. Though absent from the silver screen in 2001, Hanks remained in the public eye with a role in the acclaimed HBO mini-series Band of Brothers as well as appearing in September 11 television special America: A Tribute to Heroes and the documentary Rescued From the Closet. Next teaming with American Beauty director Sam Mendes for the adaptation of Max Allan Collins graphic novel The Road to Perdition (subsequently inspired by the Japanese manga Lone Wolf and Cub, the nice-guy star took a rare anti-hero role as a hitman (albiet an honorable and fairly respectable hitman) on the lam with his son (Tyler Hoechlin) after his son witnesses a murder. That same year, Hanks collaborated with director Spielberg again, starring opposite Leonardo Dicaprio in the hit crime-comedy Catch Me if You Can.For the next two years, Hanks was essentially absent from movie screens, but in 2004 he emerged with three new projects: The Coen Brothers' The Lady Killers, yet another Spielberg helmed film, The Terminal, and The Polar Express, a family picture from Forrest Gump and Castaway director Robert Zemeckis. 2006 was a very active year for Hanks starting with an appearance at the Oscar telecast that talented lip-readers will remember for quite some time. In addition to helping produce the HBO Series Big Love, he scored a major international success by reteaming with director Ron Howard for the big-screen adaptation of {Dan Brown's novel The Da Vinci Code, which was such a success that he signed on for the sequel in 2009, Angels and Demons. His Playtone production company would have a hand in the animated feature The Ant Bully in 2008, and that same year he filmed The Great Buck Howard co-starring his son Colin Hanks. He also signed on to co-star with Julia Roberts in two different films: Mike Nichols' Charlie Wilson's War in 2008 and the romcom Larry Crowne in 2011. Later that same year, Hanks would make dramatic waves in the post-9/11 drama Extremely Loud and Incredibly Close, which was nominated for an Oscar for Best Picture.Ranked by Empire Magazine as 17th out of "The Top 100 Movie Stars of All Time" in October 1997, Hanks is married to actress Rita Wilson, with whom he appeared in Volunteers (1985). The couple have two children in addition to Hanks' other two from his previous marriage.

Trivia: A burly, commanding actor known almost as much for the tumultuous quality of his offscreen life as that of his onscreen roles, Tom Sizemore has carved out a niche for himself in such guys 'n' guns films as Natural Born Killers, Strange Days, Heat, and Saving Private Ryan.Born in Detroit, Sizemore was educated at Wayne State and Temple University, earning a Master's in theater at the latter. He enjoyed an auspicious debut year in 1989 when he appeared in no less than four movies including Oliver Stone's Born on the Fourth of July. That same year, the actor won the semi-regular role of Vinnie Ventressa on the popular TV drama China Beach. He went on to do starring work in such films as Stone's Natural Born Killers (1994), Carl Franklin's highly praised crime noir Devil in a Blue Dress (1994) and Michael Mann's crime thriller Heat. Sizemore's involvement with the latter film marked a personal turning point for him; for years he suffered from a well-publicized addiction to heroin, and he seemed to be losing his battle until he met his Heat co-star and childhood icon Robert De Niro, who, Sizemore subsequently admitted in interviews, convinced him to go into rehab.In 1998, Sizemore starred in what was possibly his most high-profile role to date in Steven Spielberg's WWII epic Saving Private Ryan. Cast as Sgt. Horvath, Tom Hanks' right hand man, the actor earned positive notices as part of a stellar ensemble cast that also included Giovanni Ribisi, Matt Damon, Jeremy Davies, and Vin Diesel. He subsequently porked out to play mob boss John Gotti in the made-for-TV Witness to the Mob and then returned to the screen in Martin Scorsese's Bringing Out the Dead (1999), which cast him as Nicolas Cage's ex-best friend. In 2000, Sizemore starred alongside Val Kilmer and Carrie-Anne Moss in the sci-fi adventure Red Planet; that same year, he appeared in Play It to the Bone, a boxing drama starring Woody Harrelson and Antonio Banderas. With the release of Pearl Harbor and Black Hawk Down the following year, the grizzled screen veteran seemed as if he may be threatening to becoming something of a later-day action star.Though to this point Sizemore's work in features had left him with little experience in the realm of television, all of that would change when he took the lead in the 2002 series Robbery Homicide Division. For an actor who excelled at playing hardened detectives and rough cops, the show seemed the ideal star vehicle for Sizemore, and after contributing vocal work for the controversial video game Grand Theft Auto: Vice City that same year, he stepped into the lead for the crime thriller Swindle as the year wound to a close. A supporting role in Dreamcatcher got 2003 off to a shaky start, and things only went downhill from there when, in October of that year, the troubled actor entered rehab before being sentenced to six months in prison on domestic violence charges. Though his personal life may have been somewhat in flux, one certainly couldn't tell by looking at his screen credits for 2004 -- a year in which Sizemore would appear in no less than four films including the family adventure Fly Boys.

Trivia: One of a number of American independent filmmakers launched to prominence in the '90s by virtue of their success at the Sundance Film Festival, writer/director Edward Burns was born in Woodside, Queens, in 1968 and raised on Long Island. After attending Oneonta College and S.U.N.Y.-Albany, he transferred to Hunter College in New York City to study motion pictures; there he helmed a number of short films, including the 15-minute Hey, Sco! Upon graduating, Burns began working at a local news outlet and made Brandy, a 45-minute effort screened as a work in progress at the 1992 Independent Feature Film Market. During the spring of 1993, while working as a production assistant for the television newsmagazine Entertainment Tonight, Burns began conceiving The Brothers McMullen, a comedy focusing on the romantic troubles facing three Irish-Catholic siblings. Shot primarily in his parents' Long Island home, with a cast of unknowns including Burns himself and his then-girlfriend Maxine Bahns, the feature was filmed over eight months' time with a budget of about 25,000 dollars and with the aid of a technical crew comprised largely of fellow Entertainment Tonight staffers. Rejected by a series of distributors, The Brothers McMullen bowed at Sundance in 1995 and won the festival's Grand Jury Prize, becoming one of the most successful independent efforts of the year.For his follow-up, She's the One, Burns retained much of the McMullen cast and crew, including Bahns and actor Mike McGlone; by virtue of his newfound fame, he was also able to cast up-and-coming stars Jennifer Aniston and Cameron Diaz in pivotal roles, and he even solicited an original soundtrack from rocker Tom Petty. Filmed with a comparatively lavish budget of about three million dollars, the romantic comedy premiered during late August 1996. Burns soon began work on his third feature, No Looking Back, a romantic drama set in a coastal town's working-class community. The film co-starred Lauren Holly and was released in 1998; that same year, Burns co-starred in the Steven Spielberg World War II epic Saving Private Ryan. In 1999, he was back on the screen with an appearance in Oliver Stone's football drama Any Given Sunday. In the years that followed, Burns wrote and directed a series of additional comedy-dramas incluing Sidewalks of New York (2001), Ash Wednesday (2002), Looking for Kitty (2004) and The Fitzgerald Family Christmas.

Trivia: Actor and filmmaker Adam Goldberg first made an impression on film critics and audiences alike as the cynical Private Mellish in Steven Spielberg's Saving Private Ryan. In 1998, the same year that Ryan was released, Goldberg made his feature directorial, screenwriting, and executive-producing debut with Scotch and Milk, a neo-noir drama centering around a group of L.A. friends burdened by love (or lack thereof) and a fixation with the 1950s. The film, which won the Grand Jury Prize at the 1998 Los Angeles Independent Film Festival, helped to establish Goldberg as a talent worth watching.Born in Santa Monica on October 25, 1970, Goldberg was raised in Hollywood. He began performing at a young age, studying with Tracy Roberts when he was 14 and enrolling at Los Angeles' Lee Strasberg Institute a year later. He continued to act on stage while attending Sarah Lawrence College, and he subsequently returned to L.A. to pursue his career. Goldberg made his film debut in 1992 alongside Billy Crystal in Mr. Saturday Night, and the following year he could be seen in Richard Linklater's Dazed and Confused, which cast him as a neurotic high school junior. He continued to act in supporting roles in a number of varied films, earning little notice until Spielberg cast him in the award-winning Saving Private Ryan. He wrote and directed the indie Scotch and Mil in 1998, and also contributed a voice to Babe: Pig in the City. At the beginning of the 21st century he could be seen in the Best Picture Oscar winner A Beautiful Mind, as well as the comedy The Hebrew Hammer, and reteaming with Richard Linklater on Waking Life. In 2004 he returned to directing and writing with I Love Your Work. He continued to work in a variety of interesting projects including Déjà vu, 2 Days in Paris, and Zodiac. He had a major supporting role on the short-lived TV series The Unusuals and in 2012 he played the part of Harry Reems in the Linda Lovelace biopic Inferno.

Trivia: Actor, producer, writer, and director Vin Diesel had a charmed entry into the world of screen acting: after seeing Multi-Facial, a short that Diesel wrote, produced, financed, directed, and starred in, Steven Spielberg created the role of Private Caparzo specifically for the talented young newcomer in his Saving Private Ryan (1998).Born in New York City on July 18, 1967, Diesel made his stage debut at the age of seven in "Theatre for the New City," which was produced in Greenwich Village. He continued to be involved with the theatre throughout his adolescence, and he went on to attend the city's Hunter College, where his studies in creative writing led him to begin writing screenplays. Diesel became active in filmmaking in the early '90s, first earning notice for the short Multi-Facial, which was selected for screening at the 1995 Cannes Festival. He followed up Multi-Facial with his first feature-length film, 1997's Strays, an urban drama in which he cast himself as a gang boss whose love for a woman inspires him to try to change his ways. Written, directed, and produced by Diesel, the film was selected for competition at the 1997 Sundance Festival, which led to a deal with MTV to turn it into a series.Following the success of Saving Private Ryan, Diesel could be heard voicing the title character of the animated The Iron Giant (1999), another critically praised feature. He then starred with fellow young actors Giovanni Ribisi, Ben Affleck, Jamie Kennedy, and Nicky Katt in Boiler Room, an off-Wall Street drama that cast him as one of the members of a shady brokerage firm. He also flexed his sci-fi muscles in Pitch Black (2000), an interplanetary thriller that featured him and fellow Earthlings doing battle with a host of nasty alien mutants. Diesel jumped genres yet again as a devious, determined hot-rodder in The Fast and the Furious (2001), a cheeky, action-packed street racing picture in the vein of '50s exploitation flicks. The low-profile, star-free summer release left skid marks at the box office as it grossed over $40 million dollars in its first weekend alone -- more than enough to cover its production costs, and enough to lead many to believe that Diesel had finally arrived as a bankable leading man.Indeed Diesel was growing increasingly comfortable in his role as a tough guy action icon, though the ex-NYC club bouncer's prominent smirky scowl (usually accompanied by a hearty smile and laugh) proved almost a wink to his fans that while it worked well for him, he didn't take the image altogether seriously. The following year found Diesel teetering on the edge of mega-stardom with the release of his eagerly anticipated reteaming with The Fast and the Furious director Rob Cohen, XXX. With images of a bulky Diesel adorning movie theaters nationwide and an advertising campaign that left almost no viable stone unturned, the duo were undoubtedly aiming to repeat the success of the muscle-car extravaganza. This time setting their sights on breathing life into the ailing secret agent action adventure genre, XXX's protagonist, a former extreme sports athlete recruited by the government to take on a dangerous mission, would prove a large-scale attempt at bringing James Bond style thrills into the 21st century. With his reputation set in stone, Diesel would spend the 2000's enjoying a steady stream of similar work, starring in action adventure films like The Chronicles of Riddick (a sequel to 2000's Pitch Black) and Babylon A.D., as well as occasional comedic turns, like The Pacifier. He eventually rejoined the Fast & Furious franchise, reprising his role of Dom Toretto in numerous sequels, and also working as a producer on the films. In 2014, he voiced the role of Groot in the smash hit Guardians of the Galaxy, and also recorded his iconic line "I am Groot" in numerous languages for international versions of the film.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Jeremy Davies has made a name for himself playing a series of damaged and offbeat characters that highlight the young actor's considerable talents. Born October 28, 1969, in Rockford, IA, the skinny, dark-haired Davies trained at the American Academy of Dramatic Arts in Pasadena, CA. After making his television debut in a Suzuki commercial, he worked on various television shows. The actor made his film debut in the Drew Barrymore film Guncrazy (1992), but it was not until his turn as a young man being manipulated into an Oedipal relationship by his mother in David O. Russell's Spanking the Monkey (1994) that the actor began to garner wide respect and recognition. The film earned the actor considerable rave reviews, indie credibility, and an eventual role in the Jodie Foster movie Nell. In 1997, Davies went on to do The Locusts, co-starring Ashley Judd and Vince Vaughn. His role as Flyboy, the emotionally crippled son of an abusive mother, further added to the actor's reputation of playing victimized, internally conflicted young men. He next played a similarly conflicted character in the Mark Pellington adaptation of Dan Wakefield's coming-of-age novel Going All the Way, in which he co-starred with Ben Affleck. Davies' knack for choosing roles that allow him to go beyond Hollywood's conventions and mine the complexities of the human spirit was further reflected in his portrayal of the battle-shy Corporal Upham in Steven Spielberg's Saving Private Ryan and his role as a despondent officer in Ravenous (1999). 2001 found Davies stepping in front of the camera as a director whose attempt at finishing a film with a troubled production history proves exceptionally grating in CQ, the directorial debut of the legendary Francis Ford Coppola's son Roman Coppola.Davies two most memorable roles in 2002 saw him developing a twitchy eccentricity that would become a trademark in many of his films. The dark sexual comedy Secretary had him as a lovelorn suitor opposite a masochistic Maggie Gyllenhal and the sci-fi drama Solaris offered him the opportunity to work under the direction of Academy Award winner Steven Soderbergh.Having proven time and again his ability to pull off quirky, Davies tried his hand at all-out madness in 2004 when he starred as the infamous Charles Manson in the made-for-television remake of Helter Skelter. He worked with director Lars Von Trier on Manderlay, and starred in Rescue Dawn. In 2008 he started a three-year term as a time-traveling scientist on the hit ABC series Lost, and in 2010 he was cast as a compassionate hospital employee overseeing a psychiatric ward in It's Kind of a Funny Story.

Trivia: One who graduated from obscure actor to Hollywood icon in just a few years, Matt Damon became an instant sensation when he co-wrote and starred in Good Will Hunting with longtime buddy and collaborator Ben Affleck. A native of Cambridge, Massachusetts, where he was born on October 8, 1970, Damon grew up in prosperous surroundings with his tax preparer father, college professor mother, and older brother. At the age of ten, he befriended Affleck, a boy two years his junior who lived down the street. Educated at Cambridge's Rindge and Latin School, Damon landed his first role in a Hollywood production before the age of 18, with a one-scene turn in Mystic Pizza (1988). Not long after, Damon gained acceptance to Harvard University, where he studied for three years before dropping out to pursue his acting career. During his time there, he had to write a screenplay for an English class, that served as the genesis of Good Will Hunting. Arriving in Hollywood, Damon scored his first big break with a plum role in School Ties opposite Affleck. As the film was a relative flop, Damon's substantial role failed to win him notice, and he was back to laboring in obscurity. It was around this time, fed up with his Hollywood struggles, that Damon contacted Affleck, and the two finished writing the former's Harvard screenplay and began trying to get it made into a film. It was eventually picked up by Miramax, with Gus Van Sant slated to direct and Robin Williams secured in a major role, opposite Damon as the lead. Before Good Will Hunting was released in late 1997, Damon won some measure of recognition for his role as a drug-addicted soldier in Courage Under Fire; various industry observers praised his performance and his dedication to the part, for which he lost forty pounds and suffered resulting health problems. Any praise Damon may have received, however, was overshadowed the following year by the accolades he garnered for Good Will Hunting. His Oscar nomination for Best Supporting Actor, Best Screenplay win alongside Damon, and strong performance in the film virtually guaranteed industry adulation and steady employment, a development that became readily apparent the following year with lead roles in two major films. The first, John Dahl's Rounders, cast Damon as a card shark with a serious gambling addiction, who risks his own personal safety when he becomes entangled with a reckless loser buddy (Edward Norton). Damon's second film in 1998, Steven Spielberg's Saving Private Ryan, brought him even greater recognition. As Ryan's title character, Damon headlined an all-star line-up and received part of the lavish praise heaped on the film and its strong ensemble cast. The following year, Damon signed for leads in two more highly anticipated films, Anthony Minghella's The Talented Mr. Ripley and Kevin Smith's Dogma. The former cast the actor against type as the title character, a psychotic bisexual murderer, with a supporting cast that included Cate Blanchett, Jude Law, and Gwyneth Paltrow. Dogma also allowed Damon to cut against the grain of his nice-guy persona by casting him as a fallen angel. One of the year's more controversial films, the religious comedy reunited him with Affleck, as well as Smith, who had cast Damon in a bit role in his 1997 film, Chasing Amy. Damon next delivered noteworthy performances in a pair of low-grossing, low-key dramas, The Legend of Bagger Vance and All the Pretty Horses (both 2000), before appearing in director Steven Soderbergh's blockbuster remake of the Rat Pack classic Ocean's Eleven the following year. 2002 found the actor vacillating between earnest indie projects and major Hollywood releases. Behind the camera, Damon joined forces with filmmaker Chris Smith for the Miramax-sponsored Project Greenlight, a screenplay sweepstakes that gave the winner the opportunity to make a feature film and have the process recorded for all to see on an HBO reality series of the same name. Toward the end of 2001, Damon scored a box office triumph with director Doug Liman's jet-setting espionage thriller The Bourne Identity. With this effort, Damon proved once again that he could open a film with just as much star power as his best friend and colleague. Better yet, Bourne reinforced Damon's standings with the critics, who found his performance understated and believable. The press responded less favorably, however, to Damon's reunion project with Van Sant, the experimental arthouse drama Gerry (2003). Also in 2003, Damon starred opposite Greg Kinnear in the Farrelly Brothers' broad comedy Stuck On You, as the shy half of a set of conjoined twins.In 2004, Damon reprised the role of Jason Bourne in The Bourne Supremacy. As the actor's biggest leading-man success to date, it reinforced Damon's continued clout with audiences. Staying on the high-powered sequel bandwagon, he reunited with Brad Pitt and George Clooney for the big-budget neo-rat pack sequel Ocean's Twelve later that year. 2005 was somewhat lower-key for the actor, as he toplined Terry Gilliam's disappointing The Brothers Grimm and joined the sprawling ensemble of Syriana. After working seemingly non-stop for a few years, Damon claimed only a call from Martin Scorsese would get him to give up his resolve to take some time off. Sure enough, that call came. The Departed, an American remake of the Hong Kong mob-mole thriller Infernal Affairs, co-starred Jack Nicholson and Leonardo DiCaprio. Playing the squirmy, opportunistic cop to DiCaprio's moral, tormented mobster, Damon underplayed his part to perfection while holding his own opposite his two co-stars. Damon then took the lead role in the Robert De Niro-directed CIA drama The Good Shepherd. In 2007, the actor once again returned to box office franchises for the sequels Ocean's Thirteen and The Bourne Ultimatum, the latter of which netted him -- by far -- the largest opening-weekend take of his career to that point. 2009 was another great year for the hard-working star. His turn as the unstable federal informant in Steven Soderbergh's wicked comedy The Informant! earned him rave reviews, and his supporting work in Clint Eastwood's Invicus, as the leader of the South African rugby team, earned Damon nominations from the Golden Globes, the Screen Actors Guild, and the Academy. In 2010 he reteamed with Eastwood for the supernatural drama Hereafter, and continued working with the best filmmakers of his time by landing a supporting role in the Coen brothers remake of True Grit. Meanwhile, Damon tried his hand at small screen work with a memorable recurring role as Carol, an airline pilot and sometime boyfriend of Liz Lemon, on the NBC situation comedy 30 Rock and a lauded turn opposite Michael Douglas' Liberace in the TV movie Behind the Candelabra. Damon had long since established himself as an A-list movie star, however, and would continue to star in big screen projects for years to come, including notable titles like Contagion, The Adjustment Bureau, and We Bought a Zoo. Damon next turned in performances in three films set in outer space: Neill Blomkamp's Elysium (2013), a supporting role in Christopher Nolan's Interstellar (2014) and an Oscar-nominated spin in Ridley Scott's The Martian (2015).

Trivia: The son of a prominent archaeologist/museum director, American actor Ted Danson grew up near the Navajo reservation in Arizona. He played basketball while at Kent School Connecticut, and then moved on to Stanford University. It was in the process of getting acquainted with an aspiring actress at Stanford that Danson found himself attending his first audition-- and by years' end had transferred to the drama department at Carnegie Tech. Marking time in non-speaking roles, Danson left the stage for the more lucrative world of TV commercials, some of which have been well-circulated on videotape since Danson has become famous. Danson's first steady TV work was as a slimy villain on the NBC soap opera Somerset. Shortly afterward, the actor attained his first film role, as a murdered cop, in The Onion Field (1978). After seeing Danson in the movie Body Heat (1981) and in an episode of the TV series Taxi, producer Glen Charles cast the actor as Sam Malone, ex-sports star and full-time barkeeper and womanizer, on the long-running, well-loved sitcom Cheers He won Emmys for the 1989-90 and 1992-93 seasons. Frequently making attempts at film stardom during the 11-season run of Cheers, Danson finally struck gold in Three Men and a Baby (1987) and its sequel Three Men and a Little Lady (1990). Danson's most recent work includes the 1996 starring role in the TV miniseries Gulliver's Travels and a co-starring role, opposite his new wife Mary Steenburgen, in the television sit-com Ink (also 1996). In 1998 Danson began a six-year run on another successful sitcom portraying the lead character on Becker, playing a caustic grump who couldn't have been further from Sam Malone's effortless charm. He continued to work steadily on the big screen as well scoring appearances in Saving Private Ryan and Mumford. He made sporadic appearances on Larry David's award-winning Curb Your Enthusiasm, and earned strong reviews for his dramatic work on the first season of the TV show Damages. He followed that up with a co-starring role on the HBO series Bored to Death, which lasted three seasons. In 2012 he could be seen in the inspirational animal movie Big Miracle.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though he never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987). Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). His versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994). Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season. Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.As the 2000's rolled forward, Farina appeared in a number of movies, most notably in Bottle Shock and What Happens in Vegas. Farina would find even more success on the small screen, with roles on Law & Order and the much discussed horse-racing drama Luck. Sadly, Farina died of a bloodclot in his lung in July of 2013. He was 69 years old.

Trivia: Born in upstate New York in 1969, actor Max Martini performed on the stage throughout college before landing small but memorable roles in the high-profile feature films Saving Private Ryan and Contact. A number of TV guest spots followed, including multiple-episode arcs on Fox's 24 and the acclaimed Canadian cop show Da Vinci's Inquest. In 2006, Martini landed a lead role opposite Dennis Haysbert on CBS's The Unit, a military drama from Pulitzer Prize-winning writer David Mamet.

Trivia: With his tough-guy image and stocky build, American actor Dylan Bruno carved out a niche for himself as a character player in steel-toed action and adventure movies, beginning in the late '90s. These ran the gamut from critically praised masterworks -- such as Steven Spielberg's much-ballyhooed war opus Saving Private Ryan (1998) -- to John Irvin's less successful WWII telemovie When Trumpets Fade, that same year. Perhaps afraid of limiting himself, Bruno made a conscious attempt to expand his range into alternate genres, but successive roles essentially constituted variations on this original typecast. For example, Bruno appeared in the gentle romantic drama Where the Heart Is (2000) -- about an expectant blue-collar mother (Natalie Portman) who moves into an Oklahoma Wal-Mart -- as the rough-hewn redneck boyfriend, Willy Jack Perkins, who deserts her. Similarly, Bruno appeared in the TV drama The Pennsylvania Miners' Story (2002) as one of the gritty working-class men of the title who find themselves trapped in a mine with a decidedly slim chance of survival. Bruno subsequently built up his television resumé during the mid-2000s. He was particularly memorable as Colby Granger, a military veteran-cum-federal agent, on the popular detective drama Numb3rs (2005).

Trivia: Dropped out of his drama course at Trinity College in Dublin, to join the players at the esteemed Abbey Theatre. Made his Broadway debut in The Vertical Hour, opposite Julianne Moore and Bill Nighy, and directed by Sam Mendes, in 2006. Voiced the character of Stephen Dedalus in a BBC Radio production of James Joyce's Ulysses in 2012. In 2013, he publicly came out as gay, condemning Vladmir Putin's Anti-Gay legislation in Russia.

Trivia: Born in Alberta, Canada, in 1971, Nathan Fillion took his acting ambitions to the United States when he moved to New York in 1994 to portray Joey Buchanan on the ABC soap opera One Life to Live. Having previously appeared in a single TV movie, Ordeal in the Arctic, Fillion's acting career had taken a backseat to his plans to be an English teacher. His three-year stint on the long-standing daytime TV staple, however, changed his focus in a big way. When his time on One Life to Live was up, the 27-year-old actor relocated to Los Angeles to assume a regular role on the sitcom Two Guys, a Girl, and a Pizza Place. Shortly afterward, he made a memorable appearance as the "wrong Ryan" in Steven Spielberg's WWII epic Saving Private Ryan. He also made appearances on The Outer Limits, King of the Hill, Pasadena, and other projects. It was in 2002, however, that he assumed the role that would make his career. Buffy the Vampire Slayer creator Joss Whedon selected Fillion to portray rugged captain Mal Reynolds for his new sci-fi/Western series Firefly. The show found a rabidly loyal cult fan base, as well as incomparable critical praise, but tragically, failed to find the wide audience that Fox had been hoping for. The show was canceled after only 11 episodes, but Fillion had reached a level of familiarity with the public that most actors never hope to achieve. He reprised the role of Mal in 2005 for the feature-film adaptation of Firefly, Serenity, to the delight of fans. In 2006, Fillion stayed on the cream of the fringe with the much anticipated horror film Slither. Starring alongside Elizabeth Banks, the actor stole the show with his humorous, low-key performance. For his next project, he signed on to act alongside Keri Russell in the romantic comedy Waitress. When the writer's strike hit, Fillion teamed with his old collaborator Joss Whedon to star in the direct-to-the-web musical miniseries Dr. Horrible's Sing-Along Blog. In 2009 he landed the title role on the ABC series Castle, and took a small role in the dark superhero comedy Super in 2010.

Trivia: Became interested in acting after playing the role of Tiny Tim in a stage production of A Christmas Carol in third grade. Studied at American Conservatory Theater's Young Program. Lived in Italy and other locations in Europe while attempting to find work as an international banker. First professional acting job was in a Folgers commercial. Began appearing on TV in the early 1990s, performing in small roles on Cheers, The X-Files, NYPD Blue and Mad About You. Wrote, directed and starred in a 2010 film titled Morning opposite his wife, actress Jeanne Tripplehorn.

Trivia: A talented and handsome blond actor who has also shown a marked interest behind the camera, Ryan Hurst may have been destined to pursue a career in film considering his father's notable television career and his mother's occupation as an acting coach. Born in Los Angeles, CA, in 1976, Hurst found early commercial work before completing his primary education at Santa Monica High School. After an early appearance in a Spam commercial and a few helpful tips from mom and dad, the youth began to hit his stride on the stage. In addition to role his portrayal of Brutus in Julius Caesar and his work in such familiar plays as Harvey and Guys and Dolls, Hurst staged his own adaptation of the well-loved Cyrano de Bergerac for the Santa Monica Civic Light Opera and received a Best Performance award from Backstage West for his Canon Theater production of The Last Night of Ballyhoo. Television roles in Saved by the Bell: The New Class and Boston Common followed, and in 1997 Hurst made his feature debut in the Kevin Costner epic The Postman. Subsequent roles in such high-profile releases as Saving Private Ryan and Patch Adams (both 1998) continued to find his budding career flourishing; with a small role in 2000's The Rules of Engagement, Hurst also contributed behind the camera (he shot the 16 mm montage) and then turned up in the sports drama Remember the Titans (also 2000). Continuing to rise to the top of the credits with each film role, Hurst's roles in We Were Soldiers and Lone Star State of Mind (both 2002) were a testament to his remarkable versatility.

Trivia: First earning an international reputation in opera and musical comedy, Harve Presnell made his feature-film debut in the film adaptation of the hit Broadway musical The Unsinkable Molly Brown playing opposite Debbie Reynolds. Though he has spent the bulk of his career on the stage, Presnell periodically appeared in other films through the '70s. After taking no film roles in the '80s, Presnell re-emerged in the Coen brothers' Fargo (1996) and continued to play character roles in films such as Julian Po (1997) and Saving Private Ryan (1998).

Trivia: Enlisted in the U.S. Marines at age 19; was wounded three times (and received a Bronze Star) during three tours of duty in Vietnam. Was a public-affairs officer in Beirut when the Marine base there was attacked by terrorists in 1983; retired from the USMC as a captain in 1984. Trained anti-communist guerrillas in Nicaragua and El Salvador while writing for Soldier of Fortune magazine in 1984-85. Founded Warriors, Inc., a company offering military advice to filmmakers, in 1985. First client: Oliver Stone, for Platoon (the first of seven Stone collaborations). All told, has advised on more than 40 movies and TV shows, including Saving Private Ryan, Band of Brothers, The Pacific,The Thin Red Line, and Forrest Gump. Has acted in many of the films he advised on, as well in as such TV series as L.A. Law, JAG, Chuck, Cold Case and Entourage. Hosted a talk show on KFI radio in Los Angeles from 2003 to 2010. Has published numerous novels, including a novelization of Platoon. Son Chris is a member of the rock band The Fire Violets.

Trivia: A familiar face to a nation of television viewers thanks to his role as the more-than-slightly demented father on the popular FOX sitcom Malcolm in the Middle, longtime stage and screen actor Bryan Cranston has had a rich and varied career, lending his talents to everything from anime voice work (Armitage III and Macross Plus) to daytime television (as an original cast member of Loving). His commanding but off-kilter presence and quirky charm have easily provided Cranston with the necessary range to essay such diverse roles, and the longtime actor can always be counted on to inject a healthy dose of personality into his performances, no matter how large or small the role may be. Though the San Fernando Valley native made his television debut as a commercial actor at the age of eight, it wasn't until college that Cranston truly realized his calling as an actor. Following college graduation, Cranston's passion eventually drew him to Daytona Beach, FL, where the burgeoning actor appeared in such community-theater productions as Barefoot in the Park and Death of a Salesman. In 1982, he joined the cast of the then-new soap opera Loving, and though he would only remain with the daytime drama for a short time, appearances in Airwolf and Hill Street Blues, among various other series, found the actor maintaining a notable presence on television. Following a series of supporting feature performances, Cranston moved back to the small screen with a regular role in the 1988 sitcom Raising Miranda. In the years that followed, he would frequently shift between film (Clean Slate) and television (The Louie Show) while supplementing his income with voice-over work for such popular anime series as Armitage III. Supporting performances in such high-profile features as That Thing You Do! and Saving Private Ryan helped to increase the busy actor's recognition factor, and in 1999, Cranston wrote, produced, directed, and starred in his first feature film, a low-key drama entitled Last Chance. Though the film failed to gain much attention, Cranston was soon receiving numerous positive notices for his Emmy-nominated role as the hapless father in the breakout television hit Malcolm in the Middle. His performance alternately eccentric and endearing, Cranston injected the role with the perfect balance of fatherly weirdness and down-to-earth charm, and the series embarked on a healthy run. In the years that followed, Cranston became an increasingly familiar face to television and film viewers, and in addition to offering vocal work for the short-lived animated television series Clerks, he would contribute to such family-friendly fare as 'Twas the Night and The Santa Claus Brothers. After taking the lead in the 2003 made-for-television feature Thanksgiving Family Reunion, Cranston could be spotted opposite screen legend Kirk Douglas in the 2004 drama The Illusion. He appeared in the 2006 miniseries Fallen, and had a bit part in the Oscar nominated Little Miss Sunshine.However, in 2008 his career entered a whole new phase when he began work on the AMC series Breaking Bad, playing a chemistry teacher who becomes a meth dealer. His work on the critically lauded program would earn him four Emmys for Best Actor in a Drama Series (plus another two as a producer on the series). It also made him an in-demand character actor for movies and he worked steadily appearing in projects as radically different as Drive, Larry Crowne, Red Tails, John Carter, and Rock of Ages among many others.In 2014, Cranston made his Broadway debut in the play All The Way, playing President Lyndon Baines Johnson. The role earned him a Tony Award, and he committed to reprising the role for a TV movie. The following year, he played blacklisted screenwriter Dalton Trumbo in the film Trumbo (2015), nabbing Cranston his first Academy Award nomination.

Trivia: British actress Kathleen Byron made her first film Young Mr. Pitt in 1941, shortly after completing her training at the Old Vic. At first a standard-issue ingenue, Byron displayed a dominant willfulness that resulted in roles as schemers and prevaricators. After big-budget films like A Matter of Life and Death (1946) and Black Narcissus (1948) - giving a rivetting performance in the latter as an insane nun - Ms. Byron was consigned to budget-feature films like The Gambler and the Lady (1952) and Profile (1954). She made several pilgrimages to Hollywood in the 1940s and 1950s, but her only American film was MGM's Young Bess (1953), set in England. Kathleen Byron remained in films until the 1980s, though she appeared less frequently and the roles diminished in significance.