Trivia: Christian Bale is one of the few actors in Hollywood whose child stardom has successfully translated to steady and respectable adult employment. With a wistful handsomeness to complement his impressive, sometimes underrated talent, Bale has become something of a quiet sensation, netting choice roles in a number of unconventional, critically acclaimed films.Born January 30, 1974, in Pembrokeshire, Wales, Bale was raised in England, Portugal, and the U.S. The product of a creative family (his mother was a dancer and both of his grandfathers were part-time actors), Bale made his stage debut at the age of ten, playing opposite British comedian Rowan Atkinson in The Nerd. In 1986, he debuted on television as Alexis in the miniseries Anastasia: The Mystery of Anna. His film debut came the following year with the lead role in Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Although the film met with very mixed reviews, Bale received almost ubiquitous praise for his portrayal of a young boy interned in a Japanese prison camp during World War II. Following a starring role in a Swedish film, Mio min Mio, Bale next appeared in Kenneth Branagh's celebrated 1988 adaptation of Henry V and in 1990, starred opposite Charlton Heston in a highly-regarded cable adaptation of Treasure Island. In 1992, Bale appeared in his first adult role in the musical Newsies, in which he could be seen singing, dancing, and sporting a fairly convincing American accent. His next film, Swing Kids (1993), also featured him dancing, this time alongside Robert Sean Leonard in wartime Germany. Although the film failed to impress most critics, it succeeded in making a favorable impact on teenage girls and swing afficionados everywhere. The following year, Bale appeared as Laurie in Gillian Armstrong's acclaimed adaptation of Little Women and then went on to lend his voice to Disney's animated film Pocahontas, which proved to be one of 1995's biggest box-office draws. The actor next appeared in The Secret Agent (1996), which, despite a strong cast including Gérard Depardieu, Bob Hoskins, and Patricia Arquette, was widely unseen in the U.S. After a tragically small role in the same year's The Portrait of a Lady, Bale was finally given the opportunity to step into the limelight with the 1997 film Metroland, an adaptation of Julian Barnes' novel. Starring alongside Emily Watson, Bale played a young husband and father wallowing in discontented nostalgia and received overwhelmingly positive notices for his thoughtful, complex portrayal. The film was not released in the U.S. until the following year, when he also had lead roles in Todd Haynes' eagerly anticipated Velvet Goldmine and All the Little Animals, which premiered at the Cannes Film Festival to strong reviews. The following year, Bale starred alongside Kevin Kline, Michelle Pfeiffer, and Rupert Everett in a lavish adaptation of A Midsummer Night's Dream. In addition to the exposure he (literally) received in his role as Demetrius, Bale got a different kind of recognition for his part in the well-documented controversy surrounding the casting of Mary Harron's adaptation of Bret Easton Ellis' American Psycho. After winning and then losing the film's lead role to Leonardo DiCaprio, Bale then won it back, prompting a wave of media coverage and at least one publication's decision to describe him as everyone's favorite underdog. It was a title that, deserved or not, seemed to fit an actor who, beneath all of the hyperbole and hype, was one of Hollywood's most engaging and underrated treasures. Bale next starred in the humans versus dragons opus Reign of Fire (2002), followed by the dystopian thriller Equilibrium before returning to the present day with the low-key sexual comedy drama Laurel Canyon (2002). Bale was about to make a breakthrough move into blockbuster film, however, as he was cast as the superhero Batman in Christopher Nolan's latest entry in the franchise, Batman Begins. The franchise reboot would prove overwhelmingly successful, especially with the dark, crime-drama style sequel, The Dark Knight (2008). Though Bale would become something of an infamous fixture in viral media for an explosively angry outburst at an on-set crewmember that was caught on audio, this did nothing to upset the actor's star power. He would also collaborate with Nolan on The Prestige (2006), before starring in the critically acclaimed western 3:10 to Yuma. Bale would also take on the infamous role of John Conner in a long-awaited Terminator Salvation in 2009, before playing a hard-nosed FBI agent on the trail of Johnny Depp's John Dillinger in Public Enemies that same year. In 2010, Bale joined the cast of the hard hitting sports drama The Fighter, directed by David O. Russell, playing the troubled brother and coach of an underdog boxer played by Mark Wahlberg. Bale would take home the Oscar and Golden Globes for Best Supporting Actor for his performance, but he was soon onto his next project, the period war drama Flowers of War. Soon, he was gearing up to don the cowl once again, with the third and final installment in Nolan's Batman franchise, The Dark Knight Rises. He reteamed with Russell to play a con man in American Hustle, earning Bale a second Oscar nomination. In 2014, he played Moses in Ridley Scott's bible epic Exodus: Gods and Kings. The following year, he returned in the ensemble film The Big Short, garnering Bale a third Oscar nomination.

Trivia: Already something of an established actor in his native Australia, Heath Ledger first came to the attention of American audiences in 1999 with his winning turn in the teen comedy 10 Things I Hate About You, playing the rebellious Patrick Verona in the update of The Taming of the Shrew.Born in Perth, Western Australia on April 4, 1979, Ledger first became interested in acting while attending the all-boys Guilford Grammar School. He began his career performing onstage with the Guildford Theatre Company and was soon appearing in substantial roles on Australian television shows. The 1996 series Sweat featured him as a gay cyclist, while the following year's Roar cast him as a medieval Celtic prince--and also won him the beginnings of a fan base. After moving across the Pacific to Los Angeles, Ledger landed his lead role in 10 Things I Hate About You opposite Julia Stiles in 1999. The movie proved to be a summer hit, and it succeeded in introducing Ledger to a legion of new fans. That same year, he starred in Two Hands, an Australian action comedy that cast him as a Sydney teenager who finds himself in debt to an underworld kingpin, played by Bryan Brown. The film premiered at that year's Sundance Film Festival. Following a prominent role in Roland Emmerich's The Patriot (2000), Ledger brought Excalibur sensibilities into the new millenium with A Knight's Tale (2001). With its tradition shattering blend of modern slang and music balanced with the classic tale of jousting mayhem, A Knight's Tale served as an exciting star vehicle for the popular young actor. The young actor also garnered a fair amount of praise for his supporting role as a deeply depressed prison employee in the Oscar-winning film Monsters Ball (2001). Though the film did not fare well critically or otherwise, Ledger nonetheless proved himself a versatile actor in The Four Feathers (2002), in which he starred as a cowardly officer-in-training who resigns from the British Army shortly before being shipped off to Sudan. In the same vein, though The Order (2003) was shunned by critics, Ledger was praised for his intense performance as a tortured, knowledge-seeking priest. Australia's Ned Kelly (2003) featured a then 24-year-old Heath in the title role of sixteen-year-old outlaw Ned Kelly, and placed him among a skilled cast including Six Feet Under star and fellow Australian Rachel Griffiths, the Oscar-winning Geoffrey Rush, Orlando Bloom, and Naomi Watts. In 2005, Ledger captivated Hollywood with his sensitive turn as Ennis Del Mar in the gay-themed modern western Brokeback Mountain. Impressing audiences with his portrayal of the soft-spoken and tortured character struggling with his love for fellow cowboy Jack Twist (Jake Gyllenhaal), he went on to garner multiple awards for the role, including Best Actor wins from numerous film critics associations, as well as a coveted Oscar nomination.Ledger was busy in 2005 following Brokeback, with lead roles in the period films Casanova and The Brothers Grimm, as well as a turn as a heroin-addicted husband in Candy. His own engagement to Brokeback costar Michelle Williams made headlines and produced a daughter in late 2005, though the two ended their relationship the following year. Ledger had completed his role as The Joker in The Dark Knight (due out in July 2008) and was filming Terry Gilliam's The Imaginarium of Dr. Parnassus when he was found dead in a New York City apartment building on January 22, 2008. It turned out that his final performance would be the most celebrated of his career. His turn as Gotham City's most deranged criminal helped make The Dark Knight one of the biggest box office hits in movie history, and earned him posthumous nominations for Best Supporting Actor from both the Screen Actors Guild and the Academy.

Trivia: From Neil LaBute mainstay to romantic lead and brainy action hero, versatile screen presence Aaron Eckhart has the talent to convincingly portray everything from the most despicable misogynist to affable love interests with equal zeal. How many other actors could purposefully and gleefully crush the soul of an innocent deaf woman before successfully charming one of the '90s most notable onscreen feminists with equal conviction? Born on March 12, 1968, to a computer executive father and a mother who wrote children's books in Santa Clara County, CA, Eckhart spent most of his childhood in Cupertino before moving with his family to England and Australia in his teens. Although he dropped out of high school before graduation, Eckhart eventually earned his equivalency before taking a few years off to hit the waves in Hawaii and the slopes in France. He later attended Brigham Young University as a film major, and it was there that he made the acquaintance of a young, aspiring director named Neil LaBute. Eckhart eventually moved to Manhattan and found himself swimming in a virtual sea of unemployed actors, though he did land a few notable commercial parts before returning to L.A., where he worked in a series of small supporting roles. He had done well enough on his own to this point, but it was only under the direction of his old college friend that he truly broke out of the mold and crafted one of the most despised cinematic characterizations of the decade. Cast in the lead of LaBute's pitch-black debut In the Company of Men, Eckhart's performance of a woman-hating, low-level executive was a cruel, but three-dimensional, villain that both repelled and fascinated moviegoers. After sticking with LaBute and gaining 30 pounds for the role of a sexually frustrated husband in LaBute's follow-up, Your Friends & Neighbors, Eckhart branched out in 1999 with a pair of memorable and entirely unexpected performances: Molly and Any Given Sunday. Cast as a caring brother of an autistic sibling in the former and a gridiron giant in the latter, his versatility began to attract casting agents. By the time he romanced Julia Roberts' eponymous character in Steven Soderbergh's acclaimed drama Erin Brockovich, Eckhart had become one to watch. He re-teamed with LaBute for Nurse Betty and Possession, but by this point, the rising star was gaining quite a reputation on his own. In 2001, Sean Penn tapped him to appear opposite Jack Nicholson in the searing drama The Pledge, and soon Eckhart was plunging headfirst into the center of the Earth alongside Oscar-winner Hilary Swank in the big-budget summer disaster flick The Core. By this time, the actor had truly established himself as a diverse talent capable of donning many hats, and following his role in Ron Howard's brutal thriller The Missing, the action flew fast and furious in John Woo's Paycheck. Eckhart next appeared in Suspect Zero (2004), which was experimental filmmaker E. Elias Merhige's eagerly anticipated follow-up to 2000's acclaimed Shadow of the Vampire.If some fans had lamented the gifted Eckhart's turn towards overly seriously roles as of late, a scathing performance in director Jason Reitman's critically-acclaimed 2005 comedy Thank You for Smoking would serve as a refreshingly funny change of pace. Alas, the laughs wouldn't keep coming for long, as it was soon back to grim dramatics with his turn as a well-schooled psychiatrist in the dramatic mystery Neverwas preceding a turn as a determined L.A. detective whose attempts to solve a particularly confounding murder lead him down a dark path of Hollywood corruption in Brian De Palma's The Black Dahlia. In 2008 he starred alongside Christian Bale inThe Dark Knight as good-man-gone-bad Harvey Dent/Two-Face, while 2010 found the actor co-starring with Nicole Kidman in the film Rabbit Hole (2010). In 2011, Eckhart played a wealthy real estate developer in The Rum Diary, an adaptation of Hunter S. Thompson's autobiography of the same name.

Trivia: The daughter of director Stephen Gyllenhaal (Waterland [1992]) and screenwriter Naomi Foner (Running on Empty [1988]), and the sister of hot young Hollywood heartthrob Jake Gyllenhaal (Donnie Darko [2001], The Good Girl [2002], Moonlight Mile [2002]), Maggie Gyllenhaal seems to have all the makings of a successful young starlet with her Tinseltown background and curiously unique beauty. Born in November 16th, 1977, Gyllenhaal got some early screen breaks thanks to roles in such Stephen Gyllenhaal films as Waterland (1992) and Homegrown (1998). Soon graduating from Columbia University with an English degree, pretty Gyllenhaal continued to refine her acting skills on the stages of New York and London theaters in such productions as The Tempest and The Butterfly Project. Her ascent into the collective film conscience continued with a humorous turn in director John Waters' anarchic Cecil B. Demented and alongside younger brother Jake in the surreal teen fantasy Donnie Darko (2001). Soon gaining more prominent roles alongside such hot Hollywood actors as Drew Barrymore (Riding in Cars With Boys [2001]) and Josh Hartnett (40 Days and 40 Nights [2002]), Gyllenhaal would turn up later in 2002 in eccentric director Spike Jonze's sophomore effort, Adaptation. Her supporting roles offering but a glimpse into her engagingly offbeat talent, Gyllenhaal truly came into her own with her breakthrough performance as a mentally unstable secretary in director Steven Shainberg's 2002 dark comedy Secretary. Cast opposite former '80s wonder boy James Spader, Gyllenhaal displayed a careful balance of unshielded vulnerability and mild sadomasochism as the film's troubled lead. Nominated for numerous awards including a Golden Globe and Independent Spirit for Best Actress, Secretary found the disarming actress branded the "it" girl to watch for in the coming years. While subsequent supporting performances in such films as Confessions of a Dangerous Mind, Casa de Los Babys, and Mona Lisa Smile may not have offered fans the large dose of Gyllenhall that they sought after Secretary, audiences could see her in a starring role opposite John C. Reilly in the 2004 George Clooney/Steven Soderbergh-produced remake Criminal. Gyllenhaal kept up her status as an independent film icon in 2005 with major parts in The Great New Wonderful and earning praise for her work in Don Roos' Happy Endings where she got to show off her vocal talents performing a selection of Billy Joel songs. 2006 would be a very busy year for the actress. She co-starred in Oliver Stone's 9/11 film World Trade Center, gave an award winning performance as a drug addict in SherryBaby, played opposite Will Ferrell in the comedy Stranger Than Fiction, and lent her voice to the Steven Spielberg produced animated film Monster House. That same year she announced that she was expecting her first child with her longtime boyfriend actor Peter Sarsgaard. In 2008, Gyllenhaal appeared in the record-breaking box-office smash sequel The Dark Knight, taking over the role played by Katie Holmes in Batman Begins. She followed that up in 2009 with a hilarious supporting turn in Away We Go as an overly-involved mother. But it was her appearance that same year in the low-key drama Crazy Heart opposite Jeff Bridges that earned her some of the best reviews of her career as well as a Best Supporting Actress nominations from the Academy.

Trivia: Whether playing a punk rocker, an assassin, a war vet, or a ghoul, Gary Oldman has consistently amazed viewers with his ability to completely disappear into his roles. Though capable of portraying almost any type of character, Oldman has put his stamp on those of the twisted villain/morally ambiguous weirdo variety, earning renown for his interpretations of the darker side of human nature.Born Leonard Gary Oldman in New Cross, South London, on March 21, 1958, Oldman was raised by his mother and two sisters after his father, an alcoholic welder, left them when Oldman was seven. Nine years later, Oldman left high school to work in a sporting goods store; in his spare time, he studied literature and later acting under the tutelage of Roger Williams. He went on to act with the Greenwich Young People's Theatre and, after attending drama school on a scholarship, worked with the Citizens Theatre in Glasgow. Oldman next worked in London's West End, where, in 1985, he won a Best Actor and a Best Newcomer award for his performance in The Pope's Wedding. By this time, he had made his film debut in Remembrance (1982) and had appeared in two television movies, notably Honest, Decent and True (1985). Oldman got his first big break when he was cast as Sid Vicious in Sid and Nancy (1986), Alex Cox's disturbing docudrama account of the punk rocker's tragic relationship with Nancy Spungen. Oldman's unnervingly accurate portrayal of the doomed rocker won rave reviews and effectively propelled him out of complete obscurity. The following year, he turned in a completely different but equally superb performance as famed playwright Joe Orton in Stephen Frears' Prick Up Your Ears and earned a Best Actor nomination from the British Academy of Film and Television Arts for his work. After moving to the U.S. that same year, Oldman appeared in Nicolas Roeg's Track 29 (1988), and in 1990, he had one of his most memorable -- to say nothing of cultish -- roles as Rosencrantz opposite Tim Roth as Guildenstern in Tom Stoppard's brilliant Rosencrantz and Guildenstern Are Dead.Oldman's first American role in a major Hollywood film was that of alleged assassin Lee Harvey Oswald in Oliver Stone's JFK (1991). He then gave a creepy, erotic performance in the title role of Francis Ford Coppola's rendition of Bram Stoker's Dracula (1992), a lavish film that proved to be the most commercially successful (next to JFK) of Oldman's career to date. In addition to playing such eccentrics as Drexl Spivey, a white pimp with dreadlocks who tries to prove himself a black Rastafarian in True Romance (1993), Oldman went on to play more conventional characters, as evidenced by his straightforward portrayal of a crooked cop in Luc Besson's The Professional (1994), his performance as Beethoven in Immortal Beloved (1994), and his role as Reverend Arthur Dimmesdale in the disastrous 1995 adaptation The Scarlet Letter.In 1997, Oldman made his directorial bow with Nil by Mouth, a bleak, semi-autobiographical drama about a dysfunctional blue-collar London family that Oldman dedicated to his late father. The film proved to be a controversial hit at that year's Cannes Festival, and the first-time director won a number of international awards and a new dose of respect for his work. He subsequently returned to acting with Luc Besson's The Fifth Element that same year, made while he took a break from editing Nil by Mouth. He also gave an enduringly cheesy portrayal of the sinister Russian terrorist bent on wresting world domination from American president Harrison Ford in the blockbuster Air Force One (1997) and followed that up by playing yet another villain in the 1998 feature-film version of the classic TV series Lost in Space.Two years later, the veteran actor was earning accolades on screens big and small with both his critically acclaimed performance in Rod Lurie's Oscar-nominated political drama The Contender, and his Emmy-nominated guest appearance in the popular TV sitcom Friends. Meanwhile, after escaping the clutches of the silver screen's most notorious cannibal in Ridley Scott's Hannibal (2001), Oldman joined the casts of not one but two of the most successful film franchises of the 2000s: The Harry Potter Series and Christopher Nolan's brooding Batman saga. As benevolent wizard Sirius Black in the former, he helped Hogwarts' most famous student battle the forces of evil, and as Lt. Jim Gordon in the later, he aided The Dark Knight in defeating some of Gotham's most powerful supervillains. And while he wasn't performing exorcisms in The Unborn or searching unlimited power in The Book of Eli, Oldman was showing his versatility by voicing characters in such popular video games as The Legend of Spyro: A New Beginning and Call of Duty: Black Ops. In 2011, as if to remind audiences that he could still be a compelling lead in addition to a strong supporting player, Oldman tackled the role of veteran MI6 spy George Smiley -- who comes out of retirement to sniff out a Russian mole in Tinker Tailor Soldier Spy. A highly stylized take on the classic John le Carre novel, the film not only drew rave reviews from critics, but also an Academy Award-nomination for Oldman. Oldman wrapped up his work in Harry Potter the same year, with a cameo in Harry Potter and the Deathly Hallows - Part 2 and Nolan's Batman trilogy finished the following year with The Dark Knight Rises. In 2014, he appeared in the remake of RoboCop, followed by a major role in Dawn of the Planet of the Apes.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: After only a handful of TV guest spots, New York-born actor Nestor Carbonell landed a starring role on the Brooke Shields sitcom Suddenly Susan. After the show's four-year run, Carbonell appeared on the cult superhero comedy The Tick as Batmanuel before being cast as the lead on the short-lived CBS drama Century City in 2004. In 2007, Carbonell took a recurring role on ABC's hit mindbender Lost as the mysterious and seemingly ageless Richard Alpert. Following that stint, he was cast along with Jimmy Smits as one of the leads on CBS's family drama Cane. Over the coming years, Carbonell would continue to find success on the small screen, starring on shows like Lost and Ringer, and appearing in movies like The Dark Knight Rises.

Trivia: Eric Roberts is an acquired taste: those watching his movies fall into two distinct camps -- they either love him and consider him one of Hollywood's most intense and underrated actors, or they loathe him and consider him a pretentious, shameless ham. Both viewpoints are not without merit for Roberts has seen many ups and downs in his career. Tall and dark-haired, with a chiseled face, swarthy complexion, and arresting eyes, the young Roberts had the look of a classic movie rebel and off-screen displayed an arrogance and self-possession coupled with a tendency toward womanizing, drug abuse, and behavior that created a bad boy image on and off the screen. A serious car accident roughened his facial features and led to the second phase of his career during the '80s in which he primarily played villains; he spent the third phase during the late '90s trying to establish himself as a character actor. Growing up in Atlanta, GA, Roberts was no stranger to actors and the theater as his parents ran a successful acting and writing school from their home. A terrible stutterer as a child, Roberts and his father discovered that he could speak normally if he memorized his speeches ahead of time. Thus Roberts participated in his father's classes as a form of therapy. It was while watching English character actor Robert Donat during a late-night showing of Goodbye Mr. Chips that Roberts became inspired to become a movie actor. He made his acting debut at age five playing a cripple in a locally produced Saturday morning TV show, The Little Pioneers. He also performed for poor kids on his father's "showmobile." Roberts was quite close to his father, who taught him the spiritual side of acting, but after his parents divorced, became estranged from his mother, who married a man Roberts detested. He was however, a loving brother to his younger sisters, Julia and Lisa, both of whom became actresses. Roberts began experimenting with drugs at age 11 and by 13 was an avowed pot smoker. Later, he admitted that smoking dope was a way of coping with his broken family and that the drug in many ways arrested his emotional development. During his late teens, Roberts' father sacrificed much to send him to the Royal Academy of Dramatic Art in London and the American Academy of Dramatic Arts in New York. By the time he finished training, Roberts was a hardcore Method actor, something that somewhat hindered his personal life as he was unable to easily disassociate from his characters after appearing in a film. In 1976, Roberts' first break was portraying Ted Bancroft in the daily soap Another World. He disliked the job and left to work off-Broadway until agent Bill Treusch discovered him and helped Roberts land the role of a young man who is crowned a gypsy leader by his dying grandfather in King of the Gypsies. The film flopped at the box office, but like his two subsequent films, it has become a cult favorite among video fans. Roberts then appeared in a television movie before starring his next feature as a handsome sailor who falls for Texas divorcée Sissy Spacek in The Raggedy Man (1981). In June that year, Roberts was involved in a serious car crash while driving home from visiting his much older lover Sandy Dennis. He was comatose for three days afterwards with a bruised brain and much facial trauma, a broken collarbone, and an injured hand. No longer suitable for the same roles as before, Roberts bounced back with what became his most famous role, that of the sleazy Paul Snider, the man who killed actress Dorothy Stratten, in Bob Fosse's disturbing Star 80 (1983). The actor made a chilling villain and after playing another bad guy in The Pope of Greenwich Village (1984), found himself typecast. Roberts proved well suited to those roles and received an Oscar nomination for playing an escaped convict in Runaway Train (1985). After that, Roberts chose quick money over artistic integrity and played in a long series of B-movies and direct-to-video fare; while he disappeared from mainstream view, he still maintained a loyal following. Meanwhile the career of his sister Julia Roberts, who made her debut co-starring opposite Roberts in Blood Red (1988), became the most popular female star of the late '80s. Though both were in Hollywood, the formerly close siblings argued and have remained bitter and estranged. In 1987, a drugged Roberts was arrested for harassing a woman and for striking a police officer. He spent 36 hours in jail, pleaded guilty for harassment, and had all other charges dropped. In 1991, he made Hollywood news for a bitter breakup with his live-in girlfriend, Kelly Cunningham. He lost the battle for custody of their daughter, Emma. The next year he married again. Careerwise, Roberts' tempestuous personality and lifestyle did little to make him bankable to studios. In 1995, Roberts gave up drugs and has worked on becoming a more ingratiating, congenial person. That year he made a comeback with his first romantic lead in It's My Party, playing an AIDS-afflicted homosexual who hosts one last bash for family and friends before committing suicide. His hope was that the film would allow him to return to his original dream of becoming a great character actor. In 1996, he played the Master in a new installment of the long-running Dr. Who saga.

Trivia: A soft-spoken, fair-skinned actor with startling blue eyes, a penchant for playing volatile characters, and a reluctance to forsake his critically lauded stage career for a life in film, American audiences may best know Irish actor Cillian Murphy as the bike courier making his way through infected London in director Danny Boyle's apocalyptic thriller 28 Days Later. Though the film may have been Murphy's first to find wide stateside exposure, he has been appearing onscreen in the U.K. and his native Ireland since 1997. Born in Douglas, Cork, Ireland, in 1974, Murphy's father was a school inspector and his mother a French teacher. Attending school at Presentation Brothers College Cork while intending to enter into a career in law, Murphy was an avid rugby player who was turned on to the Concordia Theater's unique stage productions in his fourth year. Murphy soon signed up for a workshop with Concordia's Pat Tiernan and it quickly became apparent that he had a natural flair for the stage. Soon cast as the wildly emotional Pig in Concordia's production of Disco Pigs, Murphy debuted to rave reviews and was soon skipping school to go on tour with the production. Though his acting had initially begun as a hobby and a way to kill time on the weekends, it was quickly taking over his life and a career in law seemed less and less appealing. Though he would attempt to continue his law studies, it was soon obvious to Murphy that his heart just wasn't in it.Subsequently cast in a series of interesting and complex roles, Murphy made his feature debut in the 1998 film Sweety Barrett and quickly followed with the coming-of-age comedy drama Sunburn. Though it was obvious that his stage talents translated well to the silver screen, Murphy still maintained that the rush of theater couldn't be touched by celluloid. The problem in Ireland of suicide and poor mental health among young men prompted Murphy to accept a role in the 2000 drama On the Edge, and his role of a suicidal psychiatric patient proved memorable and affecting. Following How Harry Became a Tree (2001), it was time to adapt Disco Pigs into a feature film, and with director Kirsten Sheridan at the helm, Murphy reprised his role of Pig to enthusiastic results. By the time 28 Days Later rolled around, it seemed that everyone except United States audiences were familiar with the rising star, and with the stateside release of the film in mid 2003, all that was soon to change. Noting that, in his opinion, the best actors alternate frequently between stage and screen, Murphy strived to keep a balance as his growing popularity found his film career taking precedence. Following 2003's Zonad, Murphy began preparation for such features as Intermission and Girl With a Pearl Earring (both 2003).Murphy's resumé amassed higher and higher profile roles. 2005 brought his most popular film to date as he played the villain opposite hero Christian Bale in Batman Begins. Murphy's "boy next door" face seemed to make his performance as the menacing Scarecrow all the more disturbing, and he would go on to play the bad guy again later that same year in Red Eye, though this time he wore makeup to cover his boyish features. Soon he was donning even more makeup, however, as a transsexual in the indie hit Breakfast on Pluto. Playing both a victim and a hero in the U.K. of the 1970s, Murphy's ethereal performance as a boy who leaves his Ireland home to live as a woman in London was praised by critics, and the film was a cult success. He followed it up with another passion project in 2006: Ken Loach's award-winning The Wind That Shakes the Barley, a look at the Irish Republicans of the early 20th century and the anti-British rebellion that would continue to tear families apart for decades to come. He next signed on to star with Lucy Liu in the romantic comedy Watching the Detectives, another independent venture that would find Murphy playing a shy film geek who's pulled out of his movie collection and into the real world when he meets a real-life femme fetal, played by Liu. Also on Murphy's calendar for 2007 was the Danny Boyle psychological sci-fi thriller Sunshine, about a small crew of astronauts sent to reignite Earth's dying sun. Over the next few years, Murphy would apper in a number of other films, like Inception, Retreat, and Broken.

Trivia: Anthony Michael Hall was 14 when he essayed his first screen role in the Kenny Rogers vehicle Six Pack. With his cracked voice, skinny frame, and unkempt hair, Hall went on to play nerds and dweebs in such films as Sixteen Candles (1984) and The Breakfast Club (1985), working so well under the direction of John Hughes that there were those who assumed that Hughes was treating the young actor as an alter ego, reliving his own "misfit" high school years. Hall's film career temporary eclipsed in 1985, partly as the result of a disastrous personal-appearance tour during which the actor behaved in a fashion that could charitably be described as bizarre. He showed up as a regular on TV's Saturday Night Live later that year, and as he grew older, became too athletic and self-assured to continue in his previous "clueless" vein. Hall's professional second life as a character actor began with his villainous performance in Edward Scissorhands (1990). He turned to directing with the 1994 theatrical feature Hail Caesar, in which he cast himself as a relentlessly obnoxious rock star. In 2001, he starred as Whitey Ford in Billy Crystal's made-for-TV movie 61*, but his big comeback role would come in 2002, with the starring role on the seires Stephen King's Dead Zone.

Trivia: Made his name as an actor on the classic Singapore drama series Masters of the Sea. Retired from acting in his mid-20s after doing two TV shows in Singapore. Eventually became Singapore's most successful actor overseas as he successfully crossed over and became a prominent figure in Hollywood. Has appeared in blockbusters such as The Dark Knight (2008), 2012 and Captain America: The Winter Soldier (2014). Also been dubbed to be one of Asia's 25 greatest actors of all time by CNN. Trained practioner of Tai Chi, Han also went through 5 months of kungfu training for his role on Marco Polo.

Trivia: Decided to pursue a career as an actor at the early age of 3.Used to memorize the dialogs and commercials on television at a young age.At the age of 4, he moved from his hometown along with his parents.Made his debut on television in 1996.Started writing along with his wife while they were dating.Is the co-creator of the Memphis Beat along with his wife.

Trivia: Was born in Cyprus, but grew up in Massachusetts. Got an early acting start in the Boston Children's Theatre. Attended the Royal Academy of Dramatic Art in London. First TV appearance was a guest role in the 1988 British police drama Rockliffe's Babies. She also had roles in The X-Files (as Scully's sister) and The Commish. Is best known for recurring roles in Desperate Housewives, The West Wing and, memorably, as an edgy, cynical and manipulative wife of a comic on the acclaimed drama Mad Men. Is certified in stage combat by the British Society of Fight Directors. Plays the saxophone. Played Commissioner Gordon's wife in the hit film The Dark Knight in 2008. (Nathan Gamble played her son in the film, and was again cast as her son in the short-lived 2009 sitcom Hank.) In 2009, wrote an essay about the premature birth of her daughter for the book Note to Self: 30 Women on Hardship, Humiliation, Heartbreak, and Overcoming It All.

Trivia: Child actor Nathan Gamble was born on January 12, 1998. By his tenth birthday he had racked up an impressive resumé, earning a nomination for a Young Artist Award for his role in the hit film Babel, and was cast as the son of Commissioner Gordon in the hit 2008 blockbuster The Dark Knight. He also made several television appearances in his rather busy first decade, including roles on Ghost Whisperer and the hit CBS series CSI. For the holiday season of 2008-2009, moviegoers could catch him in Marley & Me. He appeared in the TV series Hank, and the family film Dolphin Tale.

Trivia: A black belt in seven karate styles who made his feature debut in The Toxic Avenger II and has appeared in numerous off-Broadway plays, Michael Jai White has a curiously eclectic career and is likely a recognized face to action movie aficionados. A Brooklyn, NY, native who was raised in the sometimes harsh limbo between the impoverished Bridgeport and well-to-do Westport, CT, Jai White grew from an introverted youth to a man comfortable in multiple surroundings. Eventually gaining a reputation as a fearsomely tough street fighter by the age of 14, the strikingly mature-appearing youngster earned his keep by offering karate lessons at the YMCA before graduating high school with honors and setting his sights on college. Bouncing from school to school unsure of what direction to take in life, Jai White took a few acting classes but eventually ended up as a junior high school teacher specializing in emotionally disturbed children. Soon auditioning for roles in Manhattan with the blessing of his students, Jai White would rise through the ranks and eventually land roles in such features as Universal Soldier (1992) and Full Contact (1993). After appearing as Mike Tyson in the 1995 television movie Tyson, the tough actor was cast in the role of a double-crossed assassin who seeks vengeance from the fiery depths of Hell in the eagerly anticipated film adaptation of the cult comic book Spawn. Later appearing in such features as Breakfast of Champions (1999) and Exit Wounds (2001), Jai White gained solid footing as a reliable supporting action figure.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: Born in New York, but raised in Paris. Began studying acting at the age of 10. Studied ballet for seven years; she later played a ballerina in the Batman film The Dark Night (2008). Other talents include singing; recorded the duet "Sensiblement Modifies" with French singer Stanislas.

Trivia: Raised in England but moved to Australia for a short time, where he worked as a white-water rafting guide. Acted in stage productions at the National Theatre in London and the Royal Shakespeare Company. Began appearing on British television in the mid-1990s. Narrated an audiobook titled Stranger House by Reginald Hill. Stephen and Frank Dillane, his brother and nephew, are also famous actors.

Trivia: Best known for playing Mickey, Edward Woodward's trusty assistant in the television series The Equalizer, Keith Szarabajka was also a feature film supporting actor who made his debut in Marshall Brickman's Simon (1980). He then divided his time between feature films and television movies such as Nightlife (1989).

Trivia: U.S. senator Patrick Leahy made an auspicious acting debut when he made a cameo appearance in 1997's Batman & Robin. He reprised his role more than ten years later in another Batman iteration, The Dark Knight.