Trivia: Given his formidable success in numerous arenas of the entertainment industry, the multi-talented Will Smith qualifies as an original "Renaissance man." Although Smith initially gained fame as the rap star Fresh Prince prior to the age of 20, (with constant MTV airplay and blockbuster record sales), he cut his chops as an A-list Hollywood actor on the small and big screens in successive years, unequivocally demonstrating his own commercial viability and sturdy appeal to a broad cross section of viewers. A Philadelphia native, Smith entered the world on September 25, 1968. The son of middle-class parents (his father owned a refrigeration company and his mother worked for the school board) and the second of four children, Smith started rapping from the age of 12, and earned the nickname "Prince" thanks to his ability to slickly talk his way out of trouble. Smith engendered this moniker as a household phrase when he officially formed the duo DJ Jazzy Jeff & the Fresh Prince, with fellow performer Jeff Townes in 1986. That team netted two Grammys (one for the seminal 1988 youth anthem "Parents Just Don't Understand" and one for the 1991 single "Summertime") and scored commercially with a series of albums up through their disbandment in 1993 that did much to dramatically broaden the age range of rap listeners (unlike artists in the gangsta rap subgenre, Smith and Townes never ventured into R- or X-rated subject matter or language). However, by the time he was 21, Smith had frittered away much of his fortune and had fallen into debt with the IRS. Help arrived in the form of Warner Bros. executive Benny Medina, who wanted to create a family-friendly sitcom based on his own experiences as a poor kid living with a rich Beverly Hills family, starring the genial Smith. The Fresh Prince of Bel-Air debuted on NBC on September 10, 1990, and became a runaway hit, lasting six seasons. The program imparted to Smith -- who had turned down an MIT scholarship to pursue his career -- even wider audience exposure as the show's protagonist, introducing him to legions of viewers who fell outside of the rap market. During Prince's lengthy run, Smith began to branch out into film work. Following roles in Where the Day Takes You (1992) and Made in America (1993), he drew substantial critical praise on the arthouse circuit, as a young gay con man feigning an identity as Sidney Poitier's son, in Six Degrees of Separation (1993), directed by Fred Schepisi and adapted by John Guare from his own play. Smith also elicited minor controversy around this time for remarks he made in an interview that some perceived as homophobic. In 1994, Smith and Martin Lawrence signed on with powerhouse producers Don Simpson and Jerry Bruckheimer to co-star in the action-comedy Bad Boys, in which the two play a hotshot pair of Miami cops; it eventually raked in over 141 million dollars worldwide. The following year, Smith topped his Bad Boys success (and then some) with a turn in the sci-fi smash Independence Day, the effects-laden tale of an alien invasion. Co-written, executive-produced, and directed by Roland Emmerich for 20th Century Fox, this picture eventually pulled in over 816 million dollars globally, making it not only the top grosser of 1996, but one of the most lucrative motion pictures in history. Smith then tackled the same thematic ground (albeit in a completely different genre), as a government-appointed alien hunter partnered up with Tommy Lee Jones in Barry Sonnenfeld's zany comedy Men in Black (1997), another smash success. Not long after this, Smith achieved success on a personal front as well, as he married actress Jada Pinkett on New Year's Eve 1998. The following autumn, Smith returned to cinemas with Enemy of the State, a conspiracy thriller with Gene Hackman that had him on the run from government agents. That film scored a commercial bull's-eye, but its triumph preceded a minor disappointment. The following summer, Smith starred opposite Kevin Kline in Wild Wild West, Sonnenfeld's lackluster follow-up to Men in Black, an overwrought and ham-handed cinematic rendering of the late-'60s TV hit.The late fall of 2000 found Smith back in cinemas, playing a mysterious golf caddy who tutors down-on-his-luck putter Matt Damon in the syrupy The Legend of Bagger Vance (2000). Smith then trained rigorously for his most demanding role up to that point: that of legendary boxer Muhammad Ali in director Michael Mann's biopic Ali (2001). The film struggled to find an audience, and critics were mixed, even if Smith's well-studied performance earned praise as well as his first Oscar nomination. While Smith executive produced the Robert De Niro/Eddie Murphy comedy Showtime (2002), he doubled it up with work in front of the camera, on the sci-fi comedy sequel Men in Black II, also helmed by Barry Sonnenfeld. As expected, the film made an unholy amount of money; he followed it up with yet another sequel, the Bruckheimer-produced Bad Boys II. It topped the box office, as expected. The next year saw Smith pull the one-two punch of I, Robot -- a futuristic, effects-laden fantasy -- and the CG-animated Shark Tale, in which he voiced Oscar, a little fish with a big attitude who scrubs whales for a living. While Smith had proven himself as an action star time and again and had received high marks for his dramatic work, it remained to be seen if he could carry a romantic comedy. All speculation ceased in early 2005 with the release of Hitch: Starring Smith as a fabled "date doctor," the film had the biggest opening weekend for a rom-com to date, leading many to wonder if there was anything Smith couldn't do.The following year, Smith starred in the period drama The Pursuit of Happyness. Set in early-'80s San Francisco, and directed by Gabriele Muccino (a director specifically summoned for the task by Smith), the film recounted the true story of Charles Gardner (Smith), a single dad struggling in an unpaid position as an intern at Dean Witter, all in an effort to be able provide for his son. The film tapped new reserves of compassion and desparation in Smith's persona, as he managed to fully embody another real-life character while maintaining all of the qualities that endeared him to audiences in the first place: His humor, his hustle and his ingenuity. Upon its release, Happyness provided Smith with perhaps his first cinematic hat trick: critical praise, a second Academy Award nomination for Best Actor, and staggering box-office success (the film would become one of his largest hits). Meanwhile, he began work as the lead in I Am Legend (2007), the third screen incarnation of sci-fi giant Richard Matheson's seminal novel of the same title (following a 1964's The Last Man on Earth, and 1971's The Omega Man).The actor continued to keep busy in 2008 with films including Seven Pounds (despite an unintentionally comical suicide by sea life, the film was a critical failure) and superhero comedy Hancock, featuring Smith in the lead role as a hard-drinking ne'er-do-well who is reluctantly thrust into the world of crime-fighting. After producing a remake of The Karate Kid (starring his son, Jaden Smith) and spy comedy This Means War, Smith reprised his role as Agent J for Men in Black III in 2012. MIB III was a box office success, in no small part due to the chemistry between Smith and Agent K (Tommy Lee Jones).

Trivia: The niece of famed actress Sonia Braga, Brazilian actress Alice Braga rode to fame on the back of key performances in works produced in her native country, such as City of God (2002) and Sólo Dios Sabe (2005). She then branched out into international crossover hits as the female lead in such pictures as the Hollywood sci-fi/action opus I Am Legend (2007, starring Will Smith), the David Mamet-helmed sports drama Redbelt (2008), and the illegal immigrant-themed muckraker Crossing Over (2008). That same year, she re-teamed with City of God director Fernando Meirelles for the haunting film Blindness, playing the only woman left in her village with the ability to see, after a mysterious condition renders everyone else blind. She also joined the cast of the sci-fi thriller Repossession Mambo (2009), opposite Jude Law and Forest Whitaker.

Trivia: Began her acting career in the theater before transitioning to roles in television and film. Provided the voice for Elisa Maza in the animated Gargoyles series. Played Bill Cosby's daughter in the film I Spy Returns. Her husband, Dondre Whitfield, has also worked with Cosby, guest starring on The Cosby Show as daughter Vanessa's boyfriend Robert. Became pregnant with her second child during the filming of Season 3 of Eureka. Producers wrote her pregnancy into the script.

Trivia: Actor Charlie Tahan achieved his career breakthrough with a pair of roles in one year. In 2007, Tahan graced the cast of no less than two major features: Francis Lawrence's ambitious Omega Man sci-fi remake I Am Legend and Tod Harrison Williams' seriocomedy Trainwreck: My Life as an Idiot.

Trivia: The daughter of actor Will Smith and actress Jada Pinkett Smith, onscreen performer Willow Smith debuted as a child star in the late 2000s, well before the age of ten. She did so with roles in a pair of extremely different films: the Will Smith sci-fi-adventure drama I Am Legend (2007) and the family-oriented period drama Kit Kittredge: An American Girl (2008), with a story adapted from the popular American Girls line of dolls.

Trivia: An actor with an undeniably friendly appeal, Dash Mihok was born in New York in 1974. Both of Mihok's parents were active in theater and the arts, and they encouraged their son to explore his creative side. He joined up with the program City Kids while in high school, a production involving Jim Henson puppets that performed all over the city, teaching children about character and self-esteem.Mihok's interest in performance only grew as he got older, and he began auditioning for professional roles after high school, scoring appearances on Law & Order and in the movie Sleepers. Then, still a virtual unknown, Mihok got a callback for a much more prominent role when he was cast as Benvolio, best friend of Leonardo DiCaprio's Romeo in Baz Luhrmann's hallucinatory, modern take on William Shakespeare's Romeo and Juliet. The project gave Mihok an amazing chance to show his stuff; not only did he impress audiences by handling a serious, emotional acting role complete with difficult, antiquated language, but he also walked around bare-chested in many scenes, wowing viewers with his muscular physique. Mihok continued to pick and choose interesting projects, acting in everything from big-budget blockbusters like The Day After Tomorrow and The Perfect Storm to independent arthouse movies like Johnny Flynton and Mojave. Mihok was a particular delight to audiences in 2006's Hollywoodland and in 2007's family film Firehouse Dog, and over the coming years, he would find success in an ongoing series of films, like I Am Legend, The Longshots, and Trespass.

Trivia: One of the first ladies of contemporary British stage and cinema, Emma Thompson has won equal acclaim for her work as an actress and a screenwriter. For a long time known as Kenneth Branagh's other half, Thompson was able to demonstrate her considerable talent to an international audience with Oscar-winning mid-1990s work in such films as Howards End and Sense and Sensibility. Born April 15, 1959 in Paddington, West London, Thompson grew up in a household well-suited for creative expression. Both of her parents were actors, her father, Eric Thompson, the creator of the popular TV series The Magic Roundabout, and her actress mother, Phyllida Law, a cast member of This Poisoned Earth (1961), Otley (1968) and several other films. Thompson and her sister, Sophie (who also became an actress), enjoyed a fairly colorful upbringing; as Emma later said, "I was brought up by people who tended to giggle at funerals." She excelled at school, was well liked, and went on to enroll at Cambridge University in 1978. It was at Cambridge that Thompson started performing as part of the legendary Footlights Group, once home to various members of Monty Python, who provided a huge inspiration to the fledgling comedienne. Unfortunately, Thompson's studies and her work with fellow Footlights members Hugh Laurie and Stephen Fry were interrupted when her father had a debilitating stroke. Thompson went home for a few months, where she taught him how to speak again. After her return to Cambridge, she graduated in 1980 with a degree in English, and she got her first break working for a short-lived BBC radio show. Personal tragedy struck for Thompson in 1982 when her father died of a heart attack. Ironically, it was in the wake of this turmoil that her professional life began to move forward: she got a job touring with the popular satire Not the Nine O'Clock News and worked with co-conspirators Fry and Laurie on the popular BBC comedy sketch show Alfresco. This led to Thompson's biggest break to date when she was picked for the lead in a revised version of the musical Me and My Girl. Coincidentally featuring a script by Fry, the show proved popular and established Thompson as a respected performer. She stayed with the show for over a year, after which she got her next big break when she was cast as one of the leads in the miniseries Fortunes of War (1988). The other lead happened to be Kenneth Branagh, and the two were soon collaborating off-screen as well as on. Following Thompson's BAFTA Award for her work on the series (as well as a BAFTA for her role on the TV series Tutti Frutti), she helped Branagh form his own production company, Renaissance Films. In 1989, the same year that she starred in the nutty satire The Tall Guy (which teamed her with Black Adder stalwarts Rowan Atkinson, Richard Curtis and Mel Smith)and in a televised version of Look Back in Anger with Branagh, she appeared as the French queen in Branagh's acclaimed adaptation of Henry V. Following the success of Henry V, Thompson had a droll turn as a frivolous aristocrat in Impromptu (1990) and then collaborated with Branagh on the noirish suspense thriller Dead Again in 1991. The film proved a relative hit on both sides of the Atlantic, and it further established the now-married Branagh and Thompson as the First Darlings of contemporary British theatre. The following year, Thompson came into her own with her starring role in Merchant Ivory's Howards End. She won a number of awards, including an Oscar, BAFTA, and Golden Globe for her portrayal of Margaret Schlegel, and she found herself an international success almost overnight.After a turn in the ensemble comedy Peter's Friends that same year, Thompson starred as Beatrice opposite Branagh's Benedict in his adaptation of William Shakespeare's Much Ado About Nothing in 1993. That year proved an unqualified success for the actress, who was nominated for both Best Actress and Best Supporting Actress Oscars, the former for her portrayal of a repressed housekeeper in Merchant Ivory's The Remains of the Day and the latter for her role as Daniel Day-Lewis's lawyer in In the Name of the Father. Although she didn't win either award, Thompson continued her triumphant streak when -- after starring in Junior in 1994 -- she adapted and starred in Jane Austen's Sense and Sensibility in 1995. Directed by Ang Lee, the film proved popular with critics and audiences alike, and it won Thompson a Best Adapted Screenplay Oscar. She also earned a Best Actress Oscar nomination, a BAFTA Best Actress Award, and a Golden Globe for Best Adapted Screenplay.1995 also proved to be a turning point in Thompson's personal life, as, after a much-publicized separation, she and Branagh divorced. Just as well publicized was Thompson's subsequent relationship with Sense and Sensibility co-star Greg Wise. The somewhat tumultuous quality of her love life mirrored that of Dora Carrington, the character she played that year in Carrington. This story of the famed Bloomsbury painter was not nearly as successful as Sense, and Thompson was not seen again on the screen until 1997, when she starred in Alan Rickman's The Winter Guest. The film -- which featured the actress and her mother, Law, playing an estranged daughter and mother -- received fairly positive reviews. The following year, Thompson continued to win praise for her work with a starring role in Primary Colors and a guest spot on the sitcom Ellen, for which she won an Emmy. In 1999, Thompson announced her plans for semi-retirement: pregnant with Wise's child, she turned down a number of roles -- including that of God in Dogma -- in order to concentrate on her family. The two married in July 2003. In the years that followed Thompson would still remain fairly active onscreen, with roles as a frustrated wife in Love Actually (which found her BAFTA nominated for Best Supporting Actress) and a missing journalist whose husband (played by Antonio Bandaras) is looking for answers in Missing Argentina (which marked the second collaboration, after Carrington, between Thompson and director Christopher Hampton) serving to whet the appetites of longtime fans. For her role as a respected English professor who is forced to re-evaluate her life in Mike Nichols' made-for-television drama Wit (2001), the renowned veteran actress and screenwriter would earn Emmy nominations for both duties. Following an angelic turn in the HBO mini-series Angels in America, Thompson essayed a pair of magical roles in both Harry Potter and the Prisoner of Azkaban and Nanny McPhee - in which she potrayed a governess who utilizes supernatural powers to reign in her unruly young charges.Thompson then joined the cast of Marc Forster's fantasy comedy Stranger than Fiction, which Columbia slated for U.S. release in November of 2006. She plays Kay Eiffel, an author of thriller and espionage novels suffering from a massive writer's block. The central character in Eiffel's book (an IRS agent played by Will Ferrell) hears Kay's audible narration and - realizing that she's planning to kill him off - tries to find a way to stop her, with the help of Professor Jules Hilbert (Dustin Hoffman). She appeared opposite Dustin Hoffman in Last Chance Harvey, and in 2009 had a memorable turn as the head of the school in An Education. In 2010 she wrote and starred in the sequel Nanny McPhee Returns. In 2012 she had a hand in tow big hits, playing Agent O in the third Men In Black film, and voicing the mother in Pixar's Brave.

Trivia: Director Francis Lawrence has made a legendary name for himself as a music-video director, directing almost a hundred videos over the course of his career for artists like Alanis Morissette, Nine Inch Nails, the Black Eyed Peas, Britney Spears, Jennifer Lopez, and Destiny's Child. In 2005, he branched into feature film, directing the adaptation of the Hellblazer comic, Constantine. In 2007, he helmed another adaptation with I Am Legend, based on the Richard Matheson novel of the same name. The big-budget action-horror film starred Will Smith and was estimated to be among the most expensive movies ever made.