Trivia: Highly intelligent and extremely well educated -- earning an M.A. at Stockholm's Royal Institute of Technology and a Fulbright Fellowship at M.I.T. -- Dolph Lundgren is better known for his athletic achievements than his intellectual pursuits. An internationally recognized kick-boxing champion, the 6' 6", 250-pound Lundgren was working as a doorman at a trendy New York disco when his personally produced exercise video Maximum Potential caught the eye of movie producers. His 1984 cinematic debut was a bit part in the James Bond opus A View to a Kill, which co-starred Lundgren's then-lover Grace Jones. (Earlier reports that Lundgren appeared in 1970's The Out-of-Towners were really out of town.) His breakthrough film role was as Drago, the automaton-like Russian ring opponent of Sylvester Stallone in Rocky IV (1985). The content of Lundgren's subsequent films is implicit in their titles: Masters of the Universe (in which Lundgren played bulging-biceped cartoon character He-Man), Universal Soldier (sharing the screen with fellow bodybuilder Jean-Claude Van Damme), Red Scorpion, Showdown in Little Tokyo, Army of One, etc. When Lundgren showed up as a street preacher in the futuristic Johnny Mnemonic (1995), one got the feeling that he was not going to be advocating peace on earth for long.

Trivia: American actor Sterling Hayden was a Hollywood leading man of the '40s and '50s who went on to become a character actor in later years. At age 16 he dropped out of school to become a mate on a schooner, beginning a life-long love affair with the sea; by age 22 he was a ship's captain. Extremely good looking, he modeled professionally to earn enough money to buy his own vessel; this led to a movie contract with Paramount in 1940. Within a year he was famous, having starred in two technicolor movies, Virginia (1941) and Bahama Passage (1942); both featured the somewhat older actress Madeleine Carroll, to whom he was married from 1942-46. With these films, Paramount began trumpeting him as "The Most Beautiful Man in the Movies" and "The Beautiful Blond Viking God." Shortly after making these two films he joined the Marines to serve in World War II. After the war he landed inconsequential roles until a part as a hoodlum in The Asphalt Jungle (1950) demonstrated his skill as an actor. After this his career was spotty, marked for the most part by inferior films (with some notable exceptions, such as Dr. Strangelove [1964]) and frequent abandonment of the screen in favor of the sea. It was said that Hayden was never particularly interested in his work as an actor, vastly preferring the life of a sailor. His obsession with the sea and his various voyages are described in his 1963 autobiography, Wanderer, in which he also expresses regret for having cooperated with the House Un-American Activities Commission during the early '50s McCarthy-Era "witch trials." He published a novel in 1976, Voyage: A Novel of 1896; it was named as a selection of the Book of the Month Club.

Trivia: One of the youngest "old codgers" in show business, Arthur Hunnicutt left college when funds ran out and joined an acting troupe in Martha's Vineyard, Massachusetts. His first important New York engagement was in the Theatre Guild's production of Love's Old Sweet Song. Hunnicutt entered films in 1942, specializing in grizzled western sidekicks even though he was only in his early 30s. When Percy Kilbride retired from the "Ma and Pa Kettle" series in 1955, Hunnicutt, still a youngster in comparison to Kilbride's sixtysomething co-star Marjorie Main, filled the gap in The Kettles in the Ozarks (1955). And when director Howard Hawks needed someone to play a Walter Brennan-type role when Brennan wasn't available for The Big Sky (1952) and El Dorado (1967), Hunnicutt was the man of the hour (his work in Big Sky won him an Oscar nomination). Arthur Hunnicutt was last seen in 1975's The Moonrunners, at long playing someone closer to his own age.

Trivia: The daughter of Italian musicians, soprano Anna Maria Alberghetti was singing on the European concert circuit at the age of 12. Two years later, she made an impressive debut at Carnegie Hall. Hoping to promote Anna as "the new Deanna Durbin," Paramount pictures signed her to a film contract. While her official movie debut was in the independently produced filmed opera The Medium (1950), Anna was given a big-guns "introducing" buildup for her first Paramount effort, Frank Capra's Here Comes the Groom (1951). She followed this with a leading role in the celebrity-studded The Stars are Singing (1952), a genial musical based loosely on Anna's real-life rise to prominence. Few of her subsequent Paramount films were truly worthy of her talents; she left Hollywood, never to return, after surviving Jerry Lewis in Cinderfella (1960). Anna Maria Alberghetti then launched her Broadway career in the hit musical Carnival (1961), adapted from the 1953 Leslie Caron movie vehicle Lili (1953).

Trivia: Born Ermes Effron Borgnino in Hamden, CT, to Italian immigrants, Ernest Borgnine spent five years of his early childhood in Milan before returning to the States for his education. Following a long stint in the Navy that ended after WWII, Borgnine enrolled in the Randall School of Dramatic Art in Hartford. Between 1946 and 1950, he worked with a theater troupe in Virginia and afterward appeared a few times on television before his 1951 film debut in China Corsair. Borgnine's stout build and tough face led him to spend the next few years playing villains. In 1953, he won considerable acclaim for his memorable portrayal of a ruthless, cruel sergeant in From Here to Eternity. He was also praised for his performance in the Western Bad Day at Black Rock. Borgnine could easily have been forever typecast as the heavy, but in 1955, he proved his versatility and showed a sensitive side in the film version of Paddy Chayefsky's acclaimed television play Marty. Borgnine's moving portrayal of a weak-willed, lonely, middle-aged butcher attempting to find love in the face of a crushingly dull life earned him an Oscar, a British Academy award, a Cannes Festival award, and an award from both the New York Film Critics and the National Board of Review. After that, he seldom played bad guys and instead was primarily cast in "regular Joe" roles, with the notable exception of The Vikings in which he played the leader of the Viking warriors. In 1962, he was cast in the role that most baby boomers best remember him for, the anarchic, entrepreneurial Quentin McHale in the sitcom McHale's Navy. During the '60s and '70s, Borgnine's popularity was at its peak and he appeared in many films, including a theatrical version of his show in 1964, The Dirty Dozen (1966), Ice Station Zebra (1968) and The Wild Bunch (1969). Following the demise of McHale's Navy in 1965, Borgnine did not regularly appear in series television for several years. However, he did continue his busy film career and also performed in television miniseries and movies. Notable features include The Poseidon Adventure (1972) and Law and Disorder (1974). Some of his best television performances can be seen in Jesus of Nazareth (1977), Ghost on Flight 401 (1978), and a remake of Remarque's All Quiet on the Western Front (1979). In 1984, Borgnine returned to series television starring opposite Jan Michael Vincent in the action-adventure series Airwolf. That series ended in 1986; Borgnine's career continued to steam along albeit in much smaller roles. Between 1995 and 1997, he was a regular on the television sitcom The Single Guy. In 1997, he also made a cameo appearance in Tom Arnold's remake of Borgnine's hit series McHale's Navy.At age 80 he continued to work steadily in a variety of projects such as the comedy BASEketball, the sci-fi film Gattaca, and as the subject of the 1997 documentary Ernest Borgnine on the Bus. He kept on acting right up to the end of his life, tackling one of his final roles in the 2010 action comedy RED. Borgnine died in 2012 at age 95.

Trivia: The daughter of silent comedy film director Ray Grey, who died when she was eight, Virginia Grey debuted onscreen at age 10 as Little Eva in Uncle Tom's Cabin (1927). She did a few more juvenile roles in silents, then as a teenager she appeared in small roles in talkies before working her way up to leading lady in a number of second features; she also played second leads in a few major productions. Grey went on to a prolific, long-lived screen career over the next three-plus decades; she also worked occasionally on TV and for a time was a regular on the soap opera General Hospital. Though she never married, at one time she was romantically involved with actor Clark Gable, whom she reportedly came close to marrying.

Trivia: Erudite, distinguished-looking American actor Eduard Franz started his stage career with the Provincetown Players. He was a leading Broadway actor for nearly 20 years before making his film bow in 1947's The Wake of the Red Witch. Franz was at his best when playing such worldly intellectuals as Justice Louis Brandeis in The Magnificent Yankee (1950). In 1963, Eduard Franz was cast in the tailor-made role of psychiatric clinic director Edward Raymer on the weekly TV drama Breaking Point.

Trivia: Erudite, silver-haired stage and screen actor Otto Kruger was a grandnephew of South African president Ohm Kruger. While attending the University of Michigan and Columbia University, Kruger switched his field of interest from music to acting. After several seasons in regional theatre, the 30-year-old Kruger made his Broadway bow in The Natural Law in 1915. That same year, he appeared in his first film, but did not actively pursue moviemaking until the talkie era. Kruger often exploited his respectable, sophisticated veneer to play villainous roles, such as the solid citizen-cum-Nazi ringleader in Hitchcock's Saboteur (1942). He was equally effective in parts calling for kindness and compassion, notably as Dr. Emil Behring, the real-life Nobel Prize winner, in Dr. Ehrlich's Magic Bullet. During World War II, Kruger, an ardent home gardener, worked as a food coordinator for the Los Angeles Country Agricultural Department. While appearing in the pre-Broadway tryouts for Advise and Consent in 1960, Kruger suffered the first of several strokes that would eventually render him inactive. Otto Kruger made his last film, Sex and the Single Girl, in 1964; he died 10 years later, on his 89th birthday.