Trivia: Jennifer Aniston makes a good case for proving that acting talent can be absorbed by osmosis. From her father John Aniston's stardom on Days of Our Lives to her godfather Telly Savalas, the actress was surrounded by plenty of inspiration from an early age. As Aniston attended the Rudolph Steiner School as a child, she was interested in many forms of art and proved to be a talented painter, eventually having one of her pieces displayed at the New York Metropolitan Museum of Art. Acting also appealed to her, and became her primary focus after graduating from New York's prestigious High School for the Performing Arts in 1987. She took roles in off-Broadway productions such as For Dear Life and Dancing on Checker's Grave before she began honing her skills in television acting with appearances on shows like Quantum Leap and Herman's Head. Before long, Aniston's film and television résumé had grown into a laundry list of one-time appearances, short-lived series, and B-level movies. By 1994, the handful of bit parts and failed shows on Aniston's résumé had established her as a working actress but created little foreshadowing about her future as a star. Her upcoming audition for the role of Monica Gellar in a pilot for a sitcom at that point titled "Friends Like These," however, would prove to be quite auspicious. The role in question would eventually be filled by Courteney Cox, as Aniston changed her mind and opted to try out for Rachel Green, a young suburbanite living on her own for the first time and working as a coffee-shop waitress in New York City. The rest, as they say, is history -- "Friends Like These" would become Friends, the hugest sitcom in years, quickly making Aniston America's sweetheart. Friends' obsessive following churned up a particular interest in Aniston's signature hairstyle. The shag cut known as "The Rachel" could be seen on heads all over the country. Even as the fad fell out of popularity in the salons, Aniston's star continued to rise. Still adored on one of the most popular television shows in history, she moved to the big screen in romantic comedies like She's the One (1996), Picture Perfect, 'Til There Was You (1997), and The Object of My Affection (1998). In the late '90s, she also began dating actor Brad Pitt. Talk of Pitt's recently ended engagement to actress Gwyneth Paltrow quickly dissipated as "Gwen and Brad" turned to "Jen and Brad." The two young stars became the ultimate Hollywood power couple and celebrated with a star-studded wedding in July of 2000. The new millennium found Aniston at the top of her game. Raking in a million dollars an episode for her role on the still popular Friends and married to one of the hottest men in Hollywood, she seemed to have it all. Secure in her A-List position, she took the opportunity to work on low-profile films and cult hits, such as 1999's Office Space, and 2000's Rock Star. Aniston's talent for dramatic roles was finally given a proper outlet when she played the lead in 2002's The Good Girl, which found critics surprised and impressed with her range. She made no attempt to shy away from comedy, however, starring alongside Jim Carrey in Bruce Almighty, and Ben Stiller in 2004's Along Came Polly. In 2004, as Friends began what would be its final season, Aniston's immediate future was filled with tremendous turmoil and change. Only a week into 2005, she and husband Brad Pitt legally separated, surrounded by rumors that Pitt had sparked a serious romantic connection with his Mr. and Mrs. Smith co-star Angelina Jolie. The media leapt onto the story, desperate to sate the public's curiosity about how such a seemingly perfect union could come to an end. Rumors swilled about the circumstances of their break-up, citing everything from disagreements over children to taste in interior decorating. Aniston's steady poise and willowy figure created a division in the public perception between herself and the more curvaceous and risqué Jolie.Media frenzy buzzed around the breakup long after she and Pitt officially filed for divorce in March. Vendors even started selling T-shirts reading "Team Aniston" and "Team Jolie," though most of the public seemed to side with the slighted Aniston. The actress plowed ahead, however, marking 2005 by starring with Clive Owen in the gritty thriller Derailed and with Shirley MacLaine and Kevin Costner in the comedy Rumor Has It.... 2006 brought the ensemble film Friends With Money, as well as another movie that would help put her divorce in the past...in more ways then one. While Pitt made headlines by becoming legal guardian of Jolie's adopted children and father to a baby Jolie gave birth to in Namibia, Aniston starred alongside comedy and character actor extraordinaire Vince Vaughn in The Break-Up. The comedy cast the two as an ex-couple going to war over which of them should keep their beloved condo, but the real life connection between the actors was quite the opposite. Though reluctant to speak about their relationship publicly, Aniston and Vaughn appeared quite clearly to have become a couple, bolstering the success of The Break-Up, and seeming to put Aniston's fans at ease regarding her personal life, even after she and Vaughan amicably split later that year. By 2007, Aniston's public image had left her divorce in the past, and was ready for new territory.Aniston found her next success in the 2008 tearjerking pet-comedy Marley & Me, opposite Owen Wilson. As the 2000's gave way to the 2010's, Aniston would all but completely cement her position as the number one actress in Hollywood when it comes to broadly appealing comedies, winning over audience after audience with He's Just Not That Into You, Love Happens, The Switch, Just Go With It, Horrible Bosses, and Wanderlust. She won rave reviews for her work in the film Cake in 2015, earning her a Golden Globe nomination.

Trivia: An actor whose strong features and sinewy 6'4" physique appear to have been chiseled from a slab of testosterone, Vince Vaughn is Hollywood's closest human approximation of a Chevy pick-up. Born March 28th, 1979, Vaughn's roles invariably reflect these qualities, and have given him a genial affability among middle Americans. Thanks to Vaughn's skills as a performer, however, he continues to resist typecasting, lending effortless portrayals to characters ranging from slick bachelors to raging psychopaths to morally conflicted limo drivers. A tried-and-true Midwestern boy, Vaughn was born in Minneapolis on March 28, 1970, and raised in the wealthy Chicago suburb of Lake Forest. The son of a self-made businessman and a stock and real-estate broker, Vaughn diverged from the upwardly mobile path forged by his parents. A hyperactive teen (and lackluster student), Vaughn spent time in special ed. and ran with a fast crowd (though he later claimed that he never felt the need for all-out rebellion). Despite his poor scholastic performance, Vaughn derived ambition from his interest in acting -- an interest that first blossomed at the age of seven -- and even served as senior class president. Upon graduation, with only his diploma and a role in a Chevy commercial as his credentials, Vaughn headed for Hollywood. Upon arrival, he proceeded to work in almost complete obscurity for the next seven years.During this period, Vaughn made the acquaintance of Jon Favreau, another struggling actor who hailed from the East. Their ensuing friendship and real-life adventures provided the inspiration for their ticket to the bigtime, 1996's Swingers. Directed by Doug Liman, the comedy stars Vaughn and Favreau (who also co-wrote the script) as two amiable, Rat Pack-obsessed, "so money" bachelors prowling the streets and bars of L.A. for "beautiful babies" and the occasional job opportunity. This irreverent-but-insightful Miramax release became a bona-fide sleeper hit. Vaughn, whose character, Trent, was the film's resident fast-talking ladies' man, emerged as a sex symbol in the making. A supporting role in Steven Spielberg's The Lost World: Jurassic Park heightened the actor's profile and revealed his ability to transition with great fluidity between indie films and box-office blockbusters. Nevertheless, Vaughn subsequently took the small, quiet film route, starring in The Locusts (1997), an overheated but half-baked melodrama in debt to both Tennessee Williams and East of Eden, and A Cool, Dry Place, a family drama that garnered a cool, dry reception from both audiences and critics. In 1998, the actor fared substantially better with his turn as a limo driver who is called upon to make a great sacrifice for a friend in Joe Ruben's Return to Paradise, and he brought a fine admixture of dark humor and sublimated menace to his part as a charismatic sociopath in Clay Pigeons. Vaughn evoked colossal mental dysfunction as Norman Bates in Gus Van Sant's truly ugly and ill-advised remake of Psycho that same year. Critics and viewers regarded his performance -- like the film itself -- with a tepid blend of indifference and bewilderment. After that egregious misfire, Vaughn wisely took a couple of years off before re-emerging with a number of projects in 2000. These included The Cell, a surrealistic horror picture co-starring Jennifer Lopez and Vincent D'Onofrio, Prime Gig, with Vaughn as California's best telemarketer, and South of Heaven, West of Hell, an ensemble western that marked the directorial debut of country singer Dwight Yoakam. Following-up with a part in writer Favreau's Made, Vaughn's next big role arrived in the form of a deceptive stepfather harboring a dark secret in the thriller Domestic Disturbance. Unfortunately, the film bombed on a critical front. Vaughn again ducked out of sight for several years, but Todd Phillips's 2003 comedy Old School brought him back to the top of the heap. Teaming Vaughn with Will Ferrell and Luke Wilson as a trio of over-the-hill party animals who relive their Animal House days by returning to frat house life, Old School became a sleeper hit, and inspired the press to term Vaughn, Wilson, Will Ferrell, Ben Stiller, Jack Black and others as The Frat Pack. The next of the "Frat Pack" vehicles arrived in 2004, with Todd Phillips's spoofy retread of the 1970s hit Starsky & Hutch, featuring Vaughn as the slimy villain, Reese Feldman. The picture (predictably) became a mega-hit, and the actor's newfound momentum continued to build when, only a few months later, he starred in Dodgeball: A True Underdog Story. Apparently channeling Bill Murray circa-1985, Vaughn received positive reviews for playing the good-guy opposite muscle-bound baddie Ben Stiller.Vaughn next graced the Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy (2004) with a small but memorable role, before he made an about-face for the comedy-drama Thumbsucker. Vaughn impressed critics with his characterization and received praise for his funny and heartfelt performance. He returned to the popcorn humor that initially made him a star, however (and joined the $200-million-gross club in the process) with a leading part in the comedy The Wedding Crashers, a raunchy, R-rated film that proved once and for all the actor could open a movie.Throughout 2006, rumors swarmed about Vaughn's offscreen life, and alleged romantic relationship with newly divorced Jennifer Aniston -- a relationship that blossomed on the set of The Break-Up (ironically, a comedy about an couple ending their two-year relationship and trying to divide their possessions, friends and condo without killing each other). Gossip amped up anticipation and heightened curiosity. Meanwhile, Aniston aggressively denied rumors of an engagement. Upon release, The Break-Up bolstered Vaughn's reputation as a strong comic lead, and became another surprise hit.In the holiday comedy Joe Claus -- which marks Vaughn's third outing with director David Dobkin -- he plays the title character, the no-account, loser brother of Santa Claus who teams up with his more famous sibling at the North Pole to defeat villain Kevin Spacey. Vaughn undertook a personal venture for the documentary Vince Vaughn's Wild West Comedy Show, tooling around the country on a tour bus with four aspiring stand-up comics as they travel from gig to gig. And he stayed true to form with another "Frat Pack" comedy, Outsourced. In the years to come, Vaughn would remain an ever present force in the comedy world, appearing in movies like Four Christmases, Couples Retreat, and The Watch, as well as producing projects like The Internship and the sitcom Sullivan & Son.

Trivia: With her blue eyes, pillow lips and sex-kitten-on-helium voice, Joey Lauren Adams looks and sounds like Melanie Griffith's long-lost little sister. Adams, however, is an actress in her own right, having done solid work in a number of films, including Dazed and Confused and Chasing Amy.Hailing from North Little Rock, Arkansas, where she was born January 6, 1971, Adams began acting early in her life, performing at local church productions. She left home for Los Angeles while still a teenager, and got her first break with roles on various television shows. She won a limited amount of fame--or notoriety, depending on one's point of view--for her work on Married with Children, on which she played the woman who relieved Bud Bundy of his virginity.Work on the short-lived series Vinnie & Bobby and Top of the Heap followed before Adams broke into film in 1993. That year, she had supporting roles in The Program, Coneheads and Dazed and Confused, the last of which featured her as one of Parker Posey's high school cronies. The next year, she appeared in the independent films S.F.W. and Sleep with Me, and then had a secondary role in Mallrats (1995), her first collaboration with then-boyfriend Kevin Smith. It was Smith who gave Adams her true film breakthrough when he cast her as the female lead in Chasing Amy. The 1997 film--a look at the relationship between a comic book artist (Ben Affleck) and his "ideal" woman (Adams), who happens to be a lesbian--won favorable reviews and effectively put Adams on the Hollywood map. In 1999 she had a lead role in another independent film, the drama A Cool Dry Place with Vince Vaughn, and also starred in her first big-budget Hollywood feature, the hit Adam Sandler comedy Big Daddy.The actress entered the new millennium without slowing down, appearing in a wide variety of low-profile films and independent features such as Anne Heche's 2001 project Reaching Normal and the 2002 crime thriller Beeper with Harvey Keitel. In 2004's The Big Empty, she starred alongside Jon Favreau, who she would rejoin for 2006's (un)romantic comedy The Break-Up. Supporting mainstream stars Jennifer Aniston and Vince Vaughn bolstered the actresses profile, while her performance as Aniston's best friend and ally in her hilariously messy break-up won audiences over.The actress co-starred with Nathan Fillion and Benjamin Bratt in the 2009 slice-of-life drama Trucker, and worked in the second season of The United States of Tara the following year. Adams took on a supporting role as psychiatrist Dr. Jane Sheppard in the 2011 psychological thriller Apart, and continues to be active in film and television.

Trivia: Swedish siren Ann-Margret immigrated to the U.S. with her family at the age of seven, settling in a Chicago suburb and later studying Drama at Northwestern University. Despite an innate bashfulness, the girl set out to become a musical entertainer, making her professional debut as a singer at the age of 17. Fortunately, she was spotted by comedian George Burns, who hired her for his Las Vegas show and arranged for several professional doors to be opened for his protégée. Her first film was Pocketful of Miracles (1961), in which she played Bette Davis' daughter; this was followed by a lead in State Fair the following year. Ann-Margret tended to be withdrawn when interviewed, which earned her the media's "Sour Apple" award as least cooperative newcomer. But she was able to overcome this initial bad press via a show-stopping appearance at the 1962 Academy Awards telecast, which turned her into an "overnight" national favorite and encouraged the producers of Bye Bye Birdie (1963) to build up her role. Perhaps the best indication of her total public acceptance was her animated appearance in a 1963 episode of The Flintstones (as Ann Margrock). Ann-Margret's career faltered in the mid-'60s thanks to a string of forgettable pictures like Made in Paris (1966) and Kitten With a Whip (1964). (One of the few highlights of this period, however, was her appearance in Elvis Presley's Viva Las Vegas in 1964, which led to an offscreen relation with The King.) Her career in doldrums, Ann-Margret marshalled a comeback in the early '70s thanks to the tireless efforts of her husband and manager, former actor Roger Smith. Sold-out Las Vegas and concert performances were part of her career turnabout, although the most crucial aspect was her Oscar nomination for a difficult role in 1971's Carnal Knowledge. But the comeback nearly ended before it began in 1972 when the entertainer was seriously injured in a fall during her Vegas act. With the help of physical rehabilitation and plastic surgery (not to mention the loving ministrations and encouragement of Smith), the actress made a complete recovery and went on to even greater career heights. She received her second Oscar nomination for her bravura performance in the rock-opera film Tommy (1975), where, in one of the high points of '70s cinema bizarre, she sang a number while swimming in baked beans. Ann-Margret was equally impressive (though in a less messy manner) in such powerhouse TV movies as Who Will Love My Children? (1983) and A Streetcar Named Desire (1984). The low point of Ann-Margret's early-80s career doubtless arrived when she agreed to act in Hal Ashby's lousy 1982 gambling drama Lookin' to Get Out (aside a scream-happy Jon Voight) -- and probably regretted it for years afterward. A few triumphs marked the 1980s as well, however, such as the actress's turn as Steffy Blondell in Neil Simon's enjoyably bittersweet comedy-drama I Ought to Be in Pictures, and her role as a barmaid who strikes up an extramarital affair with - and later weds - Gene Hackman, in Bud Yorkin's finely-wrought domestic drama Twice in a Lifetime (1985). After Newsies (1992), Disney's glaringly awful attempt to revive the period musical, Ann-Margret took time out of her packed schedule to write her 1993 autobiography Ann-Margret: My Story, a work revelatory about herself and her own personal demons that nonetheless evinces respect toward her show-business mentors and co-workers. She exuded warmth as the bon vivant who falls in-between bickering Walter Matthau and Jack Lemmon in the 1993 box office hit Grumpy Old Men and its lackluster 1995 sequel, Grumpier Old Men (and played a satisfying straight man throughout). Yet the high profile of the Old Men releases made them exceptions to the actress's output in the mid-late nineties and early 2000s, which - though of varying quality - placed infinitely greater weight on television work than Ann-Margret had at any earlier point in her career. (In fact, for a period of about ten years, she became a veritable telemovie staple on par with Mary Tyler Moore and Meredith Baxter-Birney). These titles include but are not limited to: Nobody's Children (1994), Scarlett (1994), Seduced by Madness: The Diane Borchardt Story, Life of the Party: The Pamela Harriman Story (1998), Happy Face Murders (1999), Blonde (2001) and A Place Called Home (2004). One big-screen exception arrived in the late 1999 football drama Any Given Sunday, where Oliver Stone gave Ann-Margret her meatiest role since Carnal Knowledge, as the alcoholic mother of team owner Christina Pagliacci (Cameron Diaz. It entailed only a small part amid a massive ensemble cast (Dennis Quaid, Al Pacino, Jamie Foxx, James Woods, others), but provided an excellent showcase for the actress's craftsmanship. She landed a bit part as Wendy Meyers, the mother of Jennifer Aniston's character, in the Aniston-Vince Vaughn romantic comedy The Break-Up, and joined Tim Allen and Martin Short for that same year's Buena Vista holiday sequel Santa Clause 3: The Escape Clause. As the new decade began, she continued to appear regularly in projects as diverse as The 10th Kingdom, Taxi, The Break-Up, and Old Dogs. In 2011 she starred in the comedy All's Faire in Love as the queen of a Renaissance fair.

Trivia: The younger brother of Family Ties star Justine Bateman, actor Jason Bateman has been a mainstay on television since the 1980s, starring in countless sitcoms of varying success. He first displayed his scene-stealing propensity in the role of young sharpster Derek Taylor, best friend of star Ricky Schroder, on Silver Spoons. The audience response to Bateman was so positive that the 15-year-old was given his own sitcom vehicle in 1984, as "teenaged con man" Matthew Burton on It's Your Move. When this series was cancelled after one season, Bateman moved to the long-running role of wise-guy teen David Hogan on the mid-1980s series Valerie, which of course later changed names (and leading actresses) to emerge as The Hogan Family. During this period, Bateman also found time to star or co-star in a handful of feature films, such as the 1985 made-for-TV summer-camp comedy Poison Ivy, Teen Wolf, Too, and 1991's Necessary Roughness. However, none of the projects were successful enough to give Bateman a springboard to bigscreen stardom.Following the conclusion of The Hogan Family in 1991, Bateman embarked on a decade plagued by failed TV outings. On top of several pilots that never even saw the light of day, he was the lead in no less than four ill-fated sitcoms, Simon, George and Leo, Chicago Sons, and Some of My Best Friends. Fortunately, as the new millenium was ushered in, things started to look bright for Bateman. After a supporting turn in the Cameron Diaz comedy The Sweetest Thing, his first major theatrical feature in a decade, he was tapped to lead the eclectic ansemble cast of the Ron Howard-produced Fox sitcom Arrested Development. Acclaimed for its smart humor and fresh concept, the show became a hit with critics and viewers.In the wake of Arrested Development's success, Bateman continued to increase his presence in the world of comedy, but henceforth on the silver screen. He made memorable appearances in 2004 comedies like Starsky and Hutch and Dodgeball: A True Underdog Story, as well as more serious fare, like the 2007 Iraq War movie The Kingdom, but Bateman's next major hit seemed to come later that year, with a memorable supporting role in the comedy Juno. He would continue to be a mainstay in comedy, however, with appearances in Forgetting Sarah Marshall, The Invention of Lying, Extract, Couples Retreat, and The Switch, but the actor would continue to surprise audiences with more dramatic films as well, like 2009's State of Play and Up in the Air. For comedy fans, Bateman couldn't be avoided in 2011, with roles in Horrible Bosses as well as The Change-Up. Soon, he was signing up to star alongside Olivia Wilde and Billy Cruddup in The Longest Week, and Alexander Skarsgard in Disconnect.

Trivia: Known for her intense intelligence and the range of unconventional characters she has brought to life, Australian actress Judy Davis has had a fairly brilliant career. Born in Perth, Western Australia, on April 23, 1955, Davis rebelled against her Catholic upbringing by leaving home at the age of 17 to join a rock band, which toured across Asia for six months. Upon her return to Australia, she soon gave up her singing career to attend the Western Australia Institute of Technology and then concentrated on another branch of performing at the National Institute of Dramatic Art. At NIDA she trained with the likes of Mel Gibson, with whom she starred in a school production of Romeo and Juliet.In her subsequent stage work, Davis gravitated toward characters whose significant traits alternated between steel-like strength and vacillating vulnerability: She played the title roles in Lulu and Piaf. In films from 1977, Davis ascended to stardom as Sybilla Melvin in director Gillian Armstrong's My Brilliant Career (1979), a performance that won her several awards, including the Australian and British equivalents of the Oscar. She was likewise showered with industry and film-festival honors for her work in Hoodwink (1981), The Winter of Our Dreams (1982), Heatwave (1982), and Kangaroo (1984), appearing in the latter film with her husband, Colin Friels. She was nominated for an Emmy for her portrayal of young Golda Meir in the TV miniseries A Woman Called Golda (1982), and earned her first Oscar nomination for her interpretation of the enigmatic Adela Quested in David Lean's A Passage to India in 1984.Described by one colleague as "the patron saint of modern emotions," Davis has never done anything by halves: She was a lusty George Sand in Impromptu (1991), the junkie wife of William Lee in Naked Lunch (1991), a bibulous, self-destructive Hollywood ghostwriter in Barton Fink (1991), an overbearing ex-spouse in Woody Allen's Husbands and Wives (1992) (the second of her Oscar-nominated turns), and a hostage from Hell in The Ref (1994). Davis' films during the second half of the '90s were marked by a notably uneven quality, and she could be seen in everything from the wildly idiosyncratic Children of the Revolution (1996) to some other disappointing collaborations with Allen, Deconstructing Harry (1997) and Celebrity (1998). In 1999, Davis received another Emmy nomination for her work in Dash and Lilly, in which she starred as Lillian Hellman opposite Sam Shepard as Dashiell Hammett. Nonetheless, that particular award eluded her grasp.During the first few years of the new millennium, Davis stepped down and maintained a somewhat lower profile than in prior years, placing a much greater emphasis on telemovies than she had in the nineties, and limiting herself to lower-profile theatrical features. She gleaned positive notices - and won a Golden Globe - for her portrayal of the adult Judy Garland in the telemovie Life With Judy Garland: Me and My Shadows (2001), opposite Hugh Laurie and Victor Garber.Two years later, Davis received yet another Golden Globe nomination (her fifth nod, including the Garland win) for her portrayal of Nancy Reagan (opposite James Brolin as Ronald) in the unexpectedly controversial TV biopic The Reagans.A few scattered theatrical features highlighted this period, such as the twin 2001 releases The Man Who Sued God and Susan Seidelman's Gaudi Afternoon. Davis then joined the ensembles of two A-list features in 2006. The Jennifer Aniston-Vince Vaughn vehicle The Break-Up - a comedy about the constant sparring between a couple of live-in lovers - hit cinemas in June 2006 to mixed critical receptions, and struck gold at the box, doubtless riding high on the popularity of its twin leads. In the picture, Davis plays Marilyn Dean, Aniston's slave-driving boss at an art gallery. In that same year's hotly-anticipated but underperforming Marie Antoinette, Davis put her inimitably chilly stamp on the role of La Comtesse de Noailles. She appeared in the miniseries The Starter Wife, and in 2011 she co-starred opposite Geoffrey Rush in the drama The Eye of the Storm and appeared in the well-reviewed spy film Page Eight. In 2012 she reteamed with Woody Allen for the first time in nearly fifteen years, appearing in his Italian comedy To Rome With Love.Judy Davis married Scotch actor Colin Friels (A Good Man in Africa) in 1984.

Trivia: An actor whose hulking presence belies his ability to slip quietly into an astonishing variety of roles, Vincent D'Onofrio is one of Hollywood's most unpredictable and compelling performers. Throughout his career, D'Onofrio has played a diverse range of characters, from Full Metal Jacket's fatally unhinged army recruit to a wholly convincing Orson Welles in Ed Wood to a bisexual porn star in The Velocity of Gary.Born in Brooklyn, NY, on June 30, 1959, D'Onofrio was raised in the diverse locales of Hawaii, Colorado, and Miami's Hialeah section. His career as an actor began on the stage, with study under Sonia Moore of New York's American Stanislavsky Theatre and Sharon Chatten at the Actors Studio. D'Onofrio's early years in the theater were filled with an obligatory helping of obscurity and miniscule paychecks (so miniscule that he worked for a time as a bouncer to help pay the bills). His fortunes began to shift in 1984, when he joined the American Stanislavsky Theatre as a performer. There, he appeared in such well-regarded productions as Of Mice and Men and David Mamet's Sexual Perversity in Chicago, and also made his Broadway debut in Open Admissions.D'Onofrio debuted onscreen in the straight-to-oblivion 1983 comedy The First Turn-On!, but it was not until his haunting portrayal of Pvt. Pyle (a role for which the actor gained 70 pounds) four years later in Stanley Kubrick's Full Metal Jacket that he earned much-deserved notice for his work. Defying easy categorization, D'Onofrio next appeared in the romantic comedy Mystic Pizza (1988), slimming down to his normal weight and giving a convincing portrayal as Lili Taylor's lovestruck boyfriend.Having thus given audiences a glimpse of his remarkable versatility, D'Onofrio spent the next few years making his presence felt in such films as JFK (1991), in which he played assassination witness Bill Newman; The Player (1992), which cast him in the pivotal role of ill-fated screenwriter David Kahane; and Nancy Savoca's Household Saints (1993), which, through a particularly odd feat of casting, had him playing the father of Lili Taylor. Although D'Onofrio worked at a prolific pace, it was not until he portrayed Conan the Barbarian author Robert E. Howard in the 1996 The Whole Wide World that he really had his screen breakthrough. A low-key romantic drama about the relationship between Howard and a schoolteacher (Renée Zellweger), the film allowed D'Onofrio to take center stage, rather than lend support to better-known co-stars. Critics roundly applauded his performance, but although the actor kept working steadily, he was by no means a Hollywood fixture. Eschewing the limelight, he turned in particularly memorable performances in Feeling Minnesota (1996) as Cameron Diaz's cuckolded fiancé and in the 1997 blockbuster Men in Black, which cast him as the film's resident bad guy.D'Onofrio had long since become an established actor by the 2000's, and he would remain a solid force on screen in such films as The Cell, Happy Accidents, Steal This Movie, andThumbsucker. D'Onofrio would also find just as much notoriety on the small screen, most notably as Detective Robert Goren on the phenomenally successful Law & Order spin-off Criminal Intent, and even step behind the camera, penning, helming and starring in the drama Mall.

Trivia: After making his film debut alongside a cast of future stars, Cole Hauser made his own mark as a TV and indie film actor in the 1990s. Raised in Santa Barbara, Hauser got hooked on acting in junior high. Shortly after he moved to Los Angeles at age 15 to pursue his chosen career, Hauser was cast in the prep school anti-Semitism drama School Ties (1992) along with up-and-comers Brendan Fraser, Chris O'Donnell, Matt Damon, and Ben Affleck. After this auspicious beginning, Hauser became part of an equally noteworthy ensemble of young stars-to-be in Richard Linklater's Dazed and Confused (1993), appeared in the NBC TV movie A Matter of Justice (1993), played a skinhead in John Singleton's college drama Higher Learning (1995), and starred as an abusive boyfriend in All Over Me (1997). Hauser was cast in the lead role in the ABC series High Incident in 1996, but the show lasted only two seasons. Following a supporting role as one of Damon and Affleck's Boston cronies in their breakthrough hit Good Will Hunting (1997), Hauser played a small part in Stephen Frears' little seen modern Western The Hi-Lo Country (1998) and scored a hit as one of the marooned travelers battling mutant aliens in the sci-fi sleeper Pitch Black (2000). After reuniting with his Tigerland (2000) co-star Colin Farrell in the box office failure Hart's War (2002), Hauser gained more notice for his supporting role later that year in the women's melodrama White Oleander (2002). Though he only appeared in a few scenes, Hauser's kindly and sexy young foster dad Ray easily caught the eye of the audience as well as troubled foster teen Alison Lohman. Returning to more testosterone-friendly work, Hauser subsequently co-starred with Hart's War officer Bruce Willis in Antoine Fuqua's action thriller Man of War (2003), and got behind the nitro-charged wheel for the sequel The Fast and the Furious 2 (2003). He continued to work in little-seen fare like Paparazzi and The Cave, but did score a part as one of Vince Vaughn's brothers in the aptly titled comedy The Break-Up. Over the next several years, Hauser would remain active on screen, appearing in films like The Cave, The Break-Up, and The FAmily That Prays, as well as on TV series like K-Ville and Chase. Hauser's father is actor Wings Hauser.

Trivia: Born February 12, 1963, John Michael Higgins is a character player who evinced a flair for comedic portrayals of middle-aged types, actor John Michael Higgins jump-started his career with a dead-on evocation of David Letterman in the made-for-cable comedy The Late Shift -- a picture about the cutthroat war between Letterman and Jay Leno to be crowned "King of Late Night Talk." Higgins followed this auspicious and covetable assignment with small roles in Barry Levinson's scathing political satire Wag the Dog (1997) and a guest appearance as one of Elaine's issue-ridden boyfriends on Seinfeld, but made his most substantial impression as an occasional character on Ally McBeal -- that of Steven Milter, an attorney who doubled as a psychoanalyst of Ally's. Beginning with Best in Show (2000), Higgins enjoyed a multi-film run on the big screen with Christopher Guest and his regular mockumentary collaborators that also included the farces A Mighty Wind (2003) and For Your Consideration (2006). He also had a recurring role as an attorney Wayne Jarvis on the critically acclaimed sitcom Arrested Development and supplied the voice of Mentok the Mindtaker for the animated comedy series Harvey Birdman, Attorney at Law. Back on the big screen, Higgins essayed two A-list supporting roles in 2007, in the Steve Carell-headlined farce Evan Almighty and the holiday-themedFred Claus starring Vince Vaughn. Higgins joined Vaughn again in Couples Retreat (2009), a romantic comedy following a group of couples who arrive on a tropical island only to find out they are required to participate in couples therapy in order to stay. He appeared on the FX television series Wilford in 2011, and joined the cast of the sitcom Happily Divorced, in which he co-stars with Fran Drescher (his real life ex-wife) as a man who amicably ended his marriage after coming to terms with his homosexuality. After working with Justin Timberlake and Cameron Diaz in the moderately successful comedy Bad Teacher in 2011, the actor played a small role in the 2012 adventure drama Big Miracle, which follows the plight of a journalist and volunteer who go to extreme lengths to save a beached whale.

Trivia: An actor whose wide, affable grin and heavy eyebrows lend him an uncanny resemblance to Tim Allen, Justin Long unwittingly became a footnote to the illustrious history of Britney Spears' ascent to world domination when he appeared with the post-pubescent entertainer in her 2002 film debut, Crossroads. Cast as Britney's prom date, Long shared a kiss with the singer that earned him breathless adulation on Britney websites everywhere.Three years before he locked lips with the peppy pop star, Long made his screen debut as a sci-fi geek in Galaxy Quest, a quirky genre parody that starred Sigourney Weaver, Alan Rickman, and Long's would-be doppelganger, Allen. He then landed a role on the TV sitcom Ed (2000), which he followed in 2001 with a part as a lonely bunkmate in Happy Campers. That same year, he starred in Jeepers Creepers, a sleeper comedy-horror outing that cast him as one of two siblings terrorized by an inhuman monster. Long subsequently appeared in Crossroads, sealing his newfound popularity among teenage girls with a kiss.In 2003, Long popped up briefly in the sequel Jeepers Creepers 2 while continuing to appear on Ed. However, the following year saw the conclusion of Ed and Long embarked on his film career full-time. First up was the sports comedy Dodgeball: A True Underdog Story. Stealing scenes while co-starring with the likes of Vince Vaughn and Ben Stiller, Long proved to critics and audiences alike that his comedic skills could translate from the small-screen to the big one with ease. In the wake of Dodgeball's box-office success, audience's could next find the actor starring in the independent films Raising Genius and Waiting... and adding his voice to the Bill Plympton film Hair High. He appeared opposite Linday Lohan in Herbie: Fully Loaded, executing a perfect pratfall worthy of silent film comics in once scene. In 2006 he was one of the two leads in a series of witty television advertisements for Apple computers directed by Junebug's Phil Morrison. With Accepted, about a high-school graduate who starts his own college after being rejected by the institutions to which he applied, Long was finally allowed to take the lead in a big-screen comedy. The following year found the rising star voicing everyone's favorite singing squirrel in Alvin and the Chipmunks (a role that he would reprise in both the 2009 and 2011 sequels), and in 2001 Long returned to the small screen for a recurring role in FOX comedy series New Girl.

Trivia: Many U.S. filmgoers will associate Keir O'Donnell with his performance as Todd Cleary, the not-so-subtle homosexual artist who tries to seduce a terrified Jeremy Grey (Vince Vaughn), in David Dobkin's comedy smash-hit Wedding Crashers (2005). Actually, this slightly diminutive comedic actor (who hails from Australia) traces his film career back to the early 2000s, though Crashers marked his first major Hollywood appearance. Vaughn had O'Donnell turn up to reprise that characterization (with a running gag related to the movie) in his late 2005 touring stage performance; it later evolved into the ensemble performance film Vince Vaughn's Wild West Comedy Show. O'Donnell then landed supporting roles in such films as the crime thriller Pathology (2008), the romantic comedy Flakes (2007), and the slasher movie Amusement (2008). He was in the hit 2009 Kevin James film Paul Blart: Mall Cop, and then took smaller roles in When in Rome and The Runaways.

Trivia: Attended Whittier College on a football scholarship. Sang and toured with the Whittier College choir. Played professional football in Europe as a wide receiver for the Klosterneuburg Mercenaries (Danube Dragons). Was a part-owner of the ABA franchise the Hollywood Fame. Is a producer and founding member of the production company Eleven Eleven Films.

Trivia: Many know actor, director, and producer Peter Billingsley for the role he played when he was just nine years old, portraying young Ralphie in the classic 1982 holiday film A Christmas Story, but Billingsley's career actually dates back even further. He began appearing in TV commercials from the age of two, and by the time he auditioned for A Christmas Story, he'd already become popular with audiences all over America, providing the "children's angle" on the popular TV series Real People.He continued to act in projects throughout the '80s, appearing on TV shows like Who's the Boss? and in films like Russkies, as well as in a handful of after-school specials, but Billingsley was never able to duplicate the fame he garnered as Ralphie. In the late '90s, the film vet stepped behind the camera and began exploring a new avenue in his career, producing and executive producing a variety of projects like the Discovery Channel's A.R.K., and movies like Elf, The Break-Up, and Iron Man.

Trivia: Was an ensemble member of the Rivendell Theatre Ensemble in Chicago from 2009 to 2015.Landed her first leading role in a feature film in 2010's Earthlings.Has previously performed with the Steppenwolf Theatre Company.

Trivia: Was a cheerleader in high school and college, and also grew up studying music, including piano and cello; training in the martial arts such as Tae Kwon Do; taking dance lessons; and competing in gymnastics. Won Miss Korea Chicago as a college student in 2004, which qualified her to compete in the Miss Korea pageant in Seoul. After college, spent two months in Kenya on a humanitarian mission before deciding to move to Los Angeles to pursue an acting career. In addition to becoming the face for Clinique cosmetics in their advertising campaign in Asia in 2010, other modeling gigs include Reebok in South Korea and Nike in Japan. A singer-songwriter, released her debut album, My True Happy, in 2013.

Trivia: Moved to the U.S. from Sweden at age 12. Made her first film appearance in an uncredited role in the 2006 romantic comedy The Breakup. Was a series regular on two short-lived shows, The Finder and 666 Park Avenue, back-to-back in 2012.