Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: Since her first leading role, as a convict's loyal girlfriend, in her friend Rob Weiss' debut film Amongst Friends (1993), Mira Sorvino has been on the fast track to stardom, playing a wide variety of multifaceted characters. Her breakthrough role displayed her willingness and ability to take on unusual parts; Sorvino shocked and delighted audiences as a crass New York streetwalker in Woody Allen's Mighty Aphrodite (1995). The stretch paid off, not only did her performance steal the show, it also earned Sorvino an Academy Award for Best Supporting Actress.Born in Tenafly, NJ, on September 28, 1967, Sorvino is the daughter of character actor Paul Sorvino, best known for roles in films like Martin Scorsese's Goodfellas (1990). Initially, her father attempted to steer Sorvino and her two siblings away from the acting profession. He was particularly adamant that his offspring not do any professional acting during childhood, so Sorvino contented herself with appearing in various school productions. Following her high school graduation, she earned a degree in East Asian Studies from Harvard University; she spent one year of her education as an exchange student in Beijing, China, where she became fluent in Mandarin. Upon graduation, Sorvino still wanted to act and she moved to New York to pursue her career. Between small acting gigs, she waited tables and worked as a production assistant until 1992, when Weiss hired her as a third assistant director on the low-budget, independent Amongst Friends. She proved so adept at her job that he promoted her to associate producer and eventually cast her as his leading lady. She appeared in two short films, Susan Seidelman's The Dutch and the satirical The Second Greatest Story Ever Told (both 1993), in which she played a contemporary Virgin Mary. In 1994, Whit Stillman hired her to play a two-faced party girl in Barcelona, while Robert Redford cast her as Rob Morrow's wife in Quiz Show. After winning her Oscar for her performance in the following year's Mighty Aphrodite, Sorvino started finding steady work in Hollywood. After a turn as Matt Dillon's anorexic girlfriend in Beautiful Girls (1996) and an Emmy nomination for her performance in the made-for-TV Norma Jean and Marilyn (1996), Sorvino went on her first big-budget outing as a scientist trying to save New York from giant cockroaches in Mimic. Unfortunately, the film was rejected by critics and audiences alike. Her other major project that year, the comedy Romy and Michele's High School Reunion, attained a level of cult status thanks to its 1980s soundtrack and over-the-top costumes. The following year, Sorvino made two small, offbeat features -- Paul Auster's Lulu on the Bridge and Wonsuk Chin's Too Tired to Die, which cast her as Death -- and another big-budgeted action thriller, The Replacement Killers. Starring opposite Hong Kong action star Chow Yun-Fat, Sorvino was able to put her past experiences in China and her fluency in Mandarin to use; unfortunately, critics and audiences alike had little use for the film. In 1999, Sorvino decided to try her hand at romantic drama, starring opposite Val Kilmer in At First Sight. The multi-handkerchief weepie was something of a critical and commercial disappointment, although Sorvino did win some positive attention for her performance as the architect who helps restore her blind lover's sight. Later that year, she won more acclaim for her starring role as John Leguizamo's estranged wife in Spike Lee's Summer of Sam, a story revolving around the long, hot summer of 1977, when New York was terrorized by serial killer David "Son of Sam" Berkowitz.Little seen performances in a made for television adaptation of The Great Gatsby and the period comedy The Triumph of Love found Sorvino's star dimming in stateside theaters in 2001, though her supporting performance in Tim Blake Nelson's acclaimed holocaust drama The Grey Zone served as a notable reminder of what the young starlet was truly capable of when given the opportunity. A pair of bombs both domestic and foreign dropped in the year that followed, and after appearing opposite Glitter star Mariah Carey in Wisegirls Sorvino's Semana Santa somehow managed to get even worse reviews that even Carey's afformentioned solo effort. Of course by this point Sorvino had almost mastered the art of balancing the bad with the good, and her portrayal of a conflicted war photographer in Between Strangers at least drew fair reviews. By this point stateside fans were likely left wondering whether Sorvino had forsaken her film career for a behind-the-scenes approach to filmmaking, and although she had indeed stepped into the producer's chair with Griffin Dunne's 2000 comedy drama Famous she returned to the silver screen in a big way with a role in the sweeping civil war drama Gods and Generals. As she prepared for roles in the sci-fi thriller The Final Cut and the large scale adventure Instant Karma, Sorvino appeared to be edging towards something of a comeback on stateside screens. Fans eager to catch a glimpse of the actress were pleasantly surprised when Sorvino turned in a winning guest appearance in the popular sitcom Will and Grace in 2003. later turning up on the popular prime time drama House, Sorvino continued to maintain momentum in her film career with roles in Multiple Sarcasms, Union Square, and her father Paul's 2012 feature directorial debut The Trouble with Cali.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: Sultry, dark-eyed, brunette leading actress Gina Gershon mixes a muscular toughness with her seductive femininity. Born June 10th, 1962, Gershon wasthe youngest of five children. Raised in Los Angeles' San Fernando Valley, Gershon gets her exotic looks from her French, Russian, and Dutch heritage. After high school, she decided she wanted a more sophisticated image than those usually attributed to Valley Girls like herself and so moved to the Big Apple, to earn a bachelor of arts degree at New York University. While in New York, she studied acting with such well-known teachers as Sandra Seacat, David Mamet, and Harold Guskin. She started out in theater and worked on both coasts.Since the mid-'80s, Gershon has carved out a living as a reliable character actress on both the big and the small screens. Her most notable role on the tube was that of Nancy Sinatra, the famous wife of Old Blue Eyes himself, in the CBS miniseries Sinatra (1994). Gershon made her feature film debut playing a small role opposite Molly Ringwald in 1986's Pretty in Pink, and graduated to the jucier role of of Coral opposite Tom Cruise in Cocktail (1988). Through the 1990s, Gershon vascillated between high-brow and low-brow fare, the former exemplified by her memorable turns in John Sayles's City of Hope (1991), Robert Altman's The Player (1992), and Michael Mann's The Insider (1999); the latter, by her gleeful, scenery-chewing work in Best of the Best 3 and the infamous Showgirls (both 1995). Gershon's signature role, however, was a synthesis of B-movie pulp and indie smarts, courtesy of the Wachowski brothers' twisty 1996 neo-noir Bound. Cast as a woman falling in love with an abusive gangster's moll, Gershon was able to radiate an intelligence, sexuality, and power not afforded her by previous scripts, and the lead part would go a long way in establishing her screen persona into the new millenium.Gershon enjoyed success in 1997 when she co-starred with Nicolas and John Travolta in the blockbuster action thriller Face/Off, and again in 1999 with a role in The Insider. The actress co-starred with Dennis Hopper in the crime thriller Out of Season (2004), and the 2006 comedies Delirious and I Want Someone to Eat Cheese With. In 2010, Gershon appeared in The Love Ranch, a period film documenting the true story of Nevada's first legal brothel.

Trivia: Intense, dynamic Julliard alumnus Mandy Patinkin, born November 30th, 1952, has tackled everything from ancient classics to modern musicals during his formative years in regional theatre. From 1975 through 1981, Patinkin was a mainstay of Joseph Papps New York Shakespeare Festival. Making his Broadway debut in 1977, Patinkin won a Tony Award three years later for his raw-nerved portrayal of Che Guevara ("Not much to ask for!") in Andrew Lloyd Webber's Evita. He later appeared as star-interlocutor in Stephen Sondheim's musical Sunday in the Park with George, a role he repeated for the benefit of future generations on a videotaped TV presentation in 1986. In films from 1977, Patinkin made his earliest impression on moviegoers in a brace of E. L. Doctorow adaptations: he played the immigrant-artist-turned-pioneer filmmaker in Ragtime (1981) and the Julius Rosenberg counterpart in Daniel (1983). He also portrayed Avigdor, Barbra Streisand's dream lover, in Yentl (1983), and essayed the part of a Spanish swashbuckler (with a hilariously impenetrable accent) in The Princess Bride (1985). His extensive musical skills, both as vocalist and instrumentalist, have gone virtually untapped in films, save for his turn as 88 Keys in Dick Tracy (1990). The scope of Patinkin's musical talents were generously displayed in his one-man show Dress Casual, and also in his many "concert recordings" of classic Broadway scores. Despite his devotion to his craft, Mandy Patinkin evidently has his head on straight in terms of priorities: in 1996, he gave up the meaty role of Dr. Jeffrey Geiger in the weekly TV medical series Chicago Hope because he didn't like spending so much time away from his wife (actress Kathryn Grody) and children. Patinkin recorded an album comprised of traditional, classical, and contemporary Yiddish music in 1998, and starred in The Adventures of Elmo and Grouchland the following year. In 2003, Patinkin played the role of mentor to a fledgling grim reaper in the Showtime series Dead Like Me, and joined the cast of the CBS crime drama Criminal Minds in 2005 to play the criminal profiler Jason Gideon. Patinkin left the show after two seasons. Patinkin remained active in music, theater, television, and film following his depature from Criminal Minds, and took on a regular role in Homeland, a drama series from Showtime.

Trivia: Dignified, passionate Vanessa Redgrave is widely regarded as one of Great Britain's finest modern dramatic actresses. She is perhaps the most internationally famous of the Redgrave dynasty of actors that includes her father Sir Michael Redgrave, mother Rachel Kempson and siblings Corin and Lynn Redgrave. Born January 30, 1937 in London, Redgrave studied drama at London's Central School of Music and Dance. She made her theatrical debut in 1957 and her film debut the following year in the dreadful Behind the Mask, which starred her father. Redgrave would not venture into films again for another eight years, and during the early '60s established herself as a key member of the distinguished Stratford-Upon-Avon Theater Company. During her time with the repertory, she gave life to Shakespeare's works with some of her country's finest performers and met her future husband, the director Tony Richardson.Redgrave returned to films in 1966, making an unbilled appearance as Anne Boleyn in Fred Zinneman's all-star adaptation of A Man for All Seasons, and co-starring in Karel Reisz's comedy Morgan. In the same year, she played a small but key role as the girl in the photograph in Michelangelo Antonioni's first English language film, Blow-Up. In 1967, Redgrave appeared in the first of several films directed by her husband, Red and Blue and The Sailor from Gibralter. Also in 1967, she made a radiant Guenevere opposite Richard Harris' King Arthur in Joshua Logan's adaptation of the stage musical Camelot. That same year, Redgrave divorced Richardson on grounds of adultery. She had two children, Joely and Natasha Richardson, by him, and in 1969 had a child by her Camelot co-star Franco Nero. During these early years of her career, Redgrave hovered on the brink of stardom, due in large part to the uneven quality of the films in which she appeared. In 1968, she played the title role in Isadora, the biography of avant garde dancer Isadora Duncan, earning her first Oscar nomination and her second best actress award at Cannes (her first was for Morgan). The film represented one of Redgrave's first attempts at creating an independent, strong-willed, feminist character with strong socialist leanings. Throughout the 1970s, Redgrave continued to appear in films of varying quality, although her characters were almost always complex and controversial; the highlights from this period include The Trojan Women (1971), her Oscar-nominated turn in Mary Queen of Scotts (1971) and most notably the tragic Julia (1977), which won Redgrave an Oscar for best supporting actress. At the Oscar ceremony, the actress generated considerable controversy during her acceptance speech by using the ceremony as a forum for her tireless campaign for Palestinian rights in Israel. That, coupled with her outspoken support for the communist-oriented Workers' Revolutionary Party, made life difficult for Redgrave, who at one time was considered the British equivalent to actress/social activist Jane Fonda. Though she continued appearing in mainstream as well as politically oriented films and documentaries such as Roy Battersby's The Palestinians (1977), her views cost Redgrave roles on stage and screen and damaged her popularity, particularly in the U.S. Redgrave's television debut in Playing for Time (1980) generated further controversy when Redgrave won an Emmy for her portrayal of a Jewish violinist interned in a Nazi death camp who is ordered to help serenade women on their way to the gas chambers. Due to her anti-Zionist stand, many, including Fana Fenelon, the real-life violinist whom Redgrave was portraying, objected to her playing a Jewish woman. During the '80s, Redgrave came into her own as a leading character actress. She has subsequently appeared in a number of distinguished television movies, including Second Serve (1986) and a remake of Whatever Happened to Baby Jane (1991), which co-starred her sister Lynn Redgrave. Her film work also remains distinguished and she has received Oscar nominations for James Ivory's The Bostonians (1984) and Howards End (1992). Her taste for playing a variety of characters has not changed, as evidenced by portrayals ranging from Oscar Wilde's mother in Wilde (1997) to her role as a doomed earthling in the 1998 summer blockbuster Deep Impact. Redgrave's television work was singled-out for recognition as she took home the 2000 Golden Globe for Best TV Series Supporting Actress in for her role in If These Walls Could Talk 2.She continued working steadily into the next decade appearing in Sean Penn's drama The Pledge, and the historical drama The Gathering Storm. She joined the cast of Nip/Tuck in 2004, and appeared opposite Peter O'Toole in Venus two years later. She played the grown-up version of the main character in the Oscar-nominated WWII drama Atonement. In 2011 she lent her voice to Cars 2, earned rave reviews for her work as the mother of Ralph Fiennes' Coriolanus, and portrayed Queen Elizabeth in Anonymous.

Trivia: Supporting actor Richard Edson first appeared onscreen in Stranger Than Paradise (1984).

Trivia: An accomplished young actor who has graced the stage, screen, and television, Harold Perrineau Jr. has earned a well-deserved reputation as a performer willing to take on just about anything, with roles ranging from drag queens to hardened criminals. A native of Brooklyn, Perrineau studied music and theatre at the Shenandoah Conservatory, but began his career as a dancer with the Alvin Ailey Company, performing with the troupe for a year and a half. A gradual shift to acting led Perrineau to the theatre, where he acted in a number of shows including Dreamgirls, the critically acclaimed Avenue X, and the off-Broadway revival of Godspell.While he was working on the stage, Perrineau also began appearing on TV in such shows as The Cosby Show, The Days and Nights of Molly Dodd, I'll Fly Away, and Law & Order. He segued onto the big screen in the late '80s, but had his first memorable role as Rashid Cole, a young man searching for his long-absent father (Forest Whitaker) in Smoke, an acclaimed 1995 drama directed by Wayne Wang and based upon the writings of Paul Auster. The following year he gained further exposure for his flamboyant, explosive portrayal of Mercutio in Baz Luhrmann's William Shakespeare's Romeo + Juliet. At one point outfitted in a glitter miniskirt and platform heels, Perrineau proved a worthy, if idiosyncratic, foil for Leonardo Di Caprio's Romeo and gave a performance that marked him as one of the more distinctive Mercutios in the play's history.Perrineau subsequently appeared in a number of supporting roles in films ranging from Auster's Lulu on the Bridge (1998) to The Best Man (1999), a celebrated romantic comedy directed by Malcolm D. Lee (cousin of Spike Lee) that saw Perrineau share the screen with other members of a group widely billed as a new generation of African-American actors, including Taye Diggs, Morris Chestnut, and Nia Long. In addition to appearances in various independent films, Perrineau starred in Woman on Top (2000), a comedy that cast him as the drag queen best friend of a young woman (Penelope Cruz) experiencing romantic woes.In 1997, Perrineau made the move to the small screen, assuming the role of paraplegic convict and narrator Augustus Hill on the acclaimed HBO series Oz. The brutally violent, hard-hitting series generated Perrineau thousands of fans, and he stayed with the show until 2003 - the same year he took up the role of Link in The Matrix Reloaded, the second film in the explosive Matrix franchise. He would reprise the role the next year for the third and final installment in the series, The Matrix Revolutions, before returning to television just months later for the role of Michael on the cryptic ABC sci-fi/mystery/drama Lost. Playing a conflicted and sometimes morally ambiguous character, Perrineau soon proved to be a vital member of the cast, taking a hiatus from the series in 2007 only to return in 2008.Despite becoming a pivotal component of primetime TV, the actor remained as active in movies as ever. He took on the role of Flynn in the 2007 horror sequel 28 Weeks Later, and starred alongside Michael Madsen in the 2008 thriller The Killing Jar. After Lost ended in 2010, Perrineau continued to alternate between TV and film, playing the villain in season 5 of Sons of Anarchy and a decidedly lighter role as the bass player in a wedding band in the short-lived TBS comedy Wedding Band. He also played a supporting role in the controversial Oscar-nominated film Zero Dark Thirty (2012).

Trivia: One of the most prolific and reliably excellent actors on the independent film circuit, Kevin Corrigan has made a name for himself portraying a painfully memorable array of geeks, stoners, and generally pathetic losers. Consistently good at playing bad, he has elevated the expression of basic freakishness into something of an underrated art form.A native of the Bronx, where he was born on March 27, 1969, Corrigan first became interested in acting as a teenager. At the age of 17, his play The Boiler Room was produced by the Young Playwrights Festival of New York. The 1990s got off to a promising start for Corrigan with a supporting role as Ray Liotta's brother in Martin Scorsese's critically acclaimed Goodfellas (1990). More gangster action followed the next year with a part in Billy Bathgate, but Corrigan then took a turn toward smaller features with Zebrahead, a 1992 film that opened to generally positive reviews but little box-office action. After supporting roles in The Saint of Fort Washington and True Romance (both 1993), Corrigan had a substantial part in director Matthew Harrison's Rhythm Thief, a black-and-white drama that won Harrison a directing award at the 1995 Sundance Film Festival. The film marked the beginning of Corrigan's immersion in the growing and increasingly lucrative world of independent film, with supporting roles in Tom DiCillo's acclaimed Living in Oblivion (1995), in which the actor provided laughs as a dimbulb cameraman, and Trees Lounge (1996), the directorial debut of Corrigan's Oblivion co-star Steve Buscemi. The same year, Corrigan had substantial roles in the well-received independent comedy Walking and Talking, in which he had a memorable turn as a nebbishy video clerk who sleeps with Catherine Keener, and Illtown, a crime drama in which he starred with Lili Taylor and Zebrahead co-star Michael Rapaport. Following a turn as a stoner guitarist in the obscure Bandwagon (1996) and a supporting role in Hal Hartley's 1997 film Henry Fool, Corrigan co-wrote and starred in the comedy Kicked in the Head, his second collaboration with Rhythm Thief director Harrison. The film had the distinction of being executive produced by Martin Scorsese, who had signed on after being favorably impressed by Rhythm Thief. The movie was also notable for the fact that the misadventures of Corrigan's character -- a guy who gets kicked out of his apartment and dumped by his girlfriend -- were based on events in the actor's own life. He would later remark that the film was a form of therapy and followed it up with what was essentially a form of therapy for another director, Tamara Jenkins' The Slums of Beverly Hills (1998). Playing a Manson Family-obsessed stoner, Corrigan made a repugnantly vivid impression in the widely acclaimed movie and the same year made a similar impression with his role as Vincent Gallo's best friend in Buffalo '66. After a small part in Paul Auster's Lulu on the Bridge (which premiered at the 1998 Cannes Film Festival), Corrigan worked on two more independents, the romantic drama Roberta, which premiered at the 1999 Sundance Festival and featured Corrigan in a lead role as a shy computer expert, and Coming Soon, which opened at the Los Angeles Independent Film Festival in April of the same year.

Trivia: American actor Victor Argo was principally a stage performer, both in New York and in regional repertory, when he tentatively began his film work in the 1970s. Early Argo movie credits include 1972's Boxcar Bertha and the 1975 Martin Scorsese production Mean Streets. In the late 1980s, Argo enjoyed a burst of movie activity, though thanks to location shooting he didn't have to leave Manhattan too often. The actor was seen as Roy Bishop in King of New York (1987), Avram in Her Alibi (1989), a cop in New York Stories (1989). Woody Allen utilized Argo in two films, Crimes and Misdemeanors (1988) (as a detective) and Shadows and Fog (1990). Rare non-New York film productions featuring Victor Argo have included McBain (1988), in which he played "El Presidente," and the controversial Last Temptation of Christ (1988) in which Argo portrayed Peter Apostle. And in early 1989, Victor Argo had weekly work as Anthony Coltrera on the New Jersey-based TV series Dream Street. His 1990s film credits included a major role in Smoke (1995) and its sequel Blue in the Face (1996) and Next Stop Wonderland (1998).

Trivia: Born Susan Williams Antonia Stockard Channing Schmidt on February 13, 1944, Channing is the daughter of a wealthy shipping executive, and became interested in the dramatic arts while attending college at Radcliffe. After graduating in the mid-sixties, Channing joined Boston's experimental Theater Company. Several unsuccessful Broadway auditions later, she landed a lead role in a Los Angeles production of Two Gentlemen of Verona. Eventually, Channing made it to Broadway, and won a Tony for her performance in A Day in the Death of Joe Egg.In the early '70s, Channing appeared in several small television roles, and made her big screen debut in 1971's The Hospital. In 1973, the actress starred in the Joan Rivers-penned black comedy The Girl Most Likely To..., a TV movie about an overweight college girl who loses weight, gets cosmetic surgery, and sets off in hopes of getting even. Channing's first major film role came two years later, when she starred in Mike Nichols' The Fortune with Jack Nicholson and Warren Beatty. It wasn't until 1978, however, that Channing would win her most memorable role to date -- tough gal Rizzo in the retro-musical Grease. Interestingly enough, although she was cast as a teenager, the actress was in her early thirties when she was chosen for the film. Around the same time, Channing starred in two similar and short-lived sitcoms: Stockard Channing in Just Friends and The Stockard Channing Show. By 1980, Channing's film career was idling in neutral, so she focused her energies on the theater, though she began showing up in various supporting film roles in the mid to late eighties. In 1993, she was nominated for an Oscar and a Golden Globe for playing the formidable Upper East Side matron of Six Degrees of Separation; the role had also earned her a Tony nomination when she performed it in the film's stage version. Channing subsequently made steady appearances in both film and television, and co-starred as a witch in Practical Magic with Nicole Kidman and Sandra Bullock, as well as The First Wives Club, Moll Flanders, Edie & Pen, and An Unexpected Family. In 2000, Channing would play one of the more eccentric residents of a small Oklahoma town in Where the Heart Is. After filming Other Voices in 2001, which was screened at the prestigious Sundance Film Festival, Channing would receive a solid amount of critical success for her role in The Business of Strangers (2001), in which she starred as a high-level corporate player who saves her own job only to find out her boss is a rapist. In between filming a variety of television and documentary appearances - namely, Confessions of an Ugly Stepsister (2002), A Girl Thing (2001), Out of the Closet, Off the Screen: The William Haines Story (2001), and New York Firefighters: The Brotherhood of 9/11 (2002) -- Channing joined up with Oscar-winner Angelina Jolie in Stephen Herek's Life or Something Like It. In 2003, Channing made a cameo appearance in Bright Young Things, and went on to co-star in Le Divorce with Kate Hudson, Glenn Close, and Matthew Modine during the same year. The actress also signed on with the legendary Woody Allen in Anything Else, in which she played a middle-aged mother determined to land a role in a cabaret production. She would find particular success on the small screen over the coming years, with a starring role as first lady Abbey Bartlet on The West Wing.