Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.

Trivia: Diane Lane was born in New York City in 1965, the daughter of drama coach Burt Lane and Playboy centrespread Colleen Farrington; her eyes seemed to sparkle with stars from the tender age of six. Cast in a La Mama Experimental Theatre production of Medea, Lane would subsequently appear on stage in numerous productions, both in her native New York and abroad. It wasn't long before the late-'70s found Lane reaching the apex of her early career, and in 1978 she made her film debut in director George Roy Hill's A Little Romance. Cast alongside no less than Sir Laurence Olivier, Lane held her own in the role of an American student who finds love while studying abroad, and as a result gained remarkable exposure on the cover of Time Magazine in August of the following year. Lane was touted as one of the most promising actors of her generation, and this success parlayed her into a series of neglected films. In a number of these instances, she could not be faulted for choosing substandard material; her appearance in Lamont Johnson's fresh and rousing female western Cattle Annie and Little Britches (1981), for example (alongside Amanda Plummer, Burt Lancaster and Rod Steiger) drew lavish critical praise even as the studio inexplicably threw the film into the wastecan. Lane fared better with twin roles in a pair of teen dramas from director Francis Ford Coppola in 1983 (The Outsiders and Rumble Fish) once again earned the burgeoning film actress the spotlight and reminded audiences of her immense talent; she became a Coppola favorite, but didn't fare as well with his Cotton Club, a massive critical and commercial flop that did little to boost her career, even as it introduced her to co-star Richard Gere (with whom she would reteam, professionally, years later).After rounding out the decade with yet another memorable turn in the television miniseries Lonesome Dove (1989), Lane's career once again became a more low-key affair, though her performances frequently outshined the otherwise unremarkable series of films she appeared in.Though roles in such efforts as Chaplin (1992), A Streetcar Named Desire (1995), and Jack (1996) kept her from falling off the radar, Lane didn't truly shine again until her role as a housewife who embarks on a fragile extramarital affair in A Walk on the Moon (1998). Following that film with a pair of memorable performances in My Dog Skip and The Perfect Storm (both in 2000), Lane's career seemed to have achieved some stability, but it wasn't before a pair of forgettable features (Hardball and The Glass House, both in 2001) that Lane scored with yet another tale of marital infidelity. Director Adrian Lyne's Unfaithful, a retooling of Claude Chabrol's La Femme Infidèle, once again found Lane in the throes of an alluring stranger. Unfaithful - the anticipated onscreen reunion of Lane with Richard Gere - pondered the crushing reverberations of extramarital carnality, and Lane provided an ample and intriguing center of gravity for the film. When February 2003 rolled around and the Academy announced its nominations for the previous year, Lane received her first-ever Oscar nod for her emotional turn in Unfaithful. It did not pay off with a win, but Lane's follow-ups with roles in substantial fare including Just Like Mona (2002) and the wildly-popular Under the Tuscan Sun (2003) suggested that Lane's career had finally found solid box-office ground. Time validated this assertion: 2005's Must Love Dogs, a romantic comedy vehicle co-starring Lane and John Cusack, drew positive responses from many moviegoers and did decent, if not spectacular, box office, despite the excoriation of some critics (Salon's Stephanie Zacharek moaned, "It's ostensibly about adults, but there's nothing remotely adult about it.") 2006's Hollywoodland casts Lane in a mystery about the enigmatic demise of Superman's George Reeves. Over the next several years, Lane would prove she had no intention of slowing down , appearing in films like Untraceable, Nights in Rodanthe, and Secretariat. She appeared in the Superman reboot Man of Steel in 2013 as Martha Kent.Married to Highlander Christopher Lambert from 1988 to 1994 (with a single daughter from that marriage), Lane wed actor Josh Brolin in late 2004, before divorcing in 2013. In addition to her high-profile movie career, she is also an avid photographer; the January 2005 issue of InStyle Magazine prominently published a series of landscapes that Lane shot during one of her road trips into the American west.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: Prolific character actor John Hawkes earned a new level of recognition with his role as Bugsy, the slow-witted fisherman who provides Wolfgang Petersen's The Perfect Storm (2000) with a degree of comic relief. Hailing from Austin, TX, Hawkes, who bears a vague resemblance to Tom Selleck, began his career as an actor and musician. After relocating to Los Angeles, where he moved to do further stage work, the actor wrote and performed Nimrod Soul, a one-man show staged at the Theatre at the Improv. He subsequently found work on television and broke into film in the late '80s. In addition to doing supporting turns in a large variety of films, including Flesh and Bone (1993), From Dusk Till Dawn (1996), and I Still Know What You Did Last Summer (1998), Hawkes also did guest work on such long-running TV shows as E.R. and The X-Files. In 1999, he was cast in one of his first leading roles in A Slipping-Down Life, a well-received big screen adaptation of Anne Tyler's novel of the same name that also starred Lili Taylor and Guy Pearce. With his casting the following year in The Perfect Storm, a summer smash that featured him acting alongside the likes of George Clooney, Mark Wahlberg, and John C. Reilly, it seemed that Hawkes' career was entering a new and possibly more lucrative phase. Over the next several years, he would appear in a number of films, like Identity, Miami Vice, American Gangster, Winter's Bone, and Higher Ground.

Trivia: The daughter of first generation Italian-Americans, Mary Elizabeth Mastrantonio was born in Oak Park, IL. Oak Park was also the home town of Ernest Hemingway; some of his "don't mess with me" spirit seems to have been passed on by osmosis to Mastrantonio, who has made her career playing a number of feisty, strong-willed women. Trained for an operatic career, she studied voice at the University of Illinois, Champaign, and had one of her first gigs in an Opryland production of Showboat. Once in New York, Mastrantonio was hired for the 1981 revival of West Side Story, and was lauded in the press for her peppery portrayal of Viola in a New York Shakespeare Festival staging of Twelfth Night.Mastrantonio's first film was Scarface (1983), in which she played Al Pacino's sister (the incestuous subtext was just as pronounced here as in the original 1931 version). She then essayed the role of Benito Mussolini's embittered daughter Edda in the TV miniseries Mussolini: The Untold Story, which starred George C. Scott in the title role. In both of these productions, Mastrantonio tended to be overshadowed by her male co-stars, but she more than held her own opposite such heady company as Paul Newman and Tom Cruise in The Color of Money (1986), an assignment which won her both a Best Supporting Actress Oscar nomination and a Golden Globe nomination.After appearing in a few more films -- most notably The Abyss, in which she played Ed Harris' estranged engineer wife -- she starred as Maid Marian in Kevin Costner's Robin Hood: Prince of Thieves in 1991. As a mark of the impression the actress had made in strong, self-reliant roles, her transformation into a damsel in distress during the film's final scenes were greeted with audible audience groans. Unfortunately, following the huge commercial -- if not critical -- success of the film, Mastrantonio's visibility receded; over the next few years she could be seen in a number of relatively obscure films, perhaps the most notable of which was Two Bits (1995) with Al Pacino. However, in 1999 Mastrantonio reemerged in the public -- or at least art house -- consciousness, thanks to lead roles in My Life So Far, in which she played Colin Firth's wife, and John Sayles' Limbo, in which she portrayed another strong-willed woman, an itinerant lounge singer who meets an uncertain fate in deepest, darkest Alaska.In the years to come, Mastrantonio would appear in many successful projects to come, most notably on the TV series Without a Trace and Law & Order: Criminal Intent.

Trivia: Trained at the Washington Theatre Laboratory and Lee Strasberg Theatre Institute, Karen Allen was primarily a stage actress when she began to accept small film roles in such productions as National Lampoon's Animal House (1978) and Manhattan (1979), although her most celebrated film assignment was as the plucky Marion Ravenwood in Steven Spielberg's Raiders of the Lost Ark (1981). Spielberg reportedly acknowledged his appreciation of Allen's performance by gallantly kissing her hand after each take, also preferring roles for Allen that allowed her to appear without makeup, with her generously freckled face in full view. Among her more notable post-Raiders films were Starman (1984), The Glass Menagerie (1987), Malcolm X (1992), and In the Bedroom (2001). Temporarily blinded by conjunctivitis shortly before launching her film career, Allen was able to draw from life while portraying the adult Helen Keller in the mid-'80s Broadway play Helen and Teacher. Allen's TV roles included a portrayal of the ill-fated civilian astronaut Christa McAuliffe in Challenger (1990). The actress reunited with Harrison Ford in a reprisal of her role as Marion in 2008's Indiana Jones and the Kingdom of the Crystal Skull. Allen continues to be active in film and television.

Trivia: Well known as a premiere theater actress and an advocate for gay rights, Cherry Jones has also appeared in a number of high-profile films. Born and raised in Tennessee, Jones headed north to study drama at Carnegie Mellon University. A founding member of the American Repertory Theatre in Cambridge, MA, Jones spent the early years of her professional career performing in a wide range of plays. After she relocated to New York, Jones acted in numerous Broadway productions, including Angels in America, The Night of the Iguana, Our Country's Good, and A Moon for the Misbegotten. Her performance as the lonely heroine in the 1995 production of The Heiress earned Jones several awards, including the Tony. Even as she became a theater star, Jones added TV and films to her repertoire in the 1980s, with supporting roles in the TV docudrama Alex: The Life of a Child (1986) and Paul Schrader's Light of Day (1987). Though drama was her primary forte, Jones also appeared in the hit comedies Housesitter (1992) and A League of Their Own (1992). After several years of stage work, Jones returned to films in the independent black comedy Julian Po (1997), and Robert Redford's The Horse Whisperer (1998). Jones brought an air of forceful integrity to her roles as the embattled head of the Federal Theater Project in Tim Robbins' 1930s tapestry Cradle Will Rock (1999) and as one of the chemical contamination victims in Steven Soderbergh's Erin Brockovich (2000). Unabashedly out since her professional debut at age 21, Jones made theater history of sorts when she thanked her same-sex domestic partner from the podium when she won her Tony for The Heiress. Jones added her voice to Out of the Past (1998), a documentary about the struggles of the gay rights movement throughout U.S. history, and co-starred in the TV movie about lesbian parents, What Makes a Family (2001).Continuing to take smaller roles in big movies between her stage work, Jones followed Erin Brockovich with a turn as one of the residents on land forced to come to grips with the tragic effects of The Perfect Storm (2000). Back on summer movie screens two years later in two heavily hyped releases, Jones was one of the many oddly monikered women populating the eccentric female universe in Divine Secrets of the Ya-Ya Sisterhood (2002). In M. Night Shyamalan's spiritual science fiction hit Signs (2002), Jones quietly shined with her gentle yet no-nonsense performance as the local cop who gets involved in teasing out the meaning of the crop circles in anguished father Mel Gibson's corn field. Both Soderbergh and Shyamalan would continue to feature her such films as Ocean's Twelve and The Village, as Jones continued to rack up acclaim for her stage work, including a Best Actress Tony in 2005 for John Patrick Shanley's Doubt. In 2007 Fox announced that Jones would be portraying the first female president on the seventh season of 24.In 2009 she would play a first lady embodying Eleanor Roosevelt in the biopic Amelia, and had a busy 2011 appearing in Jodie Foster's The Beaver as well as Garry Marshall's ensemble romantic comedy New Year's Eve. She returned to TV in 2012 with a role in the series Awake.

Trivia: California-born actor Robert Gunton has been essaying film character roles since 1980. Among his film credits are Rollover (1981), Matewan (1987), Glory (1988) and Cookie (1989). Many observers feel that Gunton was at his performing peak in the role of a wildly neurotic streetcorner evangelist in the little-seen satire Static (1985). A seasoned improv performer, Robert Gunton was one of the regulars (along with such future notables as Mark-Linn Baker and Joe Mantegna on the Manhattan-based TV series Comedy Zone (1984).

Trivia: Hollywood character actor Christopher McDonald at first specialized in playing uptight and slightly vexing young urban professionals. When the material demanded it, McDonald occasionally heightened these qualities to the obnoxious level for persuasive villainous portrayals, appearing as philandering husbands, condescending jocks, and manipulative powermongers to tremendous effect.The Manhattan native grew up in Romulus, NY. A Renaissance man and overachiever in high school, McDonald studied dentistry at Hobart College in the upstate New York town of Geneva but soon discovered an enduring passion for drama, studying after his 1977 graduation at London's Royal Academy of Dramatic Art. When plum adolescent roles in the musical clunkers Grease 2 (1982) and Breakin' (1984) did little to further McDonald's career, he moved to Manhattan and sought tutelage from the legendary acting coach Stella Adler -- with such aggressive determination that he actually convinced the 83-year-old Adler to offer her services in exchange for domestic chores.The actor landed one of his most visible parts circa 1986, in the Bette Midler-Shelley Long female buddy comedy Outrageous Fortune (1987). He also essayed a memorable nice-guy turn opposite Cybill Shepherd and Ryan O'Neal in the first act of the wonderful reincarnation comedy Chances Are (1989). But McDonald's watershed moment came with his portrayal of Geena Davis' browbeating husband, Darryl Dickinson, in Ridley Scott's blockbuster feminist road movie Thelma & Louise (1991). Thanks to the success of that picture, McDonald's screen time escalated, and he began tackling an average of four to six roles per year. He ushered in an outstanding portrayal of Jack Barry, the natty host of Twenty-One, in the Robert Redford-directed Quiz Show (1994); played an abusive golf pro in the Adam Sandler comedy Happy Gilmore (1996); and was suitably annoying as an ignorant dad in John Duigan's suburban drama Lawn Dogs (1997). That same year, McDonald also portrayed Ward Cleaver in the big-screen version of Leave It to Beaver.McDonald resumé during the first several years of the millennium includes such Hollywood blockbusters as 61* (2001) and Spy Kids 2 (2002) and such arthouse hits as Requiem for a Dream (2000) and Broken Flowers (2005). In 2007, McDonald played Boss Hogg in the big-budget sequel The Dukes of Hazzard: The Beginning and Marty Schumacher in the Jamie Kennedy vehicle Kickin' It Old Skool. Four years later he essayed a recurring role on the hit HBO drama Boardwalk Empire.

Trivia: Canadian actor Michael Ironside has specialized in tough, steel-fisted villainous film roles. Ironside played the ruthless brain-splitting cult leader in Scanners (1981), the unethical cop in Cross Country (1983), and the megalomaniacal cyborg in Spacehunter: Adventures in the Forbidden Zone (1984), among other wicked characterizations. He was also seen as Dick Wetherly in Top Gun, 1986's biggest hit, and as General Katana in Highlander II: The Quickening (1991). He'd go on to appear in films like The Machinist and Terminator Salvation, as well as TV series like ER, SeaQuest DSV: 2032, and Desperate Housewives.

Trivia: An actor with an undeniably friendly appeal, Dash Mihok was born in New York in 1974. Both of Mihok's parents were active in theater and the arts, and they encouraged their son to explore his creative side. He joined up with the program City Kids while in high school, a production involving Jim Henson puppets that performed all over the city, teaching children about character and self-esteem.Mihok's interest in performance only grew as he got older, and he began auditioning for professional roles after high school, scoring appearances on Law & Order and in the movie Sleepers. Then, still a virtual unknown, Mihok got a callback for a much more prominent role when he was cast as Benvolio, best friend of Leonardo DiCaprio's Romeo in Baz Luhrmann's hallucinatory, modern take on William Shakespeare's Romeo and Juliet. The project gave Mihok an amazing chance to show his stuff; not only did he impress audiences by handling a serious, emotional acting role complete with difficult, antiquated language, but he also walked around bare-chested in many scenes, wowing viewers with his muscular physique. Mihok continued to pick and choose interesting projects, acting in everything from big-budget blockbusters like The Day After Tomorrow and The Perfect Storm to independent arthouse movies like Johnny Flynton and Mojave. Mihok was a particular delight to audiences in 2006's Hollywoodland and in 2007's family film Firehouse Dog, and over the coming years, he would find success in an ongoing series of films, like I Am Legend, The Longshots, and Trespass.

Trivia: Born September 12th, 1970 to former Kentucky congressman Larry Hopkins, Josh Hopkins' first onscreen acting job was in 1995's Parallel Sons when he was 25. He found steady work with roles in G.I. Jane and The Perfect Storm, but his real break came when he was cast on the show Ally McBeal in 2001. Hopkins' successful TV run continued as he was cast as a regular on Pepper Dennis, and in reoccurring roles on the shortlived Vanished and with his Ally McBeal cast mate Calista Flockhart on Brothers & Sisters. He was then cast as one of the lead roles in the 2007 series Swingtown. In 2009, Hopkins appeared as Dr. Noah Barnes in ABC's Private Practice, and took on a supporting role in ABC's Cougar Town the same year.