Trivia: Onstage, on television, in the movies or in a serious interview, listening to and watching comedian/actor Robin Williams was an extraordinary experience. An improvisational master with a style comparable to Danny Kaye, his words rushed forth in a gush of manic energy. They punctuated even the most basic story with sudden subject detours that often dissolved into flights of comic fancy, bawdy repartee, and unpredictable celebrity impressions before returning earthward with some pithy comment or dead-on observation.Born in Chicago on July 21st, 1951, Williams was raised as an only child and had much time alone with which to develop his imagination, often by memorizing Jonathan Winters' comedy records. After high school, Williams studied political science at Claremont Men's College, as well as drama at Marin College in California and then at Juilliard. His first real break came when he was cast as a crazy space alien on a fanciful episode of Happy Days. William's portrayal of Mork from Ork delighted audiences and generated so great a response that producer Garry Marshall gave Williams his own sitcom, Mork and Mindy, which ran from 1978 to 1982. The show was a hit and established Williams as one of the most popular comedians (along with Richard Pryor and Billy Crystal) of the '70s and '80s.Williams made his big screen debut in the title role of Robert Altman's elaborate but financially disastrous comic fantasy Popeye (1980). His next films included the modestly successful The World According to Garp, The Survivors, Moscow on the Hudson, Club Paradise, The Best of Times. Then in 1987, writer-director Barry Levinson drew from both sides of Williams - the manic shtickmeister and the studied Juliard thesp - for Good Morning, Vietnam, in which the comedian-cum-actor portrayed real-life deejay Adrian Cronauer, stationed in Saigon during the late sixties. Levinson shot the film strategically, by encouraging often outrageous, behind-the-mike improvisatory comedy routines for the scenes of Cronauer's broadcasts but evoking more sober dramatizations for Williams's scenes outside of the radio station. Thanks in no small part to this strategy, Williams received a much-deserved Oscar nomination for the role, but lost to Michael Douglas in Wall Street.Williams subsequently tackled a restrained performance as an introverted scientist trying to help a catatonic Robert De Niro in Awakenings (1990). He also earned accolades for playing an inspirational English teacher in the comedy/drama Dead Poets Society (1989) -- a role that earned him his second Oscar nomination. Williams's tragi-comic portrayal of a mad, homeless man in search of salvation and the Holy Grail in The Fisher King (1991) earned him a third nomination. In 1993, he lent his voice to two popular animated movies, Ferngully: The Last Rain Forest and most notably Aladdin, in which he played a rollicking genie and was allowed to go all out with ad-libs, improvs, and scads of celebrity improvisations.Further successes came in 1993 with Mrs. Doubtfire, in which he played a recently divorced father who masquerades as a Scottish nanny to be close to his kids. He had another hit in 1995 playing a rather staid homosexual club owner opposite a hilariously fey Nathan Lane in The Birdcage. In 1997, Williams turned in one of his best dramatic performances in Good Will Hunting, a performance for which he was rewarded with an Oscar for Best Supporting Actor.Williams kept up his dramatic endeavors with both of his 1998 films: the comedy Patch Adams and What Dreams May Come, a vibrantly colored exploration of the afterlife. He next had starring roles in both Bicentennial Man and Jakob the Liar, playing a robot-turned-human in the former and a prisoner of the Warsaw ghetto in the latter. Though it was obvious to all that Williams' waning film career needed an invigorating breath of fresh air, many may not have expected the dark 180-degree turn he attempted in 2002 with roles in Death to Smoochy, Insomnia and One Hour Photo. Catching audiences off-guard with his portrayal of three deeply disturbed and tortured souls, the roles pointed to a new stage in Williams' career in which he would substitute the sap for more sinister motivations.Absent from the big-screen in 2003, Williams continued his vacation from comedy in 2004, starring in the little-seen thriller The Final Cut and in the David Duchovny-directed melodrama The House of D. After appearing in the comic documentary The Aristocrats and lending his voice to a character in the animated adventure Robots in 2005, he finally returned full-time in 2006 with roles in the vacation laugher RV and the crime comedy Man of the Year. His next project, The Night Listener, was a tense and erosive tale of literary trickery fueled by such serious issues as child abuse and AIDS.Williams wasn't finished with comedy, however. He lent his voice to the cast of the family feature Happy Feet and Happy Feet 2, played a late night talk show host who accidentally wins a presidential election in Man of the Year, portrayed an enthusiastic minister in License to Wed, and played a statue of Teddy Roosevelt that comes to life in Night at the Museum and its sequel Night at the Museum: Battle of the Smithsonian. He would also enjoy family-friendly comedic turns in World's Greatest Dad, Shrink, and Old Dogs.In 2013, he returned to television, playing the head of an advertising agency in The Crazy Ones; the show did well in the ratings, but was canceled after only one season. He also played yet another president, Dwight Eisenhower, in Lee Daniel's The Butler. Williams died in 2014 at age 63.

Trivia: Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC's Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg's Lincoln that she earned an Oscar nomination for Best Supporting Actress.

Trivia: Moving to London with his family at an early age, Irish-born actor Pierce Brosnan made ends meet as a commercial illustrator and cab driver before turning to acting full-time. After training at the London Drama Centre, Brosnan made his West End stage bow in 1976, and appeared in his first film, The Long Good Friday, four years later. American audiences got their first glimpse of the charismatic, muscular young actor in the 1981 network miniseries The Manions of America. The following year, he was cast as the suave adventurer hero of the weekly TV series Remington Steele. Brosnan's casual panache and his gift for quippery led the producers of the James Bond movies to select him as the new Bond upon the departure of Roger Moore in 1986. However, at the last moment, the canceled Remington Steele was renewed, and Brosnan was contractually obligated to remain with the program, forcing him to relinquish the James Bond role to Timothy Dalton. Insult was later added to injury when it became evident that the renewal of Steele was something of a subterfuge by its producers to keep Brosnan on their leash. This professional setback was further compounded by personal tragedy seven years later when Brosnan's actress wife Cassandra Harris died after a long illness. The actor began to regain his motion picture bankability when he was cast in a choice secondary role in the 1993 comedy megahit Mrs. Doubtfire. In 1995, he finally got his chance to play Agent 007 in GoldenEye, and proved that the producer's instincts were right on target. Brosnan not only provided a much-needed boost for the ailing series, but also cemented his status as a capable leading man in a variety of roles, ranging from the title character in Daniel Defoe's Robinson Crusoe (1996) to a stuffy, love-struck professor who meets a ludicrous fate in Mars Attacks! (1996) to a courageous vulcanologist trying to save a town threatened by a reawakened volcano in Dante's Peak (1997). Brosnan played Bond for the second time in Tomorrow Never Dies (1997), essaying the role with great success. Following his turn as the titular thief in the stylish 1999 remake of The Thomas Crown Affair, the actor went on to his third Bond outing in The World is Not Enough, again proving that saving the world was most convincingly done by those with convincing tans, straight teeth, and plenty of fun gadgets. And the world isn't the only thing Bond saved. While, the next half-decade found Brosnan stumbling with disappointments like The Tailor of Panama and The Laws of Attraction, he found box office success with the Bond franchise yet again 2002 with his final film in the franchise, Die Another Day. He soon followed this with a critically acclaimed comedic performance in the sleeper hit The Matador, before signing on for the highly anticipated film adaptation of the Abba inspired musical Mama Mia!. Next up, Brosnan would appear in some more dramatic fare like Remember Me before lightening up once more for the romantic comedy I Don't Know How She Does It.

Trivia: A graduate of the Pratt Institute, actor/playwright Harvey Fierstein made his off-Broadway debut in something called Pork. Outspokenly homosexual, Fierstein has successfully smashed previous "gay" stereotypes with his deep, ratchety voice and his engaging "You got a problem with that?" belligerence. In 1982, Fierstein wrote and starred in the stage play Torch Song Trilogy, a bittersweet three-part comedy concerning the homosexual experience in the AIDS era; the play won two Tony Awards and became one of the longest-running Broadway productions in history, toting up 1,222 performances. Fierstein repeated his stage characterization of Arnold Beckoff for the heavily rewritten and severely shortened 1988 movie version of Torch Song Trilogy. The actor's crossover performances in mainstream roles have often been quite successful, notably his appearance as the likable cosmetician brother of Robin Williams in Mrs. Doubtfire (1993). In 1994, Fierstein co-starred in the short-lived TV series Daddies' Girls, unfortunately lapsing into some of the clichéd gay mannerisms which he had so successfully avoided in his previous work. He was part of the ensemble in Woody Allen's Bullets Over Broadway, and had a part in the smash sci-fi action spectacle Independence Day. He went on to be in the drubbed Death to Smoochy, Duplex, and a series of animated projects that include Mulan II and Foodfight!

Trivia: After eking out a modest living as a piano teacher in Alabama and Florida, Polly Holliday switched to acting, spending ten seasons with the Asolo State Theater in Sarasota. In 1973, Holliday headed for New York, where she was cast in Murray Schisgal's Broadway play All Over Town; her director was Dustin Hoffman. All Over Town led to the tiny but pivotal role as a testy secretary in the Dustin Hoffman-Robert Redford feature All the President's Men (1976)--which, in turn, led to Holliday's being cast as wise-cracking waitress Florence Jean "Flo" Castleberry in the TV sitcom Alice (1976-80). Rising to nationwide fame by virtue of her oft-repeated catchphrase "Kiss mah grits!", Holliday earned four Emmy nominations and one Golden Globe Award. In 1980, she was spun off into her own weekly series Flo, which lacked Alice's staying power and was cancelled after a single season. She went on to briefly replace Eileen Brennan on TV's Private Benjamin (1983), and to play Captain Betty in the pilot episode of Stir Crazy (1985). Her film roles of the 1980s included Gremlins (1984), in which she was eminently hissable as Margaret Hamilton clone Mrs. Deagle. Polly Holliday's more recent work has largely been confined to the Broadway stage; in 1989, she received a Tony nomination for her portrayal of Sister Woman in a revival of Tennessee Williams' Cat on a Hot Tin Roof.

Trivia: Supporting actress Lisa Jakub began her acting career at age seven, with a small role in the 1985 film adaptation of Nicholas Gage's dramatic autobiography Eleni. She was born in Toronto, Canada. In addition to a promising career in feature films, Jakub has racked up considerable television credits guest starring on series ranging from Night Court to E.R. She has also appeared in television movies, such as Blue Heaven.

Trivia: Matthew Lawrence was born into a talented family. Like his brothers, Joey Lawrence and Andrew Lawrence, he began his career in front of the camera as a small child, appearing regularly on the melodrama Dynasty by the age of three, and Gimme a Break! at five. He spent the '80s and '90s building up an impressive body of work, logging in roles in films, TV movies, and series, most notably playing Robin Williams' son in Mrs. Doubtfire and the younger version of his real-life brother Joey's character on the show Blossom. The new millennium found Matthew nowhere near slowing down. Easily gliding into the roles of young men rather than kids, he played memorable parts in high-school and college-oriented projects like the long-running series Boy Meets World, the USA TV movie Cheats, and the wacky comedy The Hot Chick. In 2006, Matthew decided to try his hand at a more intense kind of project, signing on to play a role in the sci-fi horror Hunter's Moon.

Trivia: Capturing movie lover's hearts with undeniably adorable performances in such features as Mrs. Doubtfire and Matilda (1996), young starlet Mara Wilson seemed poised to take Hollywood by storm. Though she was seemingly born to essay the role of author Roald Dahl's telekinetic youngster Matilda in the feature of the same name, Wilson remained curiously absent from the screen following her role in the 2000 family film Thomas and the Magic Railroad. A Los Angeles native who got her start onscreen with the 1993 comedy Mrs. Doubtfire, the role ultimately found Wilson catching the eye of filmmaker John Hughes and cast in his 1994 remake Miracle on 34th Street. Though the film paled in comparison to the original classic and was quickly lost in the shuffle, the quality of her performance was undeniable, and it was only two short years before she took the lead in the charming family comedy Matilda. A quirky adaptation of the classic Dahl tale, the film captured the tone of the book spot-on, thanks in no small part to Wilson's memorable performance. Due to the fact that follow-up roles in A Simple Wish (1997) and Thomas and the Magic Railroad succeeded in charming audiences as never before, her subsequent absence from the screen remained all the more curious.

Trivia: A holder of an economics degree from Philadelphia's Temple University, Philly-born actor Robert Prosky kicked off his career by winning a televised talent contest. With his sharp-edged voice and mashed-potato features, Prosky rose to prominence as a character actor, spending 23 years with Washington, D.C.'s prestigious Arena Stage. In 1983, he was cast in the original Broadway production of Glengarry Glen Ross, winning a Tony award for his performance; he later received excellent notices for his performance as an aging Soviet bureaucrat in A Walk in the Woods. Prosky's first film role was as the backstabbing mob boss in 1981's Thief. Since that time, he has graced several films in a variety of roles -- few more likable than the wistful, washed-up horror show host in Gremlins 2 (1988), the TV station manager in Mrs. Doubtfire, and the enigmatic projectionist in Last Action Hero (1993). Among Robert Prosky's many TV assignments was the regular role of Sgt. Stan Jablonski, who in 1984 took over the morning roll call from the late Sgt. Phil Esterhaus (Michael Conrad) in Hill Street Blues.

Trivia: Though she got her start in the film industry late in life, actress Anne Haney would go on to become a dependable character actress with a strong reputation and a healthy sense of humor.Born in March of 1934 in Memphis, TN, Haney studied radio, drama, and television at the University of North Carolina before marrying Georgia Public Television executive John Haley. Soon raising a daughter and devoting herself to family life, Haney began to seek work in the local theater in the 1970s, touring with Noel Coward's Fallen Angels and joining the Screen Actors Guild in preparation for her family's post-retirement move to Southern California. Her plans sadly stifled by her husband's death in 1980, with her daughter in college Haney was on her own for her Westward voyage, though soon after arriving she got an agent and a role in the Walter Matthau vehicle Hopscotch (1980). Alternating between stage and screen for the duration of her Hollywood career, Haney gained over 50 credits with her frequent appearances in television and film. With memorable roles in such films as Liar Liar and Mrs. Doubtfire, in addition to her appearances on Matlock, L.A. Law, The Geena Davis Show, and Ally McBeal, Haney's likeable personality proved both enduring and endearing.On May 26, 2001, Anne Haney died of natural causes in her Studio City, CA, home. She was 67.

Trivia: Sydney Walker was a veteran stage star by the time he had his major film role playing Dr. Shapely in Love Story (1970). All told, Walker's career encompased nearly 50 years and included stints on Broadway and national tours, as well as a long residency at the American Conservatory Theater in San Francisico. His other film credits include Prelude to a Kiss (1992), in which he played Julius (the old man), and Mrs. Doubtfire (1993).

Trivia: Martin Mull intended to become a painter when he enrolled in the Rhode Island School of Design, but his Scaramouche-like sense of the ridiculous led to a career as a nightclub comedian. The deceptively conservative-looking Mull is widely recognized as one of the most accomplished satirists in show business. Even before he gained TV fame, Mull's barbed comedy albums had earned him a following on the college campus circuit. His first major TV assignment was Mary Hartman Mary Hartman (1976-77), where he was seen as Garth Gimble, an ill-tempered wife beater who ended up being impaled by a Christmas tree. When Mary Hartman Mary Hartman producer Norman Lear developed the spin-off series Fernwood Tonight in 1977, Mull was brought back as glad-handing emcee Barth Gimble, Garth's twin brother. In films since 1978, Mull is often called upon to portray an underhanded or vacillating CEO (vide Mister Mom). His well-groomed mustache and tweedy appearance served him well as Colonel Mustard in the 1985 movie version of the venerable board game Clue. Back on television, Mull has etched such indelible comic characterizations as Leon Carp, Roseanne Connor's gay boss, on Roseanne (1988- ), and the leading roles of Martin Crane in Domestic Life (1984) and Dr. Doug Lambert in His & Hers (1990). In collaboration with Allan Rucker, Martin Mull was the creator/writer of a devastating series of lampoonish "cultural studies" books and TV specials, under the blanket title The History of White People in America.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: The son of an actor of the same name, Paul Guilfoyle has appeared in several major film productions, portraying a wide variety of supporting characters. He is a member of the prestigious Actor's Studio, as well as being a longtime resident of New York. He also has numerous stage credits to his name. However, the actor is best known for his role in the crime drama CSI: Crime Scene Investigation. He joined the show in its first season in 2000 as L.V.P.D Captain James "Jim" Brass, and continued to work on the show throughout the 2000s and early 2010s.