Trivia: Born June 13, 1986, in Sherman Oaks, CA, Ashley Olsen is one-half of the multimillion-dollar franchise known as The Olsen Twins. Long before the identical pair had unwittingly indoctrinated themselves into the hearts and minds of adoring pre-pubescent girls (and vaguely creepy fraternity boys), however, Ashley and her sister, Mary-Kate Olsen, were simply the youngest members of the long-running sitcom Full House, which hired them just a year after their birth. Because of U.S. child-labor laws, the girls took turns playing Full House's resident cute baby girl, Michelle Tanner. Before long, Ashley and Mary-Kate had their own catchphrase ("You got it, dude"), which reverberated in the ears of Uncle Jesse (John Stamos) and throughout American audiences loudly enough to merit a TVQ rating -- the sitcom world's most prominent popularity contest -- second only to Bill Cosby. Ashley Olsen continued her part-time role as Michelle until Full House came to a close in 1995, though she took time out to film several family-oriented straight-to-video releases, including To Grandmother's House We Go (1992), Double, Double, Toil and Trouble (1993), and How the West Was Fun (1994). Luckily for Olsen, the demise of Full House hardly marked the end of her career. Along with her sister, Ashley's success in the family-oriented video market planted the seeds for what would eventually become a multimillion-dollar empire with enough punch to land the twins the 83rd spot in Forbes magazine's list of the world's 100 most powerful celebrities in 2003. 1995 marked Ashley's big-screen debut as the wealthy, worldly twin-sister in It Takes Two, a thinly veiled send-up of The Parent Trap opposite Kirstie Alley and Steve Guttenberg. Olsen also participated in the short-lived 1998 television series Two of a Kind, which, like Full House, followed a widower's efforts to raise his children. This time, however, Ashley and Mary-Kate's identical status served as a gimmick rather than an irksome legal necessity. (The producers of Full House had insisted on crediting the twins as "Mary Kate Ashley Olsen" in an effort to hide their sisterhood.) By the early 2000s, Ashley had established herself as part of a verifiable marketing gold mine and, oddly enough, the not-quite-legal forbidden fruit of American pop culture. In addition to a juvenile book series, magazine, scads of videos and DVDs, countless talk show appearances, The Adventures of Mary-Kate & Ashley TV series, a clothing line, perfume, and an estimated combined net worth of more than 300-million dollars, the girls also attracted the unwanted attention of hundreds of decidedly less-wholesome Internet sites counting the days until their 18th birthday. The girls deemed this attention, as well as their number 61 ranking in For Him Magazine's "100 Sexiest Women in the World" in 2003 as, simply, "gross." After a bit part in Charlie's Angels: Full Throttle that same year, Ashley both co-produced and starred in New York Minute (2004), which follows a set of identical twins whose attempt at a day in Manhattan lands them in the midst of a high-profile political scandal.

Trivia: Born June 13th, 1986, in Sherman Oaks, CA, Mary-Kate Olsen is one-half of the multimillion-dollar franchise known as The Olsen Twins. Long before the pair had unwittingly indoctrinated themselves into the hearts and minds of adoring pre-pubescent girls (and vaguely creepy fraternity boys), however, Mary-Kate and her sister, Ashley Olsen, were simply the youngest members of the long-running sitcom Full House, which hired them just a year after their birth. Because of U.S. child-labor laws, the girls took turns playing Full House's resident cute baby girl, Michelle Tanner. Before long, Mary-Kate and Ashley had their own catchphrase ("You got it, dude"), which reverberated in the ears of Uncle Jesse (John Stamos) and throughout American audiences loudly enough to merit a TVQ rating -- the sitcom world's most prominent popularity contest -- second only to Bill Cosby. Mary-Kate continued her part-time role as Michelle until Full House came to a close in 1995, though she took time out to film several family-oriented straight-to-video releases, including To Grandmother's House We Go (1992), Double, Double, Toil and Trouble (1993), and How the West Was Fun (1994). Luckily for Olsen, the demise of Full House hardly marked the end of her career. Along with her sister, Mary-Kate's success in the family-oriented video market planted the seeds for what would eventually become a multimillion-dollar empire with enough punch to land the twins the 83rd spot in Forbes magazine's list of the world's 100 most powerful celebrities in 2003. 1995 marked Mary-Kate's big-screen debut as the scrappy, orphaned twin sister in It Takes Two, a thinly veiled send-up of The Parent Trap opposite Kirstie Alley and Steve Guttenberg. Olsen also participated in the short-lived 1998 television series Two of a Kind, which, like Full House, followed a widower's efforts to raise his children. This time, however, Mary-Kate and Ashley's identical status served as a gimmick rather than an irksome legal necessity. (The producers of Full House had insisted on crediting the twins as "Mary Kate Ashley Olsen" in an effort to hide their sisterhood.) By the early 2000s, Mary-Kate had established herself as part of a verifiable marketing gold mine and, oddly enough, the not-quite-legal forbidden fruit of American pop culture. In addition to a juvenile book series, magazine, scads of videos and DVDs, countless talk show appearances, The Adventures of Mary-Kate & Ashley TV series, a clothing line, perfume, and an estimated combined net worth of more than 300-million dollars, the girls also attracted the unwanted attention of hundreds of decidedly less-wholesome Internet sites counting the days until their 18th birthday. The girls deemed this attention, as well as their number 61 ranking in For Him Magazine's "100 Sexiest Women in the World" in 2003 as, simply, "gross." After a bit part in Charlie's Angels: Full Throttle that same year, Mary-Kate both co-produced and starred in New York Minute (2004), which follows -- what else? -- a set of identical twins whose attempt at a day in Manhattan lands them in the midst of a high-profile political scandal. Olsen would spend the next several years appearing in a number of films like The Wackness and Beastly, in addition to a successful run on the series Weeds. Olsen then turned her attention to her and Ashley's growing fashion empire, letting acting her acting career take a backseat.

Trivia: Actress Cynthia Geary has appeared on film and in numerous made-for-television movies, but she is best known as Shelly Marie Tambo-Vincoeur on the TV series Northern Exposure

Trivia: Lead actor, onscreen from the '80s.

Trivia: Fans familiar with diminutive American actress Rhea Perlman only through her Emmy-winning characterization of wasp-tongued waitress Carla Tortelli on the TV sitcom Cheers are usually taken aback to discover that Perlman is as shy and soft-spoken as Carla was pushy and abrasive. A working actress since the 1960s, Perlman played Carla from 1983 until Cheers' swan song ten years later. Most of her "outside" projects during that period, notably the 1984 TV movie The Ratings Game and a 1986 episode of Steven Spielberg's Amazing Stories, were done in conjunction with her longtime companion, Danny DeVito, who also played her boyfriend on the late-'70s comedy series Taxi. Kindred spirits, Rhea Perlman and Danny DeVito eventually marched down the matrimonial aisle as a loudspeaker played a recording of Carl "Alfalfa" Switzer singing "I'm in the Mood for Love."

Trivia: Stocky comedic actor Jerry Van Dyke -- the younger brother by several years of actor Dick Van Dyke -- achieved some of the success of his older sibling, albeit with a somewhat lower profile and his own distinct persona. Time and again, Jerry specialized in portrayals of flustered, befuddled, and slightly klutzy goofballs who projected grating angst. (His typical characterizations could be contrasted with the "laid-back everyman" qualities and smoothness required by many of Dick's roles.) Raised in Danville, IL -- a community about 130 miles south of Chicago -- Van Dyke evinced a flair for comedic buffoonery and loved to entertain audiences as early as high school, then spent several years touring the country and performing in every comedy club he could find that agreed to book him. His career only began to take off, however, following his decision to join the Air Force Special Services in 1952 (during the Korean War) -- which, in turn, provided him with the opportunity to travel around the world and entertain the troops. His act soon caught the eye of Ed Sullivan, who booked Jerry for two popular engagements on his iconic variety series, and in the mid-'60s he began appearing alongside his brother on The Dick Van Dyke Show (conveniently playing Rob Petrie's brother, Stacey Petrie). In the years that followed, Jerry Van Dyke began associations with two key television producers -- relationships that would serve him well in the years to come. The first -- a collaboration with Grant Tinker (off-camera husband of Mary Tyler Moore from The Dick Van Dyke Show) led to Van Dyke's starring role in the 1965 fantasy-tinged sitcom My Mother the Car, which cast him as Dave Crabtree, a fellow revisited by his deceased mother -- in the form of an automobile. That program failed within a year, but the actor and producer would team up again nearly a decade later when Tinker and Co. cast Van Dyke in a brief multi-episode stretch of The Mary Tyler Moore Show as Wes Callison, an ex-boyfriend of Mary Richards who is plagued by complications when he happens to take a job in the same newsroom as Mary. During the same decade, Van Dyke also turned up as a guest star on series including That Girl, Love, American Style, and Fantasy Island. Van Dyke then tried out for the role of dim-witted Vermont handyman George Utley on the seminal '80s sitcom Newhart. Producer/creator Barry Kemp felt that the actor would be the wrong choice for the part (and eventually handed it to Tom Poston instead), but also felt so impressed by Van Dyke's talents that he both cast the actor in a guest-starring role on a season-one episode of that series (he played a flustered travel agent named Roy Herzog), and promised Van Dyke a more substantial recurring assignment on a sitcom. Kemp realized that promise five years later, by enlisting Van Dyke to play spaced-out assistant football coach Luther Van Dam on the top-tiered sitcom Coach (1989-1997). For that portrayal, the actor received numerous Emmy nominations. In subsequent years, Van Dyke continued his television work (he enjoyed a lengthy run on the sitcom Yes, Dear as Big Jimmy Hughes), did standup comedy bookings around the country, and emceed advertisements for various brands, products, and companies, including Big Lots.

Trivia: Stuart Margolin was a published writer and off-Broadway playwright before he was old enough to vote. The pinch-faced, curly-headed Margolin began showing up in character parts in 1966, in films like Women of a Prehistoric Planet and TV series like Occasional Wife. He was a staff writer and member of the acting ensemble on the popular sitcom anthology Love American Style, which ran from 1969 through 1974. In 1971, Margolin co-starred on the western series Nichols, launching his long friendship and professional association with actor James Garner. He went on to win two Emmy awards for his portrayal of mildly larcenous Angel Martin on Garner's long-running (1974-80) series The Rockford Files; played Philo Sandine on the 1981 retro Garner TV vehicle Bret Maverick; and guest-starred on the first episode of Garner's short-lived "dramedy" Man of the People (1991). Stuart Margolin turned to directing in the 1980s, beginning with (inevitably) a brace of James Garner TV movies, The Long Summer of George Adams (1982) and The Glitter Dome (1984)); he has since helmed two theatrical features, Paramedics and Donna d'Onore (both 1990).

Trivia: Well known as a TV sitcom actress, Lori Loughlin has also appeared in numerous features and TV movies. The Queens-born and Long Island-raised brunette entered show business as a model and TV commercial actress in her early teens. Loughlin was cast on the daytime drama Edge of Night at age 15, staying with the show from 1979 to 1982. Moving on to films, Loughlin appeared in the horror sequel Amityville 3-D (1983), the romantic comedy Secret Admirer (1985), the thriller The New Kids (1985), and the Frankie Avalon-Annette Funicello retro-romp Back to the Beach (1987). Loughlin, however, became a primetime TV celebrity as one of the stars of the long-running family sitcom Full House. While she was on the show from 1987 to 1995, Loughlin also starred in several TV movies, including the critically praised drama Doing Time on Maple Drive (1992) with a pre-Ace Ventura Jim Carrey. After she finished Full House, Loughlin continued to appear on TV, starring in the single-season show Hudson Street (1995-1996), and several telefilms, including Abandoned and Deceived (1995), In the Line of Duty: Blaze of Glory (1997), and Tell Me No Secrets (1997). Loughlin also appeared in the straight-to-video sequel Casper, A Spirited Beginning (1997) and indie film Suckers (1999). Taking time off in the late '90s to start a family, Loughlin is married and has two children.

Trivia: Bob Saget offers living proof that it is possible to dramatically (and aggressively) alter one's own show-business image in mid-act. This deceptively clean-cut writer/actor/comedian began his foray into televised entertainment typecast as a "family-oriented" comic actor, and then shocked nearly everyone by emerging as a popular "blue" comedian with raunchy standup gigs, delivered from such venues as Glitter Gulch. Throughout, Saget managed to achieve considerable success in each venue, albeit among radically different demographics.A graduate of Pennsylvania's Temple University, Saget originally planned to pursue medical studies, but a brush with the performing arts convinced him to head in that direction instead. Following a brief appearance as a doctor in the Richard Pryor-Michael Apted medical farce Critical Condition (1986), Saget achieved broad recognition in 1987 when cast as genial family man Danny Tanner, a widower and father of three, on the saccharine sitcom Full House (1987-1995). Two and a half years into that program's run, Saget concurrently turned up on another program, America's Funniest Home Videos, which -- per its title -- featured the comic actor emceeing a seemingly limitless series of humorous amateur video clips sent in by folks around the country -- in a contest that issued cash prizes for the very best. Videos, like Full House, instantly scored with the public when it bowed in January 1990; Saget remained with the series until 1997.Beginning immediately around the time that Full House wrapped, Saget started branching off into a variety of directions; he helmed several features, including telemovies (For Hope, Jitters) and at least one theatrically released comedy (the 1998 Dirty Work), but placed his strongest emphasis on standup. The performer hosted Saturday Night Live, contributed a routine to Comic Relief, and headlined a series of standup comedy specials on pay cable that were -- as indicated -- definitively for adults. He also contributed a memorably scatological and raunchy routine to longtime friends Paul Provenza and Penn Jillette's standup documentary revue, The Aristocrats (2005). (The routine was prefaced by Saget's ironic admission, "Some people think I have a reputation of being a dirty comedian...," and intercepted by his tongue-in-cheek request to have a copy of the video of the routine, to send it to the kids on Full House.) Saget's 2007 directorial effort Farce of the Penguins (2007) skewered the popular nature documentary March of the Penguins (2007) with raunchy voice-overs (by an all-star cast) placed atop nature footage of penguins in the wild. Meanwhile, beginning in 2005, Saget signed for a voice-only role on the sitcom How I Met Your Mother. He provides the older voice of the lead character, Ted Mosby, as he tells his two children the story of how he came to know their mother, effectively serving as narrator for the show.