Trivia: An icon of machismo and Hollywood action heroism, Sylvester Stallone is responsible for creating two characters who have become a part of the American cultural lexicon: Rocky Balboa, the no-name boxer who overcame all odds to become a champion, and John Rambo, the courageous soldier who specialized in violent rescues and revenge. Both characters are reflections of Stallone's personal experiences and the battles he waged during his transition from a poor kid in Hell's Kitchen to one of the world's most popular stars. According to Stallone, his was not a happy childhood. On July 6, 1946, in the aforementioned part of Manhattan, Sylvester Enzio Stallone was born to a chorine and an Italian immigrant. A forceps accident during his birth severed a facial nerve, leaving Stallone with parts of his lip, tongue, and chin paralyzed. In doing so, the accident imprinted Stallone with some of the most recognizable components of his persona: the distinctively slurred (and some say often nearly incomprehensible) speech patterns, drooping lower lip, and crooked left eye that have been eagerly seized upon by caricaturists. To compound these defects, Stallone was a homely, sickly child who once suffered from rickets. His parents were constantly at war and struggling to support Stallone and his younger brother, Frank Stallone (who became a B-movie actor). The elder brother spent most of his first five years in the care of foster homes. Stallone has said that his interest in acting came from his attempts to get attention and affection from those strangers who tried to raise him. When he was five, his parents moved their family to Silver Spring, MD, but once again spent their time bickering and largely ignored their children. Following his parents' divorce in 1957, the 11-year-old Stallone remained with his stern father. The actor's teen years proved even more traumatic. As Stallone seemed willing to do just about anything for attention, however negative, he had already been enrolled in 12 schools and expelled several times for his behavior problems. His grades were dreadful and his classmates picked on him for being different. Stallone coped by becoming a risk taker and developing elaborate fantasies in which he presented himself as a brave hero and champion of the underdog. At age 15, Stallone moved to Philadelphia to be with his mother and her new husband. By this time, he had begun lifting weights and took up fencing, football, and the discus. He also started appearing in school plays. Following graduation, Stallone received an athletic scholarship for the American College of Switzerland. While there he was a girls' athletic coach and in his spare time starred in a school production of Arthur Miller's Death of a Salesman. The experience inspired him to become an actor and after returning stateside, he started studying drama at the University of Miami until he decided to move to New York in 1969. While working a variety of odd jobs, Stallone auditioned frequently but only occasionally found stage work, most of which was off-Broadway in shows like the all-nude Score and Rain. He even resorted to appearing in the softcore porn film, Party at Kitty's and Studs, which was later repackaged as The Italian Stallion after Stallone became famous. Stallone's face and even his deep voice were factors in his constant rejection for stage and film roles. He did nab a bit role in Woody Allen's Bananas (1971), but after he was turned down for The Godfather (1971), Stallone became discouraged. Rather than give up, however, Stallone again developed a coping mechanism -- he turned to writing scripts, lots of scripts, some of which were produced. He still auditioned and landed a starring role in Rebel (1973). During his writing phase, he married actress Sasha Czack in late 1974 and they moved to California in the hopes of building acting careers. His first minor success came when he wrote the screenplay for and co-starred in the nostalgic Lords of Flatbush (1974) with Henry Winkler. The film's modest success resulted in Stallone's getting larger roles, but he still didn't attract much notice until he penned the screenplay for Rocky. The story was strong and well written and studios were eager to buy the rights, but Stallone stipulated that he would be the star and must receive a share of the profits. Producers Irwin Winkler and Robert Chartoff accepted Stallone's terms and Rocky (1976) went on to become one of the biggest movie hits of all time. It also won several Oscars including ones for Best Picture, Best Director for John Avildsen, and a Best Actor nomination for Stallone. Suddenly Stallone found himself on Hollywood's A-list, a status he has largely maintained over the years. In addition to writing four sequels to Rocky, he penned three Rambo films (First Blood, Rambo: First Blood Part II, and Rambo 3) and F.I.S.T. (1979). Stallone made his directorial debut with Paradise Alley, which he filmed in Hell's Kitchen. He also wrote and directed but did not appear in the sequel to Saturday Night Fever, Staying Alive (1983). In addition, Stallone has continued to appear in the films of other directors, notably Demolition Man (1993), Judge Dredd (1995), and Copland (1997), a film in which he allowed himself to gain 30 pounds in order to more accurately portray an aging sheriff. Occasionally, Stallone has ventured out of the action genre and into lighter fare with such embarrassing efforts as Stop! Or My Mom Will Shoot (1992) and Oscar (1991), which did not fare well at the box office. Following these missteps, Stallone found greater success with the animated adventure Antz (1998), a film in which his very distinctive voice, if not his very distinctive physique, was very much a part. Stallone was back in shape for the 2000 remake of Get Carter and hit the race tracks in the following year in the CART racing thriller Driven. Though the early 2000s found his career sputtering along with such forgettable duds as D-Tox and Avenging Angelo, Stallone took his career into his own hands by returning to the director's chair to resurrect two of his most iconic characters. Lacing his boxing gloves up once again for Rocky Balboa, the veteran action star proved he still had some fight left in him, and venturing into the jungles of Burma as John Rambo just two years later, he proved that hard "R" action could still sell in the era where most filmmakers were playing it "PG-13"safe. That trend continued with Stallone's all-star action opus The Expendables in 2010, with the success of that film leading to a sequel (with Simon West taking over directorial duties) featuring even more action icons in 2012. Incredibly, not even a broken neck suffered during production of The Expendables proved capable of slowing Stallone down, and 2013 found him teaming with Walter Hill for Bullet to the Head -- which followed a cop and a killer as they teamed up to take down a mutual enemy. In 2015, Stallone returned to Rocky Balboa once more, but this time as a supporting character in the spin-off film Creed. He earned rave reviews and an Oscar nomination for Best Supporting Actor, making him only the sixth performer to be nominated for playing the same character in two separate films.

Trivia: Screen siren, opinionated diva, and one of the few actresses in Hollywood who can claim to be both a Paul Verhoeven muse and a MENSA member, Sharon Stone is nothing if not a legend in her own right. Beginning with her notorious disinclination to wear underwear during a police interrogation in Basic Instinct, Stone went on to become one of the most talked about actresses of the '90s, earning both admiration and infamy for her on- and off-screen personae.Almost as famous as Stone's glamorous image are her working-class roots. Born in the Northwest Pennsylvania town of Meadville on March 10, 1958, Stone grew up a bookworm in a large family. Highly intelligent in addition to being a local beauty pageant queen, she won a scholarship to Pennsylvania's Edinboro University when she was 15 years old. After studying creative writing and fine arts, she decided to pursue a modeling career, and after moving to New York, she signed on with the Eileen Ford agency. Stone became a successful model by the late '70s, appearing in print and television ads for Clairol, Revlon, and Diet Coke.In 1980, Stone branched out into acting, making her screen debut as the "pretty girl on train" in Woody Allen's Stardust Memories. Following this role, she spent the '80s appearing in one forgettable film after another, often cast as the stereotypical blonde bimbo. She finally got a break in 1990, when she appeared as Arnold Schwarzenegger's kickboxing secret-agent wife in Verhoeven's Total Recall. Any recognition she gained for that role, however, was more than eclipsed by the notoriety she earned for her starring turn in her second Verhoeven feature, Basic Instinct. The 1992 film, in which Stone portrayed a bisexual author/sexual adventurer who may or may not be a serial killer, did her a huge favor by making her a star but also a sizable disservice by further typecasting her in blonde seductress roles. Stone's subsequent effort, the erotic thriller Sliver (1993), was an example of this: the actress attracted notice less for her acting than for her willingness to simulate masturbation. Her role in the following year's The Specialist was also fairly limiting -- an action flick co-starring Sylvester Stallone, it called for Stone to run around in a tight dress in heels when she wasn't seducing various characters.In 1995, Stone managed to break into the "serious actress" arena with her performance in Martin Scorsese's Casino. Cast as an ex-prostitute, she won an Oscar nomination and a Golden Globe for her work, as well as the general opinion that she was capable of dramatic acting. Stone branched out further that same year with The Quick and the Dead, a revisionist Western directed by Sam Raimi in which she starred as a tough-talking, hard-drinking broad bent on revenge. Unfortunately, the film was a relative flop, as were her subsequent 1996 films, Diabolique, a remake of the 1954 French film by Clouzot and Last Dance, a drama that featured Stone as a woman on death row. By this point winning more notice for her off-screen role as an arbiter of fashion and old-school Hollywood glamour than for her onscreen acting work, Stone next lent her voice to the animated Antz in 1998. The film proved to be a success, unlike the actress's other projects that year, the lackluster Barry Levinson sci-fi thriller Sphere and The Mighty. The latter film, which Stone produced as well as starred in, was a heartfelt story about two adolescent misfits; although it did win a number of positive reviews, audiences largely kept their distance. The same couldn't be said of Stone's next film, a 1999 remake of Gloria; not only did audiences stay away from it, critics savaged it with vituperative glee. Never one to let a bad review get her down, Stone soon rebounded, receiving a more positive reception for her performance in The Muse and then starring as Jeff Bridges' long-suffering wife in Simpatico. If her roles in the years that followed weren't as high profile, that's certainly not to say that they were any less challenging. After taking a turn towards the small screen in the lesbian-themed made-for-cable drama If These Walls Could Talk 2, Stone broke for comedy with Alfonso Arau's Picking Up the Pieces and essayed the role of an unpredictable bad girl in Beautiful Joe (all 2000). Having veered increasingly towards family-oriented fare in recent years, the trend continued with vocal work for Harold and the Purple Crayon. Of course, all was not child's play in Stone's career, and with the release of Cold Creek Manor the following year, audiences were indeed in for a frightful chill. A series of continual highs and lows marked Stone's career path in successive years. In 2004, the actress appeared as Laurel Hedare opposite Halle Berry in Catwoman. Though eagerly anticipated, the effects-heavy vehicle opened that July to abysmal reviews and devastating box office returns. Despite Stone's confession that she was toning down her oft cited diva-like ways after suffering a brain aneurysm in 2001, rumors of outrageous behavior on the film's set began to circulate. She fared much better on all fronts when she essayed a role as one of Bill Murray's ex-girlfriends in Jim Jarmusch's Golden Palm winner Broken Flowers (2005) - and walked away with the most memorable and endearing role in the picture - a role that showcases her skills as a disciplined thespian. Stone then contributed a cameo (as did many stars) to that same year's disappointing Martin Short vehicle Jiminy Glick in LaLa Wood Early 2006 gave rise to another embarrassment, as Stone appeared (at the age of 48!) in the sequel Basic Instinct 2: Risk Addiction. Despite a somewhat respectable pedigree (the gifted Michael Caton-Jones helmed the picture) the public and press scoffed. Incredibly, Stonespoke of a possible third entry in the franchise, and even explored the option of assuming the position of director. No such luck: much to the chagrin of viewers who relish Hollywood stars in humi roles, the picture failed to materialize. But soon after, a couple of potential triumphs surfaced, defiantly challenging the tabloids hungry for a 'losing streak' in Stone's career. She joined an exemplary cast in Emilio Estevez's hotly anticipated November 2006 release Bobby, an ensemble piece that intertwines multiple substories in the Ambassador Hotel just prior to RFK's assassination. She also appears in Nick Cassavetes's Alpha Dog (2007), alongside an A-list cast that includes newbie Emile Hirsch and Bruce Willis. The picture dramatizes the true story of a drug dealer in his early twenties who gets in over his head; Stone plays the traumatized mother of the child he kidnaps, a boy who is in hock for a massive drug tab. Universal slated it for release in January 2007. In that same year's drama When a Man Falls in the Forest, directed by Ryan Eslinger, she plays a kleptomaniacal Midwestern housewife. The cast also stars Timothy Hutton, Dylan Baker and Pruitt Taylor Vince. She continued to work steadily in projects such as Streets of Blood, Largo Winch II, and the biopic Lovelace.Wed to MacGyver producer Michael Greenberg from 1984 to 1987, and George Englund, Jr. (Cloris Leachman's son) prior to that, Stone married her third husband, San Francisco Examiner editor Phil Bronstein, in early 1998, with whom she adopted a son. They divorced in early 2004. She runs an LA-based production shingle, Chaos Productions.

Trivia: One of Hollywood's most intense supporting and leading actors, James Woods has built a distinguished career on stage, screen, and television. Early in his career, Woods, with his lean body, close-set eyes, and narrow, acne-scarred face, specialized in playing sociopaths, psychopaths, and other crazed villains, but in the 1990s, he added a sizable number of good guys to his resumé.The son of a military man, Woods was born in Vermal, UT, on April 14, 1947. Thanks to his father's job, he had a peripatetic childhood, living in four states and on the island of Guam. As a young man, he earned a scholarship to the Massachusetts Institute of Technology; after obtaining a degree in political science, he set out to become a professional actor in New York. While in school he had appeared in numerous plays at M.I.T., Harvard, and with the Theater Company of Boston, as well as at the Provincetown Playhouse on Rhode Island. After working off-Broadway, Woods debuted on Broadway in 1970, appearing in Borstal Boy. Off-Broadway, he earned an Obie for his work in Saved.In 1971, the actor made his first television appearance in All the Way Home, and the year after that debuted in Elia Kazan's thriller The Visitors (1972). He then played a small part in The Way We Were (1973), but did not become a star until he played a vicious, remorseless cop killer in The Onion Field (1979). Subsequent film appearances quickly established Woods as a scene stealer, and though not among Tinseltown's most handsome actors, he developed a base of devoted female fans who found his rugged, ruthless appearance sexy. This appearance would serve him well throughout his career, notably in one of his first major films, David Cronenberg's Videodrome (1983). Cast as the film's morally ambiguous hero, Woods gave a brilliantly intense performance that was further enhanced by his rough-hewn physical attributes. Throughout the 1980s, Woods continued to turn in one solid performance after another, earning a Best Actor Oscar nomination for his portrayal of an American journalist in South America in Oliver Stone's Salvador (1986). He gave another remarkable performance as a Jewish gangster in Sergio Leone's Once Upon a Time in America (1984), and in 1989 tried his hand at playing nice in the adoption drama Immediate Family. That same year, he won an Emmy for his portrayal of Alcoholics Anonymous co-founder Bill Wilson in My Name Is Bill W. After beginning the subsequent decade with an Emmy and Golden Globe-nominated performance in the title role of the made-for-TV Citizen Cohn (1992), Woods appeared in a diverse series of films, playing a boxing promoter in Diggstown (1992), H.R. Haldeman in Nixon (1995), a drug dealer in Another Day in Paradise (1998), and a vampire slayer in John Carpenter's Vampires. In 1996, he won his second Oscar nomination for his portrayal of Medger Evers' suspected assassin in Ghosts of Mississippi. In 1999, the actor continued to demonstrate his versatility in a number of high-profile films. For The General's Daughter, he played a shady colonel, while he appeared as a newspaper editor in Clint Eastwood's True Crime, the head of an emotionally disintegrating Michigan family in The Virgin Suicides, and a football team orthopedist in Oliver Stone's Any Given Sunday.As the 21st century began, Woods could be seen as a doctor in the medical/hostage thriller John Q., and he lent his voice to a number of documentaries and animated projects including the sequel Stuart Little 2. He was part of the ensemble in the Polish brothers' Northfork, and appeared in Be Cool, the sequel to Get Shorty. In 2007 he began work as the lead on the TV series Shark, and in 2011 he appeared in the remake of Straw Dogs and the well-reviewed made-for-HBO docudrama about the collapse of the American economy, Too Big to Fail.

Trivia: A renowned character actor who never liked that label, Rod Steiger left his mark on 1950s and '60s Hollywood with forceful performances in such critical favorites as On the Waterfront (1954) and The Pawnbroker (1964), culminating in an Oscar for In the Heat of the Night (1967). Despite myriad health problems and less sterling job offers from the 1970s onward, Steiger never stopped acting before he passed away in 2002. Born on Long Island, Steiger was raised in New Jersey by his mother after his parents divorced. Dropping out of high school at 16, Steiger enlisted in the Navy in 1941, serving on a destroyer in the World War II South Pacific. Returning to New Jersey after his 1945 discharge, Steiger worked at the Veterans Administration and joined a civil service theater group where one of the female members urged him to make acting his career. Along with using his G.I. Bill to study at several New York schools, including the Actors Studio, Steiger began landing roles in live TV plays in 1947. Over the next five years, Steiger honed his formidable Method skills in 250-plus live TV productions, as well as on Broadway. Though he appeared in the movie Teresa (1951), Steiger didn't fully make the transition to film until his award-winning performance as the lonely title character in the 1953 TV production of Paddy Chayefsky's Marty, which helped him nab a part in Elia Kazan's On the Waterfront. As Charley Malloy, Steiger most memorably shared the backseat of a cab with screen brother Marlon Brando as Brando's ex-boxer Terry laid the blame for his one-way trip to Palookaville on his corrupt older sibling. Though Kazan had guided Steiger to his first Oscar nomination, Steiger later condemned the Academy's controversial decision to award Kazan an honorary Oscar in 1999. After On the Waterfront, Steiger made his presence felt as a movie tycoon in his erstwhile TV director Robert Aldrich's Hollywood tale The Big Knife (1955), a scheming attorney in Otto Preminger's The Court-Martial of Billy Mitchell (1955), and the villain in Fred Zinnemann's adaptation of Oklahoma! (1955). Further underlining his effusive talent and his intense (if occasionally overwrought) screen style, Steiger co-starred with Humphrey Bogart in Bogart's final film, The Harder They Fall (1956); survived Samuel Fuller-style Western sadism as an Irish-accented ex-soldier in Run of the Arrow (1957); played a psychopath in Cry Terror! (1958); and raged as Al Capone (1959) (Steiger's Capone was later credited as the inadvertent model for Robert De Niro's performance in The Untouchables). Steiger still occasionally acted on-stage, including Orson Welles' unusual adaptation of Moby Dick in 1962. Nevertheless, Steiger concentrated mostly on movies, with his career taking on an international flavor after he married his second wife and Broadway co-star, Claire Bloom, in 1959. After appearing in the low-key British drama The Mark (1961), Steiger joined the impressive Hollywood all-star cast re-staging of D-Day in the war epic The Longest Day (1962). He returned to films after his 1962 theater hiatus as a dishonest politico in the Italian film Le Mani Sulla Città (1963). Steiger's forays into Italian movies preceded two of the best years of his career. In Sidney Lumet's groundbreaking independent drama The Pawnbroker, Steiger's powerful performance as a Holocaust survivor running a Harlem pawnshop earned the Berlin Film Festival's Best Actor prize in 1964 and garnered raves upon the film's 1965 U.S. release. That same year, Steiger also gleefully played the asexual embalmer Mr. Joyboy in Tony Richardson's outrageous comedy The Loved One (1965) and had a small part in David Lean's blockbuster romance Doctor Zhivago (1965). After his banner year resulted in a much-desired Best Actor Oscar nomination for The Pawnbroker, Steiger lost to Lee Marvin. The outcome was different for his next American film, the acclaimed racially charged police drama In the Heat of the Night. Starring opposite Sidney Poitier, Steiger imbued his bigoted Southern sheriff with enough complexity to make him more than just a cliché redneck, reaching a prickly, believable détente with Poitier's sophisticated Northern detective. Nominated alongside youngsters Warren Beatty, Dustin Hoffman, Paul Newman's iconic "Cool Hand" Luke, and venerable lion Spencer Tracy, Steiger won the Best Actor Oscar and closed his acceptance speech by asserting, "We shall overcome." Though he co-starred with Bloom in two films post-In the Heat of the Night, The Illustrated Man (1969) and Three Into Two Won't Go (1969), they divorced in 1969. Steiger won critics' hearts again with his bravura performance as a schizoid serial killer in No Way to Treat a Lady (1968). His antiwar sentiments, however, provoked Steiger to turn down the eponymous World War II general in Patton (1970); Steiger instead played French emperor Napoleon in the European production depicting his defeat at Waterloo (1970). In search of good roles, Steiger mostly worked abroad in the early '70s. Though they clashed over Steiger's Method techniques during production, Steiger was excellent as a peasant caught up in the Mexican Revolution in Sergio Leone's Western Duck, You Sucker! (1972). He also worked with veteran Leone star Gian Maria Volonté in Francesco Rosi's Lucky Luciano (1974), and played Benito Mussolini in the The Last Days of Mussolini (1974). His performance in Claude Chabrol's Dirty Hands (1975), however, fell prey to his tendency to over-emote. Though he was a superb W.C. Fields in American biopic W.C. Fields and Me (1976), Steiger's Hollywood career had undeniably fallen from his 1950s and '60s heights. He shared the screen with new star Sylvester Stallone in one of Stallone's early flops, F.I.S.T. (1978), and chewed the haunted house scenery in schlock horror flick The Amityville Horror (1979). Steiger joined the distinguished cast of the British drama Lion of the Desert (1981) for his second turn as Il Duce, but the film sat on the shelf for two years before its release; appealing Western Cattle Annie and Little Britches (1981) was buried by its distributor. Steiger was back in peak form as a Hasidic rabbi in the film version of The Chosen (1981), but that did little to stop Steiger's slide into TV movies and such B-horror pictures as The Kindred (1987) and American Gothic (1987) in the 1980s. Steiger's career problems were exacerbated by health difficulties, as he was forced to undergo open-heart surgery in 1976 and 1980. With producers wary of hiring him, and his third marriage ending in 1979, Steiger suffered debilitating bouts of depression in the late '70s and mid-'80s. Nevertheless, Steiger continued to work into the 1990s. Crediting his fourth wife, Paula Ellis, with keeping him sane, Steiger weathered his disappointment with The Ballad of the Sad Café (1991), and took pleasure in appearing as "himself" in Robert Altman's acclaimed Hollywood evisceration The Player (1992) as well as playing Sam Giancana in the TV biopic Sinatra (1992). While he mostly worked in TV, Steiger turned up in small yet memorable feature roles as a Mafia capo in The Specialist (1994), a loony Army commander in Mars Attacks! (1996), a judge in The Hurricane (1999), and a bombastic priest in End of Days (1999). His final film, the indie drama Poolhall Junkies (2002) with Christopher Walken, was slated for release the same year he was one of the indie-friendly actors dining on Jon Favreau's IFC talk show Dinner for Five. Steiger passed away from pneumonia and kidney failure on July 9, 2002. He was survived by his fifth wife, his daughter with Bloom, and his son with Ellis.

Trivia: Eric Roberts is an acquired taste: those watching his movies fall into two distinct camps -- they either love him and consider him one of Hollywood's most intense and underrated actors, or they loathe him and consider him a pretentious, shameless ham. Both viewpoints are not without merit for Roberts has seen many ups and downs in his career. Tall and dark-haired, with a chiseled face, swarthy complexion, and arresting eyes, the young Roberts had the look of a classic movie rebel and off-screen displayed an arrogance and self-possession coupled with a tendency toward womanizing, drug abuse, and behavior that created a bad boy image on and off the screen. A serious car accident roughened his facial features and led to the second phase of his career during the '80s in which he primarily played villains; he spent the third phase during the late '90s trying to establish himself as a character actor. Growing up in Atlanta, GA, Roberts was no stranger to actors and the theater as his parents ran a successful acting and writing school from their home. A terrible stutterer as a child, Roberts and his father discovered that he could speak normally if he memorized his speeches ahead of time. Thus Roberts participated in his father's classes as a form of therapy. It was while watching English character actor Robert Donat during a late-night showing of Goodbye Mr. Chips that Roberts became inspired to become a movie actor. He made his acting debut at age five playing a cripple in a locally produced Saturday morning TV show, The Little Pioneers. He also performed for poor kids on his father's "showmobile." Roberts was quite close to his father, who taught him the spiritual side of acting, but after his parents divorced, became estranged from his mother, who married a man Roberts detested. He was however, a loving brother to his younger sisters, Julia and Lisa, both of whom became actresses. Roberts began experimenting with drugs at age 11 and by 13 was an avowed pot smoker. Later, he admitted that smoking dope was a way of coping with his broken family and that the drug in many ways arrested his emotional development. During his late teens, Roberts' father sacrificed much to send him to the Royal Academy of Dramatic Art in London and the American Academy of Dramatic Arts in New York. By the time he finished training, Roberts was a hardcore Method actor, something that somewhat hindered his personal life as he was unable to easily disassociate from his characters after appearing in a film. In 1976, Roberts' first break was portraying Ted Bancroft in the daily soap Another World. He disliked the job and left to work off-Broadway until agent Bill Treusch discovered him and helped Roberts land the role of a young man who is crowned a gypsy leader by his dying grandfather in King of the Gypsies. The film flopped at the box office, but like his two subsequent films, it has become a cult favorite among video fans. Roberts then appeared in a television movie before starring his next feature as a handsome sailor who falls for Texas divorcée Sissy Spacek in The Raggedy Man (1981). In June that year, Roberts was involved in a serious car crash while driving home from visiting his much older lover Sandy Dennis. He was comatose for three days afterwards with a bruised brain and much facial trauma, a broken collarbone, and an injured hand. No longer suitable for the same roles as before, Roberts bounced back with what became his most famous role, that of the sleazy Paul Snider, the man who killed actress Dorothy Stratten, in Bob Fosse's disturbing Star 80 (1983). The actor made a chilling villain and after playing another bad guy in The Pope of Greenwich Village (1984), found himself typecast. Roberts proved well suited to those roles and received an Oscar nomination for playing an escaped convict in Runaway Train (1985). After that, Roberts chose quick money over artistic integrity and played in a long series of B-movies and direct-to-video fare; while he disappeared from mainstream view, he still maintained a loyal following. Meanwhile the career of his sister Julia Roberts, who made her debut co-starring opposite Roberts in Blood Red (1988), became the most popular female star of the late '80s. Though both were in Hollywood, the formerly close siblings argued and have remained bitter and estranged. In 1987, a drugged Roberts was arrested for harassing a woman and for striking a police officer. He spent 36 hours in jail, pleaded guilty for harassment, and had all other charges dropped. In 1991, he made Hollywood news for a bitter breakup with his live-in girlfriend, Kelly Cunningham. He lost the battle for custody of their daughter, Emma. The next year he married again. Careerwise, Roberts' tempestuous personality and lifestyle did little to make him bankable to studios. In 1995, Roberts gave up drugs and has worked on becoming a more ingratiating, congenial person. That year he made a comeback with his first romantic lead in It's My Party, playing an AIDS-afflicted homosexual who hosts one last bash for family and friends before committing suicide. His hope was that the film would allow him to return to his original dream of becoming a great character actor. In 1996, he played the Master in a new installment of the long-running Dr. Who saga.

Trivia: Played Lt. Schrank in a touring production of West Side Story for almost five years after college. A 2005 comedy he starred in, Full Disclosure, became the No. 1 downloaded short film on iTunes. Plays guitar.