Trivia: Born in England, Alan Young was raised in Canada, where his precocious talents won him work on network radio while he was still a teenager. Already quite popular in his adopted country, Young was given an ABC network radio program in the States in 1944, which confined his wide-ranging talent for music and mimicry in a standard sitcom format. Still youthful looking enough to pass for a high school kid, Young's screen debut was in the teen romance Margie (1946), which led to several years of collegiate roles (he was a college senior in Mr. Belvedere Goes to College, even though he was 30 at the time). In 1950, the actor headlined a comedy-variety TV series, CBS' The Alan Young Show, which spotlighted his pantomime skills; unfortunately, the series degenerated into yet another situation comedy when it returned to CBS in 1953 after an 11-month hiatus. In the mid-'50s, Young was offered the lead in a comedy series about a talking horse, but turned it down cold; after several years of relative inactivity, Young was more responsive to the offer, and in 1961 began a five-year run on Mister Ed as the horse's bemused master, Wilbur Post. Upon Ed's cancellation in 1965, Young turned his back on show business to devote himself to the Christian Science movement. By 1980, the actor and the Movement had come to a parting of the ways, and he was free to accept performing work again. Very little happened until Young was hired to provide the voice of Scrooge McDuck in the 1983 Disney cartoon short Mickey's Christmas Carol. He did so well with this assignment that he became the permanent voice of Scrooge in the TV cartoon series Duck Tales, which ran from 1987 through 1990 and yielded 100 episodes. In 1988, Alan Young could be seen as well as heard in Coming of Age, a CBS sitcom set in an Arizona retirement community -- the closest Young ever come to true and full retirement. He continued to voice Scrooge McDuck in various Disney shows and video games until the end of his life. Young died in 2016, at age 96.

Trivia: South African-born Basil Rathbone was the son of a British mining engineer working in Johannesburg. After a brief career as an insurance agent, the 19-year-old aspiring actor joined his cousin's repertory group. World War I service as a lieutenant in Liverpool Scottish Regiment followed, then a rapid ascension to leading-man status on the British stage. Rathbone's movie debut was in the London-filmed The Fruitful Vine (1921). Tall, well profiled, and blessed with a commanding stage voice, Rathbone shifted from modern-dress productions to Shakespeare and back again with finesse. Very much in demand in the early talkie era, one of Rathbone's earliest American films was The Bishop Murder Case (1930), in which, as erudite amateur sleuth Philo Vance, he was presciently referred to by one of the characters as "Sherlock Holmes." He was seldom more effective than when cast in costume dramas as a civilized but cold-hearted villain: Murdstone in David Copperfield (1934), Evremonde in Tale of Two Cities (1935), and Guy of Gisbourne in The Adventures of Robin Hood (1938) (Rathbone was a good friend of Robin Hood star Errol Flynn -- and a far better swordsman). Never content with shallow, one-note performances, Rathbone often brought a touch of humanity and pathos to such stock "heavies" as Karenin in Anna Karenina (1936) and Pontius Pilate in The Last Days of Pompeii (1936). He was Oscar-nominated for his portrayals of Tybalt in Romeo and Juliet (1936) and the crotchety Louis XVI in If I Were King (1938). In 1939, Rathbone was cast as Sherlock Holmes in The Hound of the Baskervilles, the first of 14 screen appearances as Conan Doyle's master detective. He also played Holmes on radio from 1939 through 1946, and in 1952 returned to the character (despite his despairing comments that Holmes had hopelessly "typed" him in films) in the Broadway flop The Return of Sherlock Holmes, which was written by his wife, Ouida Bergere. Famous for giving some of Hollywood's most elegant and elaborate parties, Rathbone left the West Coast in 1947 to return to Broadway in Washington Square. He made a movie comeback in 1954, essaying saturnine character roles in such films as We're No Angels (1955), The Court Jester (1956), and The Last Hurrah (1958). Alas, like many Hollywood veterans, Rathbone often found the pickings lean in the 1960s, compelling him to accept roles in such inconsequential quickies as The Comedy of Terrors (1964) and Hillbillies in the Haunted House (1967). He could take consolation in the fact that these negligible films enabled him to finance projects that he truly cared about, such as his college lecture tours and his Caedmon Record transcriptions of the works of Shakespeare. Basil Rathbone's autobiography, In and Out of Character, was published in 1962.

Trivia: His high school senior class voted him most likely to recede.While working on a dog food commercial, the producer's girlfriend suggested he audition for Hanna-Barbera's Scooby-Doo, Where Are You!Originally auditioned for the role of Scooby in Scooby-Doo, Where Are You!Voiced eight of the original Decepticons and two of the original Autobots on the animated series The Transformers (1984).His Doctor Claw voice is the result of an impression of singer Barry White.His voice of the Cave of Wonder in Aladdin (1992) was based on Sir Sean Connery.Has voiced most of Scooby-Doo's Fred Jones, including animated series, parodies and cameos.The first voice actor to appear in two films that made $1 billion.Was honored with an Emmy Award for lifetime achievement in 2016.