Trivia: Whether obsessing over a demonically possessed '58 Plymouth Fury in Christine or stepping behind the camera to direct an adaptation of Kurt Vonnegut Jr.'s classic novel Mother Night, Keith Gordon has experienced a lot in his filmmaking career. If audiences hadn't suspected the awkward, bespectacled teen's ambitions following such early efforts as Home Movies and Dressed to Kill, they were in for a pleasant surprise when the young actor eventually grew into a seasoned director. A New York City native whose parents were both actors, Gordon began a love affair with films when he accompanied his father to a screening of Stanley Kubrick's 2001: A Space Odyssey (1968). Gordon was thrilled by Kubrick's imaginative sci-fi vision and the seemingly limitless possibilities of the medium, and in the years that followed, he took part in numerous stage productions at school. In the summer of 1976, he was spotted by a casting director while appearing in two plays at the National Playwrights Conference; two years later, Gordon landed his first major screen role in Jaws 2. Though it was only a bit part, the experience he gained on the tumultuous set was invaluable. Subsequently cast in the 1979 miniseries Studs Lonigan, he eventually left school for a film career. Though Gordon initially rejected an offer to try out for the 1979 Brian De Palma feature Home Movies, the audition was in his neighborhood, so he reluctantly gave in. Not only did Gordon win the role of a young student obsessed with filmmaking, but he also received even more valuable experience by having opportunities to discuss filmmaking with De Palma. Following a brief role in All That Jazz (1979), Gordon made his most prominent film appearance to date in De Palma's controversial 1980 thriller Dressed to Kill. Gordon excelled at playing twitchy, eggheaded teens throughout the '80s in such efforts as Christine (1983), The Legend of Billie Jean (1985), and Back to School (1986), and though his onscreen career seemed to be coming along swimmingly, his creative ambitions were left unfulfilled. As the screenwriter of Mark Romanek's 1985 cult film Static, Gordon saw his aspirations finally beginning to come to fruition. He later made his feature directorial debut in 1988 with an impressive adaptation of Robert Cormier's novel The Chocolate War (Gordon also wrote the screenplay), which earned a Best First Feature nomination at the 1989 Independent Spirit Awards. He gained momentum and crafted a unique anti-war movie with his 1992 sophomore effort, A Midnight Clear, before moving to television to direct episodes of Homicide: Life on the Street and the sci-fi miniseries Wild Palms. Gordon was next faced with one of the more challenging projects of his career when he filmed Mother Night. A dark, dramatic period tale of love and loss, Gordon's fourth feature, Waking the Dead (2000), earned generally positive notices, as it further established the star status of its clear-eyed leads, Jennifer Connelly and Billy Crudup. In his next feature, Gordon re-teamed with Back to School dormmate Robert Downey Jr. for an updated version of Dennis Potter's The Singing Detective (2003). Although he coaxed a stellar turn out of Downey, however, Gordon's take on the material did little to convince critics that the film was in need of refreshing.

Trivia: Leggy, athletic leading lady Alexandra Paul spent her first years in films and TV in roles calling for acute physical fitness. Paul's earliest movie role of note was sensuous hitchhiker Becky in American Flyers (1986).Ms. Paul was cast against type in the Dan Aykroyd-Tom Hanks spoof Dragnet (1987) as the ever-imperiled Virgin Connie Swail (just plain "Connie Swail" by fade-out time). On TV, Paul had a recurring role as erstwhile detective Amy Hastings in the Perry Mason 2-hour specials of the late 1980s. In 1992, Alexandra Paul was cast as lifeguard Stephanie Holden on the internationally popular Baywatch, remaining with the series until bowing out in 1996. She remained a mainstay on women's programs and made-for-TV thrillers, all the while leading a vigorous off-screen life as a vocal activist for the environment, animal welfare and gay rights.

Trivia: A holder of an economics degree from Philadelphia's Temple University, Philly-born actor Robert Prosky kicked off his career by winning a televised talent contest. With his sharp-edged voice and mashed-potato features, Prosky rose to prominence as a character actor, spending 23 years with Washington, D.C.'s prestigious Arena Stage. In 1983, he was cast in the original Broadway production of Glengarry Glen Ross, winning a Tony award for his performance; he later received excellent notices for his performance as an aging Soviet bureaucrat in A Walk in the Woods. Prosky's first film role was as the backstabbing mob boss in 1981's Thief. Since that time, he has graced several films in a variety of roles -- few more likable than the wistful, washed-up horror show host in Gremlins 2 (1988), the TV station manager in Mrs. Doubtfire, and the enigmatic projectionist in Last Action Hero (1993). Among Robert Prosky's many TV assignments was the regular role of Sgt. Stan Jablonski, who in 1984 took over the morning roll call from the late Sgt. Phil Esterhaus (Michael Conrad) in Hill Street Blues.

Trivia: A perpetually haggard character actor with hound-dog eyes and the rare ability to alternate between menace and earnest at a moment's notice, Harry Dean Stanton has proven one of the most enduring and endearing actors of his generation. From his early days riding the range in Gunsmoke and Rawhide to a poignant turn in David Lynch's uncharacteristically sentimental drama The Straight Story, Stanton can always be counted on to turn in a memorable performance no matter how small the role. A West Irvine, KY, native who served in World War II before returning stateside to attend the University of Kentucky, it was while appearing in a college production of Pygmalion that Stanton first began to realize his love for acting. Dropping out of school three years later to move to California and train at the Pasadena Playhouse, Stanton found himself in good company while training alongside such future greats as Gene Hackman and Robert Duvall. A stateside tour with the American Male Chorus and a stint in New York children's theater found Stanton continuing to hone his skills, and after packing his bags for Hollywood shortly thereafter, numerous television roles were quick to follow. Billed Dean Stanton in his early years and often carrying the weight of the screen baddie, Stanton gunned down the best of them in numerous early Westerns before a soulful turn in Cool Hand Luke showed that he was capable of much more. Though a role in The Godfather Part II offered momentary cinematic redemption, it wasn't long before Stanton was back to his old antics in the 1976 Marlon Brando Western The Missouri Breaks. After once again utilizing his musical talents as a country & western singer in The Rose (1979) and meeting a gruesome demise in the sci-fi classic Alien, roles in such popular early '80s efforts as Private Benjamin, Escape From New York, and Christine began to gain Stanton growing recognition among mainstream film audiences; and then a trio of career-defining roles in the mid-'80s proved the windfall that would propel the rest of Stanton's career. Cast as a veteran repo man opposite Emilio Estevez in director Alex Cox's cult classic Repo Man (1984), Stanton's hilarious, invigorated performance perfectly gelled with the offbeat sensibilities of the truly original tale involving punk-rockers, aliens, and a mysteriously omnipresent plate o' shrimp. After sending his sons off into the mountains to fight communists in the jingoistic actioner Red Dawn (also 1984) Stanton essayed what was perhaps his most dramatically demanding role to date in director Wim Wenders' Paris, Texas. Cast as a broken man whose brother attempts to help him remember why he walked out on his family years before, Stanton's devastating performance provided the emotional core to what was perhaps one of the essential films of the 1980s. A subsequent role as Molly Ringwald's character's perpetually unemployed father in 1986's Pretty in Pink, while perhaps not quite as emotionally draining, offered a tender characterization that would forever hold him a place in the hearts of those raised on 1980s cinema. In 1988 Stanton essayed the role of Paul the Apostle in director Martin Scorsese's controversial religious epic The Last Temptation of Christ. By the 1990s Stanton was a widely recognized icon of American cinema, and following memorably quirky roles as an eccentric patriarch in Twister and a desperate private detective in David Lynch's Wild at Heart (both 1990), he settled into memorable roles in such efforts as Against the Wall (1994), Never Talk to Strangers (1995), and the sentimental drama The Mighty (1998). In 1996, Stanton made news when he was pistol whipped by thieves who broke into his home and stole his car (which was eventually returned thanks to a tracking device). Having previously teamed with director Lynch earlier in the decade, fans were delighted at Stanton's poignant performance in 1999's The Straight Story. Still going strong into the new millennium, Stanton could be spotted in such efforts as The Pledge (2001; starring longtime friend and former roommate Jack Nicholson), Sonny (2002), and The Big Bounce (2004). In addition to his acting career, Stanton can often be spotted around Hollywood performing with his band, The Harry Dean Stanton Band.

Trivia: Most 1970s-era couch potatoes first saw lissome leading lady Christine Belford when she portrayed insurance investigator Carlie Kirkland during the second season (1973-74) of the George Peppard TV series Banacek. It would not be the last time that Christine would appear as a series regular: In chronological order, she played Aunt Emily in Married: The First Year (1979); Jackie Willow, wife of Richard Masur in Empire (1984); and sheriff Maggie Randall on Outlaws (1987). She also co-hosted (with Steve Edwards) the 1983 daytime-magazine series Personal & Confidential. Christine Belford's feature-length films include Pocket Money (1972), The Groundstar Conspiracy (1972), and the made-for-TV Kenny Rogers as the Gambler (1980).

Trivia: A character actor, Blossom has appeared onscreen from the early '70s.

Trivia: Supporting actor, onscreen from the '70s.

Trivia: Actress Kelly Preston was first seen on a national basis in the last-billed role of a general's daughter on the weekly 1983 TV drama For Love and Honor. She established herself as an agreeable comedienne in such films as Mischief (1985) and Secret Admirer (1985), then became lost in the turgid melodramatics of 52 Pick-Up (1986). Her big movie break was supposed to have been her co-starring stint with Arnold Schwarzenegger and Danny De Vito in Twins (1988), but the role was too nondescript to engender any enthusiasm. Nonetheless, Preston persevered, delivering great performances in such offbeat fare as the 1993 made-for-cable movie Arthur Miller's The American Clock. In the latter half of the 1990s, Preston's perseverance began to pay off, first with a substantial role in Cameron Crowe's widely acclaimed Jerry Maguire. She continued to do comedy, appearing in Nothing to Lose (1997), Addicted to Love (1997), and Holy Man (1998), before switching back to drama in 1999 as Kevin Costner's girlfriend in For Love of the Game. On April 3, 2000, Preston gave birth to a daughter, her second child while married to Travolta. Her career onscreen barely missing a beat after the bith, Preston appeared opposite husband Travolta in the notorious 2000 bomb Battlefield Earth before taking a turn back to comedy with roles in View from the Top and The Cat in the Hat. Though it had been quite some time since Preston had appeared on television with any frequency, a return to the small screen with roles in both Joey and Fat Actress provided semi-regular work in 2004 and 2005. In 2005 Preston could also be seen as a superpowered mother in the family oriented adventure comedy Sky High, with a role as a grieving sister who returns home to mourn the death of her brother in Broken Bridges serving well to remind audiences of her dramatic abilities after a series of more lighthearted roles. She continued to work steadily in projects such as The Possibility of Fireflies and The Tenth Circle. She appeared in her husband's hit comedy Old Dogs in 2009, and played the wife of a corrupt lobbyist in Casino Jack on year later.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Actor Richard Collier was more a fixture in the realm of television, having made well over 1000 appearances on the small screen, but was nonetheless employed frequently for films. A native of Boston, Collier started acting as most people do, on stage in the theater circuit throughout Massachusetts. When World War II broke out, his acting career was put on hold as he served in the U.S. Army. Only after the war did Collier begin making appearances in film and the new medium of television. Some of the many television shows the actor appeared on include The Beverly Hillbillies, The Andy Griffith Show, and Batman. Collier died, at the age of 80, in early 2000.