Trivia: Actress Jessica Chastain studied her craft at the Julliard School in New York, before launching into her professional career. After landing a few appearances on TV shows like Veronica Mars and ER, Chastain eventually landed the title role in the 2008 independent film Jolene, and soon found herself in other prominent roles, like a Mossaad agent in the 2009 mystery The Debt, though that film didn't reach American screens unti 2011, a year in which Chastain seemes to be in every movie. In addition to playing the loving mother in Terrence Malick's Tree of Life, and playing the struggling wife of a schizophrenic in the underrated Take Shelter, and being cast as the wife to Ralph Finnes' Coriolanus, and earning good reviews for the indie drama Texas Killing Fields, Chastain played a kooky, mentally unstable Southern woman in the box office smash The Help, and earned her first Oscar nomination for her supporting work in the film. She was back in the Oscar race the very next year, this time in the Best Actress field for her work as a determined CIA agent hunting Osama Bin Laden in Kathryn Bigelow's Zero Dark Thirty.

Trivia: Possibly Ireland's hottest cinematic export since Liam Neeson got his kilt off in Rob Roy, Colin Farrell enjoyed a generous helping of trans-Atlantic buzz for his work in Joel Schumacher's 2000 military drama Tigerland. Previously known in his native Ireland for supporting parts in film and television productions, Farrell earned both industry recognition and international heartthrob status for his portrayal of a young drifter recruited to fight in the Vietnam War, winning over critics and audiences with talent, charisma, and his fearless assumption of a Texan accent.The son of famed footballer Eamon Farrell, Farrell was born in Dublin, on May 31, 1976. Growing up, he planned to follow in the footsteps of his father and an uncle, who was also a well-known footballer in the 1960s. However, Farrell's plans changed when, while he was still in high school, his sister enrolled in acting classes at Dublin's Gaiety School of Drama. His interest piqued, the nascent actor followed suit, signing up for classes at the Gaiety School and then making his film debut in a low-budget production called Drinking Crude before he even made it to the Gaiety's classrooms.Having dropped out of high school in order to pursue acting, Farrell dropped out again -- this time from the Gaiety -- after a successful audition for the Irish TV series Ballykissangel. Joining the show in 1996, he earned a degree of fame in his native country, which opened the door for further work in the U.K. In 1999, he could be seen in the family drama The War Zone, Tim Roth's directorial debut, and on TV in Love in the 21st Century, a segmented series that also featured such up-and-comers as Ioan Gruffudd and Catherine McCormack.His first glint of overseas recognition came the following year, when Farrell was cast in a supporting role in Thaddeus O'Sullivan's Ordinary Decent Criminal, an Irish gangster drama starring Kevin Spacey and Linda Fiorentino. Criminal, which didn't fare well on U.S. shores, was quickly followed by Joel Schumacher's Tigerland. Although the low-key ensemble film, which was set in a Louisiana boot camp in 1971, received a lukewarm reaction from critics and audiences, Farrell's performance was the subject of almost ubiquitous praise. Quickly labeled as one of the most exciting new actors to be detected by the Hollywood radar, the young Dubliner subsequently found himself enmeshed in the distinctly American phenomenon of almost overnight success; before the year was out, he had secured starring roles in a number of projects, including American Outlaws, in which he starred as Jesse James alongside Scott Caan and Kathy Bates, and Joel Schumacher's Phone Booth, a thriller about a young man (Farrell) fighting for his life inside the titular enclosure. Although the long-delayed Outlaws did little for Farrell's career, far more ticket buyers were able to see the young actor alongside Bruce Willis in the somber POW drama Hart's War in early 2002. The following year, Farrell was virtually unavoidable. Not only did 2003 see the release of the aforementioned The Phonebooth, is also found the actor on the right side of the law in both The Recruit and SWAT and on the wrong side as the villainous Bullseye in the comic book superhero film Daredevil. As if the year was busy enough, he also turned up in a pair of smaller films, Veronica Guerin and Intermission.The two ensuing years might not have seen Farrell churning out a half-dozen pictures apiece, but he continued to grow in stature, first with a supporting part in the indie period piece A Home at the End of the World, then the title role in Oliver Stone's ambitious flop Alexander (both 2004). Indeed, Farrell's most notorious appearance around this time was, like so many before him, in a much-circulated sex tape leaked on the Internet. Two major roles in films by well-respected directors followed: The lead in Terrence Malick's critically-acclaimed but, again, little-seen The New World (2005), and the challenging role of author Arturo Bandini in Robert Towne's Ask the Dust. 2006 brought Michael Mann's much-anticipated remake of his own groundbreaking '80s TV show, Miami Vice, which he quickly followed with a turn in Woody Allen's Cassandra's Dream, as well as the critically acclaimed crime comedy In Bruges in 2008.Having all but completely cemented his position in Hollywood, Farrell joined the ranks of other leading men like Johnn Depp and Jude Law, who all stepped in to play various incarnations of the universe-hopping protagonist in Terry Gilliam's The Imaginarium of Doctor Parnassus, filling in for the film's original lead Heath Ledger, who died tragically, midway through filming. Farrell would spend the coming years enjoying a variety of projects, most notably in movies like Crazy Heart, Horrible Bosses, and Fright Night.

Trivia: With only a handful of film credits to her name, British actress Samantha Morton earned a reputation as one of the most critically lauded up-and-comers of the late '90s. Small-boned and possessed of almost elfin features, Morton, who was born in Nottingham in 1977, began acting on television at the age of 13. She appeared in a number of series, including the popular crime drama Cracker and such costume extravaganzas as Jane Eyre and Emma.Morton became known to an international film audience in 1997, when she won wide acclaim for her wrenching, fearless portrayal of a young woman driven to promiscuous behavior by the death of her mother in Carine Adler's Under the Skin. The following year, she did starring work in The Last Yellow and Dreaming of Joseph Lees, playing the girlfriend of a small-time crook in the former and a dissatisfied young woman harboring romantic feelings for her long-absent second cousin (Rupert Graves) in the latter. In 1999, Morton's name became an increasingly familiar one to American filmgoers, thanks to starring roles in two very different films. The first, Jesus' Son, cast the actress as a heroin addict, while the second, Woody Allen's Sweet and Lowdown, featured her as a shy, mute woman who gets used and abused by a legendary jazz guitarist (Sean Penn) whose musical talent runs in inverse proportion to his qualities as a human being. Heralded for both films, Morton scored a surprise Best Supporting Actress Oscar nomination for the latter. Not resting on the laurel, the actress immediately set to work with a pair of venerable cineastes, directors Julien Temple (in Pandemonium) and Amos Gitai (in his first English-language production, Eden). Director Steven Spielberg soon followed Allen's lead, casting Morton in a small but pivotal role as a shivering, near-mute, clairvoyant "Precog" in his Blade Runner-esque mystery Minority Report, which premiered in the summer of 2002. Though the film would introduce Morton to her largest audience yet, it was a pair of independent features released in late 2002 and 2003 that would garner her even more significant critical attention. Teaming with the maverick Scottish director Lynne Ramsay, the actress would essay the enigmatic, directionless title character in Morvern Callar, a dreamy, elliptical adaptation of Alan Warner's cult novel. About a year later, Morton would see the release of In America, Jim Sheridan's acclaimed slice-of-life tale of an Irish family immigrating to New York City's Hell's Kitchen, for which she would receive her second Academy Award nomination, this time for Best Actress.Morton continued to take on challenging assignments such as the futuristic Code 46 opposite Tim Robbins and directed by British helmer Michael Winterbottom, and appearing opposite Johnny Depp in the little-seen The Libertine, and the period drama River Queen. Although Lassie may seem like a unusual film for Morton to appear in, she has a history of working in family friendly fare having provided the voice for Ruby in the Max and Ruby animated television series based on the popular children's books by Rosemary Wells.In 2007 she appeared as Mary Stuart in Elizabeth: The Golden Age, and appeared in the Ian Curtis biopic Control. She had a leading part as a suspected murderer in the superb Longford. She played one of the women in the life of the troubled writer at the center of Synecdoche, New York, and she was a war widow in Oren Moverman's The Messenger. In 2012 she provided one of the voices for the aliens in the big-budget flop John Carter, but also worked with David Cronenberg on his Cosmopolis.