Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: A suave, darkly handsome actor reminiscent of the young Sean Connery in looks and charisma, Clive Owen first came to international attention with his sinuous, understated portrayal of the amoral protagonist of Mike Hodges' Croupier (1998). A flop in Britain, where Owen had long been a staple of various BBC TV series, the film was a sleeper hit in the States, its success duly generating a flurry of interest in the relatively unknown actor who lent the film its seductive intensity. A product of Coventry, Warwickshire, Owen got a bumpy start in his chosen career, living on the dole for two years after he left school. Fortunately, respite arrived in the form of an acceptance to the Royal Academy of Dramatic Art in 1984, and following his graduation from RADA, the young actor joined the Young Vic Theatre Company, where he performed a number of the classics. Owen broke into TV in 1986 with a guest appearance on the series Boon, and subsequently made his film debut in Beeban Kidron's Vroom (1988), a road movie co-starring David Thewlis and Diana Quick. More television work followed in the form of Chancer, a popular miniseries that cast Owen as its heroic protagonist. The actor also found himself increasingly busy with big-screen performances, turning in a complex portrayal of a man involved in an obsessive and incestuous relationship with his sister (Saskia Reeves) in Close My Eyes (1991). Owen received one of his biggest roles to date in Sean Mathias' 1997 screen adaptation of Martin Sherman's Bent, a Holocaust drama in which Owen starred as a bisexual concentration camp inmate who falls in love with a fellow prisoner (Lothaire Bluteau). Although the film earned a substantial degree of critical acclaim and boasted the talents of such luminaries as Ian McKellen and Mick Jagger, it failed to garner much commercial notice. Owen finally broke through to an international audience with Hodges' Croupier, earning almost unanimous acclaim for his portrayal of a struggling writer who becomes caught up in an intricate scam after taking a job in a casino. He subsequently starred as a prisoner who takes up gardening in Greenfingers, a comedy that also starred Helen Mirren and had its premiere at the 2000 Toronto Film Festival. The actor also remained active on the stage, even as his screen work thrived, starring in the original 1997 London production of Patrick Marber's highly feted Closer, and performing alongside Rachel Weisz and Paul Rhys in Sean Mathias' acclaimed revival of Noël Coward's Design for Living at London's Donmar Warehouse.The new millennium saw Owen appearing in an eclectic range of projects. In 2001, he starred as the only recurring character in BMW's Hire series of ambitious short films by directors such as Ang Lee and Guy Ritchie and also appeared in Robert Altman's acclaimed Gosford Park. Following a memorable supporting performance opposite Matt Damon in 2002's popular The Bourne Identity, Owen moved up to a starring role as an international relief worker who has an affair with Angelina Jolie in 2003's Beyond Borders. The next year, he took on the title role in King Arthur, Antoine Fuqua's non-fantasy retelling of the legendary story, with then it-girl Keira Knightley as his Guinevere. Both Beyond Borders and King Arthur failed to garner much of an audience, with the latter especially disappointing in light of its 120-million-dollar budget. Despite buzz about the possibility of Owen taking over the James Bond role in the iconic series, his prospects as a Hollywood leading man seemed to be faltering. Also in 2004, Owen appeared stateside in a smaller-budget U.K. film from Croupier director Mike Hodges called I'll Sleep When I'm Dead, about a former gangster investigating the mysterious death of his younger brother. Starring an impressive cast that included Charlotte Rampling, Jonathan Rhys-Meyers, and Malcolm McDowell, the film was well-received by critics but relegated to only small arthouse exposure in the States. Later that year, Owen appeared in the big-screen adaptation of Closer, directed by Mike Nichols and co-starring such big names as Julia Roberts, Jude Law, and Natalie Portman. In 2005, Owen joined an even more star-studded cast with a role in Robert Rodriguez' adaptation of Frank Miller's comic Sin City, and he would also star opposite Julianne Moore in Savage Grace and Jennifer Aniston in Derailed.His biggest success to date came in early 2006, when he played the criminal mastermind behind a savvy bank heist in director Spike Lee's first blockbuster genre picture, The Inside Man. He would follow that with Alfonso Cuaron's Children of Men, a futuristic thriller where Owen plays a man protecting a pregnant woman at a time when no human beings have been born in nearly two decades. Owen also took a part in Shekar Kapur's Elizabeth: The Golden Age, a sequel to his Oscar nominated biopic Elizabeth.Owen would spend the following several years enjoying his leading man status with films like Killer Elite, Shadow Dancer, and Blood Ties.

Trivia: The youngest of four children born to Evelyn "Brandy" Foster, Jodie Foster entered the world on November 19, 1962, under the name Alicia, but earned her "proper" name when her siblings insisted upon Jodie. A stage-mother supreme, Brandy Foster dragged her kids from one audition to another, securing work for son Buddy in the role of Ken Berry's son on the popular sitcom Mayberry RFD. It was on Mayberry that Foster, already a professional thanks to her stint as the Coppertone girl (the little kid whose swimsuit was being pulled down by a dog on the ads for the suntan lotion), made her TV debut in a succession of minor roles. Buddy would become disenchanted with acting, but Jodie stayed at it, taking a mature, businesslike approach to the disciplines of line memorization and following directions that belied her years. Janet Waldo, a voice actress who worked on the 1970s cartoon series The Addams Family, would recall in later years that Foster, cast due to her raspy voice in the male role of Puggsley Addams, took her job more seriously and with more dedication than many adult actors.After her film debut in Disney's Napoleon and Samantha (1972), Foster was much in demand, though she was usually cast in "oddball" child roles by virtue of her un-starlike facial features. She was cast in the Tatum O'Neal part in the 1974 TV series based on the film Paper Moon -- perhaps the last time she would ever be required to pattern her performance after someone else's. In 1975, Foster was cast in what remains one of her most memorable roles, as preteen prostitute Iris in Martin Scorsese's Taxi Driver. Both the director and the on-set supervisors made certain that she would not be psychologically damaged by the sleaziness of her character's surroundings and lifestyle; alas, the film apparently did irreparable damage to the psyche of at least one of its viewers. In 1981, John Hinckley Jr. attempted to assassinate President Reagan, and when captured, insisted he'd done it to impress Foster -- a re-creation of a similar incident in Taxi Driver. The resultant negative publicity made Foster (who'd been previously stalked by Hinckley) extremely sensitive to the excesses of the media; through absolutely no fault of her own, she'd become the quarry of every tabloid and "investigative journalist" in the world. Thereafter, she would stop an interview cold whenever the subject of Hinckley was mentioned, and even ceased answering fan mail or giving out autographs. This (justifiable) shunning of "the public" had little if any effect on Foster's professional life; after graduating magna cum laude from Yale University (later she would also receive an honorary Doctorate), the actress appeared in a handful of "small" films of little commercial value just to recharge her acting batteries, and then came back stronger than ever with her Oscar-winning performance in The Accused (1988), in which she played a rape victim seeking justice. Foster followed up this triumph with another Oscar for her work as FBI investigator Clarice Starling (a role turned down by several prominent actresses) in the 1991 chiller The Silence of the Lambs.Not completely satisfied professionally, Foster went into directing with a worthwhile drama about the tribulations of a child genius, Little Man Tate (1991) -- a logical extension, according to some movie insiders, of Foster's tendency to wield a great deal of authority on the set. Foster would also balance the artistic integrity of her award-winning work with the more commercial considerations of such films as Maverick (1994). She made her debut as producer in 1994 with the acclaimed Nell, in which she also gave an Oscar-nominated performance as a backwoods wild child brought into the modern world. Foster would continue to to produce and direct, with 1995's Home for the Holidays and 2011's The Beaver.Foster would continue to chose a challenging variety of roles, playing scientist Ellie Arroway in Robert Zemeckis' 1997 adaptation of the Carl Sagan in Contact, and a widowed schoolteacher in Anna and the King (1999), and a mother defending her daughter during a home invasion in David Fincher's Panic Room. The 2000's would see Foster appear in several more films, like Inside Man, The Brave One, and the Roman Polanski directed domestic comedy Carnage. In 2013, Foster was honored with the Cecil B. DeMille Award at the Golden Globes, and later appeared in sci-fi thriller Elysium.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: Some say that the eyes are a window into one's soul, and few actors are gifted enough to make an audience truly believe the plight of the characters they portray; despite their best efforts, their eyes often betray their abilities and we still recognize the actor playing the character. With his honest eyes, sincere smile, and unmistakable onscreen presence, actor Chiwetel Ejiofor possesses the rare ability to internalize his characters to an unusually realistic degree -- an ability that has gained him increasing recognition in the arena of world cinema. Ejiofor was born to Nigerian parents in Forest Gate, East London; his father was a doctor and his mother a pharmacist. Though his calling may not have been readily apparent in his early childhood, by the time Ejiofor was 13, the aspiring young actor was taking to the stage in numerous school and National Youth Theater productions. His love of the stage growing with each passing year, by the time Ejiofor got to Dulwich College, his calling was clear. Soon attending the London Academy of Music and Dramatic Arts, he gained a reputation as a formidable stage talent, and following appearances in high-profile productions at the Almeida Theater Company and the Royal National Theater, Ejiofor's talents found him drawn to the medium of television, where he would make his debut in the 1996 made-for-TV thriller Deadly Voyage. It wasn't long before Ejiofor's talent caught the eye of legendary film director Steven Spielberg, and the following year, the up-and-coming actor was back on the high seas for Spielberg's historical drama Amistad. Of course, a role in such a high-profile release was bound to attract the attention of other filmmakers as well, and though Ejiofor would remain true to his theater roots, he would balance his stage work with roles in such films as Greenwich Mean Time (1999), It Was an Accident, and Mind Games (both 2000). Cast opposite Amélie star Audrey Tautou in Stephen Frears' 2001 drama thriller Dirty Pretty Things, Ejiofor essayed the role of a Nigerian immigrant living in London who makes a horrible discovery that puts his life in grave danger. It was glaringly obvious to any who had seen his performances that Ejiofor was one to look out for, and his winning performance as a hedonistic lawyer in the 2003 British miniseries Trust only served to cement the fact that his career was on the fast track. Remaining on the small screen for Twelfth Night, or What you Will and The Canterbury Tales (both 2003), Ejiofor would subsequently return to the big screen for Love Actually (2003) and Slow Burn (2004), a pair of films that virtually ensured him a high recognition factor and a bright future on stage and screen. He continued to work steadily in a variety of character roles. He anchored the dramatic sections of Woody Allen's Melinda and Melinda in 2004. He showed of his remarkable versatility in 2005 with roles in the urban thriller Four Brothers, the science fiction film Serenity, and starring as a flamboyant cross-dresser in the comedy Kinky Boots. In 2006 he worked with a pair of high-powered directors. He played the partner to Denzel Washington's hostage negotiator in the hit thriller Inside Man, and played a large part in Alfonso Cuaron's Children of Men.In 2007 he played opposite Don Cheadle in the biopic Talk to Me, and he was the lead in David Mamet's 2008 drama Redbelt playing a martial-arts expert. The next year he appeared in the disaster epic 2012, and he was in the Angelina Jolie action film Salt in 2010. In 2013, Ejiofor had a huge breakthrough playing enslaved Solomon Northup in 12 Years a Slave, earning him his first Oscar nomination.

Trivia: Played bass in metal band Early Man. Starred as Ziggy Sobotka in the second season of The Wire. Won the 2009 OFTA Television Award for Best Supporting Actor in a Motion Picture or Miniseries, for his role in Generation Kill. Won the 2012 Robert Altman Award for Best Ensemble Cast as part of the ensemble for Starlet. As of 2018, stars as Nick Fletcher on The First.

Trivia: A burly, thickset, and occasionally scruffy character actor with a domineering and imposing presence, Peter Gerety often accepted roles as ordinary working-class stiffs, judges, or inner-city law officers. A performer with equal footing in film and on the stage, Gerety took his premier onscreen bow during the early '80s but first began drawing substantial attention over a decade later. Gerety remains best known for his multi-season portrayal (1996-1999) of Detective Stuart Gharty on the cop drama Homicide: Life on the Street. He also played the recurring role of Judge Daniel Phelan on another Baltimore-set crime series, The Wire (2002-2008). Big-screen projects include Sleepers (1996), K-PAX (2001), Syriana (2005), Charlie Wilson's War (2007), Leatherheads (2008), and Public Enemies (2009).

Trivia: Was a member of '80s hip-hop group Groove B. Chill. Paralyzed from the waist down as the result of a November 2001 motorcycle accident in South Carolina. Has served as a spokesman for the Christopher & Dana Reeve Foundation. Established the Daryl Mitchell Foundation, which was founded on the principles of awareness, education and advocacy for those impacted by spinal-cord injuries.

Trivia: New York native Ken Leung studied acting at NYU and at HB Studio before making his onscreen debut with a minor appearance in 1997's Rush Hour. He would continue to find consistent screen work with roles in movies like Red Dragon and Vanilla Sky, while simultaneously cultivating a theater career with roles in Broadway plays like the Tony Award-winning Thoroughly Modern Millie in 2002. Leung would later find a particularly memorable role in 2008, when he was cast as Miles Straume in the mysterious series Lost.