Trivia: The British actress, comedienne, singer and dancer Julie Andrews stakes a claim to fame for having one of the single most astonishing voices (four octaves!) of any entertainer alive. Yet the breadth of this raw ability is often hugely obscured by Andrews's milquetoast image and onscreen persona. Thus, in the late '60s, Andrews - who began her film career rooted firmly in family-oriented material - traveled far out of her way to expand her dramatic repertoire, with decidedly mixed results. A music-hall favorite since childhood, Andrews spent the war years dodging Nazi bombs and bowing to the plaudits of her fans. Thanks to her own talents and the persistence of her vaudevillian parents, Andrews maintained her career momentum with appearances in such extravaganzas as 1947's Starlight Roof Revue. It was in the role of a 1920s flapper in Sandy Wilson's satire The Boy Friend (1953) that brought Andrews to Broadway; and few could resist the attractively angular young miss warbling such deliberately sappy lyrics as "I Could Be Happy With You/If You Could Be Happy With Me." Following a live-TV performance of High Tor, Andrews regaled American audiences in the star-making role of cockney flower girl Eliza Doolittle in the 1956 Broadway blockbuster My Fair Lady. The oft-told backstage story of this musical classic was enough to dissuade anyone from thinking that Andrews was an overnight success, as producer Moss Hart mercilessly drilled her for 48 hours to help her get her lines, songs and dialect in proper working order. In 1957, Andrews again enchanted TV audiences in the title role of Rodgers & Hammerstein's musical adaptation of Cinderella. Later, Alan Jay Lerner and Frederick Loewe -- also the composers of My Fair Lady -- developed the role of Guinevere in their 1960 musical Camelot with Andrews in mind, and the result was another Broadway triumph, albeit not as profitable as Fair Lady. Although a proven favorite with American audiences thanks to her frequent TV variety show appearances (notably a memorable 1962 teaming with Carol Burnett), Andrews did not make a motion picture until 1964. As Mary Poppins, Andrews not only headlined one of Walt Disney's all-time biggest moneymakers, but also won an Oscar -- sweet compensation for having lost the Eliza role to Audrey Hepburn for the adaptation of My Fair Lady. Andrews hoped that Mary Poppins would not type her in "goody-goody" parts, and, to that end, accepted a decidedly mature role as James Garner's love interest in The Americanization of Emily (1964). However, Andrews' next film, The Sound of Music (1965) effectively locked her into sweetness and light parts in the minds of moviegoers. On the strength of the success of Music, Andrews was signed to numerous Hollywood projects, but her stardom had peaked.Perhaps recognizing this, Andrews started to branch out fairly aggressively by the late '60s, with such "adult-oriented" pictures as Alfred Hitchcock's espionage thriller Torn Curtain. That film, and others (Hawaii, Star!) all flopped. In the late '60s, Andrews fell in love with and married the then white-hot American director Blake Edwards; her decision to collaborate with Edwards on a professional level, to boot, waxed incredibly strategic. Today, many view Edwards in a negative light for cranking out moronic studio fodder such as A Fine Mess and Sunset). In 1969, however, he sat among Hollywood's creme-de-la-creme, notorious for crafting mature genre pictures for adult audiences (The Days of Wine and Roses, Breakfast at Tiffany's, Experiment in Fear and sophisticated slapstick comedies unafraid to take chances (the Pink Panther series, The Party). By marrying Edwards and aligning herself with him creatively, then, Andrews was also consciously or unconsciously bucking to change her image. Unfortunately, the two began at a low ebb to end all low ebbs. The WWI musical farce Darling Lili (1970) featured Rock Hudson, electric musical numbers, stunning dogfight sequences, and - significantly - a semi-erotic striptease number by Andrews. Apparently audiences didn't buy this sort of behavior coming from Mary Poppins: the film tanked at the box office, as did the spy thriller The Tamarind Seed, also starring Andrews.Aside from a couple of televised musical specials, Andrews stuck with her husband for each successive film - for better or worse, as they say. Their next collaborations arrived in the late '70s and early '80s, first with the smash Dudley Moore sex farce '10' (1979) and then with the Hollywood satire S.O.B. (1981). In the former, Andrews took a backseat to sexy bombshell Bo Derek, who catches the infatuation of Moore but delivered a finely-modulated comic performance nonetheless; the latter - an unapologetically 'R' rated comedy about a nutty director who attempts to turn a family-friendly stinker into a porno musical -- exposed a topless Andrews to the world for the first time. This rank, cynical and angry "satire" represented the couple's creative nadir; one critic rightly pointed out that Andrews could have used it as grounds for divorce. The 1982 transvestite musical Victor/Victoria (with Andrews in the lead) fared better; it was followed by Edwards's 1983 Truffaut remake, The Man Who Loved Women (with Andrews as the lover of sculptor Burt Reynolds). Andrews's attempts at image-extending here are obvious in each case; the individual films have various strengths and weaknesses, but - love 'em or hate 'em -- they broadened the appeal of Andrews only slightly - with many perceiving her as either an onscreen accessory to her husband or as an okay straight man in mediocre romantic comedies. The couple fared a thousand times better with the excellent mid-life crisis comedy-drama That's Life! (1986), starring Andrews and Jack Lemmon. Two esteemed dramatic roles sans Edwards - that of a frustrated multiple sclerosis victim in Duet for One (1986), and that of a grieving mother of an AIDS victim in Our Sons (1991) - did what the prior films were supposed to have done: they secured Andrews's reputation as an actress of astonishing versatility. Yet, as Andrews aged, she ironically began to segue back into the types of roles that originally brought her infamy, with a series of sugar-coated, grandmotherly parts in family-friendly pictures. Notably, she co-starred in the first two installments of The Princess Diaries as Queen Clarisse Rinaldi, a European monarch of a tiny duchy, who tutors her "hip" teen granddaughter (Anne Hathaway) in the ways of regality. Andrews also used her polished and cultured British diction to great advantage by voicing Queen Lillian in the second and third and fourth installments of Dreamworks's popular, CG-animated Shrek series: Shrek 2, Shrek the Third, and Shrek Forever After. She also maintained her status as a family-film icon by narrating Enchanted, voicing Gru's mother in the animated Despicable Me, and playing opposite The Rock in Tooth Fairy.

Trivia: An actress whose first big screen gig also proved to be her breakthrough, Anne Hathaway became a familiar face to millions of moviegoers thanks to her starring role in Garry Marshall's 2001 hit The Princess Diaries. Cast as a clumsy high school girl who finds out she is the princess of a small country, Hathaway was able to prove her comedic timing opposite no less than Julie Andrews.Hailing from Brooklyn, where she was born November 12, 1982, Hathaway became involved in the theater at a young age, and as a teenager performed with the Barrow Group, a prestigious New York theatre company. She did her first industry work in the short-lived but critically praised TV series Get Real before auditioning for Marshall, who, according to legend, cast the actress as the accident-prone princess after she fell off a chair during her audition. The success of The Princess Diaries opened a number of doors for Hathaway, but she chose the one that led to Vassar College, where she enrolled in 2000, taking some time off from film.Though a supporting performance in the 2002 box-office disappointment Nicholas Nickleby offered Hathaway little chance to shine, a lead performance as the eponymous character in thefantasy-themed romantic comedy Ella Enchanted (2004) found her stepping into some big slippers for another Cinderella-style story not unlike the obligatory Princess Diaries 2 that same year. As if to anounce her acendancy out of the teen fantasy ghetto, Hathaway plunged into edgier territory with the gritty teen drama Havoc (also 2004), although the explicit film merited only a video release. It was her next two roles, however, that would announce the young actor's arrival into adulthood. As one of the two quietly suffering wives in Ang Lee's acclaimed Brokeback Mountain, Hathaway exhibited an irrepressible rodeo-girl spirit broken down over the course of a sham marriage. As the co-star of the chick-lit adaptation The Devil Wears Prada in 2006, she entered the world of contemporary, high-fashion power players, suffering the slings and arrows of a deliciously evil (and Oscar-nominated) Meryl Streep. The film played throughout the summer, becoming a bona-fide sleeper hit. Although initially cast in 2007's runaway summer comedy, Knocked Up, Hathaway backed out of the role that eventually went to Katharine Heigl. She chose instead to follow the period-romance path with Becoming Jane, a Shakespeare in Love-style speculative fiction on the life and one true love of Jane Austen.2008 turned out to be a banner year for the actress who scored a box office hit starring opposite Steve Carell in the big-screen adaptation of Get Smart, and garnered the best reviews of her career thus far for her work as a recovering addict in Jonathan Demme's Rachel Getting Married. That role earned her a number of year-end critics awards, as well as Best Actress nominations from the Screen Actors Guild and the Academy. Hathaway would subsuquently find herself free to enjoy leading lady status, appearing in a number of iconic projects over the coming years, like the White Queen in Alice in Wonderland and a slinky Selina Kyle/Catwoman inThe Dark Knight Rises. In 2012 she landed the part of Fantine in Tom Hooper's adaptation of the phenomenally successful stage musical Les Miserable. Getting to deliver the production's most beloved song, "I Dreamed a Dream", Hathaway made the most of the small but juicy part and was rewarded with the Oscar for Best Supporting Actress.In 2014, Hathaway appeared in the indie film Song One and reteamed with her Dark Knight Rises director Christopher Nolan for the sci-fi epic film Interstellar. She next starred in The Intern, opposite Robert De Niro, and reprised her role Alice Through the Looking Glass.

Trivia: An actor of seemingly boundless range, New York-born Hector Elizondo began his career as a dancer. His initial training was at the Ballet Arts school of Carnegie Hall, from which he moved on to the Actors Studio. After several years' stage work, Elizondo made an inauspicious movie debut as "The Inspector" in the low-budget sex film The Vixens (1969). He was shown to better advantage in his next film, Hal Ashby's The Landlord (1970), which he followed up with strong character parts in such Manhattan-based productions as The Taking of Pelham One Two Three (1974) and Thieves (1977). With Young Doctors in Love (1982), Elizondo began his long association with director Garry Marshall, who has since cast the actor in all of his films, in roles both sizable (Matt Dillon's dad in The Flamingo Kid [1984], the cafe owner in Frankie and Johnny [1991]), and microscopic (Overboard [1987]). Elizondo's screen roles have run the gamut from scrungy garbage scow captains to elegant concierges (Pretty Woman). In addition, he has been a regular on several mediocre television series: Popi, Freebie and the Bean, Casablanca (in the old Claude Rains role of Inspector Renault), a.k.a. Pablo, Foley Square, and Down and Out in Beverly Hills, In 1994, Elizondo took on a co-starring role as a demanding chief of surgery on the popular TV medical drama Chicago Hope. Other non-Marshall highlights in his filmography include Tortilla Soup, Overboard, Necessary Roughness, and Music Within.

Trivia: Although teen dance-pop sensation Mandy Moore may rank alongside Britney Spears and Christina Aguilera as one of the most popular female singers of her generation, her midriff-free image and genuine vocal talents have propelled her from the recording studio to movie sets in projects that are both family friendly and positive in nature.Born in Nashua, NH, and raised in Orlando, FL, Moore was inspired to pursue a career as a vocal artist after attending a stage performance of Oklahoma! and witnessing the entrancing effect the lead performer had on the audience. Honing her skills with singing lessons and countless bedroom performances of "The Wind Beneath My Wings," Moore took to musical theater and began regularly performing the National Anthem at local sporting events. It wasn't long before two producers who had heard her sing at a game asked if she would be interested in cutting a demo. Eagerly accepting the offer, the young songstress recorded her first album at 14, with film roles following close behind. Gaining confidence in front of the camera with her self-titled MTV show in addition to appearances on The Andy Dick Show and a children's video entitled Magic Al and the Mind Factory, Moore loaned her voice to the character of a Girl Bear Cub in Dr. Dolittle 2 before making her feature debut (much against type as she claims) as a mean cheerleader in The Princess Diaries (2001). Dying her blonde locks brunette for her first major role in A Walk to Remember (based on Nicholas Sparks' best-seller), Moore brought her comparatively chaste image to the screen in an innocent tale of young lovers from opposite sides of the spectrum. Low key and with a plot that leans toward Christian themes, Moore proved with her feature debut that her values come well before public image regardless of how un-chic they may color her in the public eye.Publicly admitting that she was gravitating towards a career in front of the camera since it was easier than singing, Moore continued her onscreen career with films like How to Deal, Because I Said So, License to Wed. In 2010, Moore provided the speaking and singing voice for Rapunzel in the Disney movie Tangled. She voiced the character across other mediums, too- she performed the song "I See The Light" from the film at the Oscars that year and made a guest appearance as Rapunzel on the Disney show Sofia the First in 2014. Moore stuck with the Disney family, voicing the lead character in the Disney animated show Sheriff Callie's Wild West. She also picked up a recurring role on the short-lived FOX series Red Band Society. In 2016, she headlined NBC's new series This Is Us.

Trivia: Born to Australian parents. Debuted on American TV in Charles & Diana: A Love Story (1982). Performed on stage in starring roles with the prestigious Royal Shakespeare Company, Royal National Theater and Royal Court. Emerged in the U.S. in two Steven Spielberg films: as the wife of Peter Banning in Hook; and the wife of Oskar Schindler in Schindler's List. Met cinematographer husband Nicola Pecorini on the set of Cliffhanger. He is the co-founder of the Steadicam Operators Association. Played a Queen of England (Mists of Avalon), British Prime Minister (Me & Mrs. Jones) and First Lady (Chasing Liberty) in a three-year span from 2001-2004.

Trivia: Yet another member of the extended Coppola clan to appear on the screen, Robert Schwartzman is the son of Talia Shire, brother of Rushmore's Jason Schwartzman, the nephew of Francis Ford Coppola, and cousin to many more Coppolas, including Sofia Coppola and Nicolas Cage. Born in Los Angeles on December 24, 1982, Schwartzman first appeared onscreen in the fairly obscure Lick the Star and then had a more recognizable gig in cousin Sofia's critically acclaimed The Virgin Suicides, which included Kirsten Dunst, James Wood, Kathleen Turner, and Josh Hartnett in its cast. Schwartzman followed the film with a supporting role in The Princess Diaries (2001), a family comedy starring Julie Andrews and Anne Hathaway that proved to be a runaway hit both among critics and at the box office. Schwartzman changed his name to Robert Carmine and formed the indie rock band Rooney in 2003.

Trivia: Born in 1982 and raised on the East Coast, child actress Heather Matarazzo took the role of Helen Keller in a local production of The Miracle Worker, and began taking roles in television with appearances in Nickelodeon's The Adventures of Pete and Pete, before her breakthrough role in the 1995 indie hit Welcome to the Dollhouse. Appearing in numerous critically praised independent films, and often displaying an impressive range of abilities and characterizations, Matarazzo seems at her best while taking on roles of bravely defiant but awkward characters who often find themselves in adverse situations.Though Matarazzo stuck to the small screen for the sci-fi series Now and Again (1999), her film roles began to become more regular and substantial over the years, taking roles in mainstream films and playing the keeper of a key piece of evidence in the final episode of the Scream trilogy. Having cemented herself in the movie scene, Matarazzo would appear in everything from broad comedies like The Princess Diaries and Sorority Boys to acclaimed favorites like Saved! and Magnus!. Matarazzo would also appear on shows like The L Word and Exes & Ohs.

Trivia: Broke into feature films with 2001's The Princess Diaries. Was cast in 2005's The World's Fastest Indian while starring in The 4400. Plays guitar, writes music and was the lead singer of a band called Sleeper 7. Was screen tested for the role of Steve Rogers/Captain America in 2010, which was eventually given to Chris Evans.

Trivia: One of Canada's most respected actresses, Sandra Oh is one of her country's growing number of talented performers to make their presence felt in Hollywood. Oh, who is of Korean heritage, was born in Nepean, Ottawa, and began acting at the age of ten. Despite the disapproval of her traditionally-minded parents, she embarked on a professional acting career when she was barely out of her teens. After attending the National Theatre School of Canada in Montreal, Oh had her breakthrough in the 1993 CBC production of Runaway: The Diary of Evelyn Lau. Her portrayal of the title character, a 14-year-old runaway who endured hard times while living on the street, earned Oh a FIPA d'Or for Best Actress at Cannes.On the big screen, Oh first earned raves and recognition for her portrayal of a Chinese-Canadian woman struggling with both the demands of her conservative parents and those placed on her by society in response to her ethnic identity in Double Happiness. Her thoughtful, funny performance earned Oh her first Genie Award (Canada's equivalent of the Oscar), but unfortunately, further work was not immediately forthcoming. Things began to look up when Oh was cast on the popular HBO series Arli$$ in 1996, and in a bit part in the hit comedy Bean (1997).Oh found greater success as one of the stars of Don McKellar's Last Night (1998), a comedy-drama about the end of the world that cast the actress as a woman trying to get across town in time to make good on a suicide pact she has with her husband (David Cronenberg). An internationally praised film that enjoyed a particularly strong reception at the Toronto and Cannes Festivals, it received a number of awards, including a second Genie for Oh. The following year, Oh took part in another critical hit with Audrey Wells' Guinevere, in which she appeared alongside fellow Canadian Sarah Polley as one of a number of young women taken under the wing of a dubious mentor (Stephen Rea).Oh ushered in the new millenium with a role in the largely-improvised ensemble film Dancing at the Blue Iguana, and the ensuing years saw the actress primarily take on a variety of small character roles in such films as Big Fat Liar and Under the Tuscan Sun. In 2004, however, she garnered a number of positive responses playing the impulsive-but-tough Stephanie in then-husband Alexander Payne's dramedy Sideways. The role would be a breakthrough, even if Payne and Oh announced the end of their marriage shortly after the film was honored at the 2005 Academy Awards. Oh's professional life continued to improve landing a major role on the television series Gray's Anatomy. Her caustic, hilarious and often heartbreaking work in that series earned her strong reviews, as well as a Golden Globe Award and Emmy recognition. In 2006 she took time off from the show to appear opposite Robin Williams in the thriller The Night Listener. Oh would go on to appear in a number of feature films in the coming years, like Blindness, Defendor, and Ramona and Beezus.

Trivia: A tall blond with surfer/boy band good looks, Erik Von Detten has been involved in the entertainment industry since he was a young child. Before he turned 20, he had already developed a huge fan following in teen magazines and on the web, despite never having garnered an enduring lead role, with as much prominent voice-over work to his credit as onscreen.Erik Thomas Von Detten was born on October 3, 1982, not too far from the lights of Hollywood in San Diego. By age nine, the home-schooled actor had won a bit part in the film All I Want for Christmas and a youth role on Days of Our Lives. In 1995, he put his expressive voice to its first and most memorable use as Sid Phillips, the vicious toy-mangling next-door neighbor in Disney and Pixar's blockbuster hit Toy Story. Von Detten has since developed an ongoing relationship with Disney, providing voices for Hercules (1997), Tarzan (1999), the 2001 TV spin-off The Legend of Tarzan, and both the TV and big-screen incarnations of Disney's Recess franchise.Von Detten's first notable onscreen film role was as Wally Cleaver in the big-screen adaptation of Leave It to Beaver (1997). This appearance enabled lead roles in the TV movies Brink! and Replacing Dad (both 1998), as well as recurring roles on the series So Weird and ABC's short-lived "TGIF" sitcom Odd Man Out, in which he played the only male in a house full of women (including matriarch Markie Post). Von Detten's most widely seen role came in 2001, when he played the shallow hunk whom Anne Hathaway's character covets in the Disney hit The Princess Diaries.

Trivia: Began acting during high school. Made his big-screen debut with a small role in 2000 drama Where the Heart Is. First series-regular role was musician Zack Van Gerbig on the WB drama Gilmore Girls. Originally auditioned for the role of Hoyt Fortenberry before being cast as Terry Bellefleur on HBO's True Blood. Is the singer and guitarist for country-rock band Pilbilly Knights.

Trivia: A capable comic actor whose regular-guy looks and sharp wit have made him a popular character performer in both movies and television, Larry Miller was born on October 15, 1953 on Long Island, NY. Miller grew up with a keen interest in music, and graduated with honors from Amherst College, receiving a degree in music. Hoping to make a career as a musician, Miller moved to New York City and began playing the nightclub circuit as a pianist and drummer. Working the clubs inspired Miller to take a stab at comedy, and he began performing occasional sets at comedy clubs such as the Comic Strip and Catch a Rising Star. Within two years, Miller had put his musical career on the back burner and was touring full-time as a comic. Miller made his film debut in 1978 in the film Take Down, but it would be several more years before Miller found himself before the camera again; as his career as a standup comic rose, Miller began landing occasional television guest shots and bit parts in films, as well as appearing on several cable television specials devoted to comedians. But it was Miller's appearance in the 1990 film Pretty Woman that kick-started his screen career; playing an arrogant but all-too-eager-to-please salesman, Miller's brief moment in the film earned big laughs, and he soon became a frequent presence in movies and television. Miller was a regular on the TV series The Pursuit of Happiness, Life's Work, and Michael Hayes -- all three of which only lasted a season -- and played recurring roles on Mad About You, Dream On, DAG, and My Wife and Kids. Miller also made a surprising appearance in a dramatic role on Law & Order, in which he played a man accused of murder. Miller played a number of showy supporting roles in theatrical films, including Waiting for Guffman, The Minus Man, The Nutty Professor, Best in Show, and A Mighty Wind. His comedy chops only gaining more bite with the passing years, Miller would find only increasing success when he appeared on such small screen hits as Desperate Housewives and Boston Legal in the mid-00s. Of course Miller was still very much a feature man, with roles in the underseen sleeper Kiss Kiss Bang Bang and The Any Bully providing plenty of room for the comic talent to shine. When not busy with his acting career, Miller still performs as a standup comic, and writes a humor column for The Daily Standard.

Trivia: It was only a matter of time before burgeoning teen star Nicholle Tom joined the family business. Her older sister, Heather Tom, won a Daytime Emmy for her portrayal of Victoria Newman on the soap The Young and the Restless and her twin brother, David Tom, has had roles in Pleasantville and Swing Kids.Tom grew up in Seattle and Los Angeles, but was born in Hinsdale, IL, on March 23, 1978. She and her brother did print ads and commercials in Chicago before the family headed out west. Soon after they moved to L.A., Tom began winning high-profile parts in films (Beethoven) and television shows (Beverly Hills 90210, The Nanny). She basically grew up on The Nanny and has embarked on a somewhat successful film and TV-movie career since the show ended in 1999. She starred with Olympic champ Tara Lipinski in the made-for-TV movie Ice Angel and has turned in supporting roles in Panic and The Princess Diaries.

Trivia: Lead actress, onscreen from The Border (1982).