Trivia: Jennifer Lopez's first serious screen role in Gregory Nava's 1995 Latino melodrama My Family followed years of training in television movies and series. Like Rosie Perez, Lopez began her career as a Fly Girl -- a dancer on the sketch comedy series, In Living Color -- and appeared in music videos by Puff Daddy and Janet Jackson. Her big break came in 1997 when she appeared in the title role of Nava's Selena, the story of the successful Tejano singer who was tragically murdered in 1995. Lopez was at first cast as a femme fatale -- due in no small part to her classic Latina beauty (she was born in the Bronx to parents of Puerto Rican descent) -- and worked almost exclusively with acclaimed directors: Francis Ford Coppola (Jack, 1996), Oliver Stone (U-Turn, 1997), and Bob Rafelson (Blood and Wine, 1996). In 1998, she had one of her most acclaimed roles, starring opposite George Clooney in Out of Sight, Steven Soderbergh's adaptation of the Elmore Leonard novel. Cast as a deputy federal marshal who falls for a charming criminal (Clooney), Lopez won raves for her tough, sexy performance, and in the process, she became the highest paid Latina actress in Hollywood history. That same year, she earned an introduction to a new generation of fans by lending her voice to the popular Antz (1998). The lavish but much more adult-oriented thriller The Cell (2000) followed shortly thereafter, bringing Lopez one of her first number-one openings. In an attempt to curry favor from the rom-com crowd, Lopez lightened things up a bit opposite Matthew McConaughey in 2001's romantic comedy The Wedding Planner. Though Lopez was consistently smooth in her frequent transitions from actress to songstress, her next role in the supernatural romance Angel Eyes (2001) failed to click with audiences and critics alike, and her role in the cathartic revenge thriller Enough (2002) likewise disappeared from theaters shortly after its release. Though Maid in Manhattan (2002) was ultimately relegated to a similar fate as her last few films, few could anticipate the outright hostility with which her 2003 comedy Gigli would be greeted. In the movie, Lopez was cast as a female gangster assigned to keep an eye on a kidnapper (played by then-real-life-boyfriend Ben Affleck) who is holding a psychologically challenged young boy hostage. The harsh public backlash against the film was likely due (at least in part) to over-saturated media coverage of the duo's tumultuous off-screen relationship. Though the film's failure wasn't exactly what one would call a career-ender for either star, their shoddy onscreen dynamic reportedly led director Kevin Smith to excise most of Lopez' role in the Affleck-starrer Jersey Girl.Finally, in 2005, it appeared the actress' string of bad box-office luck had possibly reached its end. Teaming up with Jane Fonda for the latter thespian's first feature in over a decade, Lopez scored a modest hit with the comedy Monster-In-Law. The Lasse Hallstrom-helmed drama An Unfinished Life followed later the same year with Lopez opposite heavy-hitters Robert Redford and Morgan Freeman. Lopez married singer Marc Anthony in 2006, and gave birth to twins in 2007. She subsequently worked less over the next few years, opting to spend time with her family. Lopez would get back into acting with the 2010 romantic comedy The Back-up Plan, but sadly, she and Anthony would separate in 2011. She continued to slip effortlessly between film, music and television, including taking a job as a judge on American Idol, setting up a residency in Las Vegas and starring and producing in her own show on NBC, Shades of Blue.

Trivia: Though most easily recognized as a respected actor of stage, screen, and television, Edward James Olmos is also a distinguished humanitarian who spends considerable time and money supporting various causes and charitable organizations in his native Los Angeles. Born the son of an immigrant and a Mexican-American mother, Olmos was raised in an ethnically diverse area of East Los Angeles. Although he was placed in his mother's custody at age seven following his parents' divorce, Olmos kept in close contact with his father. In his teens, Olmos was a rock musician and with his close friend Rusty Johnson formed the Pacific Ocean, a popular group at Sunset Strip area clubs during the late '60s. It was Johnson who suggested Olmos, who by his own admission was not much of a singer, that he try acting. Olmos spent nine years trying to establish himself as an actor, making his film debut (billing himself as Eddie Olmos) as an extra in Aloha, Bobby and Rose in 1975. Prior to that, Olmos had worked as a bit player and extra in several early '70s television shows ranging from Medical Center to Hawaii Five-O. In 1979, he made a splash on Broadway playing Pachuco in Luis Valdez's Zoot Suit. The play was originally staged in L.A. and represented the first time in which Olmos was paid to act on-stage. During the show's New York run, Olmos earned a Tony Nomination and a Drama Critics Circle Award. In 1982, Olmos reprised the role in Valdez's film version. Early in his film career, Olmos showed a preference for socially conscious films and after his first screen appearance played a leading role in Robert M. Young's Alambrista (1977). In 1982, he played a creepy police detective in Blade Runner. That year, Olmos and Robert M. Young co-founded YOY productions to make socially conscious films such as their first joint effort The Ballad of Gregorio Cortez (1982). Olmos became a star when he played the super-pragmatic Lieutenant Castillo on the hip police drama Miami Vice (1984-1989) and in 1985 won an Emmy for his efforts. He earned an Oscar nomination for his inspirational performance as a determined teacher who helps a troubled group of urban kids excel in math and science in Stand and Deliver (1986). Though his film career was sporadic during the '80s and '90s, Olmos continued to show up regularly in television movies. He made his feature film directorial bow in 1992 with the powerful American Me, a grim look at a reformed gangster's attempts to stay away from the violent, criminal ways of his old cohorts. Other notable 1990s efforts include the 1994 miniseries Menendez: A Killing in Beverly Hills and Gregory Nava's beautiful My Family/Mi Familia (1995). OImos would spend the coming years making successful runs on TV series like American Family, Battlestar Galactica, and Dexter.Olmos' humanitarian activities include acting as a United States Goodwill Ambassador for UNICEF, being the national spokesman for the Juvenile Diabetes Foundation, serving a place on the boards of the Miami and Los Angeles Children's Hospitals, serving as the executive director of the Hazard Education Project, and contributing to the foundation for the Advancement of Silence and Education. For his many good works, Olmos has received Honorary Doctorates from five educational institutions including the University of Colorado, California State University at Fresno, and the American Film Institute in Hollywood.

Trivia: A boyishly handsome boxer-turned-actor who turned in his gloves for real after making his screen debut as a pugilist in the 1992 drama Gladiator, New York-born film and television star Jon Seda rose through the ranks in the '90s to make a name for himself as a bit player in such high-profile films as Carlito's Way and Twelve Monkeys -- though it wasn't until his 1997 debut on television's Homicide: Life on the Streets that audiences truly sat up and took notice. Those who had been following Seda's career since his early days had little doubt that the rising young star had what it took to make it as an actor, and following an Independent Spirit Award-winning role as a flawed but well-meaning husband and father in the 1994 drama I Like It Like That, major offers quickly began pouring in. An impressive run in the mid-'90s found Seda turning up in everything from such high-profile Hollywood fare as Primal Fear to such little-seen efforts as New York Cop and Michael Cimino's The Sunchaser -- the latter of which offered Seda in a particularly memorable role as a terminally-ill juvenile delinquent who kidnaps his doctor in hopes of finding a mythical healing lake. Following an impressive turn in the hit HBO prison series Oz, Seda hit his stride on the small screen with a turn as Detective Paul Falsone on Homicide: Life on the Street. By this time Seda was becoming a familiar face to audiences, and in 2000, he once again laced up his boxing gloves for a role opposite Jimmy Smits in the well-received feature Price of Glory. Despite his prominence and success in film and television, it still seemed as if Seda was awaiting the breakout role that would truly make him a household name. In 2002 he proved that he could carry a film when he took the lead in the street-gang drama King Rikki, with a role on the 2004 UPN series Kevin Hill, marking what fans hoped would be a successful return to the small screen.

Trivia: Constance Marie floored audiences with her performance as Selena's mother in Selena (1997), the biographical drama about the pop artist's rise and the tragic ending of her life. Through extensive makeup preparation, Marie was transformed to look substantially older than her on-screen daughter, played by Jennifer Lopez -- the actual age difference between the two actresses was merely one year. Marie's emotional portrayal in the role left no doubt of her maturity as a performer, with or without the makeup.Born September 9, 1969, in Hollywood, CA, Marie's first role was playing Penny in the film spin-off series Dirty Dancing. In 1995, she starred in the Newline feature My Family, as Toni Sanchez, earning her substantial credit in the field. Her role in Selena two years later solidified her impression as a performer, and would veer her career toward dramatic roles both on television and in films.Marie had several roles on TV series, including one recurring on the NBC series Union Square in 1997. Additionally, her film credits continued to grow, mainly in the vein of drama. In 2000, she was featured in the Sundance Film Festival feature Dancing in September. She appeared in See Spot Run and as Yolanda in Tortilla Soup a year later. After a few years without much emphasis on her television career, she returned to the tube, appearing simultaneously on two different networks. She starred as Angie, the wife of standup comic George Lopez, in the 2002 ABC sitcom The George Lopez Show, and as Nina in the critically acclaimed PBS dramatic series American Family of the same year. Over the years to come, Marie would find additional success on the series Switched at Birth.

Trivia: Moved to California when he was one year old.Began his acting career at the age of 12 when he was cast as a street dancer after being discovered breakdancing in a schoolyard.Won the ALMA Award for Emerging Artist of the Year in 1995.While working on the movie Flight of the Phoenix (2004), helped co-star Hugh Laurie record his audition tape for House.Founder of the production company Third Son Productions, Inc.

Trivia: In the early 1970s, after completing college, moved to California and became a Los Angeles County social worker. Took drama class in 1973 at Hollywood High School in Los Angeles. After she won an acting competition held by the school, decided to pursue a career in acting. Made first TV appearance in the 1974 made-for-TV drama I Love You...Goodbye. Assisted in the creation of the Latino Theater Company in Los Angeles. Appeared in the stage and movie adaptations of Zoot Suit and Real Women Have Curves. Won a National Board of Review award and received an Independent Spirit Award nomination for her performance in the 2000 film Chuck & Buck. Provided voice of Abuela Elena in the PBS animated series Maya and Miguel. Narrated the 2005 Independent Lens PBS documentary Maid in America, which featured women who work as domestics. By her own account, she has portrayed a maid more than 150 times in her career. Recipient of the National Hispanic Media Coalition Lifetime Achievement Award.

Trivia: Worked as a model in Italy before beginning her acting career. Served on the board of trustees at Children's Hospital Los Angeles for 10 years. In 2002, played Julia in Geffen Playhouse's stage production of Oscar and Felix: A New Look at the Odd Couple. In 2005, established the Alex Meneses Endowed Scholarship Fund to provide tuition assistance to students attending her former high school, Mother McAuley's Liberal Arts High School. Is the founder and president of her own production company OOLaLa Productions/LADDS Entertainment. Serves on the boards for United Hope for Animals, Los Angeles Philharmonic and the Chicago Symphony Orchestra.