Trivia: Though perhaps best-known internationally for playing tough-guy roles in Romper Stomper (1993), L.A. Confidential (1997), and Gladiator (2000), New Zealand-born actor Russell Crowe has proven himself equally capable of playing gentler roles in films such as Proof (1991) and The Sum of Us (1992). No matter what kind of characters he plays, Crowe's weather-beaten handsomeness and gruff charisma combine to make him constantly watchable: his one-time Hollywood mentor Sharon Stone has called him "the sexiest guy working in movies today."Born in Wellington, New Zealand, on April 7, 1964, Crowe was raised in Australia from the age of four. His parents made their living by catering movie shoots, and often brought Crowe with them to work; it was while hanging around the various sets that he developed a passion for acting. After making his professional debut in an episode of the television series Spyforce when he was six, Crowe took a 12-year break from professional acting, netting his next gig when he was 18. In film, he had his first major roles in such dramas as The Crossing (1990) and Jocelyn Moorhouse's widely praised Proof (1991) (for which he won an Australian Film Institute award). He then went on to gain international recognition for his intense, multi-layered portrayal of a Melbourne skinhead in Geoffrey Wright's controversial Romper Stomper (1992), winning another AFI award, as well as an Australian Film Critics award. It was Sharon Stone who helped bring Crowe to Hollywood to play a gunfighter-turned-preacher opposite her in Sam Raimi's The Quick and the Dead (1995). Though the film was not a huge box-office success, it did open Hollywood doors for Crowe, who subsequently split his time between the U.S. and Australia. In 1997, the actor had his largest success to date playing volatile cop Bud White in Curtis Hanson's L.A. Confidential (1997). Following the praise surrounding both the film and his performance in it, Crowe found himself working steadily in Hollywood, starring in two films released in 1999: Mystery, Alaska and The Insider. In the latter, he gave an Oscar-nominated lead performance as Jeffrey Wigand, a real-life tobacco industry employee whose personal life was dragged through the mud when he chose to blow the whistle on his former company's questionable business practices.In 2000, however, Crowe finally crossed over into the public's consciousness with, literally, a tour de force performance in Ridley Scott's glossy Roman epic Gladiator. The Dreamworks/Universal co-production was a major gamble from the outset, devoting more than 100 million dollars to an unfinished script (involving the efforts of at least half a dozen writers), an untested star (stepping into a role originally intended for Mel Gibson), and an all-but-dead genre (the sword-and-sandals adventure). Thanks to an aggressive marketing campaign and mostly positive notices, however, the public turned out in droves the first weekend of the film's release, and kept coming back long into the summer for Gladiator's potent blend of action, grandeur, and melodrama -- all anchored by Crowe's passionate man-of-few-words performance.Anticipation was high, then, for the actor's second 2000 showing, the hostage drama Proof of Life. Despite -- or perhaps because of -- the widely publicized affair between Crowe and his co-star Meg Ryan, the film failed to generate much heat during the holiday box-office season, and attention turned once again to the actor's star-making role some six months prior. In an Oscar year devoid of conventionally spectacular epics, Gladiator netted 12 nominations in February 2001, including one for its lead performer. While many wags viewed the film's eventual Best Picture victory as a fluke, the same could not be said for Crowe's Best Actor victory: nudging past such stiff competition as Tom Hanks and Ed Harris, Crowe finally nabbed a statue, affirming for Hollywood the talent that critics had first noticed almost ten years earlier.Crowe's 2001 role as real-life Nobel Prize-winning schizophrenic mathematician John Forbes Nash Jr. brought the actor back into the Oscar arena. The film vaulted past the 100-million-dollar mark as it took home Golden Globes for Best Picture, Supporting Actress, Screenplay, and Actor and racked up eight Oscar nominations, including a Best Actor nod for Crowe. The film cemented Crowe as a top-tier leading man, and he would spend the following years proving this again and again, with landmark roles in Master and Commander: The Far Side of the World, Cinderella Man, A Good Year, 3:10 to Yuma, Robin Hood, and State of Play.

Trivia: Once described as resembling a teenage Elizabeth Taylor, one gets the feeling that Jennifer Connelly may, with her winning of the Best Supporting Actress Oscar for her role in A Beautiful Mind (2001), have finally found what she once referred to as, "the film I'm really proud of and really love." And though she has graced the screens of theaters since 1984, Connelly remains a capable and versatile actress undefined by any single role or film.Born in the Catskill Mountains of mid-state New York in December of 1970, and raised in the Brooklyn Heights neighborhood of New York City, Connelly got her start in show business as a model at the age of ten. Quickly coming into high demand due to her striking beauty, Connelly often traveled abroad, where she eventually made her acting debut. The burgeoning actress landed her first role in an episode of the British horror anthology Tales of the Unexpected, and soon found work in small roles such as the Duran Duran music video for "Union of the Snake" before making her feature debut in Sergio Leone's sprawling gangster epic Once Upon a Time in America. Connelly's next film role, as a gifted schoolgirl who teams with an entomologist to solve a string of murders in Dario Argento's Phenomena, proved that the young actress was well capable of handling leading roles. After a memorable Dorothy-esque turn in Jim Henson's fantasy adventure Labyrinth (1986), in which she must rescue her brother from Goblin King David Bowie, Connelly seemed to almost disappear for a short while. Subsequent appearances in such forgettable films as The Hot Spot and The Rocketeer, while frequent and helping the actress to maintain visibility, remained unchallenging and did little to advance her career.Things began to look up for the talented actress in the mid-'90s. Maturing into an actress capable of taking on challenging roles, Connelly's portrayal of a sensitive lesbian who befriends college freshman Kristy Swanson in John Singleton's Higher Learning hinted at abilities previously unexplored. After small roles in such well-received films as Lee Tamahori's Mulholland Falls and Alex Proyas' Dark City, Connelly was nominated for an Independent Spirit award for her portrayal of a burned-out junkie in Darren Aronofsky's emotionally jarring Requiem for a Dream (2000). In addition, 2000 brought Connelly her first recurring television role, in the fast-paced Wall Street weekly The $treet, and a role in Ed Harris' directing debut, the Jackson Pollock biopic Pollock. The following year found Connelly at a turning point in director Ron Howard's A Beautiful Mind. As the loyal wife of famed mathematician turned paranoid schizophrenic John Forbes Nash Jr. (portrayed in the film by Gladiator star Russell Crowe), Connelly once again showed her versatility and ability to gracefully shine amidst such notable talents as Crowe and Howard. With her roles in the early 2000s increasing in both emotional scope and dimension, Connellywould next appear in acclaimed director Ang Lee's eagerly anticipated The Hulk before taking the female lead in The House of Sand and Fog (both 2003). She played opposite a number of Oscar nominees in 2006 with her supporting work in Blood Diamond and Little Children, and continued to work steadily in a variety of projects including Reservation Road, The Day the Earth Stood Still, and Inkheart. She played the title character in screenwriter Dustin Lance Black's Virginia. She was cast as the put-upon wife of Vince Vaughn in Ron Howard's romantic comedy The Dilemma in 2011.

Trivia: Frequently cast as a working-class hard man, British actor Ray Winstone gained his first dose of international recognition for his brutal portrayal of an abusive, alcoholic family patriarch in Gary Oldman's Nil by Mouth (1997).Born in Hackney, London, on February 19, 1957, Winstone spent much of his youth as an amateur boxer. He first stepped into the ring at the age of 12 and over the course of the next several years won over 80 medals and trophies. Reportedly deciding to give acting a try because he was tired of getting hit, Winstone studied drama for a couple of years at the Corona School. He got his first break when director Alan Clarke cast him in the BBC's televised production of Scum (1977), a harsh depiction of life in a Borstal for young offenders. Due to its content, the film was banned before being released theatrically two years later. Winstone began appearing in other films that same year, notably the Who's Quadrophenia.Winstone continued to work in both film and television throughout the next decade, doing most of his work in countless TV series. In 1994, he earned strong notices for his starring role in Ken Loach's Ladybird, Ladybird. Three years later, Winstone's harrowing performance in Oldman's Nil by Mouth garnered him a Best Actor BAFTA nomination, as well as recognition on both sides of the Atlantic. He subsequently could be seen in a number of diverse projects, ranging from Face, Antonia Bird's 1997 crime drama, to the romantic comedy Martha, Meet Frank, Daniel and Laurence (1998) to Tim Roth's The War Zone (1999), in which Winstone earned further acclaim as the abusive patriarch of a wildly dysfunctional family. Also in 1999, he could be seen playing a loan shark who gives Anjelica Huston a hard time in Huston's Agnes Browne.Winstone gained wide international notice for his starring role in 2000's Sexy Beast, holding his own opposite Ben Kingsley, who earned an Academy Award nomination for his performance. He followed that up with a well-received part in 2001's Last Orders and parlayed his success into a supporting role in Anthony Minghella's 2003 star-studded Civil War drama Cold Mountain. He continued to work steadily appearing in a variety of films including Martin Scorsese's Best Picture winner The Departed, Beowulf, Fool's Gold, Indiana Jones and the Kingdom of the Crystal Skull, Hugo, and Snow White and the Huntsman.

Trivia: Emma Watson made her big-screen debut in 2001's box-office smash Harry Potter and the Sorcerer's Stone, bringing to life Hermione Granger, friend to the famous protagonist Harry Potter of J.K. Rowling's children's novel. Born in Paris, where she lived for the first five years of her life, Watson acted only in school plays before breaking into Hollywood with this film, but her performance skills had been honed through dancing, singing, and poetry recitals, the latter of which she had already received recognition for by the age of seven. In the years following that blockbuster, she reprised her role alongside co-stars Daniel Radcliffe and Rupert Grint for the subsequent beloved Harry Potter films. Her first foray into acting outside of the Harry Potter universe came with the made-for-TV movie Ballet Shoes in 2008, and after the phenomenally popular series came to an end in 2011 she could be seen in My Week With Marilyn. She took one of the leading roles in 2012's The Perks of Being a Wallflower. In 2013, Watson played a spoiled L.A. socialite in Sofia Coppola's The Bling Ring, followed by a small role, playing herself, in This is the End. She had a supporting role opposite Russell Crowe and Jennifer Connelly in the big-budget epic Noah (2014).

Trivia: Born on December 31, 1937, as the only son of a baker, Welsh actor Anthony Hopkins was drawn to the theater while attending the YMCA at age 17, and later learned the basics of his craft at London's Royal Academy of Dramatic Art. In 1960, Hopkins made his stage bow in The Quare Fellow, and then spent four years in regional repertory before his first London success in Julius Caesar. Combining the best elements of the British theater's classic heritage and its burgeoning "angry young man" school, Hopkins worked well in both ancient and modern pieces. His film debut was not, as has often been cited, his appearance as Richard the Lionhearted in The Lion in Winter (1968), but in an odd, "pop-art" film, The White Bus (1967).Though already familiar to some sharp-eyed American viewers after his film performance as Lloyd George in Young Winston (1971), Hopkins burst full-flower onto the American scene in 1974 as an ex-Nazi doctor in QB VII, the first television miniseries. Also in 1974, Hopkins made his Broadway debut in Equus, eventually directing the 1977 Los Angeles production. The actor became typed in intense, neurotic roles for the next several years: in films he portrayed the obsessed father of a girl whose soul has been transferred into the body of another child in Audrey Rose (1976), an off-the-wall ventriloquist in Magic (1978), and the much-maligned Captain Bligh (opposite Mel Gibson's Fletcher Christian) in Bounty (1982). On TV, Hopkins played roles as varied (yet somehow intertwined) as Adolph Hitler, accused Lindbergh-baby kidnapper Bruno Richard Hauptmann, and the Hunchback of Notre Dame.In 1991, Hopkins won an Academy Award for his bloodcurdling portrayal of murderer Hannibal "The Cannibal" Lecter in The Silence of the Lambs. With the aplomb of a thorough professional, Anthony Hopkins was able to follow-up his chilling Lecter with characters of great kindness, courtesy, and humanity: the conscience-stricken butler of a British fascist in The Remains of the Day (1992) and compassionate author C. S. Lewis in Shadowlands (1993). In 1995, Hopkins earned mixed acclaim and an Oscar nomination for his impressionistic take (done without elaborate makeup) on President Richard M. Nixon in Oliver Stone's Nixon. After his performance as Pablo Picasso in James Ivory's Surviving Picasso (1996), Hopkins garnered another Oscar nomination -- this time for Best Supporting Actor -- the following year for his work in Steven Spielberg's slavery epic Amistad. Following this honor, Hopkins chose roles that cast him as a father figure, first in the ploddingly long Meet Joe Black and then in the have-mask-will-travel swashbuckler Mask of Zorro with Antonio Banderas and fellow countrywoman Catherine Zeta-Jones. In his next film, 1999's Instinct, Hopkins again played a father, albeit one of a decidedly different stripe. As anthropologist Ethan Powell, Hopkins takes his field work with gorillas a little too seriously, reverting back to his animal instincts, killing a couple of people, and alienating his daughter (Maura Tierney) in the process.Hopkins kept a low profile in 2000, providing narration for Ron Howard's live-action adaptation of Dr. Seuss' How the Grinch Stole Christmas and voicing the commands overheard by Tom Cruise's special agent in John Woo's Mission: Impossible 2. In 2001, Hopkins returned to the screen to reprise his role as the effete, erudite, eponymous cannibal in Ridley Scott's Hannibal, the long-anticipated sequel to Jonathan Demme's Silence of the Lambs (1991). The 160-million-dollar blockbuster did much for Hopkins' bank account but little for his standing with the critics, who by and large found Hannibal to be a stylish, gory exercise in illogical tedium. Worse yet, some wags suggested that the actor would have been better off had he followed his Silence co-star Jodie Foster's lead and opted out of the sequel altogether. Later that year, the moody, cloying Stephen King adaptation Hearts in Atlantis did little to repair his reputation with critics or audiences, who avoided the film like the plague.The long-delayed action comedy Bad Company followed in 2002, wherein audiences -- as well as megaproducer Jerry Bruckheimer -- learned that Chris Rock and Sir Anthony Hopkins do not a laugh-riot make. But the next installment in the cash-cow Hannibal Lecter franchise restored a bit of luster to the thespian's tarnished Hollywood career. Red Dragon, the second filmed version of Thomas Harris' first novel in the Lecter series, revisited the same territory previously adapted by director Michael Mann in 1986's Manhunter, with mixed but generally positive results. Surrounding Hopkins with a game cast, including Edward Norton, Ralph Finnes, Harvey Keitel and Emily Watson, the Brett Ratner film garnered some favorable comparisons to Demme's 1991 award-winner, as well as some decent -- if not Hannibal-caliber -- returns at the box office.Hopkins would face his biggest chameleon job since Nixon with 2003's highly anticipated adaptation of Philip Roth's Clinton-era tragedy The Human Stain, a prestige Miramax project directed by Robert Benton and co-starring Nicole Kidman, fresh off her Oscar win for The Hours. Hopkins plays Stain's flawed protagonist Coleman Silk, an aging, defamed African-American academic who has been "passing" as a Jew for most of his adult life. Unfortunately, most critics couldn't get past the hurtle of accepting the Anglo-Saxon paragon as a light-skinned black man. The film died a quick death at the box office and went unrecognized in year-end awards.2004's epic historical drama Alexander re-united Hopkins and Nixon helmer Oliver Stone in a three-hour trek through the life and times of Alexander the Great. The following year, Hopkins turned up in two projects, the first being John Madden's drama Proof. In this Miramax release, Hopkins plays Robert, a genius mathematician who - amid a long descent into madness - devises a formula of earth-shaking proportions. That same year's comedy-drama The World's Fastest Indian saw limited international release in December 2005; it starred Hopkins - ever the one to challenge himself by expanding his repertoire to include increasingly difficult roles - as New Zealand motorcycle racer Burt Munro, who set a land speed record on his chopper at the Utah Bonneville Flats. The quirky picture did limited business in the States but won the hearts of many viewers and critics.He then joined the ensemble cast of the same year's hotly-anticipated ensemble drama Bobby, helmed by Emilio Estevez, about the events at the Ambassador Hotel in Los Angeles just prior to RFK's assassination. Hopkins plays John Casey, one of the hotel proprietors.Hopkins long held true passions in arenas other than acting - specifically, painting and musical composition. As for the former, Hopkins started moonlighting as a painter in the early 2000s, and when his tableaux first appeared publicly, at San Antonio's Luciane Gallery in early 2006, the canvases sold out within six days. Hopkins is also an accomplished symphonic composer and the author of several orchestral compositions, though unlike some of his contemporaries (such as Clint Eastwood) his works never supplemented movie soundtracks and weren't available on disc. The San Antonio Symphony performed a few of the pieces for its patrons in spring 2006.Hopkins would remain a prolific actor over the next several years, appearing in films like The Wolfman, Thor, and 360.Formerly wed to actress Petronella Barker and to Jennifer Lynton, Hopkins married his third wife, actress and producer Stella Arroyave, in March 2003.

Trivia: In terms of chosen material, actor Logan Lerman scored points at an early age for tackling some of the most difficult parts imaginable for a preteenager. His first major role was that of Jason, the put-upon young son of a harried single mother (Drew Barrymore) and a heroin addict (Steve Zahn) in Penny Marshall's coming-of-age period picture Riding in Cars with Boys (2001). Not long after, Lerman signed to portray the eight-year-old version of the central character in the controversial (and critically reviled) sci-fi melodrama The Butterfly Effect (2004) -- a part that found his character strangled, beaten, sexually abused, and fallen prey to a host of other atrocities. Then, after these arresting and emotionally challenging debuts, Lerman dropped down a few notches as far as the intensity of the material he sought out. From 2004-2005, Lerman co-starred in the short-lived drama series Jack & Bobby, playing Bobby, who was destined to one day become President of the United States. He also played an average young boy determined to band together with his buddies and save some rare owls in the family-friendly picture Hoot and portrayed the son of Christian Bale in James Mangold's Western remake 3:10 to Yuma. In the Joel Schumacher thriller The Number 23 (2007), Lerman played Robin Sparrow, the son of a seemingly normal man (Jim Carrey) driven around the bend by a numerical mystery. He went on to appear in Gamer before scoring his most-high profile part taking on the role of Percy Jackson, the hero of a popular series of fantasy novels, in Percy Jackson & the Olympians: The Lightning Thief. He followed that up by tackling the role of D'Artagnan in the 2011 version of The Three Musketeers before returning to smaller fare in The Perks of Being a Wallflower.

Trivia: Is of Spanish, Dutch and English ancestry. Has struggled with dyslexia. Began appearing in National Youth Music Theatre productions at the age of 13. Has modeled as the face of Burberry.

Trivia: Per his appearance, the stark-faced and rough-hewn character actor Kevin Durand built a successful career tackling tough-guy, redneck, and villain roles in such films as Walking Tall (2004), Smokin' Aces (2007), and 3:10 to Yuma (2007). His resumé also includes appearances on such small-screen programs as Dark Angel and Stargate SG-1. In 2008, Durand began a recurring role on the hit TV series Lost, playing mercenary Martin Keamy. After that high-profile gig, Durand returned to films, where his career picked up speed. He played The Blob in X-Men Origins: Wolverine (2009) and followed that up with Legion (where he played the archangel Gabriel) and Robin Hood (playing Little John), both in 2010. By playing supporting roles, Durand managed to appear in an average of three films a year for the next several years, playing commanders (2011's I Am Number Four), soldiers (Barry Burton in 2012's Resident Evil: Retribution), shadowhunters (2013's The Mortal Instruments: City of Bones) and biblical figures (2014's Noah).

Trivia: An actor of remarkable intensity whether playing comedy, drama, or classical-stage roles, Marton Csokas first became familiar to stateside audiences as Borias on the hit television series Xena: Warrior Princess. And though American audiences may not have been privy to his early stage and screen work, his performance in The Lord of the Rings: The Fellowship of the Ring made him a familiar face. Born in New Zealand in June 1966, Csokas' early schooling didn't exactly encourage creativity, and the future actor didn't discover his passion for the stage and screen until his late teens. While studying literature and art history for a year at Canterbury and Christchurch, Csokas became involved with a writer's club and theater company before graduating from the New Zealand Drama School and co-founding the The Stronghold Theater. Steadily gaining experience and harboring a growing passion for classical-stage drama, the actor landed a role in the television series Shortland Street before making his feature debut in Jack Brown Genius (1994). Numerous small film roles followed, and, after becoming a recognizable star in his native country, Csokas began to familiarize himself with American television audiences with Xena and such small-screen features as The Three Stooges (2000). His experience in the fantasy world of Xena prepared him well for his role as Celeborn in the first Lord of the Rings movie in 2001, and American audiences later saw the versatile actor as a villainous criminal mastermind bent on world domination in XXX (2002). He appeared in director Alex Proyas' decidedly upbeat Garage Days the same year and in Richard Donner's time travel fantasy Timeline in 2003.

Trivia: Not to be confused with 1950s Columbia contractee Don C. Harvey, American general-purpose actor Don Harvey began appearing in films in the mid-'80s, and was seen in secondary roles in such high-profile productions as Casualties of War (1989), Die Hard 2 (1990), and The Thin Red Line (1998), in addition to the made-for-cable feature Better Off Dead (1993). Because he was safely ensconced among the featured players, Harvey managed to survive such notorious flops as Hudson Hawk (1991) and Tank Girl (1995). One of his more prominent screen roles was "Black Sox" conspirator Swede Risberg in John Sayles' Eight Men Out (1988).

Trivia: Home schooled. Her acting career was boosted with her appearance as Baby June in an off-Broadway production of Gypsy. However, the experience of taking on an acting-and-dancing gig at the age of 12 took its toll on her life back home in Florida, where other children had trouble coping with her fame. Was featured in the 2007 Broadway production of How the Grinch Stole Christmas! The Musical! In 2010, took on the role of Nicky in the popular CBS drama Blue Bloods, which stars Tom Selleck.

Trivia: Played bass and sang in a rock band called Smiling Jackals starting at the age of 14 until he was 21. Made his West End theater debut in a 2006 production of Willy Russell's Blood Brothers. Starred in a London production of Jerusalem, and made his Broadway debut in 2011 in the same play.

Trivia: Played Romeo in the Shakespeare Theatre Company's 2008 all-male production of Romeo and Juliet. Made TV appearances on Cold Case, ER and CSI: Miami before his October 2009 debut as All My Children's Damon Miller, a role he held until January 2011. First appeared on the big screen in the 2010 crime drama Twelve. Debuted on Broadway in 2012 in Death of a Salesman, playing Happy Loman opposite Philip Seymour Hoffman's Willy Loman. Cowrote the 2015 indie film The Submarine Kid.

Trivia: Madison Davenport undertook her foray into Hollywood as a child star, specializing in family-oriented roles. She placed an unusually strong emphasis on vocal work, voicing characters in the 2006 Over the Hedge and the 2008 Horton Hears a Who, and also signed for a small role opposite lead Abigail Breslin in the live-action family-oriented comedy Kit Kittredge: An American Girl (2008). Over the coming years, as Davenport transitioned into more adult roles, she continued to maintain a consistent presence on screen, appearing on TV series like Shameless and Save Me.