Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: Shia LaBeouf decided, during his preteen years, to launch himself as an actor, and stories abound concerning how far he carried his own drive to establish himself. According to People Weekly magazine, LaBeouf auditioned for Even Stevens (2000), the Disney Channel series that delivered him into the spotlight, and subsequently told each of the youngsters who were waiting to audition that he had the part -- thus eliminating the competition. Such determination, coupled with raw ability and charisma, doubtless helped propel LaBeouf straight to the head of Hollywood's young stars.Born on June 11, 1986, in Los Angeles, LaBeouf grew up in the neighborhood of Echo Park, and was raised in a decidedly colorful family of mixed ethnicity. His Cajun father, Jeffrey LaBeouf, was a Vietnam vet who held a series of odd jobs as a circus clown, a sno-cone salesman, and a stand-up comic. Shia's Jewish mother, Shayna, worked as a clothier and jewelry craftswoman. Upset about his mother's financial struggles after his parents split, Shia observed another boy of about the same age (a cast member of Dr. Quinn, Medicine Woman) whose financial returns from Quinn gave him a posh lifestyle. LaBeouf suddenly understood the financial benefits of before-the-camera work, and -- though he had no formal dramatic training -- foresaw himself breaking into acting via comedy. He used a phone book to find an agent, then honed a stand-up comedy act over the course of two years, that found him (at age 12) delivering "blue" routines to adult audiences at a Pasadena comedy club, The Ice House. By his own admission, LaBeouf was booted out of every school he attended (for his notoriously profane mouth and for other reasons), but he more than compensated for this with his professional drive. By 2000, he auditioned for the Even Stevens series on Disney, and landed the part.That sitcom concerned the relationship between Louis Stevens (LaBeouf), a silly and goofy teen, and his older sister, Ren (Christy Carlson Romano). The program quickly found an audience on Disney and lasted for several seasons; its popularity spawned a small-screen feature, The Even Stevens Movie, in 2003. The time span of 2002 to 2003 was a busy one for LaBeouf -- arguably his breakthrough period. In addition to The Even Stevens Movie, the actor signed on to participate in season two of the controversial Project Greenlight, the Damon and Affleck-created national contest for aspiring indie filmmakers, with its attached HBO reality series of the same name. Thus, at-home viewers had the opportunity to watch LaBeouf, Elden Hensen, Kathleen Quinlan, Amy Smart, and other actors endure the tumultuous production of Efram Potelle and Kyle Rankin's quirky comedy drama The Battle of Shaker Heights, months prior to that film's release. When the finished film debuted in August of 2003, it did so to generally terrible reviews, but a number of journalists (Roger Ebert among them) singled out LaBeouf's lead performance as something special amid a decidedly flawed film.That same year, LaBeouf starred in the Andrew Davis-directed Disney fantasy Holes, as a youngster sent to an oddball Texas detention center and forced to dig a series of 5-foot-deep pits in the desert sun for mysterious reasons; it scored with the public and press and became one of the sleeper hits of 2003. And indeed, its success doubtless spurred LaBeouf on to even greater heights, his dramatic ability honed even more sharply by his interaction with co-star Jon Voight (Coming Home), whom LaBeouf would later list as a key professional influence. In late 2004, LaBeouf signed on for the lead in another Disney film, The Greatest Game Ever Played (2005) -- a biopic of golfer Francis Ouimet directed by Bill Paxton; the film itself divided critics rather sharply but provided an outstanding showcase for LaBeouf's talents. The next several years found LaBeouf signing on for several of the most sought-after A-list roles in Hollywood -- from director Francis Lawrence's apocalyptic fantasy Constantine (2005), as a demon-slayer fighting alongside Keanu Reeves; to Dito Montiel's A Guide to Recognizing Your Saints, as a young man struggling to find a different road out of the ghetto than crime and prison. In 2007, the actor voiced a surfing penguin in the CG-animated comedy Surf's Up, and geared up for his role as Sam Witwicky in one of the most hotly anticipated releases of the year, the Michael Bay-directed Transformers -- based on the action figures that were rabidly popular in the mid-'80s. At the same time, audiences could catch LaBeouf in Salton Sea-director D.J. Caruso's thriller Disturbia -- the tale of a deeply depressed, homebound teen who teams up with a local girl to prove that their next door neighbor is a much sought-after serial killer.LaBeouf would continue to ride his popularity surge in the realm of latter-day sequels, playing Harrison Ford's sidekick in 2008's Indiana Jones and the Kingdom of the Crystal Skull, and young financial exec Jake Moore in 2010's Wall Street: Money Never Sleeps. Neither film was well received by audiences or critics, but LaBeouf still had the Transformer's franchise in his pocket, and he'd continue with it for 2009's Transformers: Revenge of the Fallen and 2011's Transformers: Dark of the Moon. In 2012 he tried his hand at a period piece with the bootlegging drama Lawless.

Trivia: Actor Djimon Hounsou first gained acting attention in Steven Spielberg's Amistad (1997). Born April 24th, 1964 in West Africa, he moved with his family to Paris, France, at age 13. When he left school, he became homeless and spent a couple of years wandering the streets of Paris before being discovered by fashion designer Thierry Mugler. After he resettled himself, Hounsou moved to Los Angeles to try his hand at acting. While on the way to stardom, Hounsou appeared in music videos, including those of Madonna, Janet Jackson, and Steve Winwood. After his turn as a rebellious slave in Amistad, for which he received a Golden Globe nomination, he found increasingly steady employment on both the big and small screens, becoming a semi-regular on the hospital drama ER and appearing in such films as the historical epic Gladiator (2000). After such high-profile projects, Hounsou's success in the following two years would prove no surprise to anyone who glanced at his filmography. Aside from prominent roles in such high-profile French films as 2002's Le Boulet (Dead Weight) and the following year's Muraya -- l'Expérience Secrète de Mike Blueberry (The Adventures of Mike S. Blueberry), Hounsou's bid for screen stardom was simultaneously on display in such stateside features as The Four Feathers (2002), Biker Boyz, and Lara Croft: Tomb Raider -- The Cradle of Life (both 2003).In 2003, Hounsou received his first Oscar nomination for his acclaimed supporting role in Jim Sheridan's In America. And while he spent much of the next three years appearing in films that earned mixed reactions from both audiences and critics, he was back in top form in 2006's Blood Diamond, which found him opposite Leonardo DiCaprio. The film appeared on a number of Top Ten lists, garnered Hounsou accolades from countless critics groups and snagged him his second Oscar nod.Following the success of Blood Diamond, Hounsou made several guest appearances on th popular television show Alias, and joined filmmaker Michae Bay's 2005 action drama The Island, which co-stars Scarlet Johansson, Steve Buscemi, Michael Clarke Duncan, and Sean Bean. In 2009, Hounsou played the rle of n aget determined to thwart the plans of a group of telekinetic American ex-pats. The actor joined the Academy-award winning actress Helen Mirren in the 2011 film adaptation of Shakespeare's The Tempest, in which Mirren played the traditionally male role of Prospero.

Trivia: His irises tremble violently as the camera fixes on his glassy gaze, and before you know it, you've once again been entranced by the character with whom you're unsure if you should fear or sympathize. With the rare ability to convey the delicate blend of conflicting emotions that only the most effective character actors can convincingly portray, actor Pruitt Taylor Vince has crafted a successful film and television career playing introspective, often disturbed, loners teetering on the fringes of society. Though the portly Baton Rouge native's first onscreen role was to have been in director Jim Jarmusch's 1986 comedy drama Down by Law, his scenes were cut before the film hit theaters, and audiences would not get their first look at Vince until the release of Alan Parker's Angel Heart the following year. Vince owes something of a debt to the prolific director, since it was Parker's racially charged drama Mississippi Burning that first found audiences taking notice of the burgeoning, sometimes fearsome, actor. In 1990, Vince turned up in yet another of Parker's films, Come See the Paradise, though it was that same year's horrific thriller Jacob's Ladder that truly found Vince setting himself apart from the pack. If the 1990s had proven kind to Vince early on, it was his emotionally compelling role opposite Paul Newman in Nobody's Fool that truly began to give audiences an idea of what Vince was capable of as an actor. Cast as the village idiot who finds a sympathetic ear in Newman's character, Vince lent an uncanny depth to a character that may have otherwise been an instantly forgettable, two-dimensional role. Though Vince's early roles were indeed noteworthy thanks to his uncommon ability to exude repression and deeply rooted malaise as few other actors could, it wasn't until director James Mangold's cast him in the lead for his 1995 drama Heavy that Vince was truly given the opportunity to shine. Mangold did something that few mainstream Hollywood efforts would allow when he dared to offer the overweight and balding actor the dramatic lead -- the role of Victor Modina, a shy cook in a small-town restaurant who secretly longs for the love of an attractive young waitress (portrayed by Liv Tyler). With his expressive eyes (their sometimes discomforting vibration the result of a condition known as nystagmus) effectively conveying the desperation of a trapped animal longing to escape his suffocating existence, Vince's heartbreaking performance eloquently conveyed the internal distress and helplessness felt by his long-suffering character. Though the following years may not have offered Vince more roles the size or caliber of his part in Heavy, a series of small-screen performances in the late '90s showed that his talent was, without question, as potent as ever. Following an unforgettable performance as a mentally unbalanced photographer who kidnaps Agent Scully (Gillian Anderson) in a 1996 episode of The X-Files ("Unruhe"), Vince's turn as a suspicious kidnapping suspect in the miniseries Night Sins and a disturbed serial killer in several episodes of Murder One proved that he could be chillingly effective in menacing roles. The latter role even proved so effective as to earn Vince an Emmy for Outstanding Guest Actor in a Drama Series. It was at this point that directors were truly beginning to discover the dramatic possibilities of casting Vince in their films, and his turn as a gifted musician and compelling storyteller proved a highlight of the wistful 1998 drama The Legend of 1900. Supporting performances in Mumford (1999), Nurse Betty (2000), The Cell (2000), and S1m0ne (2002) found Vince steadily becoming a recognizable face to mainstream audiences, and in 2002, he sent chills down the spines of suspense fanatics as the childlike accomplice in a harrowing kidnapping scheme in Trapped. Vince's skittishly ominous performance left viewers on the edge of their seats as he held a young girl (played by Dakota Fanning) hostage with instructions to kill her on a moment's notice, and the film utilized Vince's alternately innocent and threatening character to chilling effect. He again teamed with director Mangold for the 2003 thriller Identity, cast in a key role that proved elemental to the film's startling denouement. Vince also continued to take on guest-starring roles in such TV series as Alias and The Handler. After appearing in the 2003 Aileen Wuornos biopic Monster, Vince would play a priest in the 2004 comic-to-film adaptation of Hellblazer, entitled Constantine.

Trivia: Initially known as a musician, for his work as the gravelly voiced frontman of the post-grunge band Bush (Sixteen Stone, Golden State), British entertainer Gavin Rossdale undertook his first major foray into acting with a key supporting role as the demon Balthazar, one of the more over-the-top villains in the Keanu Reeves-headlined supernatural thriller Constantine (2005). Rossdale followed it up with a more conventional and low-key portrayal of a 1950s soccer player in the sports drama The Game of Their Lives, then joined Erika Christensen, Nick Stahl, and others as one of the leads in the caper-themed crime comedy How to Rob a Bank (2007). He played a musician in a 2009 episode of Criminal Minds, and also appeared in a 2011 episode of Burn Notice. Rossdale played a small role in Sofia Coppola's 2013 film The Bling Ring and made a guest appearance in an episode of Hawaii Five-0.

Trivia: Known throughout Britain for her idiosyncratic performances and long-time association with the late filmmaker Derek Jarman, Tilda Swinton is nothing if not one of the more unique actresses to come along during the second half of the 20th century. Born in London on November 5, 1961, Swinton attended Cambridge University, where she received a degree in social and political sciences. While at Cambridge, she became involved in acting, performing in a number of stage productions. Following graduation, Swinton began her professional theater career, working for Edinburgh's renowned Traverse Theatre and the Royal Shakespeare Company.In 1985, Swinton began her long collaboration with Derek Jarman, both as a friend and fellow artist. She made her screen debut in his Caravaggio (1986) and appeared in every one of the director's films until his death from AIDS in 1994. It was for her role as the spurned queen in Jarman's anachronistic, controversial Edward II (1992) that Swinton earned her first dose of recognition, becoming a familiar face to arthouse audiences on both sides of the Atlantic and earning a Best Actress prize at the Venice Film Festival for her work in the film. The acclaim and recognition Swinton garnered was amplified the same year with her title role in Sally Potter's adaptation of Orlando, Virginia Woolf's classic tale of an Elizabethan courtier who experiences drastic changes in both gender and lifestyle over the course of 400 years.Following appearances in Jarman's Blue (1993) and in his acclaimed biopic, Wittgenstein (1994), Swinton earned some of her strongest notices to date for her lead in Female Perversions (1996), in which she played a successful lawyer trying to cope with her own insecurities and self-destructive tendencies. She then portrayed another brilliant, troubled woman in Conceiving Ada (1997), a science fiction piece that cast her as the real-life daughter of Lord Byron, a woman who was widely held to be the inventor of the first computer.Never one to choose films for their simplicity or mainstream appeal, Swinton subsequently appeared in Love Is the Devil (1998), John Maybury's controversial account of the life and times of artist Francis Bacon. She then portrayed a battered wife in The War Zone (1999), Tim Roth's hellish portrait of extreme family dysfunction. Following on a slightly lighter note with Trainspotting director Danny Boyle's The Beach in 2000, Swinton would later take the lead in The Deep End (2001). Noted for her delicately textured performance as an isolated and protective mother who makes a desperate bid to protect her son after assuming he has committed murder, many critics noted Swinton's performance as a key element to the film's success. The next year, the talented actress took on multiple roles in a complex tale of cyborg fantasy and speculative science fiction, Teknolust, and appeared in a small role in Adaptation, written by Charlie Kaufman and directed by Spike Jonze. In 2003, Swinton delivered strong performances opposite Michael Caine in the thriller The Statement and Ewan McGregor in the erotic drama Young Adam. She went on to star in the ensemble comedy Thumbsucker and appeared with Keanu Reeves in the supernatural thriller Constantine. In 2005, she would play the White Witch in the much-anticipated live-action adaptation of C.S. Lewis' Chronicles of Narnia.For her work in 2007's legal thriller Michael Clayton, Swinton earned her first Oscar. That organization was one of many to recognize her portrayal of a cold, controlling corporate achiever as one of the best of the year.She followed that up in 2008 as cold-hearted pediatrician in the Coen brothers' Burn After Reading, and garnered awards consideration for her work in David Fincher's The Curious Case of Benjamin Button. She earned rave reviews for her work in 2009's I Am Love, and built awards buzz yet again two years later for her work as the mother of a disturbed child in We Need to Talk About Kevin. In 2012 she had a small part in Wes Anderson's Moonrise Kingdom.

Trivia: With a cool stoic gaze suggesting unmentionable thoughts lurking somewhere deep behind those deep, blank eyes, popular character actor Peter Stormare offered American audiences slightly discomforting comic relief in Joel and Ethan Coen's popular dark comedy Fargo (1996), though his versatility and adaptability have since led him to roles in everything from major Hollywood blockbusters to the stripped-down Dogma 95 efforts of eccentric Danish director Lars von Trier's Dancer in the Dark (2000). Born Peter Rolf Stormare in Arbra, Sweden, on August 27th,1953, the dynamic Nordic actor began his career with an 11-year stint with the Royal National Theater of Sweden. Aside from appearing in such productions as Don Juan and The Curse of the Starving Class, Stormare would pen such original plays as El Paso and The Electric Boy. Later earning positive critical reception in such classic Shakespearian productions as King Lear, the actor made his big-screen debut, and began a 15-year association with legendary Swedish director Ingmar Bergman, with a brief appearance in Fanny and Alexander in 1982. Later earning positive critical reception for his role in the legendary filmmaker's stage adaptation of Shakespeare's Hamlet in 1988, Stormare continued to gain career trajectory with numerous memorable stage and film roles in his native country. In 1990, Stormare became the Associate Artistic Director at the Tokyo Globe Theatre and made his American screen debut as a neurochemist who questions Robin Williams' experimental medical tactics in the touching Awakenings. Subsequently appearing in numerous international films (Freud's Leaving Home [1991] and Damage [1992]), Stormare hit his stateside stride with his chilling turn as a woodchipper-happy kidnapper in Fargo. Though he would continue to make appearances in such Swedish efforts as Ett Sorts Hades and Bergman's In the Presence of a Clown (1996 and 1997 respectively), his Hollywood star was on the rise with memorable roles in such increasingly mega-budgeted efforts as The Lost World: Jurassic Park (1997) and Armageddon (1998). Equally adept in comparatively low-budget efforts such as director George Romero's Bruiser (2000) and the aforementioned Dancer -- two roles which couldn't possibly be more polar opposites -- Stormare branched out into sitcom territory with his turn as Julia Louis-Dreyfuss' enamored superintendent in the ill-fated Watching Ellie in 2002. It wasn't long before Stormare was back on the silver screen, and with the same year potential blockbuster triple threat of The Tuxedo, Windtalkers, and Minority Report, it appeared as if Stormare's unique talents were as in-demand as ever. 2002 also found the established actor branching out with his role as producer of the romantic comedy The Movie Nut and His Audience.In 2005 he joined the cast of The Brothers Grimm in the role of an interogator, and took on a regular role in the television drama Prison Break. Stormare made guest appearances on a variety of television stand-outs throughout the 2000s, among them including Weeds, Monk, Entourage, and Hawaii Five-0.

Trivia: Michelle Monaghan enjoyed a successful modeling career with plans to pursue a career in journalism before a full-time acting career became an option. She'd made some minor appearances on TV shows such as Young Americans and Law & Order: Special Victims Unit, as well as some nationally run commercials, but it was a recurring role on the acclaimed series Boston Public in 2002 that really opened doors for the young actress. Over the next few years, she scored big-screen parts in It Runs in the Family, Mr. and Mrs. Smith, and The Bourne Supremacy. She shortly thereafter scored a role alongside Charlize Theron and Frances McDormand in North Country and a starring role in the black comedy Kiss Kiss, Bang Bang with Robert Downey Jr. and Val Kilmer. In 2005, she appeared as the love interest of Tom Cruise in the hotly anticipated Mission: Impossible III, making her a far more familiar face and name. She immediately signed on to next appear in the Ben Affleck film Gone, Baby, Gone, which she followed with a starring role in the critically acclaimed independent film Trucker. She would go on to keep up her interest in the thriller genre, with roles in Eagle Eye in 2008 and Source Code in 2011.