Trivia: Arguably the top screen comedian of the 1990s, Canadian-born entertainer Jim Carrey has combined equal parts of his idol Jerry Lewis, his spiritual ancestor Harry Ritz, and the loose-limbed Ray Bolger into a gleefully uninhibited screen image that is uniquely his own.Carrey's life wasn't always a barrel of laughs; he was born on January 17, 1962, into a peripatetic household that regularly ran the gamut from middle-class comfort to abject poverty. Not surprisingly, Carrey became a classic overachiever, excelling in academics while keeping his classmates in stitches with his wild improvisations and elastic facial expressions. His comedy club debut at age 16 was a dismal failure, but Carrey had already resolved not to be beaten down by life's disappointments (as his father, a frustrated musician, had been). By age 22, he was making a good living as a standup comic, and was starring on the short-lived sitcom The Duck Factory -- a series which curiously did little to take advantage of its star's uncanny physical dexterity. Throughout the 1980s, Carrey appeared in supporting roles in such films as Peggy Sue Got Married (1986) and Earth Girls are Easy (1990). Full television stardom came Carrey's way in 1990 as the resident "white guy" on Keenan Ivory Wayans' Fox TV comedy In Living Color. The most popular of the comedian's many characterizations on the program was the grotesquely disfigured Fire Marshal Bill, whose dubious safety tips brought down the wrath of real-life fire prevention groups -- and also earned Carrey the ultimate accolade of being imitated by other comics. 1994 proved to be "The Year of Carrey," with the release of three top-grossing comedy films to his credit: Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber. By the end of the year, Carrey was commanding seven to ten million dollars per picture. In 1995, the actor/comedian took over for Robin Williams as The Riddler in the blockbuster film Batman Forever, and, in 1996, he tried his hand at a darker and more menacing role as a maniacal cable repairman in The Cable Guy. The film, and Carrey's at-times frightening performance, received decidedly mixed reviews from critics and audiences. Despite the generally negative response to the film, Carrey still retained an interest in branching out into more dramatic roles. Following a return to all-out comedy in Liar, Liar (1997) as a chronically dishonest attorney, Carrey explored new territory with his lead role in the highly acclaimed The Truman Show (1998), Peter Weir's eerie comedy drama about the perils of all-consuming media manipulation. Critical respect in hand, Carrey returned to comedy of a different sort with the lead role in Milos Forman's Man on the Moon (1999), a much-anticipated biopic of the legendary comic Andy Kaufman. Although the film boasted a powerhouse performance from Carrey, it earned less than stellar reviews and did poor business at the box office. Such was the strength of the actor's portrayal, however, that his exclusion from the Best Actor nominations at that year's Academy Awards was a source of protest for a number of industry members. Carrey returned to straight comedy the following year with the Farrelly brothers' Me, Myself & Irene, in which he starred as a cop with a split personality, both of whom are in love with the same woman (Renée Zellweger). Though that film fared the least successful of the Farrellys' efforts to that point, Carrey's anarchic persona was given seemingly free range and the result was his most unhinged role since The Mask. That same year, he assumed the lead role in Ron Howard's Dr. Seuss's How the Grinch Stole Christmas, raking in the money at the box-office and receiving a Golden Globe nomination despite widespread critical-contempt for the film. Continuing to seek acceptance as a skilled dramatist, Carrey next appeared in the 2001 box-office bomb The Majestic.Undeterred by the failure of The Majestic, Carrey returned again to both comedy and box-office success with 2003's Bruce Almighty. After handily proving that his power as a big-screen star was very much intact, Carrey wasted no time switching gears once again as he embarked on his most ambitious project to date, the 2004 mind-bending romantic-dramedy Eternal Sunshine of the Spotless Mind. Scripted by Charlie Kaufman and directed by Michel Gondry, the film garnered rave reviews and featured what was arguably Carrey's most subtly complex and subdued performance to date.Carrey's cartooney presence on screen would make him a natural fit for the kids' movie Lemony Snicket's A Series of Unfortunate Events in 2004, as well as other family films over the coming years like A Christmas Carol and Mr. Popper's Penguins. The actor would continue to explore dramatic roles, however, such as the dark thriller The Number 23 and the critically acclaimed I Love You, Phillip Morris.

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: The daughter of respected off-Broadway playwright Romulus Linney, Laura Linney was born in New York City on February 5, 1964. Her parents divorced when she was six months old. Thanks to her father's job, Linney grew up working in the theater, both behind the scenes and, in her late teens, on the stage. Following prep school in Massachusetts, she attended both Brown University and Juilliard, and she was soon appearing in a number of Broadway productions. She garnered notice for her roles in plays like The Seagull and Six Degrees of Separation, and won particular acclaim for her performance in Hedda Gabler.Linney made her onscreen debut in 1992 with a small role as a teacher in Lorenzo's Oil. The following year, she had a brief but pivotal role as Kevin Kline's presidential mistress in Dave, appeared in Searching for Bobby Fischer, and landed a lead as one of the protagonists of Armistead Maupin's acclaimed Tales of the City, which aired on PBS. Linney later reprised her role as Mary Ann Singleton for More Tales of the City in 1998. Following leads in two box-office failures, A Simple Twist of Fate (1994) and Congo (1995), Linney had a supporting role as Richard Gere's lawyer/ex in Primal Fear (1996). Based on the strength of her performance, Clint Eastwood chose her to play his daughter -- another lawyer -- in Absolute Power the following year. In 1998, Linney sent up her wholesome, fresh-scrubbed appearance to great effect as Truman Burbank's wife in Peter Weir's highly acclaimed The Truman Show.The actress finally came into her own in 2000, thanks to two very different parts in two highly acclaimed independent features. Writer/director Kenneth Lonergan's You Can Count on Me featured Linney as Sammy, a small-town single mother whose placid life takes some interesting turns when she's visited by her errant brother Terry (Mark Ruffalo). Aided by Lonergan's precise script and her own copious note-taking, Linney turned in her most nuanced, accomplished performance to date. Critics paid attention: after its much-heralded debut at the 2000 Sundance Film Festival, the film went on to garner a slew of recognition for its lead actress, including Best Actress of the Year awards from the National Society of Film Critics and the New York Film Critics Circle, and an eventual Oscar nomination for Best Actress. Linney further polished her reputation with a supporting turn as the icy Bertha Dorset in director Terence Davies' adaptation of Edith Wharton's The House of Mirth, released in late 2000.She continued working steadily and garnered great critical respect throughout the next decade. In addition to returning for Further Tales of the City, she was one of the many talented actors who appeared in the controversial The Laramie Project. She had a few big-budget films that missed their mark in The Mothman Prophecies and The Life of David Gale, but those came around the same time as her superb turn as Sean Penn's wife in Mystic River, and as one of the few Americans in the very British romantic comedy Love Actually. She continued to earn strong reviews as the headstrong wife to Liam Neeson's Kinsey, and in 2005 offered a subtle but penetrating portrayal of a selfish mother and divorcee opposite Jeff Daniels in The Squid and the Whale. The next year she acted opposite Robin Williams in Barry Levinson's political and social satire Man of the Year.In 2007 Linney offered a spot-on portrayal of a dissatisfied Manhattan wife and mother in The Nanny Diaries, and earned a wealth of strong reviews for her work in Tamara Jenkins' The Savages. Playing a neurotic woman opposite Philip Seymour Hoffman as her brother, Linney scored her third Academy Award nomination.2008 brought Linney her fourth Golden Globe nomination, and first win, for the portrayl of first lady Abigail Adams in the acclaimed HBO miniseries John Adams. In the following years, Linney would continue to appear in several projects, including movies like Morning and The Details, and the acclaimed Showtime series The C Word.

Trivia: Actor/producer/director Noah Emmerich made a name for himself onscreen with memorable supporting roles in such features as Cop Land (1997), The Truman Show (1998), and the uplifting Disney hockey drama Miracle (2004). With a chameleon-like ability to disappear into his characters and a solid drama background, Emmerich threw himself into every role no matter how small or seemingly inconsequential. A New York native who attended Yale University and the N.Y.U. Film School, he sang a cappella with the former's Yale Spizzwinks before making the award-winning short The Painter at N.Y.U. Following graduation, he appeared in such small-screen efforts as If Someone Had Known (1995) and Smoke Jumpers (1996), and had higher-profile roles in wide theatrical releases like Beautiful Girls (1996) and Crazy in Alabama (1999). Emmerich was generally relegated to playing rather one-dimensional authority figures in his early movies, though later got more prominent roles in The Truman Show and Love & Sex (2000). In subsequent years, Emmerich appeared almost exclusively in such high-profile releases as Windtalkers (2002), Beyond Borders (2003), and Miracle (2004). The brother of producer Toby Emmerich, Noah also established a production company, Sandbox Entertainment.

Trivia: An actress whose refinement is evident in both her coolly regal beauty and well-measured performances, Natascha McElhone first impressed international critics and audiences with her portrayal of Francoise Gilot, the long-suffering but ultimately triumphant wife of Pablo Picasso in Merchant Ivory's Surviving Picasso (1996). Born Natasha Taylor in Hampstead, London, on March 23, 1971, McElhone was raised in Brighton as the only daughter (she has several brothers) of journalist parents. After studying drama for three years at the London Academy of Music and Dramatic Art, McElhone began her career in the theatre. She worked extensively on the London stage in a number of productions, and she also toured nationally with the Leicester Haymarket's production of Chekov's The Cherry Orchard. McElhone made her television debut in 1994, playing an army officer in the BBC's A Breed of Heroes, and subsequently appeared in several British TV series, including Absolutely Fabulous. Following her well-received screen debut in Surviving Picasso, McElhone played the young Clarissa Dalloway in Mrs. Dalloway (1997), and she had substantial roles in The Devil's Own (1997) and John Frankenheimer's Ronin (1998), the latter of which featured her as a tactical strategist who organizes a team of experts to steal a mysterious briefcase from a group of criminals. She also popped up as Truman Burbank's long-lost love interest in The Truman Show (1998), and in 2000, she could be seen singing and dancing her way across the Bard's iambic pentameter in Kenneth Branagh's musical adaptation of Love's Labour's Lost. Two short years later audiences would find McElhone cast opposite George Clooney in director Steven Soderbergh's psycholgical sci-fi effort Solaris. She appeared as Mary Boleyn in The Other Boleyn Girl in 2003, and continued to work steadily landing one of her most high-profile gigs when she landed the part of Karen on the Showtime series Californication.

Trivia: Philadelphia-born actress Holland Taylor majored in drama at Bennington College, and arrived in New York in 1966, hoping to take the theater world by storm. That didn't quite happen, despite Taylor making her Broadway debut in The Devils, starring Anne Bancroft, and working with Alan Bates in Butley (she was also in that notorious failure, Moose Murders). A protégée of legendary acting teacher Stella Adler, Taylor endured 14 years of disappointments interspersed with the occasional success, and played in one heavily hyped television series (CBS's Beacon Hill) that failed in less than a season, all of it broken up by work in the daytime drama The Edge of Night. Finally, in 1980, lightning struck when Taylor was cast in the series Bosom Buddies in the role of Ruth Dunbar, the acid-tongued advertising agency executive employing the two protagonists of the program, played by Tom Hanks and Peter Scolari. Taylor accepted the part despite some initial reluctance, mostly thanks to Adler's urging, but she proved almost as much of a breakout personality onscreen as Hanks and Scolari. Taylor took lines written with venom and added her own wry twists to their meanings and inflections, and made all of her scenes memorable. The series only lasted two full seasons, but when it folded, Taylor was being offered television and movie roles on a steady basis. Most of her subsequent series didn't last more than a season each, but Taylor's parts, usually as charmingly acerbic middle-aged women, stayed big and got larger, up through programs such as The Naked Truth, starring Téa Leoni. Taylor's big-screen appearances have included supporting roles in such diverse films as The Truman Show, Spy Kids 2, Legally Blonde, George of the Jungle, Romancing the Stone, The Jewel of the Nile, How to Make an American Quilt, Fame, She's Having a Baby, and To Die For. She's also had some choice parts in made-for-television movies, including playing Nancy Reagan in The Day Reagan Was Shot, but Taylor's most successful medium remains the television series. In recent years, she has proved a mainstay of producer David E. Kelley's stable of actors, taking on the recurring role of Judge Roberta Kittleson, a Boston jurist whose sex-drive is a match for her legal intellect, in the series The Practice (with a cross-over appearance in the same role on Ally McBeal), winning an Emmy for her work on the show's 1999 season. That series, which has included an episode featuring Taylor in a semi-nude scene, has not only given the middle-aged actress a chance to explore sides of her screen persona that other producers never even considered, but has transformed her into a sex symbol among the ranks of mature actresses, right up there with Kathleen Turner as Mrs. Robinson in the stage version of The Graduate.As the new century began she continued to work steadily in both movies and TV in projects such as Happy Accidents, playing the first-lady in The Day Reagan Was Shot, Legally Blonde, and Spy Kids 2. She returned to series television with a recurring role on Two and a Half Men, which was the most-watched sitcom on TV during part of its successful run. She also appeared in the big screen comedy Baby Mama.

Trivia: Though his role on what many considered to be the smartest weekly series on television (Sports Night) may have made him a household name in a perfect world, boyish but handsome actor Peter Krause found himself inexplicably unemployed following the show's unfortunately all-too-short run. Born August 12th, 1965, in Alexandria, MN, in 1965, Krause spent his youth immersed heavily in track and field and gymnastics. Following a career-ending high school pole-vaulting injury, Krause took to the stage during his education at Gustavus Adolphus College in St. Peter, MN, on the age-old pretense of meeting a girl. Though he wasn't thrilled with the role he essayed, Krause soon took a shine to acting and decided to pursue a career in New York University's Master of Fine Arts acting program. Working as a bartender with writer Aaron Sorkin at the Palace Theater while living in the city, Krause moved to Los Angeles following graduation and landed television roles in Carol and Company, Beverly Hills 90210, and Seinfeld thanks in part to friend and fellow N.Y.U. student Camryn Manheim. Following a turn on television's Cybill in 1995, Krause got his big feature break with a role in The Truman Show three years later. With his role as a member of a mortistically inclined family in HBO's Six Feet Under, Krause found himself a key member of yet another talented cast on yet another critically praised series.In 2004, Krause portrayed a struggling poet and professor in the critically acclaimed marriage drama We Don't Love Here Anymore, and continued to work on Six Feet Under until the series' powerful conclusion in 2005. Krause returned to television to star in ABC's prime time drama Dirty Sexy Money. The show, which lasted for two seasons between 2007 an 2009, followed Nick George (Krause), a lawyer and family man determined to investigate the circumstances surrounding his father's mysterious death. The actor also appeared in the NBC comedy drama Parenthood, and joined the casat of 2011's edgy fantasy film Beastly.

Trivia: California native Harry Shearer was one of the busier child actors of the 1950s. He appeared in such films as The Robe (1953) (as the boy David) and Abbott and Costello Go to Mars (1953); he could be heard on such radio programs as Suspense, Lux Radio Theatre, and the Jack Benny Show; and among his many TV guest roles was the character who would evolve into Eddie Haskell in the 1955 Leave It to Beaver pilot. After attending U.C.L.A., Shearer flourished as a standup comedian and comedy writer. He was frequently employed on the writing staff for such TV laughspinners as Laverne and Shirley and America 2Night; he also worked both sides of the camera in the 1984 rockumentary parody This Is Spinal Tap, co-starring as rock idol Derek Smalls and co-writing the script with director Rob Reiner and fellow cast members Christopher Guest and Michael McKean. In league with another top satirist, Albert Brooks, Shearer concocted the screenplay for another faux documentary, 1979's Real Lampoon. During the 1984-1985 TV season, Shearer joined the Not Ready for Prime Time Players on NBC's Saturday Night Live. The soft-spoken, saturnine Harry Shearer is most famous however for lending his voice to the Fox Network cartoon series The Simpsons.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: Known to many as the Candyman, character actor Tony Todd is known for his extreme height (6'5") and deep voice. The Washington D.C. native cut his teeth with numerous TV appearances throughout the 80's, and went on to appear in movies like Platoon, The Rock, and of course, Candyman. He would also enjoy major arcs on shows like 24 and Chuck.

Trivia: Primarily a supporting and character actor, Philip Baker Hall has also played the occasional lead on stage, screen, and television. Hall made his film debut playing a priest in Cowards (1970). He then appeared in three television series during the mid-'70s, including Man From Atlantis (1977). He became best known during the '80s for his portrayal of Richard Nixon in Robert Altman's brilliant Secret Honor (1984), for which Hall also wrote the screenplay. Though the film garnered mixed reviews, the actor's portrayal of Nixon was hailed as a tour de force. Through the '80s and '90s, Hall continued to work steadily in films and on television; his talents were perhaps best, and most famously, utilized by director Paul Thomas Anderson, who cast Hall in substantial roles in Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999), the last of which saw the actor in fine form as a game show host dying of cancer. Hall also had a memorable turn as a private investigator who is far too convinced of the infallibility of his own instincts in Anthony Minghella's The Talented Mr. Ripley (1999); that same year, he gave a strong performance as CBS producer Don Hewitt in Michael Mann's The Insider. Clearly, Hall had no intention of slowing down, and he would spend the next several years remaining extremely active, appearing in such films as The Matador, Rush Hour 3, The Lodger, 50/50, and Mr. Popper's Penguins.

Trivia: American utility actor John Pleshette has been seen on screen since 1970. Pleshette's first regular TV role was Dr. Danvers in the 1975 series Doctor's Hospital. One of his handful of starring assignments was the title character in the speculative TV movie The Trial of Lee Harvey Oswald (1978). Knot's Landing fans will remember Pleshette as arrogant, duplicitous attorney Richard Avery, a role he filled from 1979 to 1983. John Pleshette is no relation to actress Suzanne Pleshette.

Trivia: Avant-garde composer Philip Glass is internationally respected for his innovative minimalist orchestral music that is strongly influenced by both East Indian and rock music, and includes compositions utilizing traditional orchestral instruments and electronic music. Glass is also known for his modern-day operas, including Einstein on the Beach (1976). The son of Russian Jewish immigrants, he worked as a child in his father's record store and simultaneously studied at the Peabody Conservatory, Baltimore. Already an exceptional pianist, he began attending the University of Chicago at age 15. Glass also was a wrestler of note. Glass next studied composition at Julliard and then went to Paris to study under Nadine Boulanger on a Fullbright scholarship. He also became closely associated with sitarist Ravi Shankar who was a major influence on Glass' work. Glass has composed music for feature films and major documentaries such as North Star in the late '70s.

Trivia: Studied opera and theatre in college before leaving two classes shy of his degree to pursue his career; he re-enrolled in 2007 and received his diploma. Toured with the American National Theatre and Academy for a year. Studied with John Houseman's The Acting Company in New York for three years. Hadn't publicly sung opera in decades when the producer of Brooklyn Nine-Nine asked him to sing in the show.

Trivia: Supporting actor, onscreen from the late '80s.