Trivia: One of the most powerful and uncompromising artists in rap music, Ice Cube enjoyed a surprisingly smooth transition into a career in motion pictures, first distinguishing himself as an actor and later branching out into writing, producing, and directing. Born O'Shea Jackson in South Central Los Angeles on June 15, 1969, Ice Cube came from a working class family, with both his father and mother employed by U.C.L.A. Ice Cube began writing lyrics when he was in ninth grade; a friend in a high school typing class challenged him to see who could come up with a better rap, and when he won the contest, Cube began honing his hip-hop skills in earnest. Before long, Ice Cube had formed a rap group called CIA with a friend, a DJ known as Sir Jinx. CIA began playing parties organized by Dr. Dre (born Andre Young), a member of a popular local hip-hop group called The World Class Wrecking Cru, and Cube and Dre both got to know Eazy-E (born Eric Wright), a rapper with a group called HBO who had started his own record company, financed by his successful career as a drug dealer. In time, Ice Cube, Dr. Dre, and Eazy-E joined forces with DJ Yella (born Antoine Carraby) and MC Ren (born Lorenzo Patterson) to form the group N.W.A. With their 1988 album Straight Outta Compton, N.W.A.'s profane and provocative lyrics (particularly the infamous "F -- -- Tha Police") made them one of the most controversial groups in the history of rap music, and if they weren't the first gangsta rappers, they certainly brought the sound to a mass audience for the first time. In 1989, Cube, dissatisfied with N.W.A.'s management (and the fact he had been paid a mere 30,000 dollars for writing and performing on an album which sold three million copies), decided to leave the group and strike out on his own. He released his first solo album, AmeriKKKa's Most Wanted, in 1990, and the disc's blunt, forceful sound and aggressive blend of street life and political commentary proved there was life for the rapper after N.W.A.. The following year, after releasing the follow-up EP Kill at Will, and a second album, Death Certificate, Cube made his acting debut in John Singleton's gritty look at life in South Central Los Angeles, Boyz N The Hood, which drew its name from an early N.W.A. track. Cube received strong reviews for his performance as ex-con Doughboy, and a year later starred opposite fellow rap trailblazer Ice-T in Walter Hill's Trespass. In 1995, Cube reunited with Singleton for the drama Higher Learning, and, later that year, expanded his repertoire by starring in Friday, a comedy he also wrote and produced. With his career in the movies on the rise, Cube spent less and less time in the recording studio, although he often contributed to the soundtracks of the films in which he appeared, and recorded with the L.A. all-star group Westside Connection. In 1998, Cube added directing to his list of accomplishments with The Players Club, for which he also served as screenwriter and executive producer, as well as played a supporting role as Reggie. The same year, he released his first solo album in four years, War and Peace, Vol. One: The War Disc. Cube went on to write and produce sequels to both Friday and All About the Benjamins, which co-starred his Friday sidekick, Mike Epps. He also continued to work in films for other writers and filmmakers, including Three Kings, Ghosts of Mars, and the extremely successful urban comedy Barbershop.In 2004, Cube's career continued to pick up steam. He appeared in the motor-cycle action thriller Torque, as well as Barbershop 2: Back in Business. By the next year, he was taking over for Vin Diesel, starring in XXX: State of the Union, as well as branching into the realm of family comedy with Are We There Yet?. Both were box office gold, and Cube went on to follow up the latter with 2007's sequel Are We Done Yet?.He tried his hand at an inspirational sports drama producing and starring in The Longshots in 2008. His love of sports found full flower in his 2010 documentary Straight Outta L.A., which he made as part of ESPN's 30 for 30 series. The film examined the relationship between sports and hip-hop culture in The City of Angels during the heyday of N.W.A. He appeared in the corrupt cop drama Rampart, and had a funny turn as the Captain to the undercover agents working out of 21 Jump Street.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: A man with a gift for wringing laughter from commonplace situations, Cedric the Entertainer has parlayed a career as one of the top standup comics in America into a steadily growing resumé as an actor in film and television. Born Cedric Kyles in 1964, Cedric the Entertainer adopted his stage name early on in his career; having also worked as a singer and dancer, Cedric wanted audiences to know he was more than just another comedian, though after being named "most humorous" in his high school graduating class, he seemed destined early on to be best known for his wit. Cedric's career as a standup comic got its first major boost when he won the "Johnny Walker National Comedy Contest" in Chicago. This led to regular gigs at nightclubs in his hometown of St. Louis, and a victory in another Chicago comedy competition. With plenty of experience in the Midwest under his belt, Cedric began touring comedy clubs around the United States, and in 1993, he scored his first regular spot on television, as the host of the BET series Comicview. While touring the Southwest, Cedric dropped by a club in Dallas, TX, where the headlining act was not going over with the audience. Cedric persuaded the management to let him do a set, and his five-minute routine brought down the house. Cedric soon discovered fellow comic Steve Harvey was in the audience. The two rising stars struck up a friendship, and when Harvey scored his own sitcom, The Steve Harvey Show, in 1996, he brought Cedric along to play his friend, Cedric Jackie Robinson. Cedric was a hit on the show, and his work on the series earned him the NAACP Image Award as Best Supporting Actor on a Comedy Series three years in a row. In 1997, Cedric and Harvey joined forces with funnymen Bernie Mac and D.L. Hughley for a concert tour. Billed as The Kings of Comedy, the tour was a major success, selling out large venues across the country and grossing 37 million dollars over a two-year run. After his success on The Steve Harvey Show and with the Kings of Comedy tour, it was inevitable that Hollywood would come calling, and Cedric scored his first screen role in 1998 in the comedy Ride. The Original Kings of Comedy, a concert film shot by Spike Lee during a tour stop in North Carolina, hit theaters in 2000, and Cedric was also seen that year in the Martin Lawrence vehicle Big Momma's House. In 2001, Cedric scored a supporting role in the comedy-drama Kingdom Come, and did voice work for Dr. Dolittle 2 as well as the animated television series The Proud Family.As one of the stars of 2002's Barbershop, Cedric showed Hollywood that he could deliver a major box-office hit, and larger film roles soon followed. After a scene-stealing turn in the Coen Brothers' 2003 Intolerable Cruelty, Cedric geared up for what looked to be his biggest year to date. 2004 saw the comedian with starring roles in the sequel to Barbershop, Johnson Family Vacation, and the big-screen adaptation of the classic sitcom The Honeymooners, as well as prominent supporting parts in Lemony Snicket's A Series of Unfortunate Events, with Jim Carrey and Meryl Streep, and Be Cool, the long-awaited sequel to Get Shorty.He lent his distinctive voice to a number of animated projects including the Madagascar films and the live-action Charlotte's Web. He also acted in projects as diverse as Talk to Me, Code Name: The Cleaner, Cadillac Records, and Tom Hanks' sophomore directorial effort Larry Crowne.When not making people laugh in person or onscreen, Cedric has an interest in charitable work, and in St. Louis he's established the Cedric the Entertainer Charitable Foundation, which helps to fund youth scholarships and family outreach programs in his hometown.

Trivia: A talented actor who began to win due notice in the late '90s, Sean Patrick Thomas broke through to mainstream audiences with winning turns in such films as Cruel Intentions (1999) and Save the Last Dance (2001). The son of immigrants from Guyana, Thomas was born in Wilmington, DE, in 1970. While attending the University of Virginia, where he studied English and planned to become a lawyer, Thomas decided to pursue a career in acting after auditioning for a student production of Lorraine Hansberry's A Raisin in the Sun. Thomas broke into film with small roles in productions that included Courage Under Fire (1996), Conspiracy Theory (1997), and Can't Hardly Wait (1998). In 1996, he further added to his acting credentials by earning an M.A. in drama from New York University. Relative fame and even a blush of notoriety greeted the actor in 1999, with a pivotal role in Cruel Intentions, Roger Kumble's free and loose adaptation of Choderlos De Laclos' Les Liaisons Dangereuses. Co-starring alongside alpha-teens Sarah Michelle Gellar, Reese Witherspoon, and Ryan Phillippe in the torrid tale of lust, betrayal, and negligent parenting on Manhattan's Upper East Side, Thomas earned (literal) exposure as the cello teacher/illicit lover of one of the film's principle characters. Even greater exposure followed for Thomas the subsequent year, when he was cast in a substantial role as Detective Temple Page on the critically acclaimed TV series The District. Riding high, he then won his first starring role on the big screen in Save the Last Dance (2001), an interracial love story set in Chicago's South Side that featured him as a black high school student in love with a white classmate (Julia Stiles). Although the film earned mixed reviews, it found an appreciative audience, and with it, a growing fan base for the young actor.

Trivia: Philadelphia native Eve Jihan Jeffers started out as part of a five-girl singing group before getting her big break in the world of rap, when she moved out to L.A. to meet Dr. Dre. Briefly signed to Dr. Dre's Aftermath label, she recorded a demo tape including a song that made it to the Bulworth soundtrack. Calling herself Eve of Destruction, she then met DMX and joined Ruff Ryders Records, becoming the only female rapper on the label. Using the simple name Eve, she released two solo rap albums -- Let There Be Eve...Ruff Ryder's First Lady... and Scorpion -- before making her first film appearance in a brief role as J.J. in XXX, a spy thriller whose title song she also composed. After releasing her third album, Eve-olution, she then appeared in the urban comedy Barbershop (starring Ice Cube and Cedric the Entertainer) as Terri, the only female member of a south-side Chicago barbershop. Eve reprised her Barbershop role for its sequel in 2004, and was praised for her turn as the suspicious co-worker of a former child molester in The Woodsman the same year. The actress/singer dropped off the movie scene for several years in order to pursue her musical career and other ventures, then came back with a bang for a supporting role in Whip It, a comedy drama following an ex-pageant queen's experiences on a roller derby team. She also appeared on several episodes of Glee, Fox's hit television series following the oftentimes musical adventures of a high school glee club.

Trivia: The son of actress Jane Fonda and political activist Tom Hayden, Troy Garity has shown interest in both of his parents' professions. (He adopted the surname Garity from his paternal grandmother's side.) As a child, he spent his summers at the Laurel Springs Arts Camp in Santa Barbara and appeared uncredited in On Golden Pond with his mom and grandfather. As an adult, he moved to New York City to study at the American Academy of Dramatic Arts and later to Los Angeles to start a film career. After being named one of People magazine's 50 Most Beautiful People in 1998, he landed the role of his father in Steal This Movie, the historical biopic starring Vincent D'Onofrio as '60s activist Abbie Hoffman. The next year, Garity appeared in Barry Levinson's crime comedy Bandits as a getaway driver for eccentric bank robbers played by Bruce Willis and Billy Bob Thornton. After a few more small-time features, he played token white guy Isaac Rosenberg in Tim Story's urban comedy Barbershop. His breakthrough role came in 2003 with the Showtime movie A Soldier's Girl, based on a true story. He played Pfc. Barry Winchell, a soldier who was beaten to death in 1999 after he fell in love with transsexual Calpernia Addams (Lee Pace). The job earned Garity nominations from both the Golden Globes and the Independent Spirit Awards. the actor starred in the critically acclaimed drama Milwaukee, Minnesota that same year as mentally disabled ice fisherman Albert Burroughs. In addition to continuing involvement with his nonprofit group the Peace Process Network, Garity appeared in the 2004 sequel Barbershop 2.

Trivia: A native of Silver Spring, MD, suave and clean-cut actor Michael Ealy appeared on-camera from the late '90s. He began on the small screen, with guest appearances on network programs including Law & Order and ER, but scored his breakout role with a much-favored turn as Ricky Nash, a convict-in-the-running with several past charges against him, in the predominantly African American ensemble comedies Barbershop (2002) and Barbershop 2: Back in Business (2004). The billing in these projects was somewhat prescient: Ealy continued to take challenging and unique supporting roles and gradually worked his way up the Hollywood ladder, openly declaring himself in no hurry to become a top-billed star. Additional projects included the action sagas 2 Fast 2 Furious (2003) and S.W.A.T. (2003) and the psychological thriller November (2003), but Ealy netted much greater acclaim -- and flexed some impressive dramatic muscle -- with his portrayal of Teacake in the Oprah Winfrey-produced telemovie Their Eyes Were Watching God (2005). He then landed the incredibly demanding and edgy lead role of Darwyn Al-Sayeed, a terrorist plotting an attack on the United States, in the Showtime original miniseries Sleeper Cell (2005). In 2008, Ealy starred opposite Will Smith and Rosario Dawson in the earnest suicide drama Seven Pounds, directed by Gabriele Muccino (The Pursuit of Happyness). Ealy took on a leading role as a Bishop hiding in a small Italian village that opposes the Nazi cause in Spike Lee's acclaimed war drama Miracle at St. Anna (2008), and co-starred with Julianna Margulies and Michael J. Fox in the CBS television series The Good Wife the following year. In 2010 he played a supporting role in the crime thriller Takers, and starred in the romantic comedy Think Like a Man in 2010.

Trivia: Insisted on studying acting as a 6'1", 235 lb. high school student despite pressure to join the football team. Returned as an advisor to the Clinton Administration about the Presidential Scholar Award after being one of 141 graduating seniors selected for the honor in 1995. Taught theater arts at a performing arts high school in California. Performed in the play What We Don't Say at Theatre Asylum in LA's Theatre Row in 2013.

Trivia: Actor, singer, and voice actor Keith David has spent much of his career on the stage, but also frequently works in feature films and on television. A native of New York City, David first performed as a child, singing in the All Borough Chorus and later attended the prestigious High School of Performing Arts. Shortly after graduating from Juilliard, where he studied voice and theater, David landed a role in a production of Coriolanus at Joseph Papp's Public Theater. He starred opposite Christopher Walken. David made his Broadway debut in Albee's The Lady From Dubuque (1980) and, two years later, had his first film role in John Carpenter's The Thing. He would not appear in another feature film until he played King in Oliver Stone's Platoon (1986). In between, David alternated between stage and television work. He appeared in five films in 1988, including Clint Eastwood's Bird, where he gave a memorable performance as jazz sax player Buster Franklin. In 1992, David showed his considerable skill as a singer and dancer and won a Tony nomination for starring in the musical Jelly's Last Jam, opposite Gregory Hines. David's film career really picked up in the mid-'90s, with roles ranging from a gunslinger in Sam Raimi's The Quick and the Dead to a New York cop in Spike Lee's Clockers to an amputee who owns a pool parlor in Dead Presidents (all 1995). In 1998, David had a brief but memorable role as Cameron Diaz's boisterous stepfather in the Farrelly brother's zany Something About Mary. In one of the film's funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation. He is also well known to animation fans for his voice work in, among other projects, Disney's Gargoyles, HBO's Spawn, and the English-dubbed version of the Japanese-animated film Princess Mononoke. In 2000 he appeared in Requiem for a Dream, Pitch Black, and Where the Heart Is, as well as providing the narration of Ken Burns documentary on the history of jazz. He continued to work steadily in a variety of projects including Barbershop, 29 Palms, Agent Cody Banks, Mr. and Mrs. Smith, and the 2005 Oscar winner for Best Picture, Crash. He also found work in Transporter 2, The Oh in Ohio, Meet Monica Velour, Lottery Ticket, and the 2010 remake of Death at a Funeral.

Trivia: Made his feature film debut in the 1987 film Barfly, starring Faye Dunaway and Mickey Rourke.Played Ashtray's Father in the 1996 Wayans Brothers-produced parody Don't Be a Menace to South Central While Drinking Your Juice in the Hood.First writing credit was on the 2004 comedy Tha' Crib.Lent his voice to the video games Spider-Man 3 and Crysis.Co-executive produced the audio scripted drama series, Bronzeville, on which he is also a cast member.

Trivia: Originally planned to be a lawyer. Took his first acting class at the University of Virginia. Went to an open casting call in 1996 for the NBC daytime series Sunset Beach and landed the role of Michael Bourne; made his TV debut on the soap in 1997. In 1999, earned a Daytime Emmy nomination for his work on Sunset Beach. Movie debut was in 1998's Fallen. First prime-time TV appearance was in 1998 on the UPN comedy Moesha. In 2002, received the Lew Klein Alumni in the Media Award from Temple University; the acknowledgment also earned him a spot in the School of Communications and Theater Alumni Hall of Fame.

Trivia: Born and raised on the south side of Chicago, comedian-turned-actor DeRay Davis developed and honed a hip, sardonic, streetwise mentality at an early age and parlayed it smoothly and efficiently into the comedy-club circuit. Davis achieved his career breakthrough at the Laffapalooza Festival in Atlanta, GA, then scored a triple whammy by winning the Comedy Central Laugh Riots Competition and landing covetable spots in the Montreal Just for Laughs Festival and the Cedric the Entertainer Festival. Throughout, the comic wove vulgar and droll, yet also telling and deeply personal, routines around the subjects of race, poverty, and his challenging experiences growing up in the Windy City projects with a dysfunctional African-American family. The transition from behind-the-mike spots to movie roles represented a relatively short jump, for most of Davis' early film assignments emphasized the same subject matter as his routines; for example, he played the "Hustle Guy" in Barbershop (2002) and its sequel, Barbershop 2: Back in Business (2004), rapper Mario "Fa Real" Greene in the Martin Short comedy Jiminy Glick in La La Wood (2004), and a Jamaican stoner in Johnson Family Vacation (2004). Davis expanded his genre focus with roles in Rupert Wainwright's supernatural horror outing The Fog (2005), and Todd Phillips' comedy remake School for Scoundrels (2006). Subsequent feature assignments include License to Wed (2007), Semi-Pro (2008, as basketball player Bee Bee Ellis), and Nowhereland (2009). Meanwhile, Davis also appeared on television series including Entourage and Reno 911!, and televised comedy revues such as Comedy Central's Premium Blend.

Trivia: Made his film debut in Barbershop, in which he played the owner of a convenience store. Is one of the co-founders of Rasaka Theatre Company in Chicago and has extensive theater credits. Trained with Second City Los Angeles. Has played a call center employee in the film Karma Calling and the NBC series Outsourced, as well as working in an actual one early in his career. Based his Indian accent on his cousin, who likes to imitate Americans doing an Indian accent. According to Cheena, it sounds like "an Indian-American imitating an Indian imitating an American."

Trivia: Born in Orlando, FL, in 1932, Carl Wright began his show-business career as a tap dancer, touring the globe with various troupes. Wright also had careers as a songwriter and musician before beginning a movie career at age 65 in 1997's Soul Food. Wright had tremendous acting ability and an undeniable charisma onscreen, and he followed Soul Food's success with roles in Barbershop and Big Momma's House. Wright passed away in 2007 at the age of 75.

Trivia: Started as a stand-up comedian, getting his start at clubs in the South Side of Chicago. Offered a job as a staff writer for The Tonight Show with Conan O'Brien after making an appearance on show. Has his own production company called Coled Blooded.

Trivia: Is of Dutch and Indian descent. Trained as a vocalist, pianist and percussionist. Was a member of the band Endera. Had her breakout role playing Papi in the Showtime drama series The L Word. Appeared in the music video for "Wish I Could" by Russian artist Ella Leya. After a lead role on ABC's supernatural series The Gates (2010), she joined the cast of HBO's True Blood as shapeshifter Luna in 2011.