Trivia: A successful standup comedian, the headliner of one of television's most popular sitcoms, a movie star, and a best-selling author, Tim Allen spent much of the '90s being a "Male Pig," a source of pride for countless men, and a franchise unto himself. He was born Timothy Allen Dick, in Denver, CO, one of ten brothers and sisters. Mercilessly teased by his peers because of his last name, Allen developed a keen sense of humor to protect himself. His father died in an auto accident in 1964 when Allen was 11, and his mother later married an old high school flame who had also lost his wife in a car crash. Eventually the family moved to a suburb of Detroit. In 1976, Allen graduated from Western Michigan University with a degree in television production and went on to work in a sporting goods store and then in an advertising agency. He made his debut as a standup comedian at Detroit's Comedy Castle in 1979 after accepting a dare from a good friend, but his career was cut short when he was arrested for dealing cocaine and sentenced to 15 months in federal prison. Following his release, Allen decided to turn over a new leaf and concentrate on his standup career. His early comedy routines were characterized by their vulgarity, and Allen did not find success until he perfected his "Men Are Pigs" routine. A glorious celebration of the masculine mystique centering on the joys of big block engines and tools (especially power tools), punctuated by his trademark manly grunting, the routine made him a hot property on the nightclub circuit and led to a series of televised specials on the Showtime cable network in the early '90s. While constructing his career, Allen moonlighted in television commercials, including spots as Mr. Goodwrench. It was while performing for a Showtime special that he got his break in series television. Jeffrey Katzenberg, the chairman of Disney Studios, saw his act, liked it, and with Walt Disney Company chairman Michael Eisner, offered him the lead in a couple of planned series based on popular films; but Allen didn't feel they were right and suggested instead that they do a series based on his comedy character. They agreed, and Home Improvement, the continuing saga of bumbling TV handyman (whose show somewhat resembled This Old House) Tim "The Tool Man" Taylor and his brood, debuted on the ABC television network in September 1991. It quickly went on to become one of the most consistently highly rated shows on television. Allen made his starring feature film debut in 1994 with the box-office busting The Santa Clause. That same year, he also published a best-selling book, Don't Stand Too Close to a Naked Man. In 1995, he provided the voice for the heroic toy astronaut Buzz Lightyear in Disney's computer-generated extravaganza Toy Story, and the following year published his second book I'm Not Really Here, a more philosophical look at his life, his fame, and his family. In 1997, he starred in the largely panned Jungle to Jungle, and could not be seen on the big screen again until 1999. That year -- the same year Home Improvement ended its highly successful run -- he reprised his Buzz Lightyear role for Toy Story 2 and starred in the sci-fi spoof Galaxy Quest. Though his next film, Big Trouble, was pulled from its original release date and delayed by Touchstone (the studio thought audiences may find the plot involving a missing nuclear bomb distasteful after the September 11, 2001 terrorist attacks), fans could still get their fill of the popular funnyman with the release of Joe Somebody in late 2001.When Big Trouble and Joe Somebody proved to be box-office duds, Allen returned to familiar territory in 2002, starring in the sequel The Santa Clause 2. With the success of that sequel under his belt, Allen stuck with the holiday genre for his next starring role. Playing opposite Jamie Lee Curtis, Allen filled the lead for 2004's adaptation of John Grisham's Skipping Christmas, Christmas with the Kranks; in what was becoming a pattern in his career, the movie was reviled by critics, but did well at the box-office. Allen fared slightly better with his first 2006 effort, a remake of Disney's The Shaggy Dog. Summer 2006's superhero-school comedy Zoom came and went; a second Santa Clause sequel, entitled The Santa Clause 3: The Escape Clause, did modest business considering the franchise. The early-2007 weekend-warrior comedy Wild Hogs -- in which Allen joined Martin Lawrence, John Travolta and William H. Macy -- may not have seemed like a good bet on paper, but its surprise success did much to establish Allen in a new, non-holiday franchise.Allen went outside his comfort zone to play a spoiled Hollywood superstar in David Mamet's Redbelt in 2008, and a couple of years later he directed Crazy on the Outside. He reliably returned to voice Buzz Lightyear in a third Toy Story film, as well as in a handful of shorts created by Pixar featuring the character. In 2011 he returned to the small-screen as the star of Last Man Standing, and the next year he narrated the Disney nature film Chimpanzee.

Trivia: Following his training at the North Carolina School of the Arts, actor Judge Reinhold worked in regional repertory, dinner theaters, and "outdoor" dramas. He gained prominence in TV roles as gawky teenagers, notably the lead in the syndicated Capital Cities Special A Step Too Slow. In films from 1979, Reinhold's first major role was high schooler Brad in Fast Times at Ridgemont High. He hit his stride in 1984, playing the nice-guy detective sent to trail Eddie Murphy in Beverly Hills Cop (1984). Though he has proven a convincing villain when the need has arisen, Judge Reinhold has thrived in parts calling for decency and dependency. Reinhold's career slowed down a bit during the '90s and in the early part of the decade he seemed destined to be relegated to B-movies and television films such as Four Eyes and Six Guns (1993), but in 1994, he appeared in two major features, Beverly Hills Cop III and The Santa Clause.

Trivia: After spending most of the 1980s in television, Wendy Crewson moved to a number of high-profile feature films in the 1990s. Born in Hamilton, Ontario, Crewson attended Canada's Queens University and continued studying acting in London, England, after college. Back in North America, Crewson sharpened her versatile talent in a number of TV productions, including Heartsounds (1984), Murder: By Reason of Insanity (1985), and Robert Altman's acclaimed political satire Tanner '88 (1988), starring Altman regular and Crewson's husband-to-be Michael Murphy. Though Crewson continued to do TV in the 1990s, including The Lives of Girls and Women (1994), From the Earth to the Moon (1998), and At the End of the Day: The Sue Rodriguez Story (1998), she increasingly branched out into features. Making her mark in a small part in The Doctor (1991), Crewson moved on to larger roles as the mother of a psychotic Macauley Culkin in The Good Son (1993), Tim Allen's ex-wife in the comedy hit The Santa Clause (1994), and Peter Gallagher's unfortunate blind date in the tearjerker To Gillian on Her 37th Birthday (1996). After playing a tough lawyer in the crime thriller Gang Related (1997), Crewson further displayed her ability to convey strength as Harrison Ford's undaunted First Lady in Wolfgang Petersen's summer blockbuster Air Force One (1997). Following a substantial role in the independent romantic comedy Better Than Chocolate (1999), Crewson seemed to be on the verge of adding another hit to her resumé as one of Robin Williams' original owners in the fantasy Bicentennial Man (1999), but the film failed to live up to box-office expectations.

Trivia: One of the more accomplished young actors to be immortalized on celluloid in the late 1990s, David Krumholtz has distinguished himself with both talent and the sort of unconventional looks that allow him to be both dashing and nebbish at the same time.A native of New York City, where he was born May 15, 1978, Krumholtz began his professional career at the age of 13, when he starred opposite Judd Hirsch in the Broadway production of Conversations with My Father. He went on to make his film debut in 1993, appearing as an obnoxious child actor in the Michael J. Fox comedy Life with Mikey. That same year, he had a small role as Wednesday Addams' (Christina Ricci) socially stunted love interest in Addams Family Values. Krumholtz's first truly memorable film role was that of Francis Davenport, the Upper East Side brat who gets Katie Holmes drunk in Ang Lee's The Ice Storm (1997). He'd go on to play Natasha Lyonne's older brother in The Slums of Beverly Hills, and a high schooler in 10 Things I Hate About You (1999). As the years wore on, Krumholtz would prove himself to be a viable force on screen, appearing in movies like Ray, Serenity, Walk Hard, Harold and Kumar Go to White Castle and This is the End,, and on the popular crime proceedural Numb3rs.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.

Trivia: Well-trained in the exacting school of improvisational comedy, Mary Gross was a regular on Saturday Night Live from 1981 to 1985. Her later series-TV credits include the roles of Abigail McIntyre Kellogg in The People Next Door (1989-90) and Phoebe in the 1992 Billy Connolly vehicle Billy. Mary Gross has made many a welcome comic visit to such big-screen fare as Troop Beverly Hills (1988) and The Santa Clause (1994). Actress Mary Gross is the sister of actor Michael Gross, with whom she appeared in the 1988 film Big Business.

Trivia: Canadian lead actress Jayne Eastwood appeared onscreen during the '70s.