Trivia: One of the longest reigning and most popular teeny bopper idols of the 1990s, Jonathan Taylor Thomas first found favor playing the son of Tim Allen on ABC's long-running, phenomenally popular sitcom Home Improvement. With a mop of dull-blonde hair and a dimpled, impish grin, it is small wonder that he captured the hearts of young girls across the country. With help from a lucrative contract from Disney, he broke into feature films, voicing the young Simba in The Lion King (1994). He made his live-action feature-film debut opposite Farrah Fawcett and Chevy Chase in the family comedy Man of the House (1995).He was born in Bethlehem, PA, but raised in Sacramento, CA, after the age of four. Before starting grade school, he was a locally popular child model. This led to national exposure and appearances in commercials for such companies as Burger King. The youth made his acting debut on the short-lived resuscitation of The Brady Bunch playing the son of Greg Brady. The show immediately sank into oblivion, but it did open doors for the young actor, who next landed the role of wiseacre son Randy on Home Improvement. In the years to come, Thomas would remain active on screen, appearing on shows like The Wild Thornberrys and 8 Simple Rules.

Trivia: Jessica Biel rose to fame as the wholesome preacher's daughter on the WB television show 7th Heaven, then gained greater notoriety for trying to get herself kicked off the show via a risqué photo spread in the men's magazine Gear. Making such statements as, "Mary Camden is dead," the 17-year-old Biel indeed got out of her contract to pursue a movie career; when that floundered, she - amusingly - found herself reconsidering her haste and returned for guest spots on the program.Biel was born on March 3, 1982, in Ely, MN, then raised in Boulder, CO. She was first discovered at the 1994 IMTA Los Angeles Convention, which earned her a scholarship to Diane Hardin's Young Actors Space in Los Angeles. Teen print modeling followed, and in 1996, Biel began her run as Mary Camden on the Aaron Spelling-produced 7th Heaven. Shortly thereafter, she was cast as Peter Fonda's granddaughter in Victor Nunez's rich character study, Ulee's Gold (1997), and as Jonathan Taylor Thomas' love interest in I'll Be Home for Christmas (1998).But Biel grew tired of playing a good girl on television and tried to force the producers to fire her from 7th Heaven, claiming her pristine image was a factor that kept her from landing the role that went to Thora Birch in American Beauty (1999). When the producers would not release her from her contract, she posed on the cover of the March 2000 Gear under the headline "Fallen Angel." The images inside featured her sprawled topless on a bed and against a bathroom mirror, her hands providing insufficient cover in a manner that pushed even Gear's lax standards for showing skin. The issue become one of Gear's most popular ever, with terrific resale value on Ebay, and got Biel canned from the show.However, the controversy and exposure did not immediately improve her film career. Biel's first post-Gear role was as a bikini-wearing babe in the Freddie Prinze Jr. baseball movie Summer Catch (2001), but the film barely made a flicker at the box office after being bumped from its initial release date. Biel has since been making guest appearances in her initial Mary Camden role and has been cast in director Roger Avary's The Rules of Attraction (2002). An ill-advised shortcut down the backroads of Texas found Biel and friends pursued by one of the silver screen's most notorious maniacs in the 2003 remake The Texas Chainsaw Massacre, with supporting roles in David R. Ellis's intense pot-boiler Cellular and the vampire-slaying Wesley Snipes action fantasy Blade: Trinity serving well to keep viewers on the edge of their seats. While a blast into the clouds with Stealth provided innoffensive thrills for more forgiving movie-goers, few would stand up to defend Almost Famous director Cameron Crowe's saccharine Elizabethtown as even throwaway fun. In 2006, Biel traveled back in time to become the source of a decidedly supernatural mystery as the ill-fated love of a turn-of-the-centry Vienna magician portrayed by Edward Norton in director Neil Burger's The Illusionist. Biel began 2007 at a low ebb, as the romantic lead in the apocalyptic sci-fi thriller NEXT. As directed by journeyman Hollywood action stalwart Lee Tamahori (XXX: State of the Union), and adapted (loosely) from the Philip K. Dick story "The Golden Man," the picture stars Nicolas Cage as Cris, an issue-ridden psychic who foresees the nuclear destruction of Los Angeles. Biel plays the seer's tender-hearted lover, who spends her free time every week at the bottom of the Grand Canyon, teaching the children of the Havasupai Indian reservation. The film bombed unequivocally at the box office, reeling in only around $14 million worldwide in its first week.The actress next switched genres, unveiling her comic flair to audiences in the hotly-anticipated buddy comedy I Now Pronounce You Chuck and Larry (2007). The Universal farce (released in the States in July 2007) stars Adam Sandler and Hitch's Kevin James as, respectively, Chuck Levine and Larry Valentine, the bachelors of the title - two straight macho firefighters who pose as gay marrieds to qualify for domestic partner benefits. No points for guessing that Biel plays the film's romantic lead; she's the attorney who represents the two men against the insurance company, with whom Sandler falls in love.Biel appeared in Gary Marshall's ensemble romcom Valentine's Day (2010) and the unrelated follow up, New Year's Eve (2011). She played Captain Charissa Sosa in the big-screen remake of The A-Team (2010) and continued on her action movie remake streak, playing Melina in Total Recall (2012). In 2012, she also appeared in Playing for Keeps with Gerard Butler and the bio drama Hitchcock, playing actress Vera Miles.

Trivia: Actor Adam LaVorgna made his professional debut at age three, on the soap opera As the World Turns. In the early '90s, he played Nicholas Scamperelli on the CBS series Brooklyn Bridge and, for his work, won the Best Supporting Actor Youth Film Award in 1992. That year, he played Frank Sinatra at age ten in the miniseries Sinatra. His other television film credits include Casualties of Love: The "Long Island Lolita" Story and Bloodbrothers: The Joey DiPaola Story. LaVorgna made his feature debut in Monkey Trouble (1994).

Trivia: Whether following in the footsteps of the seemingly irreplaceable Robert Reed as the all-wise patriarch of the Brady clan or raising the ire of a nation of embittered office workers as the blissfully malevolent Lumbergh in Mike Judge's popular workplace comedy Office Space, longtime character actor Gary Cole can always be depended on to bring life to his varied and oddly endearing characters, despite their sometimes questionable motivations. Even in his earliest role as Snoopy in a high school production of You're a Good Man Charlie Brown, the Park Ridge, IL, native knew his destiny lay on the stage; from that moment straight through Cole's higher education at Illinois State University, his dedication to the theater never wavered. So dedicated was Cole that, during his third year at I.S.U., the eager up-and-comer dropped out to help found the Remains Theater. Transferring over to Chicago's acclaimed Steppenwolf Theater in 1985, Cole quickly made a name for himself in such productions as Cat on a Hot Tin Roof and Balm in Gilead. Though Cole had essayed a handful of television roles in the early '80s, it wasn't until his breakthrough role as a suspected murderer in the 1984 made-for-television feature Fatal Vision that audiences truly began to take notice. Cole's role as the drug-addicted son of an alcoholic father in the 1986 made-for-TV drama Vital Signs showed that he undoubtedly had the chops to make it on the small screen. Despite an increase in television roles, the ambitious actor continued to impress on the stage as well. Cole's first taste of weekly series life came with his role as a former cop who finds redemption as a late-night radio talk show host in the 1989 series Midnight Caller. In the following decade, he would expand his career into feature film territory. Cole's silver-screen career began with a role as a Secret Service agent in the Clint Eastwood thriller In the Line of Fire (1993), and his natural skills onscreen lent a surprising amount of depth to the supporting role. A few supporting television performances were quick to follow, and in 1995, Cole cracked up audiences with his role as suburban philosopher Mike Brady in the hit comedy The Brady Bunch Movie. Cole would reprise the role in the following year's sequel A Very Brady Sequel, but not before returning to series work as the sheriff in the short-lived, but well-loved, oddity American Gothic. As his feature career gained momentum, Cole still remained loyal to the stage and small screen. In 1998, a role in the acclaimed HBO miniseries From the Earth to the Moon found him going as strong as ever, and on the heels of supporting roles in A Simple Plan and I'll Be Home for Christmas, Cole played what was perhaps his most widely recognized role to date in Office Space (1999). Cast as by-the-books corporate figurehead William "Bill" Lumbergh, Cole delivered a performance that was pure comic gold for anyone who has weathered the never-ending drone of life in cubicle-land. In 2001, Cole loaned his voice to the hit "Adult Swim" cartoon Harvey Birdman, Attorney at Law, playing several characters, including Birdman himself. The next year, Cole continued to dabble in animated television with his performance as the titular character's father in the hit series Kim Possible. Back on the big screen, he took the role of the villainous heavy in the Eddie Murphy/Owen Wilson comedy I Spy and returned to the role of Mike Brady in the made-for-television sequel, The Brady Bunch in the White House. In 2003, he was cast in the recurring role of new Vice President "Bingo Bob" Russell for the fifth season of the critically acclaimed dramatic series The West Wing. The popular character actor could also be seen in supporting capacity in the 2004 comedies Win a Date with Tad Hamilton! and Dodgeball: A True Underdog Story.Cole maintained his status as a talented comic with a series of vocal performances on the animated television show The Family Guy, while showcasing his versatility by appearing in the sequel to the American version of The Ring. In 2006 he played opposite Will Ferrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby. He appeared in the spy drama Breach, and lent a scary presence to the pot comedy Pineapple Express. He became a part of the HBO series Entourage for that show's final two seasons, and in 2011 he was in the hit family comedy Hop.

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).