Trivia: Model-turned-actress Cameron Diaz seemed to come out of nowhere when she made her 1994 screen debut opposite Jim Carrey in The Mask. However, her unusual beauty -- the result of her Cuban-American and Anglo-German-Native-American parentage -- helped to ensure that she would not be soon forgotten.Born in San Diego, CA, on August 30, 1972, Diaz left school at 16 to become a model. For the next five years, she traveled the globe, working in Japan, Australia, Mexico, Morocco, and Paris. As a model for the Elite Agency, she did commercial work for such products as Coke, Nivea, and L.A. Gear. She returned to California at the age of 21 and was unknown in the film industry when cast in her breakthrough role as the target of Jim Carrey's hyper-animated lust in The Mask. Following the hoopla surrounding her performance -- or, more specifically, her physical appearance -- in the film, Diaz opted to take acting lessons and appear in a series of small, independent films, including The Last Supper (1995), She's the One (1996), and Feeling Minnesota (1996). After starring opposite Ewan McGregor in Danny Boyle's A Life Less Ordinary (1997), Diaz further endeared herself to audiences and critics with her performance in My Best Friend's Wedding (1997). Proving herself an acceptable foil for the film's star, Julia Roberts, she went on to greater success in the Farrelly brothers' There's Something About Mary in 1998. Starring as the film's titular heroine, Diaz turned in an audience-pleasing performance in the cheerfully bawdy film, which proved to be one of the year's biggest box-office successes. The same year, Diaz cameoed in Fear and Loathing in Las Vegas and starred as Jon Favreau's unhinged fiancée in the black comedy Very Bad Things. Now fully established as one of Hollywood's hottest properties, she accepted leads in 1999's Being John Malkovich, in which she played puppeteer John Cusack's wife, and Any Given Sunday, in which she played the president and co-owner of a football team in Oliver Stone's paean to American football.In 2000, Diaz joined Drew Barrymore and Lucy Liu in Charlie's Angels, the much-hyped big-screen remake of the television classic. A comically self-aware and fairly faithful adaptation of the original series, Charlie's Angels served up Matrix-style action with retro-sensibilities, propelling the franchise into the new millennium. The following year found Diaz endearing herself to younger audiences as the voice of Princess Fiona in the animated box-office smash Shrek, as well as using her wide-eyed innocence to horrific effect in the Tom Cruise mindbender Vanilla Sky. Headlining the ill-fated comedy The Next Best Thing in 2002, Diaz would take a historical trip to the birthplace of America in director Martin Scorsese's Gangs of New York before becoming the second (after Julia Roberts) actress to join the "20-Million-Dollar Club" with Charlie's Angels: Full Throttle. Like its predecessor, the film performed well at the box office, and Diaz further proved her box-office clout in 2004 when another sequel, Shrek 2, became the third-highest grossing film of all time.Diaz switched gears altogether in 2005 when she headed to the small screen, hosting and producing the MTV reality show Trippin'. With its focus on ecology and conservation, the program found the actress and her celebrity pals traipsing the globe to explore various natural environments. Diaz also remained a strong presence in Hollywood during the Christmas season of 2005 in the well-received Curtis Hanson film In Her Shoes. In this picture -- adapted from the Jennifer Weiner novel by Susannah Grant -- Diaz plays the beautiful yet thoroughly harebrained and irresponsible Maggie, sister of the prim, proper, and conservative attorney Rose (Australian import Toni Collette), with whom she comes to blows during their ill-advised stint as roommates. As Maggie discovers a grandmother that she never knew existed (Shirley MacLaine) and travels to Florida to bond with the woman, Rose experiences a significant romantic breakup and decides to change careers. A long-buried and dormant secret from the past then comes to light that reunites the women and forges a path to reconciliation. In Her Shoes struck box-office gold and won the hearts of many critics. And though it surprised just about everyone who foresaw a dopey, lame-brained romantic comedy, assiduous devotees of Hanson's career were perhaps less shocked given the director's keen intelligence and marvelous track record.Diaz maintained a relatively low profile throughout 2006, following up the Hanson film with yet another lightly comic dissection of contemporary relationships, Nancy Meyers' Holiday, followed by a voice-only turn in Dreamworks' tertiary installment of the Shrek franchise, Shrek the Third. Never shy about doing what her fans love, Diaz was soon signing on for more romantic comedies, starring alongside Ashton Kutcher in 2008's What Happens in Vegas and 2009's My Sister's Keeper. For her next project, however, Diaz tried something out of the ordinary, working with Donnie Darko director Richard Kelly for the supernatural thriller The Box. While not well received, the movie reminded critics and fans of Diaz's wide range. As the 2010's rolled onward, the actress proved that her charm was as strong with audiences as ever, most notably in action fare like Knight and Day, and comedies like the deliciously naughty Bad Teacher. In 2014, Diaz had a resurgent year, with the comedies The Other Woman and Sex Tape, before tackling the iconic role of Miss Hannigan in the remake of Annie.

Trivia: A handful of actresses carry such a wellspring of inner grace and presence that they appear destined for celebrity from birth. Natalie Wood had it, as did Elizabeth Taylor and Grace Kelly; many would doubtless place Kate Winslet among their ranks. A tender 11 when she commenced her formal dramatic training, 19 when she debuted cinematically, and 20 when she received her first Best Supporting Actress Oscar nomination, Winslet never "ascended" to stardom; she became a star overnight. The possessor of an hourglass-figured, full-lipped beauty that lends itself effortlessly to costume dramas, Winslet was roundly hailed by the press for standing in stark, proud contrast to her more conventional Hollywood peers. Born on October 5, 1975, and raised in Reading, England, as the daughter of stage actors and the granddaughter of a repertory theater manager, Winslet inherited the "drama bug" from her folks. After training exhaustively as a child and securing professional representation she went on the air as a spokesgirl for a popular British cereal, and later attended a performing-arts secondary school. Following an early graduation in 1991 (prior to the age of 16), Winslet launched her regional stage career, highlighted by roles in adaptations of The Secret Diary of Adrian Mole and Peter Pan. It would be difficult to imagine a more auspicious film bow than the role of Juliet Hulme in Peter Jackson's Heavenly Creatures -- or a more difficult one. This characterization -- that of an extroverted adolescent who constructs an incestuously exclusive fantasy world with her best friend (Melanie Lynskey) -- put Winslet on the map, and opened the door for follow-ups in international megahits such as Ang Lee's Sense and Sensibility (1995), as the willful, passionate Marianne; and James Cameron's Titanic (1997), as the object of Leonardo Di Caprio's affections, Rose DeWitt Bukater. She received dual Oscar nominations for those roles, but, surprisingly, failed to net either one.Meanwhile, Winslet concurrently shied away from the high gloss of Cameron and unveiled her stage origins, traveling the arthouse circuit with such productions as Michael Winterbottom's Jude (1996), as Sue Bridehead; and Kenneth Branagh's disappointing, overbaked, four-hour Hamlet (1996), as Ophelia. Hideous Kinky embodied a turn on a much smaller scale. Directed by Scottish helmer Gillies MacKinnon (and scripted by his brother, Billy), the film casts Winslet as a freewheeling young hippie who takes her children to Morocco in order to pursue spiritual enlightenment. Beyond the positive reviews gleaned by the film and the praise that critics lavished onto Winslet's performance, one of the most alluring sidelights happened off camera, when Winslet dated and then married James Threapleton, the third assistant director on the MacKinnon film. The couple divorced in 2001.During 1999 and 2000, Winslet dove into two roles that required her to cut loose and break free of all inhibitions. First, she played another young woman in search of spiritual enlightenment, this time in Jane Campion's Holy Smoke. Starring as an Australian girl who joins a cult on a visit to India, and is then "deprogrammed" by Harvey Keitel, Winslet's role pushed her beyond the limits of propriety and embarrassment (one scene has her standing naked and urinating in front of Keitel). Unfortunately, one or two brave performances did not an unequivocal masterpiece make; the picture sharply divided critics, falling far short of the praise heaped onto Campion's The Piano six years earlier. Even gutsier (though more successful on a dramatic level) was Winslet's turn as a laundress who delivers the Marquis de Sade's manuscripts to the outside world in Phil Kaufman's Quills. Winslet reentered the Oscar limelight with yet another Academy-nommed performance as a youthful Iris Murdoch in director Richard Eyre's Iris, but the gold statuette eluded her a third time when Jennifer Connelly netted it for A Beautiful Mind. In early 2003, she hit a low point as Bitsey Bloom, opposite Kevin Spacey in The Life of David Gale. Based on the experience of a University of Texas professor -- an avid anti-death-penalty activist faced with execution after a false conviction -- Winslet portrayed the reporter who broke the story in a desperate attempt to discover the truth behind the mysterious and brutal crime for which Gale was convicted. As scripted by Charles Randolph and directed by Alan Parker, the picture opened and closed almost simultaneously, to devastating, brutal reviews. Winslet fared better in 2004, as the love interest opposite Jim Carrey in Michel Gondry's Eternal Sunshine of the Spotless Mind. This humorous and poignant mindbender, with a tender romance at its core, scored on all fronts, as did Winslet's performance, earning her Academy Award and Golden Globe nominations. She followed it up with a return to period film in Finding Neverland (2005), a movie about Victorian author J.M. Barrie, played by Johnny Depp. Playing the inspiration for the character of Wendy in the beloved novel Peter Pan seemed only natural for the charming actress, who had long since proven herself a similarly charismatic onscreen force. The next year, 2006, found Winslet in a quintet of back-to-back projects. In the CG-animated Flushed Away -- from Aardman and Dreamworks -- she voiced Rita, a scavenging sewer rat who helps Hugh Jackman's Roddy escape from the city of Ratropolis and return to his luxurious Kensington origins. That year, she also headlined the political drama All the King's Men, opposite Sean Penn. Written and directed by Schindler's List's Steven Zaillian, the picture cast Winslet as Jude Law's childhood sweetheart; while overflowing with talent, the long-gestating remake was a major misfire with critics and audiences. Perhaps more fortuitously, Winslet joined the cast of Todd Field's Little Children, an ensemble comedy drama about fear and loathing in an upper-class suburb in New England. The film would net her her fifth Oscar nomination, this time for Best Actress. More financially successful was her involvement in Nancy Meyers' romantic comedy Holiday, as Iris, a British woman who temporarily "swaps homes," as part of a vacation ploy, with Cameron Diaz's Amanda, and has an affair with Jack Black. Meanwhile, Winslet and Johnny Depp reunited for the first occasion since Finding Neverland as narrators of the IMAX documentary Deep Sea 3D (2006), filmmaker Howard Hall's lavish exploration of the aquatic depths, designed for young viewers.After taking some time off in 2007, Winslet returned in 2008 with a pair of award-winning performances. Playing opposite her Titanic co-star Leonardo DiCaprio in Revolutionary Road earned her Best Actress nominations from both the Screen Actors Guild and the Hollywood Foreign Press, as well as a healthy number of year-end critics awards. But it was her work in Stephen Daldry's adaptation of The Reader that provided her with the sixth Academy nomination of her career, as well as Best Supporting Actress nods from the Screen Actors Guild and the Golden Globes. The Hollywood Foreign Press made history that year selecting her the winner in both the Best Actress in a drama and the Best Supporting Actress categories at that year's Golden Globes.In 2011, Winslet would win an Emmy, Golden Globe, and Screen Actors Guild award for her performance in HBO's 5-part miniseries Mildred Pierce, and take on a lead role in Contagion, a disaster film directed by Steven Soderbergh. In 2013, she starred in Labor Day and joined the Divergent film series, returning for the film's sequel, Insurgent, in 2015. She also starred in Steve Jobs, and earned her seventh Oscar nomination.

Trivia: Although he first appeared as just one of the latest crop of golden-skinned English imports to caress the hormones of American filmgoers, Jude Law is steadily proving that his talents lie beyond his ability to smolder seductively in front of the camera. Since 1995, when Law made the transition from British soap opera to Broadway via Sean Mathias' Indiscretions (in which he co-starred with Kathleen Turner), his work has increasingly garnered favorable notice from critics and moviegoers alike.Born in London on December 29, 1972, Law started acting as a teenager. Before Indiscretions, his most notable role was in Shopping (1994), a British production that gave him both initial recognition and an introduction to his future wife, actress Sadie Frost (the couple has two children). After the critical and commercial success of Indiscretions, Law began finding more work in film, starring as Claire Danes' boyfriend in I Love You, I Love You Not (1997) and as the genetically privileged man who sells his identity to Ethan Hawke in Gattaca (1997). Also in 1997, Law took on the plum role of Alfred Lord Douglas (or Bosie), Oscar Wilde's volatile lover in Wilde. Although none of these films received unanimously positive critical (or box-office) attention, they did help to further establish Law as an actor to be taken seriously. Law followed them with a small part in Bent (1997) and the more pivotal role of Billy, Jim Williams' hotheaded and ill-fated lover in Midnight in the Garden of Good and Evil (1997). Following that film, Law went on to make a few smaller films, including Music From Another Room (also starring a still unknown Gretchen Mol) and The Final Cut, in which he played a sinister, deceased version of himself.In 1999, Law appeared in David Cronenberg's cyberific eXistenZ and completed filming Anthony Minghella's The Talented Mr. Ripley alongside Gwyneth Paltrow, Matt Damon, and Cate Blanchett. The film earned widespread acclaim upon its release, much of which was lavished on Law's portrayal of the serially charming and devastatingly superficial Dickie Greenleaf. Law garnered both a Golden Globe and Oscar nomination for Best Supporting Actor for his performance, further cementing his reputation as one of the more promising up-and-coming actors on either side of the ocean.After a turn as a Russian marksman facing off against a Nazi sniper in Enemy at the Gates (2001), Law returned to sci-fi with his role as love machine Gigolo Joe in Steven Spielberg's eagerly anticipated A.I.In addition to his acting commitments, Law kept busy with Natural Nylon, the production company he founded with Sadie Frost, Sean Pertwee, Ewan McGregor, and Jonny Lee Miller. In 2002, Law starred alongside film veterans Tom Hanks and Paul Newman in the multiple Oscar-winning Road to Perdition and was on the path to an Oscar once again for his performance in Cold Mountain (2003) with Nicole Kidman and Renée Zellweger, who took home the Oscar for Best Supporting Actress. After appearing in only two films in as many years, Law was virtually unavoidable in the last third of 2004, with substantial roles in a grand total of six films. First up, he played the title role in the blue-screened sci-fi action flick Sky Captain and the World of Tomorrow, starring alongside the likes of Gwyneth Paltrow, Angelina Jolie, and a "resurrected" Laurence Olivier. A month later, he could be found starring in the remake of Alfie as well as in the ensemble cast of David O. Russell's comedy I Heart Huckabees. And before the close of the year, audiences could catch him in Mike Nichols' romantic drama Closer, as Errol Flynn in Martin Scorsese's Howard Hughes biopic The Aviator, and providing the voice of the title character in the big-screen adaptation of Lemony Snicket's a Series of Unfortunate Events. Produced on an elephantine, effects-heavy budget by the wunderkind, billon-dollar powerhouse Scott Rudin (The Firm, Sister Act) and starring Jim Carrey, the film opened in December 2004 and received average to positive notices; such commentators as Newsweek's Sean Smith, The Washington Post's Desson Thomson, and others championed it (one referred to it as "a Tim Burton movie without the weird shafts of adolescent pain"); others were nonplussed. Roger Ebert complained, "It's odd, how the movie's gloom and doom are amusing at first, and then dampen down the humor. Although many Unfortunate Events do indeed occur in "Lemony Snicket," they cannot be called exciting because everyone is rather depressed by them." The picture nevertheless did excellent box office. Alfie - a remake of the 1966 Michael Caine vehicle, with Law taking over the Caine role - didn't fare so well with critics but performed adequately at the box. Law ducked out of films for a year or so between 2004 and 2005, which led Variety to ask, "Where in the world is Jude Law?" The actor apparently needed a vacation, but his absence was short lived: Law ended his sabbatical after a year or so, and triumphantly returns to cinemas in 2006. In All the King's Men, Law plays second-string fiddle to an over-the-top Sean Penn. A political tale adapted from Robert Penn Warren's novel by Schindler's List scribe Steven Zaillian (who also directs), the movie weaves the tale of a Huey Long-like southern demagogue (Penn). The film will hit cinemas across the U.S. in September '06. Law is also re-teaming with his Cold Mountain collaborator, Anthony Minghella, in Breaking & Entering. Over the next several years, Law would enjoy his status as a leading man, appearing in a number of films like the Sherlock Holmes franchise, Hugo, and Contagion. He played Alexei Karenin in Anna Karenina in 2012, and appeared in The Grand Budpest Hotel in 2014.

Trivia: Actor, musician, and cult idol ascendant, Jack Black is known for both the characters he portrays on the screen and as one of the forces behind Tenacious D, a rock band/standup routine that Black has described as "a Smothers Brothers for the Dungeons and Dragons misfits set."A native of Santa Monica, CA, Black attended the University of California at Los Angeles. He got his professional start on the stage, appearing in Tim Robbins' production of Carnage at the 1989 Edinburgh Fringe Festival. He would go on to collaborate with Robbins throughout his career, making his screen debut in the director's 1992 political satire Bob Roberts and appearing in Robbins' Dead Man Walking (1995) and Cradle Will Rock (1999). Black spent the '90s playing supporting and lead roles in a variety of films, including Demolition Man (1993), The Cable Guy (1996), which cast him as the best friend of Matthew Broderick's character, and Jesus' Son (1999), in which Black had a small but extremely memorable role as a pill-popping hospital orderly.In 2000, Black had one of his most recognizable and enthusiastically received screen roles to date in High Fidelity. Stephen Frears' popular adaptation of Nick Hornby's novel of the same name, it featured Black as Barry, a thoroughly obnoxious record-store employee. The part allowed the actor to do some of his own singing, a talent that he had previously inflicted on numerous audience members during his years with the aforementioned Tenacious D. The band, comprised of Black and fellow holy terror Kyle Gass, had existed since 1994, and it had been featured on the TV comedy series Mr. Show and as the subject of their own HBO series entitled (tongue firmly in cheek) Tenacious D: The Greatest Band on Earth. It was only a matter of time before Black stepped up from supporting character to leading man, and with the Farrelly brother's Shallow Hal Black may just have found the ideal vehicle for the successful transition. As a superficial man who falls in love with a 300-pound woman after being hypnotized to see only the "inner beauty" of the opposite sex, Black co-starred alongside Gwyneth Paltrow and Jason Alexander in what promised to be a charmingly offensive addition to the Farrelly canon.Though MTV Films' heavily marketed Orange County (2002) was not a huge commercial success, Black's supporting role as the lead character's slacker brother was well received by critics and long-time fans alike, and the once obscure figure began appearing on media outlets including Saturday Night Live, Primetime Glick, commercials for The Osbournes, and various MTV music and film awards. In 2003, Black starred in his first big hit -- director Richard Linklater's musical comedy School of Rock, which featured Black as a disgruntled heavy metal-guitarist doing a substitute teaching gig for extra cash. Critics were so taken by his performance that he was honored with a Golden Globe nomination.2004 saw Black turn in a cameo in the Will Ferrell vehicle Anchorman, after starring opposite Ben Stiller in director Barry Levinson's black comedy Envy. While the film was a box-office bomb after having its release pushed back several times, Black still had much to celebrate when it was announced he would be taking the lead in Peter Jackson's highly anticipated 2005 remake of King Kong. The epic film helped transition Black from a cult hero to a traditional movie star, though he was still careful to keep his original fans happy. In 2006, he starred in Napoleon Dynamite director Jared Hess' comedy Nacho Libre. The part of a disgruntled monk turned Lucha Libre idol was a perfect fit for the bombastic star, and he followed the performance up with another comic offering for his serious fans as he and Kyle Gass, his partner in Tenacious D, starred in Tenacious D in The Pick of Destiny. This big screen telling of the band's mythical history promised to be full of the over-the-top laughs that rocked fans of the group's HBO series, and also included appearances by rock and metal idols like Ronnie James Dio and Meatloaf, who portrayed Black's dad. Black didn't abandoning straight acting. He would appear in a number of more conventional, and even dramatic roles over the coming years, like in The Holiday and Margot at the Wedding, while still pursuing the broad comedic roles he was known for in full force, with comedies like Be Kind Rewind, Tropic Thunder, Year One, and The Big Year. In 2012, Black reteamed with Richard Linklater for a unique blending of comedy, drama, and crime, playing a congenial southern murder suspect in Bernie.

Trivia: Long before earning his B.A. from the University of Texas and his M.A. in Education from C.C.N.Y., Eli Wallach made his first on-stage appearance in a 1930 amateur production. After World War II service and intensive training at New York's Neighborhood Playhouse, the bumpy-nosed, gravel-voiced Wallach debuted on Broadway in Skydrift (1945). In 1951, he won a Tony award for his portrayal of Alvaro Mangiaco in Tennessee Williams' The Rose Tattoo. Though a staunch advocate of "The Method," Wallach could never be accused of being too introspective on-stage; in fact, his acting at times was downright ripe -- but deliciously so. He made his screen debut in Baby Doll (1956) playing another of Tennessee Williams' abrasive Latins, in this instance the duplicitous Silva Vaccaro; this performance earned Wallach the British equivalent of the Oscar. He spent the bulk of his screen time indulging in various brands of villainy, usually sporting an exotic accent (e.g., bandit leader Calvera in The Magnificent Seven [1960]). Perhaps his most antisocial onscreen act was the kidnapping of Hayley Mills in The Moon-Spinners (1965). Even when playing someone on "our" side, Wallach usually managed to make his character as prickly as possible: a prime example is Sgt. Craig in The Victors (1963), who manages to be vituperative and insulting even after his face is blown away. Busy on stage, screen, and TV into the 1990s, Wallach has played such unsavory types as a senile, half-blind hitman in Tough Guys (1986) and candy-munching Mafioso Don Altobello in The Godfather III (1990). He continued to work steadily into the 1990s with parts in the Chinatown sequel The Two Jakes, the remake of Night and the City, Article 99, and narrating a number of documentaries. He didn't slow down much at all during the 21st century, appearing in the comedy Keepin the Faith, Clint Eastwood's Oscar Winning Mystic River, and The Hoax. In 2010 he acted for Roman Polanski in his thriller The Ghost Writer, and for Oliver Stone in Wall Street: Money Never Sleeps, which was to be his last film role; Wallach died in 2014 at age 98.His television work has included an Emmy-winning performance in the 1967 all-star TV movie The Poppy Is Also a Flower and the continuing role of mob patriarch Vincent Danzig in Our Family Honor. Married since 1948 to actress Anne Jackson, Wallach has appeared on-stage with his wife in such plays as The Typists and the Tiger, Luv, and Next, and co-starred with her in the 1967 comedy film The Tiger Makes Out. Eli Wallach and Anne Jackson are the parents of special effects director Peter Wallach.

Trivia: One of a number of American independent filmmakers launched to prominence in the '90s by virtue of their success at the Sundance Film Festival, writer/director Edward Burns was born in Woodside, Queens, in 1968 and raised on Long Island. After attending Oneonta College and S.U.N.Y.-Albany, he transferred to Hunter College in New York City to study motion pictures; there he helmed a number of short films, including the 15-minute Hey, Sco! Upon graduating, Burns began working at a local news outlet and made Brandy, a 45-minute effort screened as a work in progress at the 1992 Independent Feature Film Market. During the spring of 1993, while working as a production assistant for the television newsmagazine Entertainment Tonight, Burns began conceiving The Brothers McMullen, a comedy focusing on the romantic troubles facing three Irish-Catholic siblings. Shot primarily in his parents' Long Island home, with a cast of unknowns including Burns himself and his then-girlfriend Maxine Bahns, the feature was filmed over eight months' time with a budget of about 25,000 dollars and with the aid of a technical crew comprised largely of fellow Entertainment Tonight staffers. Rejected by a series of distributors, The Brothers McMullen bowed at Sundance in 1995 and won the festival's Grand Jury Prize, becoming one of the most successful independent efforts of the year.For his follow-up, She's the One, Burns retained much of the McMullen cast and crew, including Bahns and actor Mike McGlone; by virtue of his newfound fame, he was also able to cast up-and-coming stars Jennifer Aniston and Cameron Diaz in pivotal roles, and he even solicited an original soundtrack from rocker Tom Petty. Filmed with a comparatively lavish budget of about three million dollars, the romantic comedy premiered during late August 1996. Burns soon began work on his third feature, No Looking Back, a romantic drama set in a coastal town's working-class community. The film co-starred Lauren Holly and was released in 1998; that same year, Burns co-starred in the Steven Spielberg World War II epic Saving Private Ryan. In 1999, he was back on the screen with an appearance in Oliver Stone's football drama Any Given Sunday. In the years that followed, Burns wrote and directed a series of additional comedy-dramas incluing Sidewalks of New York (2001), Ash Wednesday (2002), Looking for Kitty (2004) and The Fitzgerald Family Christmas.

Trivia: Sporting the kind of darkly mischievous good looks that often get him cast as randy, ne'er-do-well paramours, Rufus Sewell began his film career in the early '90s and soon emerged as one of England's most promising young actors. The son of an Australian animator who died when he was ten, Sewell was born in Twickenham, Middlesex, on October 29, 1967. He trained to become an actor at London's Central School of Speech and Drama, leaving the school after three years. After making a promising debut on the London stage with an award-winning performance in Making It Better, Sewell originated the role of Septimus Hodge in Tom Stoppard's Arcadia, which earned him a nomination for the prestigious Olivier Award. He also won acclaim on the other side of the Atlantic, winning Broadway's Theatre World Award for his performance in Translations.In addition to his work on the stage, Sewell had been acting on both the large and small screen, making his film debut in 1991 with Twenty-One, in which he played Patsy Kensit's junkie boyfriend. In 1994 he caught the attention of American art house filmgoers with his role as a sweet-natured bus driver who becomes the object of Albert Finney's affections in A Man of No Importance; the same year, PBS viewers could see him star in the acclaimed adaptation of Middlemarch.Sewell's art house recognition increased the following year, when he had starring roles in John Schlesinger's Cold Comfort Farm and Carrington. The first film cast him as an earthy farmer accustomed to rolls in the hay, while the second cast him as one of Emma Thompson's army of spurned lovers. Both films helped to get him noticed, even if the attention centered primarily on his imported lust-object status, but it was not until 1998 that he was given his first starring role, headlining the cast of Dark City. Unfortunately, the film vaporized at the box office, as did Sewell's other film that year, Dangerous Beauty.In 1999, the actor was again visible to transatlantic audiences, first as a bitter, alcoholic cokehead in The Very Thought of You, a romantic comedy released in Britain the previous year; and then in John Turturro's Illuminata, a turn-of-the-century romantic farce which cast him as an amorous actor. The latter film -- which also featured Susan Sarandon, Ben Gazzara, and Christopher Walken in its impressive cast -- won a number of good reviews, as did Sewell, an actor who by this point had made the expression of earthy lustiness into something of an endearing trademark.In 2000 Sewell graced the screen in Bless the Child, a supernatural thriller that also starred Kim Basinger and Christina Ricci. Of course few actors of his generation could essay such instantly dislikable villains as the talented Sewell, and after raising the ire of the noble Heath Ledger in the popular period adventure A Knight's Tale, he would once again make viewer's skin crawl as an aristocratic creep with more than a few skeletons in the closet in Neil Burger's romantic fantasy The Illusionist. In 2008 Sewell appeared as Alexander Hamilton in the Emmy-winning HBO mini-series John Adams, with subsequent roles in Eleventh Hour and The Pillars of the Earth preceding a turn as Detective Aurelio Zen in the TV mini-series Zen, and a turn as an evil bloodsucker with designs on the newly established United States in Abraham Lincoln Vampire Hunter.

Trivia: Shannyn Sossamon's story could inspire thousands of wannabe actresses to buy a few turntables: casting director Francine Maisler discovered the 20-year-old actress spinning records at a posh Hollywood party and cast the Angelina Jolie lookalike in A Knight's Tale, which Sony hoped would be a huge summer hit. While A Knight's Tale performed somewhat respectably at the box office, it failed to set the world on fire. But it did establish Sossaman and co-star Heath Ledger as up-and-coming young actors. The Hawaii-born and Nevada-raised Sossaman moved to Los Angeles when she was 15 to study dance, which she considers a lifelong passion. She and a friend were DJing Gwyneth and Jack Paltrow's joint birthday party when Maisler noticed her, contacting her soon after the party about auditioning for the movie. Sossaman next appeared in 40 Days and 40 Nights alongside Josh Hartnett, another actor who saw his star rise in 2001 thanks to a summer blockbuster. She followed that up with the Bret Easton Ellis adaptation The Rules of Attraction. She continued to work steadily in a variety of projects including Kiss Kiss Bang Bang, Wristcutters: A Love Story, One Missed Call, and Road to Nowhere.

Trivia: During his first few decades as an actor, Bill Macy took whatever was readily available: poetry-reading jobs, movie bits, comedy-record gigs (he's the operatic cabdriver in the classical music lampoon The Wurst of PDQ Bach) and off-Broadway stage assignments. While appearing in the 1969 "nudie" musical Oh! Calcutta, the 45-year-old Macy gained attention, critical and otherwise, for appearing au naturel in one of the comedy sketches. Evidently he enjoyed the sensation; even in his days of TV prominence, Macy was known to disrobe at parties and public functions whenever he'd been too generous in his participation at the bar. In the early 1970s, Macy was cast in several small roles in the TV properties of producer Norman Lear; this led to a lengthy (72-78) engagement as Walter Findlay, husband of fiery feminist Maude Findlay (Bea Arthur) on the popular sitcom Maude. Since that time, Bill Macy has thrived in film and stage character parts, and has co-starred in two TV weeklies, Hanging In (79) and Nothing in Common (87).

Trivia: A trained dramatic actor, Shelley Berman rose to fame in the 1950s by becoming the first "sit-down" comedian. Berman's calculatedly self-pitying nightclub monologues concerned his tiltings with the minor frustrations of everyday life. His specialty was the "telephone" monologue; seated on a stool and holding an imaginary receiver, Berman invariably cast himself as the victim of Ma Bell bureaucracy and thick-headed unseen "second parties." He tended to wear his neuroses on his sleeve, and was well-known for his unpredictable temperament; in one notorious TV-special appearance of the 1960s, Berman was interrupted in mid-monologue by a ringing offstage pay phone, whereupon he stomped backstage and tore the offending phone off the wall. A busy TV guest-star, Berman showed up frequently on the Paar/Sullivan/Allen variety show circuit of the 1950s and 1960s, and played seriocomic roles on such TV series as Peter Gunn, The Twilight Zone and The Girl From UNCLE. He also played a recurring role on the satirical soap opera Mary Hartman, Mary Hartman (1977), and was co-producer of the 1970 summer replacement series Comedy Tonight. Berman's film credits include The Best Man (1964), Divorce American Style (1967) and Son of the Blob (1970). Dropping out of public view due to profound personal problems (not least of which was the death of his son), Shelley Berman staged a comeback in the 1980s with appearances in such films as Teen Witch (1989) and Elliot Faumann MD (1990).

Trivia: Actress Odette Yustman experienced a brief taste of show business before the age of six, when she was tapped to play one of the impossibly cute tots in the Arnold Schwarzenegger fish-out-of-water comedy Kindergarten Cop (1990). Aside from a brief role as a daughter in Garry Marshall's Dear God (1996), however, she subsequently remained off-screen until her early twenties. At that point, Yustman's on-camera activity re-crescendoed, first with star billing on the short-lived prime-time soaper South Beach (as an aggressive, power-playing fashion model), then with bit parts in such features as The Holiday (2006), Transformers (2007), Walk Hard: The Dewey Cox Story (2007). Yustman achieved more prominent billing with a supporting turn in the sci-fi horror movie Cloverfield (2008), playing one of several friends who find their lives turned upside down by a carnivorous, rampaging beast.

Trivia: Was raised outside Portland, Oregon.Grew up practicing outdoor activities, including mountain and rock climbing, whitewater kayaking, and skiing.In 2006, reached the top of Mt. Kilimanjaro with his father.Moved to Los Angeles in 2012.Skilled in ceramics, piano, guitar and singing.Founder of the pottery studio Throw Clay LA.

Trivia: Growing up, her mother was a headmistress and her father was a helicopter designer. First job was at 13 in a local launderette. Appeared in a famous 1994 Boddington's beer advert. Met future husband, actor James Murray, in 2005 on the set of the drama series Cutting It. Follwing the death of her daughter, Ella-Jayne, due to a cogential heart defect in 2009, she and her husband started the Murray Parish Trust in order to raise funds for the Paediatric Intensive Care Unit at Southampton General Hospital. Co-owns production company Aphra Productions with actress and friend Dervla Kirwan. Helped found BARREtoned, a ballet-inspired workout studio in London.

Trivia: A native of Cleveland, OH, actress Kathryn Hahn received her first taste of show business in the late '80s, when the then-teenager scored a live-action role opposite several puppets on the locally produced children's program Hickory Hideout. Hahn formally studied acting at the Yale School of Drama, and just prior to her final year of 2000-2001 (in mid-summer stock), the performer caught the attention of an NBC casting recruiter, who tapped her for a regular role on the prime-time drama Crossing Jordan; she played amiable grief counselor Lily Lebowski for the full run of the series (2001-2007).Meanwhile, film roles began pouring in right and left, beginning with visible turns as Kate Hudson's health editor roommate in the hit romantic comedy How to Lose a Guy in 10 Days (2003), and as a barmaid with more than a passing crush on Topher Grace in Robert Luketic's gentle romantic comedy Win a Date with Tad Hamilton! (2004). Hahn subsequently commenced a long series of assignments for Hollywood's highest-profiled directors and producers, including bit parts in the Judd Apatow-Adam McKay farce Anchorman: The Legend of Ron Burgundy (2004) and Nancy Meyers' romantic comedy The Holiday (2006), and a small supporting role in the Robert Shaye-directed fantasy The Last Mimzy (2007). After her Crossing Jordan role ended with the series' cancellation in 2007, Hahn was able to work more freely in other venues, which became apparent with her output in 2008. She took on another cinematic supporting turn in the Will Ferrell-John C. Reilly comedy Step Brothers and starred opposite Leonardo DiCaprio and Kate Winslet in the period suburban drama Revolutionary Road. That same year, Hahn made her Broadway debut in the Tony award-winning play Boeing-Boeing. Over the next serveral years, Hahn would remain an active force on screen, appearing in fukns kuje The Dictator and Our Idiot Brother, as well as on shows like Parks and Recreation and Girls. Throughout her various assignments, Hahn drew high praise for her comedic ability, which netted occasional comparisons to Carol Burnett.

Trivia: Best known to small-screen devotees as sales representative Jim Halpert, the eternally patient, undeclared admirer of Pam Beesly (Jenna Fischer) on Greg Daniels' hit NBC sitcom/mockumentary The Office, Massachusetts native John Krasinski graduated from Rhode Island's Brown University in 2001 as an honors playwright, but quickly segued into acting. Within three years launched himself into films, predominantly with bit roles and supporting parts, but consistently echoing the promise that he would soon find himself among number-one box-office draws and Tinseltown heartthrobs. By 2006, in fact, People Magazine featured Krasinski in its "Sexiest Men" issue, a testament to the actor's rapidly growing recognition in the eyes of the public.Born October 20, 1979, Krasinski grew up and attended high school in Newton, an affluent western suburb of Boston. After receiving his degree from Brown, Krasinski studied at the National Theater Institute. 2004 marked the actor's "breakthrough year," with fleeting appearances in no less than four A-list productions. That year, he had bit parts as Ben in the American Zoetrope film Kinsey, a biopic of sex researcher Alfred Kinsey, directed by Bill Condon and starring Liam Neeson; Bob Flynn in Matt Mulhern's finely wrought (and underappreciated) alcoholism drama Duane Hopwood starring David Schwimmer; Messenger #3 in Tim Story's urban comedy Taxi, with Queen Latifah and Jimmy Fallon; and the British CG-animated fantasy Doogal (aka, The Magic Roundabout), which didn't find U.S. release until early 2006. The first two of these films were widely lauded sleepers, the last two critically despised (though they failed to hurt Krasinski's career, given the low profile of his involvement).The Office followed in 2005. Adapted by Daniels from a hit 2001 British series of the same title, the program -- a ratings bonanza on NBC -- stars Daily Show vet Steve Carell as Michael Scott, the tactless, vain, pushy, and loudmouthed (yet well-meaning) director of the Dunder-Mifflin paper company. While Carell's off-the-wall antics spiked the series with a never-ending source of hilarity, the gradually developing relationship between Krasinski's Jim and Fischer's Pam (two straight roles) brought the series weight and solicited interest from those viewers seeking deeper and more meaningful character development. Perhaps sensing this, Daniels opted to stretch their courtship at a snail's pace over the course of several seasons. Krasinski would appear in several movies even as The Office's success continued on the small screen, like Jarhead, The Holiday, For Your Consideration, License to Wed, Leatherheads, Away We Go, and Big Miracle. In 2015, he appeared in Cameron Crowe's Aloha and acted as executive producer on the highly-successful TV series Lip Sync Battle.

Trivia: Began his career in the theater in Sydney, appearing in plays by Chekhov and Tolstoy. Screen tested for the role of James Bond in Casino Royale, which eventually went to actor Daniel Craig. Left his recurring role on The Shield when he landed his own series, Moonlight. Named Person of the Year in 2010 for the charity Donate Life.

Trivia: Is of Cuban and Colombian descent. Was raised in a bilingual home. Began career at age 5 in the film Kindergarten Cop (1990). In 2007, joined the cast of the ABC series October Road. Breakthrough film role came in the 2008 action flick Cloverfield. Provided the voice for the character Amata Almodovar in the 2008 video game Fallout 3. Appeared in the music video for Weezer's "(If You're Wondering If I Want You To) I Want You To."