Trivia: With sleek, well-muscled good looks that easily lend themselves to romantic leading roles or parts that call for running, jumping, and handling firearms, Wesley Snipes became one of the most popular Hollywood stars of the 1990s. First coming to prominence with roles in Spike Lee's Mo' Better Blues and Jungle Fever, Snipes went on to prove himself as an actor who could appeal to audiences as a man that women want and men want to be.Born in Orlando, FL, on July 31, 1962, Snipes grew up in the Bronx. He developed an early interest in acting and attended Manhattan's High School for the Performing Arts. His mother moved him back to Florida before he could graduate, but after finishing up high school in Florida, Snipes attended the State University of New York-Purchase and began pursuing an acting career. It was while performing in a competition that he was discovered by an agent, and a short time later he made his film debut in the Goldie Hawn vehicle Wildcats (1986). Although he appeared in a few more films during the 1980s, it was Snipes' turn as a street tough who menaces Michael Jackson in the Martin Scorsese-directed video for "Bad" that caught the eye of director Lee. He was so impressed with the actor's performance that he cast him in his 1990 Mo' Better Blues as a flamboyant saxophonist opposite Denzel Washington. That role, coupled with the exposure that Snipes had received for his performance as a talented but undisciplined baseball player in the previous year's Major League, succeeded in giving the actor a tentative plot on the Hollywood map. With his starring role in Lee's 1991 Jungle Fever, Snipes won critical praise and increased his audience exposure, and his career duly took off.That same year, Snipes further demonstrated his flexibility with disparate roles in New Jack City, in which he played a volatile drug lord, and The Waterdance, in which he starred as a former wild man repenting for his ways in a hospital's paraplegic ward. Both performances earned strong reviews, and the following year Snipes found himself as the lead in his first big-budget action flick, Passenger 57. The film, which featured the actor as an ex-cop with an attitude who takes on an airplane hijacker, proved to be a hit. Snipes' other film that year, the comedy White Men Can't Jump, was also successful, allowing the actor to enter the arena of full-fledged movie star. After a few more action stints in such films as Rising Sun (1993), which featured him opposite Sean Connery, Snipes went in a different direction with an uncredited role in Waiting to Exhale (1995). The same year he completely bucked his macho, action-figure persona with his portrayal of a flamboyant drag queen in To Wong Foo, Thanks for Everything! Julie Newmar. Snipes continued to focus on less testosterone-saturated projects after a turn as a baseball player in The Fan (1996), starring as an adulterous director in Mike Figgis' One Night Stand (1997) -- for which he won a Best Actor award at the Venice Film Festival -- and as Alfre Woodard's handsome cousin in Down in the Delta in 1998. That same year, Snipes returned to the action genre, playing a pumped-up vampire slayer in Blade and a wrongfully accused man on the run from the law in the sequel to The Fugitive, U.S. Marshals. The former would prove to be a massive cult hit and one of his biggest box-office successes to date. And while the new millenium would see most of Snipes' films relegated to straight-to-video releases, a pair of Blade sequels in 2002 and 2004 helped the actor remain a presence at the multiplexes.Sentenced to three years in prison for tax evasion in 2008, Snipes began serving his term in 2010.

Trivia: An athlete practically from birth, Patrick Swayze was a football player in high school and then earned a gymnastics scholarship to pay for college. His father had been a dancer/choreographer, and Swayze began to study dance early on, eventually working with the prestigious Harkness and Joffrey Ballet companies. He made his professional debut as a dancer with the lead role of Prince Charming in a traveling company of Disney on Parade, but an old knee injury from his football days threatened to cut his dancing career short at any moment. Hedging his bets, Swayze opened his repertoire up to acting and made the transition to Broadway, landing the role of Danny in the hit musical Grease before heading to Los Angeles to make yet another transition, this time to the screen.Swayze cut his teeth on TV guest appearances, scoring a memorable role as a dying soldier in an episode of M*A*S*H. Finally, he got a role in Francis Ford Coppola's youth ensemble film The Outsiders (1983), a film of massive critical acclaim and box-office success. Steadily continuing his upward trajectory, he followed The Outsiders with the Cold War classic Red Dawn (1984) and with the Civil War TV miniseries North and South (1985). His real big break came in 1987, however, with a starring role in the hit Dirty Dancing. The film gave Swayze the chance to showcase both his acting and dancing abilities and, additionally, he wrote and performed one of the film's songs, "She's Like the Wind," which went on to become a major hit. The role made Swayze an undisputed star, and he scored big again with a tough-guy role in the movie Road House, as well as the romantic lead in the supernatural drama Ghost (1990), a box-office smash that ended up grossing more than $200 million.The '90s had started out for Swayze with a bang, but with so much of his success wrapped up in the films of the 1980s, the actor soon found himself fighting against the mentality that he was out of date. He found iconic roles like surfer Bodhi in the police thriller Point Break and even played a drag queen in 1995's To Wong Foo, Thanks for Everything! Julie Newmar, but transitioning into the next phase of his career proved challenging. In 2001, Swayze found a film to help him facilitate this change with the role of twisted self-help guru Jim Cunningham in the dark mystery drama Donnie Darko. There was an element of self-parody in Swayze's portrayal of the über-positive, deceptively clean-cut Cunningham, and audiences found the role refreshing. He continued to pick up projects as they appealed to him, appearing in everything from the romantic drama One Last Dance to the quirky British comedy Keeping Mum.Sadly, however, by the late 2000s some upsetting news arrived. Swayze announced to the press in March 2008 that he was suffering from inoperable stage IV pancreatic cancer. The star battled his illness for a reported 20 months, but in the end it took his life. He died at the relatively young age of 57 in September 2009.

Trivia: John Leguizamo is a Colombian-born comedian and actor best known for his memorable, often sharply satirical, characterizations of Latinos on stage and in films. He began his career as a stand-up comedian in New York clubs and as a performer in small independent feature films. These engagements led to his playing small roles in major features such as Casualties of War (1989) and Die Hard 2 (1990) where he was typically cast as a violent, unsavory fellow; none of these films seemed to utilize his talents and potential on film. Leguizamo has fared better in smaller films such as Time Expired (1991). His stage career also continues to grow. For his one-man show Mambo Mouth, a scathing look at Hispanic stereotypes, he won awards and great acclaim. His follow-up play Spic-o-Rama is equally funny and thought provoking. Leguizamo played his first leading film role in Super Mario Brothers. (1993). That year he also played an important and acclaimed role in De Palma's Carlito's Way. In 1995 he finished two movies, A Pyromaniac's Love Story and To Wong Foo, Thanks for Everything, Julie Newmar where he played the lovely drag queen Miss Chi Chi Rodriguez. That year, Leguizamo also created, scripted, executive produced and starred in a sketch comedy show on Fox, House of Buggin. Done in the style of Fox's smash hit series In Living Color, Leguizamo's show was billed as the first show of its kind to feature an all Latino cast. Unfortunately, though the show received good ratings, it failed to attract an audience and was cancelled after only a few months. The Colombian funnyman has since returned to feature films. In 1996, he starred, wrote and co-produced another showcase for his talents, The Pest.

Trivia: Born Susan Williams Antonia Stockard Channing Schmidt on February 13, 1944, Channing is the daughter of a wealthy shipping executive, and became interested in the dramatic arts while attending college at Radcliffe. After graduating in the mid-sixties, Channing joined Boston's experimental Theater Company. Several unsuccessful Broadway auditions later, she landed a lead role in a Los Angeles production of Two Gentlemen of Verona. Eventually, Channing made it to Broadway, and won a Tony for her performance in A Day in the Death of Joe Egg.In the early '70s, Channing appeared in several small television roles, and made her big screen debut in 1971's The Hospital. In 1973, the actress starred in the Joan Rivers-penned black comedy The Girl Most Likely To..., a TV movie about an overweight college girl who loses weight, gets cosmetic surgery, and sets off in hopes of getting even. Channing's first major film role came two years later, when she starred in Mike Nichols' The Fortune with Jack Nicholson and Warren Beatty. It wasn't until 1978, however, that Channing would win her most memorable role to date -- tough gal Rizzo in the retro-musical Grease. Interestingly enough, although she was cast as a teenager, the actress was in her early thirties when she was chosen for the film. Around the same time, Channing starred in two similar and short-lived sitcoms: Stockard Channing in Just Friends and The Stockard Channing Show. By 1980, Channing's film career was idling in neutral, so she focused her energies on the theater, though she began showing up in various supporting film roles in the mid to late eighties. In 1993, she was nominated for an Oscar and a Golden Globe for playing the formidable Upper East Side matron of Six Degrees of Separation; the role had also earned her a Tony nomination when she performed it in the film's stage version. Channing subsequently made steady appearances in both film and television, and co-starred as a witch in Practical Magic with Nicole Kidman and Sandra Bullock, as well as The First Wives Club, Moll Flanders, Edie & Pen, and An Unexpected Family. In 2000, Channing would play one of the more eccentric residents of a small Oklahoma town in Where the Heart Is. After filming Other Voices in 2001, which was screened at the prestigious Sundance Film Festival, Channing would receive a solid amount of critical success for her role in The Business of Strangers (2001), in which she starred as a high-level corporate player who saves her own job only to find out her boss is a rapist. In between filming a variety of television and documentary appearances - namely, Confessions of an Ugly Stepsister (2002), A Girl Thing (2001), Out of the Closet, Off the Screen: The William Haines Story (2001), and New York Firefighters: The Brotherhood of 9/11 (2002) -- Channing joined up with Oscar-winner Angelina Jolie in Stephen Herek's Life or Something Like It. In 2003, Channing made a cameo appearance in Bright Young Things, and went on to co-star in Le Divorce with Kate Hudson, Glenn Close, and Matthew Modine during the same year. The actress also signed on with the legendary Woody Allen in Anything Else, in which she played a middle-aged mother determined to land a role in a cabaret production. She would find particular success on the small screen over the coming years, with a starring role as first lady Abbey Bartlet on The West Wing.

Trivia: American actress Blythe Danner brings a kind of classy elegance to her work that betrays her real-life background: the daughter of a Philadelphia bank executive, she enjoyed an expensive prep school education and undergraduate study at Bard College. Her earliest theatrical work was with the Theater Company of Boston and the Trinity Square Playhouse of Boston; by the time she was 25, Danner had won the Theatre World Award for her performance in the Lincoln Center Rep's production of The Miser. In 1970, she earned a Tony for her performance in Butterflies are Free; based on the true story of a blind attorney, Danner played the central character's free-spirit love interest. Given the tenor of '70s newspaper publicity, Danner was featured in several magazine and newspaper photo spreads because she spent much of Butterflies' first act clad in nothing but her underwear. Subsequently, the actress was frequently cast opposite fellow up-and-comer Ken Howard, notably in the short-lived 1973 TV sitcom Adam's Rib. She worked so well with Howard that many fans assumed that the two were married; in fact, Danner's longtime husband is Broadway and TV producer Bruce Paltrow.A "critic's darling" thanks to her husky voice and pleasantly mannered acting style, Danner has worked with distinction in TV and on stage, though her film roles have tended to be few and far between. She was memorable as Robert Duvall's long-suffering wife in The Great Santini (1980) and as Nick Nolte's wife in The Prince of Tides (1991), while in 1986's Brighton Beach Memoirs, the decidedly WASPish Danner surprised fans by portraying a middle-aged Jewish woman. Danner's film appearances became more frequent during the latter half of the '90s: she did starring work in such films as To Wong Foo: Thanks for Everything, Julie Newmar (1995), The Myth of Fingerprints (1997), The X-Files (1998), and The Love Letter (1999). A memorable turn opposite Robert DeNiro in the 2000 comedy found the established dramatic actress reaching the apex of a particularly impressive comedy run, and a year after reprising her role in the 2004 sequel Meet the Fockers, Danner would make showbiz history by earning a record three Emmy nominations for her roles in Huff, Will and Grace, and Back when We Were Grownups. When the smoke cleared and all of the winners had been announced, Danner did ineed come out on top when she took home the "Best Supporting Actress in a Drama Series" award for Huff, with nominations for both Huff and Will and Grace at the following year's ceremony offering telling testament as to just how strong her work truly was. In 2006 Danner could be seen performing opposite Zack Braff in the romantic comedy drama remake The Last Kiss. She continued to work steadily, often in comedies such as Paul, Little Fockers, and What's Your Number, and she starred in the 2012 drama The Lucky One.Frequently seen in TV guest roles (she managed to make her Mrs. Albert Speer in 1982's Inside the Third Reich sympathetic, no mean feat), Danner could be seen on television on a regular basis in the brief 1989 series Tattingers, produced by her husband. In 1992, she did stellar work in the made-for-TV movie Cruel Doubt, in which she played the matriarch of a broken family. Her daughter Gwyneth Paltrow was also featured in the movie.

Trivia: American actor Arliss Howard was born in Missouri, but he became well known to moviegoers of 1987 as a Texan named "Cowboy" in Stanley Kubrick's Vietnam picture Full Metal Jacket. Many viewers assumed that this tall, lithe actor made his film debut in the Kubrick picture, but Howard had in fact been showing up in "hick" roles for several years, notably as the naive vacuum cleaner salesman in Door To Door (84). After his tour of duty with Kubrick, Howard was back to baby-faced roles with his performance as a 24-year-old detective posing as a high schooler in Plain Clothes (88). Howard has developed into something of a George Brent for the 1990s, willing to play second fiddle (albeit a very good one) to some of the more dynamic actresses of the era. He was one of lovelorn Jessica Lange's many "Mr. Perfect" candidates in Men Don't Leave (90); he was second-billed to Goldie Hawn as a disturbed Vietnam vet in Crisscross (92); and in 1991's For the Boys, Howard appeared unbilled as USO performer Bette Midler's doomed GI husband. Arliss Howard's TV movie appearances have included I Know My First Name is Stephen (89) and Iran: Days of Crisis (91).

Trivia: Jason London and his identical twin Jeremy London both made their splash in Hollywood as handsome and talented young actors. Though they have shared at least one role, the two took off on vastly different career paths. The elder brother by 27 minutes, Jason sought stardom in cinema, while Jeremy found success on television playing the moody Griffin on the drama Party of Five. The London brothers were born in San Diego, CA, but raised in Oklahoma with their little sister Dedra and their mother. When they were young, their mother divorced their father, a construction worker. The London children seldom saw their father, who lived near Oklahoma City. In high school, the London brothers excelled at athletics, drama, and speech; later, along with their sister, they attended drama and modelling school in Dallas. Jason made his acting debut in Robert Mulligan's The Man in the Moon (1981). Originally, it was Jeremy who wanted the part and so asked Jason to drive him to the open casting call. At the last moment, Jason decided to try out, too. Though Jason got the role, Jeremy was hired as his stunt double. In 1993, Jason appeared in the cult favorite Dazed and Confused, an ensemble piece that painted a painfully accurate portrait of adolescence in the mid-'70s, in which London played quarterback Randy "Pink" Floyd. Other notable roles included his funny but touching turn as a small town youth who is too naïve to notice that he has fallen in love with a drag queen (John Leguizamo) in To Wong Foo, Thanks for Everything! Julie Newmar (1995). Over the next several years, London would remain active on screen, appearing in movies like Mixed Signals and Killer Movie, as well as TV shows like Wildfire.

Trivia: Although Chris Penn has achieved little of the critical acclaim and none of the notoriety of his older brother, Sean, the rotund actor has become a familiar supporting player and character actor who hasn't had to rely on Sean, either. The brothers have appeared together only once, in the 1986 film At Close Range; in the meantime, Chris has made a name for himself in projects ranging in tone and purpose from Footloose (1984) to Reservoir Dogs (1992).The son of director Leo Penn and actress Eileen Ryan, and the brother of singer Michael Penn in addition to actors Sean and Matthew, Chris Penn was born on June 10, 1962, in Los Angeles. The actor, sometimes credited as Christopher Penn, started out in the profession at age 12, under the tutelage of Peggy Feury at the Loft Studio in Los Angeles. His film breakthrough came in Francis Ford Coppola's teen gang movie Rumble Fish (1983), which cast him opposite Matt Dillon and Mickey Rourke. But it wasn't until Footloose the following year that Penn captured his first truly memorable role. As the burly best buddy of Kevin Bacon's rebellious dance proponent, Penn's simple decency shone through, especially in the lively production number in which his character awkwardly learns to dance, to the strains of Denise Williams' "Let's Hear It for the Boy."Penn's supporting work continued through the 1980s in films like Pale Rider (1985) before he became affiliated with organized crime movies, on both sides of the law, in the 1990s. Two collaborations with Quentin Tarantino in particular solidified this association. In the first, 1992's Reservoir Dogs, Penn played Nice Guy Eddie, the obedient son of Lawrence Tierney's mob boss. Screenwriting for director Tony Scott, Tarantino then helped Penn get cast in True Romance (1993) as a narcotics officer. From this point on, Penn began appearing in a handful of films each year, first and perhaps most notably as the frustrated husband of a phone sex operator (Jennifer Jason Leigh) in Robert Altman's Short Cuts (1993).Penn continued his criminal film streak with such projects as Mulholland Falls (1996), The Funeral (1996), and One Tough Cop (1998). In 2001, he spoofed his tough guy image by appearing as the brother of comedian Chris Kattan, the novice mob operative of the title, in Corky Romano.

Trivia: Though best known for her intense, sensitive dramatic portrayals, Melinda Dillon first attracted attention as an improvisational comedienne. Her Broadway break came about when she played the hypertense Honey in Edward Albee's Who's Afraid of Virginia Woolf (1962). Making her film debut playing a small role in The April Fools (1969). Since then Dillon has been Oscar-nominated for her portrayal of a mother whose young child is abducted by aliens in Close Encounters of the Third Kind (1977) and her performance as a suicidal grade-school teacher in Absence of Malice (1981). After seeing Melinda Dillon so often afflicted with trembling lip and moistened eyes, it was somewhat a relief to watch her return to comedy full-force on the 1971 TV revue series Story Theatre and as Peter Billingsley's overbearing mother ("You'll put your eye out!") in A Christmas Story (1983). Dillon continues working in a wide variety of feature films like How to Make an American Quilt (1995); she also occasionally appears in television movies such as Shattered Innocence (1984).

Trivia: A successful character actress most adept at playing matronly types, Beth Grant took her onscreen bow in the late '80s and began tackling innumerable roles in Hollywood features, usually bit parts as housewives, female doctors, or down-home small-town women. Grant received her first feature assignment as a harried mother at a farmhouse in Barry Levinson's Rain Man (1988). She subsequently divided her time between film and television roles, guest-acting on dozens of series and occasionally taking on more extensive small-screen roles, such as on Coach and Jericho. Grant's many big-screen credits include the films Don't Tell Her It's Me (1990), Speed (1994), Donnie Darko (2001), and Little Miss Sunshine (2006). She was particularly memorable in the latter, as one of the snotty and obnoxious pageant judges. Darko represented Grant's first experience working with helmer Richard Kelly; she re-teamed with Kelly for his follow-up, the dystopian black comedy Southland Tales (2005).

Trivia: Character actress Alice Drummond built a solid background in theater before regularly playing interesting older ladies in film and television. During the '60s, she played Nurse Jackson on the gothic TV series Dark Shadows. Her early work was mostly confined to the stage, though, and by 1970 she had earned a Tony nomination for her performance in The Chinese & Dr. Fish. During the '80s she appeared in many feature films and television shows, usually in roles like eccentric old ladies on Night Court. One of her most recognizable parts was the librarian who is chased by a ghost through the New York Public Library in the opening scene of Ghostbusters. During the '90s, she got a few more substantial roles, like a patient in Awakenings and Ray Finkle's mother in Ace Ventura: Pet Detective. She found meager success with independent comedy dramas in the late '90s, starting with Adrienne Shelly's I'll Take You There. In 2001 she played Aunt Millie in Tom Rice's The Rising Place and in 2003 she was Grandma Dottie in Peter Hedges' Pieces of April. Drummond died in 2016, at age 88.

Trivia: French-American actor Michael Vartan made his handsome presence felt in several European and independent films before getting his Hollywood studio break in the romantic comedy Never Been Kissed (1999). Born in Boulogne-Billancourt , France and raised in the small Normandy town of Fleury, Vartan moved to Los Angeles at age 18 to be with his American mother. Though he began taking acting classes in Los Angeles, Vartan nabbed his first film roles in the French productions Un Homme et Deux Femmes (1991) and Promenades d'Ete (1992). Still working in Europe, Vartan gained international attention as the doomed lover of the fabled title character in Paolo Taviani and Vittorio Taviani's Fiorile (1993). Returning to the Hollywood fold, Vartan appeared in To Wong Foo, Thanks for Everything! Julie Newmar (1995) and The Pallbearer (1996). He played more substantial roles, however, in the indie AIDS drama Touch Me (1997) and college crime thriller The Curve (1998), as well as playing Julianne Moore's brother in Sundance entrant The Myth of Fingerprints (1997). Vartan finally earned his first starring role in a Hollywood studio production when star/executive producer Drew Barrymore insisted that he be cast opposite her in Never Been Kissed. As undercover reporter Barrymore's "high school" teacher, Vartan was an adult-teen dream come true; the movie went on to become Vartan's first Hollywood hit. Vartan was not so lucky, however, with his next Hollywood film, the critically lambasted Madonna vehicle The Next Best Thing (2000).After he was impeccably cast as Lancelot in the lavish TV miniseries adaptation of The Mists of Avalon (2001), Vartan stayed with TV to play CIA agent Michael Vaughn, ally of Jennifer Garner's double agent Sydney Bristow, on the stylish, critically praised ABC action series Alias (2001). While on Alias, he appeared on the big-screen as Jennifer Lopez's intended in Monster-in-Law (2005).When Alias ended in 2006, Vartan stayed mostly in television, on ABC's short-lived sitcom Big Shots (2007), followed by a three-season run on the TNT medical drama Hawthorne, playing the Chief of Surgery. In 2014, he had a recurring role on A&E's Bates Motel.

Trivia: Fusing tall, dark, and handsome with exaggerated femininity, the 6'7" celebrity drag queen RuPaul was born in San Diego, CA, as RuPaul Andre Charles. He attended Northside School for the Performing Arts but dropped out to get his GED and work for his brother-in-law's car lot. His first television appearance was in 1982 on the public access show "The American Music Show" as the leader of "RuPaul and the Uhauls." In the late '80s he and electroclash pioneer Larry Tee moved to N.Y.C. to hang out in dance clubs and make records. When he perfected his "black hooker drag" look, RuPaul was voted the Queen of Manhattan on the party scene and appeared in the B-52's music video for "Love Shack." During this time, he released his debut album on the Funtone label and continued his recording career on Tommy Boy Records. In 1994, he made his feature film debut in Spike Lee's Crooklyn as a woman with an amazing blonde afro. The next year saw lots of cameos in To Wong Foo, Thanks for Everything! Julie Newmar, Smoke, Blue in the Face, and Wigstock: The Movie. He started getting actual roles with the TV movie A Mother's Prayer, the comedy Red Ribbon Blues, and both Brady Bunch movies. In 1996, he began hosting the dance-music morning show on WKTU with Seduction vocalist Michelle Visage. Soon, VH1 took notice and gave him his own series, the celebrity talk show and variety program The RuPaul Show. In the late '90s, he started appearing as a man under his full name RuPaul Charles. He played camp counselor Mike in But I'm a Cheerleader, Stockard Channing's friend Jimmy in the Lifetime movie The Truth About Jane, and guest-hosted the PBS series In the Life. He also briefly appeared in the crime comedy Who Is Cletis Tout? and narrated the documentary The Eyes of Tammy Faye. In 2003, he began filming Rob Howard's Skin Walker. He went on to host the reality TV show RuPaul's Drag Race.

Trivia: American actress Julie Newmar's father was a college instructor and her mother was a former Ziegfeld dancer. This odd mix may explain why Julie complemented her dancing and acting career with offscreen intellectual pursuits. A lifelong student of ballet, Newmar was accepted as a dancer by the Los Angeles Opera Comany at age 15, and before her UCLA enrollment was under way she'd left college to try her luck in films. A stint as a gold-painted exotic dancer in Serpent of the Nile (1954) was usually conveniently ignored by Newmar's biographers, who preferred to list Seven Brides for Seven Brothers (1954) as her screen debut. From here it was on to Broadway for a featured dance in the musical Can-Can, then to the sizable but nonspeaking role of Stupefyin' Jones in Li'l Abner. It was for Newmar's performance as a Swedish sexpot in the genteel farce The Marriage-Go-Round that the actress attained true stardom - and also won a Tony Award. Recreating her stage roles for the film versions of Li'l Abner (1959) and Marriage-Go-Round (1961), Newmar spent the next few years dividing her time between stage work and TV guest spots (she played the Devil in the 1963 "Twilight Zone" episode "Of Late I Think of Cliffordville"). In 1964, Newmar was cast as a beautiful robot on the TV sitcom "My Living Doll," a series that languished opposite "Bonanza" and barely got through the season. According to Newmar, she accepted her best-remembered TV role, that of Catwoman on the weekly series Batman on the advice of her brother, a Harvard fellow in Physics who, along with his classmates, was a rabid Batman fan. Newmar played Catwoman for two seasons, but contractual committments kept her from appearing in the 1966 feature film version of Batman, wherein her role was taken over by Lee Meriwether. For diverse reasons, Newmar wasn't back as Catwoman for the final "Batman" season, so Eartha Kitt essayed the role. Newmar's film career peaked with MacKenna's Gold (1968) and The Maltese Bippy (1969), after which she was consigned to such deathless projects as Hysterical (1983), Nudity Required (1990) and Ghosts Can't Do It (1991). In 1995 she returned to the big screen playing herself in the cross-dressing comedy To Wong Foo, Thanks for everything, Julie Newmar. In the mid 1980s, Julie Newmar began making the personal-appearance rounds thanks to the publicity attending the 20th anniversary of the "Batman" series, and in 1992 Julie was again an interview subject as a byproduct of Michelle Pfeiffer's unforgettable Catwoman stint in the 1992 feature film Batman Returns.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Onstage, on television, in the movies or in a serious interview, listening to and watching comedian/actor Robin Williams was an extraordinary experience. An improvisational master with a style comparable to Danny Kaye, his words rushed forth in a gush of manic energy. They punctuated even the most basic story with sudden subject detours that often dissolved into flights of comic fancy, bawdy repartee, and unpredictable celebrity impressions before returning earthward with some pithy comment or dead-on observation.Born in Chicago on July 21st, 1951, Williams was raised as an only child and had much time alone with which to develop his imagination, often by memorizing Jonathan Winters' comedy records. After high school, Williams studied political science at Claremont Men's College, as well as drama at Marin College in California and then at Juilliard. His first real break came when he was cast as a crazy space alien on a fanciful episode of Happy Days. William's portrayal of Mork from Ork delighted audiences and generated so great a response that producer Garry Marshall gave Williams his own sitcom, Mork and Mindy, which ran from 1978 to 1982. The show was a hit and established Williams as one of the most popular comedians (along with Richard Pryor and Billy Crystal) of the '70s and '80s.Williams made his big screen debut in the title role of Robert Altman's elaborate but financially disastrous comic fantasy Popeye (1980). His next films included the modestly successful The World According to Garp, The Survivors, Moscow on the Hudson, Club Paradise, The Best of Times. Then in 1987, writer-director Barry Levinson drew from both sides of Williams - the manic shtickmeister and the studied Juliard thesp - for Good Morning, Vietnam, in which the comedian-cum-actor portrayed real-life deejay Adrian Cronauer, stationed in Saigon during the late sixties. Levinson shot the film strategically, by encouraging often outrageous, behind-the-mike improvisatory comedy routines for the scenes of Cronauer's broadcasts but evoking more sober dramatizations for Williams's scenes outside of the radio station. Thanks in no small part to this strategy, Williams received a much-deserved Oscar nomination for the role, but lost to Michael Douglas in Wall Street.Williams subsequently tackled a restrained performance as an introverted scientist trying to help a catatonic Robert De Niro in Awakenings (1990). He also earned accolades for playing an inspirational English teacher in the comedy/drama Dead Poets Society (1989) -- a role that earned him his second Oscar nomination. Williams's tragi-comic portrayal of a mad, homeless man in search of salvation and the Holy Grail in The Fisher King (1991) earned him a third nomination. In 1993, he lent his voice to two popular animated movies, Ferngully: The Last Rain Forest and most notably Aladdin, in which he played a rollicking genie and was allowed to go all out with ad-libs, improvs, and scads of celebrity improvisations.Further successes came in 1993 with Mrs. Doubtfire, in which he played a recently divorced father who masquerades as a Scottish nanny to be close to his kids. He had another hit in 1995 playing a rather staid homosexual club owner opposite a hilariously fey Nathan Lane in The Birdcage. In 1997, Williams turned in one of his best dramatic performances in Good Will Hunting, a performance for which he was rewarded with an Oscar for Best Supporting Actor.Williams kept up his dramatic endeavors with both of his 1998 films: the comedy Patch Adams and What Dreams May Come, a vibrantly colored exploration of the afterlife. He next had starring roles in both Bicentennial Man and Jakob the Liar, playing a robot-turned-human in the former and a prisoner of the Warsaw ghetto in the latter. Though it was obvious to all that Williams' waning film career needed an invigorating breath of fresh air, many may not have expected the dark 180-degree turn he attempted in 2002 with roles in Death to Smoochy, Insomnia and One Hour Photo. Catching audiences off-guard with his portrayal of three deeply disturbed and tortured souls, the roles pointed to a new stage in Williams' career in which he would substitute the sap for more sinister motivations.Absent from the big-screen in 2003, Williams continued his vacation from comedy in 2004, starring in the little-seen thriller The Final Cut and in the David Duchovny-directed melodrama The House of D. After appearing in the comic documentary The Aristocrats and lending his voice to a character in the animated adventure Robots in 2005, he finally returned full-time in 2006 with roles in the vacation laugher RV and the crime comedy Man of the Year. His next project, The Night Listener, was a tense and erosive tale of literary trickery fueled by such serious issues as child abuse and AIDS.Williams wasn't finished with comedy, however. He lent his voice to the cast of the family feature Happy Feet and Happy Feet 2, played a late night talk show host who accidentally wins a presidential election in Man of the Year, portrayed an enthusiastic minister in License to Wed, and played a statue of Teddy Roosevelt that comes to life in Night at the Museum and its sequel Night at the Museum: Battle of the Smithsonian. He would also enjoy family-friendly comedic turns in World's Greatest Dad, Shrink, and Old Dogs.In 2013, he returned to television, playing the head of an advertising agency in The Crazy Ones; the show did well in the ratings, but was canceled after only one season. He also played yet another president, Dwight Eisenhower, in Lee Daniel's The Butler. Williams died in 2014 at age 63.

Trivia: Naomi Campbell is a name synonymous with the supermodel phenomenon of the late '80s and 1990s. At the tender age of 15, Campbell was officially signed with a modeling agency, and would soon gain fame as the first black woman to appear on the covers of French and British Vogue, as well as Time magazines. She was blessed with the exotic visage of Jamaican-Chinese heritage. Her startlingly intense eyes and perfect model features earned her much success on the runway and in print, and she would go on to explore numerous realms of the entertainment world including film, television, and pop music throughout her career.Campbell was born May 22, 1970, in Stratham, London, England. As a child, she gained a taste of acting, appearing in a film called Quest for Fire. Along with her early start in the modeling profession, she honed her limelight skills by attending the London Academy for Performing Arts. Her enduring career as a model and background in performance would lead her to the Hollywood scene, where she gained credits alongside numerous big names in film. Her film debut came in 1991, when she appeared as a singer in Cool As Ice. In 1995, Campbell played Kaia in Miami Rhapsody starring Antonio Banderas and Sarah Jessica Parker, and a year later appeared in Spike Lee's Girl 6. She also made several cameos as herself throughout the 1990s, both in films and on television. Making a case for herself as a performer in various television genres, she guest starred on numerous prime-time programs including The Fresh Prince of Bel Air, New York Undercover, and The Cosby Show.Campbell would branch out into the music business with the release of her album Babywoman in 1995, and gained much attention in Japan over her hit single on the album. In 1996, she was featured in Tony Hickox's Invasion of Privacy, and in 1997, An Alan Smithee Film: Burn Hollywood Burn, starring Sylvester Stallone, Whoopi Goldberg, and Jackie Chan. In addition, her media credits were rounded off by two books: the best-seller Swan, co-written by Campbell, and Naomi, a collection of photographs spanning the length of the model's career. Campbell continued to model throughout the late 1990s, and participated in several documentaries including Beautopia (1998) and Marc Jacobs & Louie Vuitton (2007). In 2008 she joined the star-studded cast of the documentary Everyday People, and has remained active within the fashion industry.

Trivia: Made his movie debut in the 1984 comedy Preppies. Has appeared in a number of stage plays and was nominated for a Best Solo Performance Award by LA Weekly for his 1995 one-man show, The Participant. Wrote the screenplays for two movies released in 1996: the crime drama The Last Days of Frankie the Fly and the thriller Executive Target (also acted in both films). Though known mostly for dramatic roles, he has appeared in such sitcoms as Kate & Allie, Murphy Brown, Ellen and Seinfeld. Worked with television-show creator David Milch on Deadwood, John From Cincinnati and NYPD Blue.

Trivia: An offbeat writer and storyteller, Quentin Crisp was primarily known for his autobiography, entitled The Naked Civil Servant, which was adapted to film in 1975 and starred John Hurt. Born Denis Pratt near London, England, Crisp was, at various points in his early adulthood, a prostitute and an artist. As a young man, Crisp made his homosexuality public knowledge and soon after appeared in public in makeup and high-heeled shoes. His sexuality was very much a part of his artistry, both in the visual arts and the printed word. In the late '70s, Crisp began appearing in a one-man show that he would continue to fine-tune until his death in late 1999.