Trivia: Initially known as a teen idol thanks to his role on 21 Jump Street and tortured pretty-boy looks, Johnny Depp survived the perils of adolescent heartthrob status to earn a reputation as a respected adult actor. His numerous collaborations with director Tim Burton, as well as solid performances in a number of critically acclaimed films, have allowed Depp to carve a niche for himself as a serious, if idiosyncratic performer, a real-life role that has continuously surprised critics intent on writing him off as just another photogenic Tiger Beat casualty.Born in Kentucky and raised in Florida,Depp had the kind of upbringing that would readily lend itself to his future portrayals of brooding lost boys. After his parents divorced when he was 16, he dropped out of school a year later in the hopes of making his way in the world as a musician. Depp fronted a series of garage bands; the most successful of these, the Kids, was once the opening act for Iggy Pop. During slack times in the music business, Depp sold pens by phone. He got introduced to acting after a visit to L.A. with his former wife, who introduced him to actor Nicolas Cage, who encouraged Depp to give it a try. The young actor made his film debut in 1984's A Nightmare on Elm Street (years after attaining stardom, Depp sentimentally played a cameo in the last of the Elm Street series), and his climb to fame was accelerated in 1987, when he replaced Jeff Yagher in the role of Officer Tom Hanson, a cop assigned to do undercover duty by posing as a student in crime-ridden Los Angeles-area high schools, in the Canadian-filmed Fox TV series 21 Jump Street (1987-90). Biding his time in "teen heartthrob" roles, Depp was first given a chance to exhibit his exhausting versatility in the title role of Tim Burton's fantasy Edward Scissorhands (1990).Following the success of Edward Scissorhands, the actor made a conscious effort never to repeat himself. He continued to gain critical acclaim and increasing popularity for his work, most notably in Benny & Joon (1993), What's Eating Gilbert Grape, Ed Wood and Dead Man. Depp continued to ascend the Hollywood ranks. He would continue to play quirky character roles, starring turn as Hunter S. Thompson's alter ego in Terry Gilliam's trippy adaptation of Fear and Loathing in Las Vegas (1998), and teaming with Burton again to play a decidedly mincing Icabod Crane in Sleepy Hollow. Depp's charm still made him a natural romantic lead, however, as he proved in Chocolat.In what was perhaps his most surprising departure since Fear and Loathing in Las Vegas, Depp shed his oftentimes angst-ridden persona for a role as flamboyant pirate Jack Sparrow in 2003's Pirates of the Caribbean. Essaying the crusty role in the manner of a drunken, debauched rock star -- Depp publicly admitted Keith Richards was his inspiration -- the actor added a dose of off-kilter fun to an above-average summer thrill ride, and found himself with his biggest hit and first Oscar nomination ever.The role effectively made Depp both a character actor and full-fledged leading man, and he would continue to appear in several films over the coming years that allowed him to star in large scale productions, playing decidedly quirky characters. Films like Secret Window, Finding Neverland, Charlie and the Chocolate Factory, Sweeney Todd, Public Enemies, and a slew of massively successful Pirates of the Caribbean sequels would prove again and again how taken audiences were with the star, always playing the hero, but with an unconventional twist.Despite this massive success (or maybe as a result), Depp's career suffered a downswing after a string of critical and commercial flops. Films like The Tourist (opposite Angelina Jolie), Dark Shadows (a rare misstep with Tim Burton) and The Lone Ranger failed to connect with audiences and critics alike and left many to wonder when Depp's career would recover. He continued to have a strong presence in the film industry, though, and in 2016, reprised his role as the Mad Hatter in Alice Through the Looking Glass and began work on a fourth Pirates movie.

Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: Although he made his name playing ruthless, genteel villains like Die Hard's Hans Gruber and Robin Hood: Prince of Thieves' Sheriff of Nottingham, Alan Rickman proved himself equally remarkable in romantic, comic, and good-guy dramatic roles. An actor of brooding charisma who intones his lines in a deep, milky baritone, Rickman began his career on-stage, building up a sizable résumé before embarking on a film career.Of Irish and Welsh parentage, Rickman was born in London's Hammersmith district on February 21, 1946. His father, who was a painter and decorator, died of cancer when the actor was eight, leaving behind Rickman, his mother, and three siblings. After winning a scholarship to West London's Latymer Upper School, Rickman began acting at the encouragement of his teachers. He also developed an interest in art, and he went on to study graphic design at the Royal College of Art. He founded a Soho-based design company, but after deciding that his heart was in acting, he abandoned the company when he was 26 to study at the Royal Academy of Dramatic Art. He spent three years there, serving as a dresser to such actors as Ralph Richardson and Nigel Hawthorne. After leaving RADA, Rickman began to make his name on the stage, first appearing in repertory and then landing lead roles in London productions. He gained particular acclaim for his portrayal of Valmont in a West End production of Les Liaisons Dangereuses, eventually reprising his role for the Broadway production and winning a Tony nomination.In 1988, Rickman got his first dose of big-screen recognition with Die Hard. After the film's huge success, and praise for his delightfully nasty portrayal of the film's villain, he went on to make a couple of poorly received features, including 1989's The January Man and 1990s Quigley Down Under. Success greeted him again in 1991: playing Kevin Costner's nemesis, the vile and loathsome Sheriff of Nottingham, in Robin Hood: Prince of Thieves, Rickman proved to audiences why being bad could be so much fun. The same year, he endeared himself as a markedly more sympathetic character in Truly, Madly, Deeply. As a deceased cellist who reappears to comfort his lover (Juliet Stevenson), Rickman proved himself adept at romantic comedy, and began to accrue a reputation as a thinking woman's sex symbol (something he vocally resented).The actor spent the remainder of the decade turning in solid performances in a number of diverse films: he could be seen as an actor with a troubled past in An Awfully Big Adventure (1994), a very sympathetic Colonel Brandon in Sense and Sensibility (1995), Eamon de Valera in Michael Collins (1996), a has-been sci-fi television star in Galaxy Quest (1999), and a grumpy angel in Dogma (1999). In 1997, Rickman branched out into directing, making his debut with The Winter Guest. Starring real-life mother and daughter Phyllida Law and Emma Thompson as an estranged mother and daughter, the film won a number of positive notices, further establishing Rickman as a man of impressive versatility, both in front of and behind the camera. Though Rickman's voice would be featured on the animated television series King of the Hill in 2003, he wasn't truly absorbed into mainstream pop-culture among the kid circuit until after starring in the movie adaptations of author J.K. Rowling's Harry Potter series. Rickman played the sinister Professor Snape in the films, one of the few post-pubescent constants in the franchise.In 2005, just months before the fourth installment in the Potter series, Rickman showed up in the first big-screen adaptation of another literary series with a rabid fan base, lending his voice to the character of Marvin the neurotic robot in The Hitchhiker's Guide to the Galaxy.He went on to appear in Perfume: The Story of a Murderer, and in 2007 he played Judge Turpin in Tim Burton's adaptation of Sweeney Todd. E reteamed with the director for Alice in Wonderland in 2010, and the next year saw the final installment of the Harry Potter franchise hitting screens. In 2013, he played President Ronald Reagan in Lee Daniels' The Butler and club owner Hilly Kristal in CBGB. The following year, Rickman directed his second feature film, A Little Chaos, and also appeared in the film as King Louis XIV. Rickman died in 2016, at age 69.

Trivia: Perhaps the actor most closely associated with director Mike Leigh, Timothy Spall has acted in productions for the director on both the stage and screen. Spall made a particularly strong impression in Leigh's Life is Sweet (1991), which cast him as a socially awkward gourmet chef, and Secrets & Lies (1996), in which his starring performance as a portrait photographer struggling with marital problems earned him award nominations from the British Academy and the London Film Critics Circle. In addition to his work with Leigh, Spall has appeared in a number of disparate productions. He made his film debut with a supporting role in the Who's Quadrophenia in 1979 and spent the next decade splitting his time and energy between the stage and screen. He acted extensively for the Royal Shakespeare Company and the Royal National Theatre, and he also did acclaimed work on television, most notably as Mr. Venus in the BBC production of Charles Dicken's Our Mutual Friend, for which he received a BAFTA Best Actor nomination.Spall began to gain recognition and respect as a film actor in the 1990s, thanks in large part to his collaborations with Leigh. In addition to his work with the director, Spall was particularly memorable in Brian Gibson's Still Crazy (1998), a comedy that cast him as the drummer for a defunct 1970s rock band trying to make a come-back. In 1999, the actor enjoyed another collaboration with Leigh in Topsy-Turvy, an acclaimed drama about the partnership between Gilbert and Sullivan that featured Spall as an effeminate opera diva. The following year, he could be seen as Don Armado in Kenneth Branagh's musical adaptation of Love's Labour's Lost, and heard as a chicken farm denizen in Nick Park's animated Chicken Run. In recognition of his contributions to the arts, Spall was named an Officer of the Order of British Empire (OBE) by Queen Elizabeth on New Year's Eve, 1999.

Trivia: Best known for his character Ali G, comedian Sacha Baron Cohen was born in London in 1971 to a British father and an Israeli mother. He first assumed the role on Channel 4's The Eleven O'Clock Show in 1999, embarrassing himself as well as clueless interviewees as a British hip-hop wannabe, acting as the "voice of da youth." The character was wildly popular, gaining Baron Cohen his own program, Da Ali G Show, in 2000, which was brought to the U.S. in 2003. Baron Cohen employed a comedic technique that consisted mainly of acting stupid as many well-known guests such as Pat Buchanan, Buzz Aldrin, and Boutros Boutros-Ghali, afraid of looking uncool, would play along and try to answer his inane or bizarre questions. He eventually took his alter ego to the big screen with the feature film, Ali G Indahouse; the 2002 movie found Ali G trying to prevent his neighborhood from being demolished after he is elected to Parliament.Da Ali G Show also included segments from two of Baron Cohen's other characters. Bruno, an Austrian fashion reporter from a fictional program called Gay TV, frequently put homophobic guests on the spot, while misogynistic Kazakhstani immigrant Borat showcased his flagrant anti-Semitism to clueless interviewees who, failing to catch onto the satirical nature of the show, would either join him in his bigoted beliefs or try to explain American values to him. Controversy surrounded all three of Baron Cohen's characters, as critics blasted him for endorsing racism, anti-Semitism, and homophobia. HBO, which aired Da Ali G Show, insisted that all of the show's characters were meant to make fun of the prejudiced and ignorant, not the persecuted. It has also been noted that Baron Cohen himself is Jewish and is very proud of his cultural background.In 2005, he lent his vocal talents to the animated film Madagascar, marking a departure from his Ali G Show characters that he would cement in 2006 with a role in the Will Ferrell comedy Talladega Nights: The Ballad of Ricky Bobby, as a flamboyant French Formula 1 driver who challenges Ferrell's NASCAR supremacy. A comedy match made in stock-car heaven, the summer release was the perfect chance for the comedian to try his hand at ensemble work, but he was soon growing his mustache out to reprise his Kazakhstani alter ego for the feature film Borat. Though followed by the usual controversy from those who misunderstood Baron Cohen's style, the film began generating buzz when it earned massive praise at Cannes, and despite beginning with a relatively small core audience, became the talk of Hollywood as perhaps the most innovative form of comedy to grace the screen in years. Baron Cohen took home a Golden Globe for Best Actor in a Comedy for his performance, and quickly became a household name in the States. Following the success of Borat, Baron Cohen surprised his followers by playing (and singing) the role Signor Pirelli in Tim Burton's Sweeney Todd: The Demon Barber of Fleet Street. Looking ahead, Baron Cohen signed on to star in a big screen version of another character of his creation, the ever-fabulous Bruno, which garnered him headlines when he was arrested for crashing a fashion show in Milan. He earned strong reviews for his work in Martin Scorsese's Hugo. By the time the Oscars rolled around for that film, Cohen was ready to promote his next project, The Dictator. He wanted to appear at the telecast, and on the red carpet, in character, but he was banned from doing this. The public kerfuffle kicked up so much buzz that the Academy relented, allowing his to walk the red carpet and conduct interviews as the fictional North African anti-Semetic character - a decision that ended up with Ryan Seacrest supposedly wearing the ashes of King Jong Il. The Dictator opened in 2012, and that same year he reprised his role as the lemur king in the third Madagascar movie. Baron Cohen finished his year up by playing Thénardier in Les Misérables, opposite his Sweeney Todd co-star Helena Bonham Carter as Madame Thénardier. The film was nominated for a slew of Academy & BAFTA Awards. The following year, he reunited with Ferrell with a cameo in Anchorman 2: The Legend Continues.

Trivia: Started taking singing lessons when he was 8. His first acting role was playing the French mouse in Alice in Wonderland. A former member of England's National Youth Music Theatre. Is the lead singer and guitarist in a band called the Darling Buds. Modeled full-time for Select Model Management in London. Suffers from a mild form of dyslexia. Increased his profile in 2009 with the role of Caius in The Twilight Saga: New Moon.

Trivia: While a film student at UCLA, writer/director Colin Higgins made a short subject for his master's thesis. That short was later expanded into the 1970 feature film Harold and Maude, which also represented Higgins' debut as a producer. Combining Higgins' two favorite movie elements, slapstick comedy and sudden death, Harold and Maude was a box-office failure but an almost instantaneous cult success. Five years later, Higgins scored his first tangible movie hit, Silver Streak (1975), which characteristically used a suspense-film plotline upon which to mount several first-rate comic sequences. The same formula was applied to Higgins' next moneymaker, Foul Play (1978). Higgins' dark streak was never more pronounced than in the feminist comedy Nine to Five (1980), which became Higgins' most successful film yet, winning him the plum assignment of directing the movie adaptation of the Broadway hit The Best Little Whorehouse in Texas. Overlong, overloud and badly cast, Whorehouse turned out to be Higgins' biggest flop, as well as his last theatrical film. Shortly after serving as producer and screenwriter for Out on a Limb, Colin Higgins died of AIDS at the age of 47.